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Sample Odyssey Passage
The Odyssey of Homer Translated from Greek into English prose in 1879 by S.H. Butcher and Andrew Lang. Book I In a Council of the Gods, Poseidon absent, Pallas procureth an order for the restitution of Odysseus; and appearing to his son Telemachus, in human shape, adviseth him to complain of the Wooers before the Council of the people, and then go to Pylos and Sparta to inquire about his father. Tell me, Muse, of that man, so ready at need, who wandered far and wide, after he had sacked the sacred citadel of Troy, and many were the men whose towns he saw and whose mind he learnt, yea, and many the woes he suffered in his heart upon the deep, striving to win his own life and the return of his company. Nay, but even so he saved not his company, though he desired it sore. For through the blindness of their own hearts they perished, fools, who devoured the oxen of Helios Hyperion: but the god took from them their day of returning. Of these things, goddess, daughter of Zeus, whencesoever thou hast heard thereof, declare thou even unto us. Now all the rest, as many as fled from sheer destruction, were at home, and had escaped both war and sea, but Odysseus only, craving for his wife and for his homeward path, the lady nymph Calypso held, that fair goddess, in her hollow caves, longing to have him for her lord. But when now the year had come in the courses of the seasons, wherein the gods had ordained that he should return home to Ithaca, not even there was he quit of labours, not even among his own; but all the gods had pity on him save Poseidon, who raged continually against godlike Odysseus, till he came to his own country. -
A. Regka/Koj QESSALONIKH 2007
ARISTOTELEIO PANEPISTHMIO QESSALONIKHS FILOSOFIKH SXOLH TMHMA FILOLOGIAS Hassan Atia Hassan Sayed Ahmed Heakal QEMA: "H EIKONA THS QALASSAS STHN ARGONAUTIKH TOU APOLLWNIOU RODIOU" Prwteu/ousa Metaptuxiakh/ Ergasi/a Epo/pthj Kaqhghth/j: A. Regka/koj QESSALONIKH 2007 Table of Contents 1- Introduction 2 2- I: The Role of Gods in the Argonautica 2.1. Zeus 6 2.2. Hera and Thetis 11 2.3. Athena 25 2.4. Apollo 35 2.5. Poseidon, Triton and Glaucus 46 3- II: The Interaction between the Argonauts and the Marine Environment in the Argonautica 3.1. Election of the Leader 54 3.2. The Launch of Argo 57 3.3. The Winds and the Navigation 59 3.4. Phineus’ Episode 64 3.5. The Symplegades or the Planctae 67 3.6. Passage of the Symplegades 78 3.7. The Sirens in Scylla and Charybdis 88 3.8. What did Jason Learn from these Situations? 93 4- III: The Marine Similes in the Argonautica 4.1. Concept of the Simile 97 4.2. The First Book 100 4.3. The Second Book 105 4.4. The Third Book 111 4.5. The Forth Book 112 5- Bibliography 116 1 Introduction The Argonautica recounts the mythical voyage of the Argonauts who, on the order of King Pelias, undertake a long and dangerous voyage to Colchis, located on the southeast corner of the Black Sea (modern Georgia), in search of the Golden Fleece and, eventually, succeed in returning with it to Greece. They are led by Jason, a young hero who succeeds in winning the Fleece from Aeetes, king of Colchis, with the help of Medea, the Colchian princess expert in magic powers with whom he gets involved in a love affair, and who accompanies him back to Greece, thus providing the setting for Euripides' great tragic play of betrayal and infanticide, Medea. -
Early Theories of Foreignness (Kennedy, RECW Ch 1 Pp
