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Experience the Flemish Masters Programme 2018 - 2020

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Experience the Flemish Masters Programme 2018 - 2020 EXPERIENCE THE FLEMISH MASTERS PROGRAMME 2018 - 2020 1 The contents of this brochure may be subject to change. For up-to-date information: check www.visitflanders.com/flemishmasters. 2 THE FLEMISH MASTERS 2018-2020 AT THE PINNACLE OF ARTISTIC INVENTION FROM THE MIDDLE AGES ONWARDS, FLANDERS WAS THE INSPIRATION BEHIND THE FAMOUS ART MOVEMENTS OF THE TIME: PRIMITIVE, RENAISSANCE AND BAROQUE. FOR A PERIOD OF SOME 250 YEARS, IT WAS THE PLACE TO MEET AND EXPERIENCE SOME OF THE MOST ADMIRED ARTISTS IN WESTERN EUROPE. THREE PRACTITIONERS IN PARTICULAR, VAN EYCK, BRUEGEL AND RUBENS ROSE TO PROMINENCE DURING THIS TIME AND CEMENTED THEIR PLACE IN THE PANTHEON OF ALL-TIME GREATEST MASTERS. 3 FLANDERS WAS THEN A MELTING POT OF ART AND CREATIVITY, SCIENCE AND INVENTION, AND STILL TODAY IS A REGION THAT BUSTLES WITH VITALITY AND INNOVATION. The “Flemish Masters” project has THE FLEMISH MASTERS been established for the inquisitive PROJECT 2018-2020 traveller who enjoys learning about others as much as about him or The Flemish Masters project focuses Significant infrastructure herself. It is intended for those on the life and legacies of van Eyck, investments in tourism and culture who, like the Flemish Masters in Bruegel and Rubens active during are being made throughout their time, are looking to immerse th th th the 15 , 16 and 17 centuries, as well Flanders in order to deliver an themselves in new cultures and new as many other notable artists of the optimal visitor experience. In insights. time. addition, a programme of high- quality events and exhibitions From 2018 through to 2020, Many of the works by these original with international appeal will be VISITFLANDERS is hosting an Flemish Masters can be admired all organised throughout 2018, 2019 abundance of activities and events over the world but there is no doubt and 2020. that will entice visitors from all over that the experience is truer and the world to come and explore the more powerful when they are seen in THERE ARE THREE MUST-SEE Flemish Masters and their works Flanders, where the art works were HIGHLIGHTS: and will leave them inspired and created. On a visit to Flanders visitors enriched by the experience. can walk through the actual house 1. In 2018 the city of Antwerp will where Rubens lived and worked, see celebrate its baroque cultural the landscapes that inspired Pieter heritage and the baroque Bruegel the Elder, and discover an lifestyle that is undeniably part original painting by van Eyck in of the city’s DNA. ‘Antwerp the exact location depicted in the Baroque 2018. Rubens inspires’ painted scene. will connect Rubens with his 4 BRUGES ANTWERP GHENT MECHELEN BRUSSELS LEUVEN Germany baroque heritage in several 2. In 2019 there will be numerous the Southern Netherlands cultural disciplines and a series events in Brussels, Antwerp 1525-1585’. of events and exhibitions, and all over Flanders, marking culminating in the opening of the 450th anniversary of 3. After its painstaking restoration the Rubens Experience Center Bruegel’s death in 1569. the magnificent Ghent and the re-opening of the Altarpiece will return to the Royal Museum of Fine Arts In spring 2019, Bruegel will St Bavo’s Cathedral in 2020. Antwerp in 2019. be omnipresent in Brussels, Merely the latest in a long line as the city will honour its of restorations, the last one was The museum is not only a former inhabitant with several carried out in the early 1950s, true Rubens’ treasure trove, exquisite exhibitions and a this one is certainly the most but it also houses some of the city-wide programme of events. remarkable and impressive of finest Flemish Primitive’s art Autumn 2019 will