Gustave Loiseau (1865-1935)

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Gustave Loiseau (1865-1935) Moret-sur-Loing, The Notre-Dame Church Replicated in the catalogue for the exhibition Gustave Loiseau ? Paysages d'Île-de-France et de Normandie at the Camille Pissarro Museum in 2018 on page 34 French School, oil on cardboard signed bottom left, signed bottom right is the location "Moret" and date "1934" Dimensions : H. 25.2 x W. 15 inches (With frame: H. 32.6 x W. 23.2 inches) Gustave Loiseau was born in 1865 in Paris. He was a landscape, seascape, and urban landscape painter. Loiseau was also a post-impressionist. After his studies at the École des Arts Décoratifs of Paris in 1890, he worked at Pont-Aven (Brittany, France) beside Gauguin. He also knew Maufra and Emile Bernard. In 1893, he will exhibit in Paris at the Salon des Indépendants, and in 1895 he will exhibit at the Salon de la Société Nationale des Beaux-Arts. From 1890 to 1896, Loiseau will also take part in exhibitions of post-impressionist painters. After being influenced by the Cloisonnism of Gauguin, he starts to focus more on Post-Impressionism in 1895 which he was influenced by Pissarro, and then by the Divisionism of Seurat. The only thing he keeps from the Cloisonnism technique is a geometric-like construction to his paintings. He brought a softer brushstroke to Post-Impressionism as well as the use of latticework which is what made him unique. Galerie Delvaille 15, rue de Beaune 75007 Paris Tel : + 33 (0) 1 42 61 23 88 [email protected] www.delvaille.art A frequent traveler, his paintings show a lot of diversity. However, he does like to stick to depicting scenes of Paris, the banks of the Seine, the cliff at Dieppe, and Dordogne Valley. Museums: Rennes, Musée des Beaux-Arts New York, The Metropolitan Museum of Art Cholet, Musée d'Art et d'Histoire Bibliography: E. Bénézit, édition Gründ, Tome VIII, page 760. Dictionnaire Universel de la Peinture, Le Robert, Paris. Gustave Loiseau - La Place de la Bastille, 1922 - New York, MET Galerie Delvaille 15, rue de Beaune 75007 Paris Tel : + 33 (0) 1 42 61 23 88 [email protected] www.delvaille.art.

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Art of the Western World Course Content Videos Are Accessed At
ARH 4930 – 521 ART OF THE WESTERN WORLD University of South Florida, Sarasota-Manatee Summer Session C 2015 Instructor: Anne Jeffrey M.A. Email: [email protected] FIRST DAY ATTENDANCE: There are no class meetings. But note: I will email you the first day of class: May 11 requesting your “first day attendance” confirmation by return email. Please reply promptly Otherwise, according to USF policy, you will be dropped from the class! THE MIDTERM AND FINAL REVIEW SHEETS ARE LOCATED AT THE END OF THIS SYLLABUS. THE REVIEW SHEETS ARE CRITICAL ADDITIONS TO YOUR MIDTERM AND FINAL EXAM PREPARATION. PLEASE PRINT. Because this in an online class please read the entire syllabus describing course requirements carefully. Pay close attention to exam review dates and dates for the midterm and final exams. To access an online CANVAS class, each student needs his/her own NET ID, and a USF EMAIL ADDRESS. Both are available to USF students through Academic Computing: https://una.acomp.usf.edu. Once the Net ID is activated, it will allow access to my.usf.edu, which takes you to Canvas. Click on course number. To view Instructor webcast reviews and to write the midterm and final exam you require a high speed connection. If your own computer system does not have a high speed connection, it is available to USF students at campus Open Labs, campus library computers and also at your local library. From time to time, during the semester I may send emails to the entire class. To receive information about any changes, additions, deletions or other information about assignments, etc.
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CORE Metadata, citation and similar papers at core.ac.uk Provided by TopSCHOLAR Western Kentucky University TopSCHOLAR® Honors College Capstone Experience/Thesis Honors College at WKU Projects Spring 2007 Synthesizing Gauguin: A Comparative Look at Cultural Contexts And Gauguin’s Tahitian Paintings Joanna Miller Western Kentucky University Follow this and additional works at: http://digitalcommons.wku.edu/stu_hon_theses Part of the Art Practice Commons, Other International and Area Studies Commons, and the Social and Cultural Anthropology Commons Recommended Citation Miller, Joanna, "Synthesizing Gauguin: A Comparative Look at Cultural Contexts And Gauguin’s Tahitian Paintings" (2007). Honors College Capstone Experience/Thesis Projects. Paper 126. http://digitalcommons.wku.edu/stu_hon_theses/126 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Honors College Capstone Experience/ Thesis Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. Synthesizing Gauguin: A Comparative Look at Cultural Contexts And Gauguin’s Tahitian Paintings Joanna Miller Senior Thesis Submitted to the Honors Program of Western Kentucky University Spring 2007 Approved by Abstract When a plethora of primary sources exist from an artist, a tendency persists for the art historian to focus on an artist’s personality when analyzing or interpreting that artist’s work. In the case of Paul Gauguin and his Tahitian works, his personality faults, extreme character, and uncouth notions and motivations become the concentration of much scholarship and can lead to a misjudgment of the artist’s depiction of the Tahitian natives and culture. This paper examines how Gauguin represented a foreign peoples and met the goals he pursued under Primitivism, Symbolism, and Synthetism by analyzing the cultural contexts of Fin-de-siecle France and Tahiti and the synthesis of these contexts into his paintings.
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