Clas 122 2017 Mon Oct 2: Homer and Hesiod: Early Theories of Foreignness (Kennedy, RECW Ch 1 pp. 3-13) Overview of Homer's Odyssey -- a map of the world imagined by speakers of Greek The poem itself invites its audience to think about: What is a good society? What is a good leader? As readers here and now, we can also ask critical Questions: What are the poem's blind spots? How does the poem encourage its audience to think and behave? Do the poem's ideas about a good society and a good leader have meaning today? The images below come from a series of collages and paintings by Romare Bearden (1911-1988). The Smithsonian Institution organized a bautiful exhibit of the series recently, and there is a good free app (showing many of the works and adding audio commentary) available for I phone and android; search for "A Black Odyssey" where you get apps. As our story begins ..... During his journey back to his home in Ithaca after the war at Troy, Odysseus is on the island of Calypso. Athena asks Zeus if Odysseus can come home to Ithaca. Zeus says yes, and sends Hermes to tell Calypso that Odysseus needs to come home. Calypso lets Odysseus build a raft and he departs. This is only possible because .... RECW 1.1 Od. 1.22-26: Poseidon, the god of the sea, is visiting the Ethiopians, and thus is not watching Odysseus. Poseidon had been thwarting the homecoming because of the way that Odysseus treated the Cyclops Polyphemus, who was descended from Poseidon. -
French Sculpture Census / Répertoire De Sculpture Française
FRENCH SCULPTURE CENSUS / RÉPERTOIRE DE SCULPTURE FRANÇAISE ARCHIPENKO, Alexander Flat Torso 1914 chrome plated sculpture, with black marble base M.83.175.1 Los Angeles, California, Los Angeles County Museum of Art ARCHIPENKO, Alexander Flat Torso 1914, cast 1921-1922 polished bronze 2003.3 Richmond, Virginia, Virginia Museum of Fine Arts ARCHIPENKO, Alexander Torso c. 1921-1923 marble 95.9 Bloomington, Indiana, Eskenazi Museum of Art, Indiana University (formally Indiana University Art Museum) Page 1 ARCHIPENKO, Alexander Torso in Space 1936 bronze on wood base AC 2001.601 Amherst, Massachusetts, Mead Art Museum, Amherst College ARCHIPENKO, Alexander Torso in Space 1936 terracotta, metalized with bronze on painted wood base 58.24 New York, New York, Whitney Museum of American Art ARCHIPENKO, Alexander Torso in Space 1936, cast 1967 bronze 68.10 New York, New York, Whitney Museum of American Art ARCHIPENKO, Alexander Torso in Space 1936 bronze, 2/6 1971.001.002 Tucson, Arizona, University of Arizona Museum of Art ARCHIPENKO, Alexander Torso 1916 bronze 1958.5 Phoenix, Arizona, Phoenix Art Museum Page 2 ARCHIPENKO, Alexander White Torso c. 1920, after a marble of 1916 silvered bronze 277.1961 New York, New York, The Museum of Modern Art ARP, Jean/Hans Torso original marble 1931, this enlarged cast 1957 bronze 1966.55.1 Baltimore, Maryland, The Baltimore Museum of Art ARP, Jean/Hans Torso Fruit 1960 marble 66.108 Washington, D.C., District of Columbia, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution Page 3 ARP, Jean/Hans Torso-Kore 1958 bronze, edition 2/5 97.1991 Chicago, Illinois, The Art Institute of Chicago Page 4 ARP, Jean/Hans Torso 1953 white marble on polished black marble base SC 1956:13 Northampton, Massachusetts, Smith College Museum of Art ARP, Jean/Hans Torso of A Knight 1959 bronze 2006.03 Grand Rapids, Michigan, Frederik Meijer Gardens and Sculpture Park BARTLETT, Paul Wayland Female Figure bronze Washington, D.C., District of Columbia, The National Gallery of Art BARTLETT, Paul Wayland Seated Female Torso c. -
Verbotsliste Zum Members´ Favourite 2012 (MF 2012)
Verbotsliste zum Members´ Favourite 2012 (MF 2012) Interpret Titel Wettbewerb MF = Members´ Favourite (ab 01) OGAEVC = OGAE Video Contest OGAESC = OGAE Song Contest SCC = Second Chance Contest MSC = Member Song Contest (bis 00) auch nicht erlaubt: alle ESC-Final-Lieder von 1956 - 2012 auch nicht erlaubt: alle ESC-Semifinal-Lieder von 2004 - 2012 auch nicht erlaubt: alle ESC- Vorentscheidungs-Titel 2012 2 Eivissa Viva la fiesta MF 02 2Raumwohnung 2 von Millionen von Sternen MF 05 2raumwohnung Besser geht's nicht OGAEVC 07 3Js De stroom SCC 11 4 Elements Kludu labojums MF 04 4´33" Ave Maria Laudata SCC 02 7 Up Daj, spusti se SCC 99 A1 Don´t wanna lose you again SCC 10 Aalto, Saara Blessed with love SCC 11 Aardvarks Disguised by the night MSC 97 ABBA oder Abba As good as new MF 