FIRST DAY’S SALE
WEDNESDAY 23rd OCTOBER 2013
OIL Paintings, WATERCOLOURS, DRAWINGS AND MINIATURES
Commencing not before 2.00pm Pictures will be on view on: Saturday 19th October 9.00am to 1.00pm Sunday 20th October 2.00pm to 4.00pm Monday 21st October 9.00am to 5.15pm Tuesday 22nd October 9.00am to 5.15pm Limited viewing on sale day
Enquiries: Martin Scadgell Enquiries: Daniel Goddard Tel: 01392 413100 Tel: 01392 413100 Email: [email protected] Email: [email protected] 351 English School circa 1790 Miniature portrait of a young man with short dark hair, wearing a brown coat and white stock, sky background oval, 7.5cm, the frame with hair, seed pearl and a JB monogram to the reverse, in a red leather case. £250 - 350
351 352 English School late 18th Century Miniature portrait of a young man, head and shoulders with dark wavy hair and brown eyes, wearing a black coat and white stock oval 5.5cm, in a gold frame with blue enamel, seed pearl and hair back, in a red leather case. £200 - 300
352 353 Edward Vaughan [c.1772-1814] Miniature portrait of a boy, head and shoulders with fair hair and brown eyes, wearing a brown smock with lace collar signed with initials EV bottom right oval 6cm, together with a miniature of a gentleman by a different hand and a miniature of a girl in an oval paste set and silver frame. [3] £250 - 350 353 64 354 French School early 19th Century Miniature portrait of a young lady head and shoulders, dressed for riding, wearing a feather mounted top hat and golden earring, with a blue coat and white stock octagonal shape 4.9cm, in a gold brooch case with hair decoration to the reverse. £300 - 500
354
355 Beauvais [Anglo/French School 18th Century] A miniature portrait of a young lady bust-length, with long fair hair and wearing a blue dress decorated with a pink rose signed and dated ? Beavais 1750 oval, 4.2cm, in gilt frame the reverse with enamelled initial and foliate decoration £300 – 500 356 No Lot.
355
65 357 Manner of Jean Baptiste Regnault [19thCentury] Portrait of a royal personage, possibly Empress Josephine oil on board 18 x 15.5cm £600 - 800
357
358 Circle of Louis Ami Arlaud-Jurine [1751-1829] Miniature portrait of a young man, head and shoulders with long dark hair, wearing a lace collar and blue jacket on ivory, oval 5cm, in an ornate ormolu frame. £200 - 300
358
359 Richard Dighton [1795-1880] Two studies of a fashionable gentleman both signed Richard Dighton and one inscribed Cheltenham watercolours over pencil drawing each 25 x 20cm, in burr wood frames. £250 - 350
359
66 360 Anglo/ Indian School Miniature portrait of a gentleman bust-length, wearing traditional costume with a large string of pearls and beads oval, 6.2cm. £120 - 180
360
361 Circle of John Smart [1742-1811] Miniature portrait of a lady head and shoulders with powdered hair wearing a silk scarf and collar and pink dress oval, 3.8cm, in a pearl and enamelled pendant frame. £200 - 300
361
362 Anton Hahnish [1817-1897] Portrait of a lady, half-length seated wearing a bonnet with flowers and a long velvet dress signed and dated 1855 watercolour 34 x 28cm. £80 – 120 363 No Lot.
362 67 364 Circle of Jacob Ferdinand Voet late 17th/early 18th Century Portrait of a gentleman, possibly a member of the Ducarel family, bust length, wearing a full length wig and a heavily embroidered jacket and cravat- oil on canvas oval, 67 x 53cm, mounted and unframed. £400 - 600
364
365 Sir John Watson Gordon [1788-1864] Portrait of John Spottiswood in the livery of a London Regiment half-length seated holding a sword and gloves in an interior signed and dated Sir John Watson Wood, R.A., & P.R.S.A., pinxt, 1855 bottom right oil on canvas 90 x 69.5cm £400 - 600
365
366 English School circa 1810 Portrait of a gentleman, three-quarter length standing in an interior, view through a window beyond oil on canvas laid on board 50.5 x 38.5cm. £100 - 150
366 68 367
367 English School early 19th Century Portrait of a young man, bust-length seated in an interior with wavy dark hair and sideburns, wearing a black coat oil on canvas, 74 x 60cm, together with a companion portrait of a cleric and one other of a young cleric by a different hand. [3] £400 - 600
368 Sir John Watson Gordon [1788-1864] Portrait of John Spottiswood Esq., half-length standing wearing a black suit and tie in an interior inscribed on the reverse ‘1809 John Spottiswood Esq. of Spottiswood, painted by John Watson Gordon’ oil on canvas 125 x 100.5cm £300 – 500 369 No Lot.