bring Bruegel them all. including Jan van Eyck’s Saint to Antwerp, where the newly Barbara and Madonna at the refurbished museum of Fine Fountain and Rogier van der Arts Antwerp opens with a Weyden’s Seven Sacraments must-see exhibition: ‘BRUEGEL’S Altarpiece. CENTURY. Art in Antwerp and 5 FLEMISH MASTERS PROGRAMME 2018 - 2020 2018-19 TRAVEL WITH RUBENS TO HIS HOMETOWN ANTWERP p. 9 2019 EXPERIENCE THE WORLD OF BRUEGEL p. 27 6 2020 THE GHENT ALTARPIECE IS COMING HOME p. 41 2018-2020 BRUGES, HOMETOWN OF THE FLEMISH PRIMITIVES p. 47 DISCOVER THE FLEMISH MASTERS OFF THE BEATEN TRACK p. 53 7 8 PETER PAUL RUBENS IS MOSTLY KNOWN AS A SUCCESSFUL ARTIST, BUT HE WAS ALSO AN ESTEEMED DIPLOMAT, POLYGLOT AND COLLECTOR. HE IS ONE OF THE MOST FAMOUS INHABITANTS OF ANTWERP. HIS BRILLIANCE LIVES ON AND HE IS STILL VERY MUCH PART OF THE CITY, AND NOT ONLY IN ITS BAROQUE PAINTINGS AND ARCHITECTURE. RUBENS IS A GREAT INSPIRATION FOR CONTEMPORARY ARTISTS AND THE A-TYPICAL WAY OF LIFE OF THE CITY AND ITS INHABITANTS. 9 A STELLAR TALENT and Jacob Jordaens. The studio produced hundreds of Rubens was born in 1577 creations and paintings, many in Siegen (in present-day specifically to order. Germany), but soon moved to Antwerp with his mother after his father died when A DIPLOMATIC CAREER he was young. It was there that he learnt to paint, taking A favourite of Archduchess instruction from artists such Isabella, Rubens became as Tobias Verhaecht, Adam increasingly involved in van Noort and Otto van Veen. diplomatic missions on her behalf. It was he who In 1600, he travelled to finally brokered a peace Rome and Venice in Italy, deal between Spain and and then later to Spain. It England, a move that would was clear even then that he eventually lead to a cessation was no ordinary talent as of hostilities between the he soon began to receive Spanish and the Dutch, close Royal commissions from both allies of the English. courts. Rubens was a highly esteemed court guest all RUBENS HOUSE over Europe with many AND WORK STUDIOS contemporaries considering him as skilled a diplomat as In 1608, he returned to he was a painter. He was Antwerp as the official court by then almost universally painter to the Low Countries, revered as an artist without a title bestowed on him by rival. Archduke Albert of Austria and Isabella of Spain. It was During his travels he at this time that he bought secured many high-profile a house and land on Wapper assignments, including Square - right in the centre commissions such as the of today’s Antwerp - and creation of 24 paintings set about redesigning it celebrating the life of Maria completely. de Medici for the Palais du Luxembourg in Paris. Inspired by the architecture of Roman Antiquity and the Renaissance, Rubens drew up A BAROQUE LEGEND the plans for the renovation himself, and turned an In 1630, Rubens returned ordinary Flemish house into to Flanders for good and a ‘palazzo’. He extended the bought Elewijt Castle outside home considerably adding a Brussels. There he painted studio, a garden pavilion and his largest commission to a domed sculpture museum. date, namely 112 works to There was also a magnificent decorate the Royal Hunting portico offering a beautiful Lodge in Madrid, the Torre de view of the courtyard garden la Parada. These were finally and the garden pavilion. The finished in 1638 only and were result was magnificent. From duly dispatched to Spain. then on, his studio would become a hive of activity Rubens’ health was beginning with many employees and to deteriorate, and he died in students, some of who went 1640 aged 62, at his home on to be famous in their own Antwerp’s Wapper Square. right, like Anthony van Dyck 10 ANTWERP BAROQUE 2018. RUBENS INSPIRES Antwerp is the only city in the world to be so permeated in every respect by Peter Paul Rubens and his baroque legacy. “Antwerp Baroque 2018. Rubens