05 ABBA oder Abba Dream world MSC 95 ABBA oder Abba No hay a quien culpar MSC 99 ABBA oder Abba One of us MSC 99 ABBA oder Abba Put on your white sombrero MSC 00 ABBA oder Abba S.O.S. MSC 00 ABBA oder Abba Slipping through my fingers MF 11 Abel Ademloos MF 05 Abel Onderweg MF 02 Abel, Morten The Birmingham Ho OGAEVC 04 Abi 93 Lauf, Siggi, lauf MSC 95 Abrahamsen, Jannicke Rocket ride MF 08 Abreu, Anna Perdone-me MF 09 Academia Operación Triunfo Mi música es tu voz MF 02 Acapella Army of the Lord MSC 00 Ace of Base Black Sea MF 11 Adam Yachad na'amod SCC 91 Adams, Oleta Get here MSC 98 Adele Set fire to the rain MF 11 Adele Someone like you OGAESC 11 Adini, Dana & Salomon, Daniel Rabot hadrachim MF 08 Adler, Ines Ich war so lange nicht verliebt MF 11 Adomaitis, Linas Floating to you SCC 11 Adoro Horizont MF 11 Adrian, Benedicte & Ingrid oder Björnov Kanskje i morgen OGAESC 00 After Dark (Åh) När ni tar saken i egna händer MF 07 Agnes Release me MF 10 Aguilar, Feddy Anak MSC 98 Aharoni, Chen Or SCC 11 Aika Stay SCC 02 Aikakone Alla vaahterapuun OGAESC 96 Ainbrusk Singers Lassie OGAESC 91 Ainhoa Mi razón de vivir SCC 03 Air & Hardy, Françoise oder Francoise Jeanne MSC 99 Airport Impressions Freedom OGAESC 11 Åkerström, C.-S. -
Aesop's Fables
Masterpiece Library U) 13-444/52.95 AESOP’S FABLES COMPLETE AND UNABRIDGED AFABLESESOP’S Masterpiece Library MAGNUM BOOKS NEW YORK masterpiece library AESOP’S FABLES Special contents of this edition copyright © 1968 by Lancer Books, Inc. All rights reserved Printed in the U.SA. CONTENTS The Fox and the Crow 11 The Gardener and His Dog 13 The Milkmaid and Her Pail 14 The Ant and the Grasshopper 16 The Mice in Council 17 The Fox and the Grapes 18 The Fox and the Goat 19 The Ass Carrying Salt 20 The Gnat and the Bull 22 The Hare with Many Friends 24 The Hare and the Hound 25 The House Dog and the Wolf 26 The Goose with the Golden Eggs 28 The Fox and the Hedgehog 29 The Horse and the Stag 31 The Lion and the Bulls 32 The Goatherd and the Goats 33 5 Androcles and the Lion 34 The Hare and the Tortoise 36 The Ant and the Dove 38 The One-Eyed Doe 39 The Ass and His Masters 40 The Lion and the Dolphin 42 The Ass’s Shadow 43 The Ass Eating Thistles 44 The Hawk and the Pigeons 45 The Belly and the Other Members 47 The Frogs Desiring a King 49 The Cat and the Mice 51 The Miller, His Son, and Their Donkey 53 The Ass, the Cock, and the Lion 55 The Hen and the Fox 57 The Lion and the Goat 58 The Fox and the Lion 59 The Crow and the Pitcher 60 The Boasting Traveler 61 The Eagle, the Wildcat, and the Sow 62 The Ass and the Grasshopper 64 The Heifer and the Ox 65 The Fox and the Stork 67 The Farmer and the Nightingale 69 The Ass and the Lap Dog 71 Jupiter and the Bee 73 The Horse and the Groom 75 The Mischievous Dog 76 The Blind Man and the Whelp 77 The -
Sirens As Femmes Fatales
SIRENS AS FEMMES FATALES An Honors Thesis (HONRS 499) By Danielle M Deason Thesis Advisor Deborah Mix Ball State University Muncie, Indiana December 2007 15 December 2007 t, J ( ')j c" (" ,2.,-/ Abstract :;),007 ,,'[) ifd. Unbeknownst to many viewers, cartoons and comics often portray women in a negative light, The proof exists, but often viewers do not stop to consider what they are watching. By studying several different cartoons with a similar theme, I hope to show that Western cultures continue to perpetuate negative images of women. The cartoons I examine are widely read, though by different age groups, thus affecting many different classes of society. The topic of sirens is familiar to most Americans jf for no other reason than they were forced to study The Odyssey in high school. The characters and adventures are familiar and easily reinterpreted into new and exciting forms - for example,"Oh Brother, Where Art Thou." But for some reason, the images of sirens are always negative. On one hand, this makes sense, since they are monsters and the enemies of Odysseus. But why is it so taboo to create a cartoon where the siren is the protagonist, or even the heroine? Why are sirens never portrayed as male? These questions, easily written off by lovers of cartoons, should be investigated since they are encouraging the inequality of women. Acknowledgements I would like to thank Dr. Carole Papper for assisting me in finding a topic, and consistently pushing me to make the papers beUer. I would like to thank Dr Deborah Mix for adVising me through this project. -