368
69 370 Manner of Rembrandt Van Rijn circa 1800 Portrait of a woman, bust-length oil on canvas laid down on board 24.5 x 19.5cm. £250 - 350
370
371 Jehudo Epstein [1870-1945] Portrait of a lady, bust-length with dark curling hair and blue eyes, wearing a red cap signed and dated 1936 bottom right oil on canvas 66 x 50.5cm, unframed £500 - 700
371
372 Circle of George Hillyard Swinstead [1860-1926] Portrait of a young woman, bust-length, wearing de-coulte dress and cloak- oil on canvas 75 x 62cms. £250 - 350
372 70 373 374
373 374 Aguila Acosta Aguila Acosta [19/20th Century] [19/20th Century] A Moroccan beauty A Moroccan elder signed and dated Cadiz signed and dated Cadiz 1900 1900 oil on board oil on board 32 x 22cm 32 x 22cm £200 - 300 £150 - 250
375 Attributed to James Abbot McNeil Whistler [1834-1903] Portrait of a lady thought to be Whistler’s mother, full-length standing and wearing a hooded cloak bears signature WHISTLER and date 1864 oil on canvas 114 x 51cm £600 - 900 375 71 376 Studio of William Hoare [of Bath 1707-1792] Portrait of a Lady, half-length, wearing a lace dress with blue ribbons, pearl choker and earrings with pearls in her hair pastel 59.5 x 44cm. £1800 - 2500
72 377 English Provincial School circa [1720-1740] Portraits of a boy and a girl both half-length standing, he with curling powdered hair and wearing a scarlet coat over a sword and holding a tricorn hat, his hand on a pet King Charles spaniel; she with fair hair dressed with a flower and wearing a pale yellow dress and blue shawl, holding a lamb a pair oils on canvas each 74 x 61cm. [2] £2500 – 3500 378 No Lot
73 379 379 Manner of Jan David de Heem [18th Century] Still life, an urn of Summer flowers alongside a basket of Summer flowers, set in a landscape with a castle ruin beyond oil on canvas 55.5 x 110cm. £2000 - 3000
Provenance. The late Sir William and Lady Bulmer, Hanlith Hall, North Yorkshire
380 Attributed to George Morland [1763-1804] Eve and Satan, landscape and lake signed with initials GM bottom left oil on canvas 30x 40cm. £300 - 500
380
74 381 Follower of Murrillo, 18th Century The Holy Child oil on canvas 160 x 104cm. £1200 – 1800
382 No Lot. 75 383 John Wallace Tucker [1808-1869] Near Venn Quarry North Devon signed, inscribed and indistinctly dated on the reverse oil on panel 23.5 x 31cm. £250 - 350
383 384 John Wallace Tucker [1808-1869] Near Exeter signed, inscribed and dated Bartholomew Yard 1839 on the reverse oil on panel 21 x 28.5cm. £200 - 300
384
385 John Wallace Tucker [1808-1869] On the River Lynn North of Devon signed, inscribed and dated Bartholomew Yard, Exeter 1839 on the reverse oil on board 24 x 34.5cm. £300 - 500
385 386 John Wallace Tucker [1808-1869] River Teign at Weir Mill signed, inscribed and dated Exeter 1865 on the stretcher oil on canvas 29 x 39cm. £300 - 500
386 76 387 John Wallace Tucker [1808-1869] Near Cudleigh Devon; A View in Devon a pair, both signed, inscribed and dated 183? on the reverse oils on panels each 37 x 25cm. [2] £400 - 600
387
387
388 John Wallace Tucker [1808-1869] Cottage scene on The Exe opposite Topsham signed inscribed and dated Batholomew Yard, Exeter 1844 oil on board 24 x 34cm. £300 – 500 389 - 90 No Lots.