inspires” is an opportunity to experience Rubens and baroque in many intense and unique ways. 11 THANKS TO ANTWERP’S AN ANTWERP STATE CULTURAL IDENTITY OF MIND RUBENS, THE Rubens’ house - today one of the The tradition for new and eccentric CONTEMPORARY city’s major museums - is a baroque architecture continues and baroque- classic, and there are still many like buildings are being added BAROQUE SPIRIT stylish churches in the city from this to Antwerp’s skyline all the time, era. Indeed, many of Antwerp’s great including Richard Rogers’ Court OF ANTWERP contemporary artists continue to House and Zaha Hadid’s Port LIVES ON. be inspired by Rubens’ extravagant House - both well worth the visit in baroque tradition, creating an themselves. authentic and distinctive joie de vivre in the city. The word Baroque is derived from the Portuguese word ‘barocco’ meaning, ‘irregular pearl or stone’. This is perhaps the perfect metaphor for Antwerp as it evokes something mysterious, multifaceted and difficult to pin down, while remaining classic and amazingly contemporary at the same time. 12 I’M JUST A SIMPLE MAN STANDING ALONE WITH MY OLD BRUSHES, ASKING GOD FOR INSPIRATION. PETER PAUL RUBENS 13 1 ANTWERP BAROQUE 2018. RUBENS INSPIRES In 2018, the City of Antwerp will pay tribute to Peter Paul Rubens and his baroque, cultural legacy. Rubens is often identified with the Baroque and is an icon for Antwerp. Even today Rubens is an important source of inspiration for contemporary artists and the atypical lifestyle of the city and its inhabitants. In his wake, Antwerp artists have continued to innovate, culminating in a certain joie de vivre that is typical of our city. The Baroque festival establishes a dialogue between Rubens’s historic Baroque with the work of contemporary Baroque masters, including Jan Fabre, Luc Tuymans and Sidi Larbi Cherkaoui. This will lead to promising exhibitions, performances and events, with several new artistic creations, some of which will be permanently installed in the city.
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  • Print He Made After the Latter Work, All Date to 1638
    Fighting Card Players and Death ca. 1638 oil on canvas Jan Lievens 67 x 84.9 cm (Leiden 1607 – 1674 Amsterdam) Signed and dated lower right: J. Lievens JL-107 © 2021 The Leiden Collection Fighting Card Players and Death Page 2 of 7 How to cite Wheelock, Arthur K., Jr. “Fighting Card Players and Death” (2017). In The Leiden Collection Catalogue, 3rd ed. Edited by Arthur K. Wheelock Jr. and Lara Yeager-Crasselt. New York, 2020–. https://theleidencollection.com/artwork/fighting-card-players-and-death/ (accessed October 02, 2021). A PDF of every version of this entry is available in this Online Catalogue's Archive, and the Archive is managed by a permanent URL. New versions are added only when a substantive change to the narrative occurs. © 2021 The Leiden Collection Powered by TCPDF (www.tcpdf.org) Fighting Card Players and Death Page 3 of 7 In 1635 Jan Lievens moved from London to Antwerp, perhaps expecting that Comparative Figures the arrival of the new governor-general of the Southern Netherlands, the Cardinal-Infante Ferdinand, would usher in a period of peace and prosperity beneficial to the arts.[1] Lievens soon joined the local painters’ guild and settled into a community of artists who specialized in low-life genre scenes, landscapes, and still lifes, among them Adriaen Brouwer (1605/6–38), Jan Davide de Heem (1606–83/84), David Teniers the Younger (1610–90), and Jan Cossiers (1600–71). In 1635, Brouwer depicted these artists in a tavern scene, Smokers, in the Metropolitan Museum of Art (fig 1).[2] The most inspirational of them for Lievens was Brouwer, who apparently encouraged Lievens to depict, once again, rough peasant types comparable to those he Fig 1.
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