Sweetness Light
The Axis stops of nofftfng— Put Your Don't stop at 10%i Fajroll Savings on a Family Basis Buy More Make to per cent Just a Starting For freedom's Sqfce War Bonds Point VOL. VII.—No. 48 FORDS, N. J., FRIDAY, AUGUST 13, 1943 PRICE THREE CENTS Sweetness 5 Teaching Week-DayHoars Of Retail Liquor Stores CurtailedTerritory AND To 9A.M.-10P.M. In Edict By State Commissioner Positions of alcoholic beverages in. original un-stoekedi and out of the busi- Row Hits Says Order Is Based containers for off-,premises • con- ness or unable to renew their li- Light sumption. censes another year unless hours Still Open On Plea By Dealers; Sees Trouble A!I»ea<l of sale are substantially reduced. Aid Squads By Charles E. Gregory "There is good reason to be- Although the shortening of hours , Well, I'll make a bargain To Punish Violators lieve that if the shortage con- offers no guarantee that all re- with 'em. I'll shut up if New Rules Drafted tinues many retailers may, over a iJailers will stretch out their avail- Woodbridge, St. John's Henry Wallace will. RARITAN TOWNSHIP—Effec- period of time, find themselves (Continued on Page 2) Mayor, Trainer However For Medical Staff; tive Monday morning at 9:00 In Dispute .Over Which leads Fords Squad * * * * o'clock the new legal hours of sale Apparently To Have I admit I open this great Bus Contracts Granted for alcoholic beverages at retail in Shall Serve 2nd Ward original containers for consump- Hanseos Celebrate Field To Themselves big- mouth of mine entirely RAiRFTiAN TOWNSHIP—.About Res Love FORDS—A controversy, as to too much but I certainly tion off the licensed premises wiil Which first aid squad will an- WOO'DiBiRiIDGE — Both Repub- five teaching positions are yet to ibe 9 A. -
Feasting in Homeric Epic 303
HESPERIA 73 (2004) FEASTING IN Pages 301-337 HOMERIC EPIC ABSTRACT Feasting plays a centralrole in the Homeric epics.The elements of Homeric feasting-values, practices, vocabulary,and equipment-offer interesting comparisonsto the archaeologicalrecord. These comparisonsallow us to de- tect the possible contribution of different chronologicalperiods to what ap- pearsto be a cumulative,composite picture of around700 B.c.Homeric drink- ing practicesare of particularinterest in relation to the history of drinkingin the Aegean. By analyzing social and ideological attitudes to drinking in the epics in light of the archaeologicalrecord, we gain insight into both the pre- history of the epics and the prehistoryof drinkingitself. THE HOMERIC FEAST There is an impressive amount of what may generally be understood as feasting in the Homeric epics.' Feasting appears as arguably the single most frequent activity in the Odysseyand, apart from fighting, also in the Iliad. It is clearly not only an activity of Homeric heroes, but also one that helps demonstrate that they are indeed heroes. Thus, it seems, they are shown doing it at every opportunity,to the extent that much sense of real- ism is sometimes lost-just as a small child will invariablypicture a king wearing a crown, no matter how unsuitable the circumstances. In Iliad 9, for instance, Odysseus participates in two full-scale feasts in quick suc- cession in the course of a single night: first in Agamemnon's shelter (II. 1. thanks to John Bennet, My 9.89-92), and almost immediately afterward in the shelter of Achilles Peter Haarer,and Andrew Sherrattfor Later in the same on their return from their coming to my rescueon variouspoints (9.199-222). -
Marygold Manor DJ List
Page 1 of 143 Marygold Manor 4974 songs, 12.9 days, 31.82 GB Name Artist Time Genre Take On Me A-ah 3:52 Pop (fast) Take On Me a-Ha 3:51 Rock Twenty Years Later Aaron Lines 4:46 Country Dancing Queen Abba 3:52 Disco Dancing Queen Abba 3:51 Disco Fernando ABBA 4:15 Rock/Pop Mamma Mia ABBA 3:29 Rock/Pop You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:31 Rock AC/DC Mix AC/DC 5:35 Dirty Deeds Done Dirt Cheap ACDC 3:51 Rock/Pop Thunderstruck ACDC 4:52 Rock Jailbreak ACDC 4:42 Rock/Pop New York Groove Ace Frehley 3:04 Rock/Pop All That She Wants (start @ :08) Ace Of Base 3:27 Dance (fast) Beautiful Life Ace Of Base 3:41 Dance (fast) The Sign Ace Of Base 3:09 Pop (fast) Wonderful Adam Ant 4:23 Rock Theme from Mission Impossible Adam Clayton/Larry Mull… 3:27 Soundtrack Ghost Town Adam Lambert 3:28 Pop (slow) Mad World Adam Lambert 3:04 Pop For Your Entertainment Adam Lambert 3:35 Dance (fast) Nirvana Adam Lambert 4:23 I Wanna Grow Old With You (edit) Adam Sandler 2:05 Pop (slow) I Wanna Grow Old With You (start @ 0:28) Adam Sandler 2:44 Pop (slow) Hello Adele 4:56 Pop Make You Feel My Love Adele 3:32 Pop (slow) Chasing Pavements Adele 3:34 Make You Feel My Love Adele 3:32 Pop Make You Feel My Love Adele 3:32 Pop Rolling in the Deep Adele 3:48 Blue-eyed soul Marygold Manor Page 2 of 143 Name Artist Time Genre Someone Like You Adele 4:45 Blue-eyed soul Rumour Has It Adele 3:44 Pop (fast) Sweet Emotion Aerosmith 5:09 Rock (slow) I Don't Want To Miss A Thing (Cold Start) -
The Puzzling School Aid Dilemma Continues Cease-Fire in Angola Is
The Daily Register VOL.98 NO.129 SHREWSBURY, N. J. MONDAY, JANUARY 5, 1976 15 CENTS The puzzling school aid dilemma continues By JULIE MCDONNELL U7H977 budgets without any the legislature's delay in postponed a month as was come up with a plan to dis- sembly, would be a two-cent which received 1173.000 in certainty of how much aid funding the (334 million done last year tribute aid more fairly increase in the stale sales state aid last year, has It's hard to tell who is more they will receive. And that is that the boards The Senate passed a bill to The new bill is weighted in tax, from five cents lo seven learned it may receive confuted by the stale aid to And the taxpayers jus) wan have tittle idea of how much this effect Dec. IS, but the As- favor of poorer districts, but cents 180.000. 1232,000. VflW.OOO. or education dilemma: the legis and try to figure it all out state aid they will receive sembly adjourned for the is intended, via the additional Tnf notjieartlly in lavor of $432,000 next year lature, the school boards, or "Only about three people in next year. year without acting on it Trie 1334 million, to equalize edu an increased sales tax." Mr The (80,000 figure is what the public. the legislature really under- The bill, which raises the Assembly reconvenes today cationowithout imposing too Van Wagner, who supports an I he borough would gel if the The complexities of itate stand what's going on," says amount of state aid from 15U and is expected to consider heavy a penalty on wealthier income tax accompanied by legislature fails to fund any of aid formulas and school budg- Assemblyman Richard Van million to 1817 million, would the measure shortly communities at the same property tax reform, said -the 1334 million The court et preparation are confusing Wagner, D-District 12. -
Aesop's Fables
AESOP’S FABLES BY AESOP © 2008 Tantor Media, Inc. © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc. © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc. © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc. © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc. © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc. © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc. © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc This PDF eBook was produced in the year 2008 by Tantor Media, Incorporated, which holds the copyright thereto.