388
77 391 William Oliphant Hutchison [1889-1970] Portrait of Helen Elizabeth Anne Hutchison, the artist’s daughter- three-quarter length seated in a fauteuil, wearing a long cream silk dress, in a salon interior signed and dated W.O. Hutchinson 1949 top right oil on canvas 117 x 98cm, in a scroll and acanthus carved wood frame. £1000 - 1500 Society of Scottish Artists and Paris Salon 1962 labels attached to the reverse
78 392 James Hayllar [1829-1920] The Blackberry Girl signed and dated 1872 bottom left oil on panel 19.5 x 14cm. £400 - 600
392
393 G T Forbes [19/20th Century] ‘The Two Soldiers’; an old soldier reminiscing and a young boy playing with soldier toys in an interior signed bottom left watercolour heightened with body colour 28 x 33cm. £250 - 350
393
79 394 William Wyld [1806-1889] Riva Degli Schiavoni, looking towards the Doge’s Palace and the Campanile, a view across the lagoon to the Santa Maria Della Salute signed W.Wyld bottom right oil on canvas 78 x 112cm £8000 - 12000
Provenance Private collection West Country
It is interesting to compare this magnificent “tour de force” by Wyld to his equally fine “The Island of San Giorgio and entrance to the Grand Canal” of equivalent size which sold with Bearnes on the 30.6.1993, Lot 734 for £12,250.00 See inset illustration.
Biography. William Wyld, landscape and topographical painter in oils and watercolour. On the death of his father when Wyld was aged 20, he was made secretary to the British Consulate in Calais, where he got to know the watercolourist Francois Louis Thomas Francia who taught Richard Parkes Bonington, and from whom Wyld had drawing lessons. Wyld then worked as a champagne merchant, following in family tradition, from 1827-1833. When his younger brother was of age to take over the business, Wyld set off on a career as a painter. In 1830 he visited Algiers, stayed for six months and reacquainted himself with his old friend Horace Vernet who encouraged Wyld on his painting career, travelling to Rome to base themselves and meet important patrons. He painted many views of Venice and other Italian towns, whilst travelling throughout Europe. He played an important part in the development of watercolour painting in France and was awarded the Legion d’ Honneur in 1855. He exhibited at the Royal Academy, the New Watercolour Society and was made a member of the Royal Institute in 1879.
The Island of San Giorgio and entrance to the Grand Canal of equivalent size which sold in 1993 for £12,250 80 81 395 William Wyld [1806-1889] Italian market town signed W.Wyld bottom right oil on canvas 48 x 29cm
£1200 - 1800
Provenance. Harrods, London. Private collection West Country
395
396 • Augustus William Enness [1876-1948] Mosque in Cairo signed A W Enness bottom right further signed and inscribed with title on the reverse oil on board 39 x 29cm. £400 – 600
396
82 397 Emma Ciardi [1879-1933] Venetian canal signed, bottom right oil on board 26.5 x 29cm.
£2000 – 3000
Provenance. With the Fine Art Society 1964
Biography. Emma Ciardi was born in Venice. Studied under her father, the artist Gugielmo Ciardi. Won a gold medal in Munich in 1905. Exhibited in Paris, Turin and Venice. Solo exhibitions at the Leicester Galleries London in 1910 and 1913, also at the Fine Art Society in 1928 and 1933. Much influenced by Guardi, she painted Venetian scenes and the gardens, statues and fountains of the great Italian villas. Her work was very popular both in London and in New York where she often exhibited.
398 No Lot. 83 399 Attributed to Henry Alken Junior [1810-1894] The Meet; Full Cry a pair both signed H.Alken oils on canvas each 36 x 65cm. [2] £3000 - 5000
84 400 • Charles E Gatehouse [1866-1952] Paddy; a chestnut in landscape signed oil on canvas 42 x 52cm. £300 - 500
400 401 English School 19th Century Chestnut mare in a landscape oil on canvas 38 x 46cm £200 - 300
401 402 George Paice [1854-1925] ‘Dazzle’; a bay in a stable yard signed, inscribed and dated ‘05 oil on canvas 34 x 44cm. £200 – 300
403 No Lot.
402
85 404 William Shayer [1787-1879] Unloading the catch, fisherfolk on the beach indistinctly signed bottom left, oil on canvas 46.5 x 59cm. £1800 – 2500
86 405 Henry Dawson [1811-1878] The Ferry; possibly Gunthorpe Ferry, Nottingham, an estuary scene signed and dated 1857 bottom left, oil on canvas 51 x 72cms. £800 - 1200
Provenance With Bearne’s June 1999, where catalogued as ‘Gunthorpe Ferry, Nottingham’. • • • Provenance Collection. F.Nettlefold Lot 511 Sold £3,500. 405
406 Algernon Mayon Talmage [1871-1939] ‘The Way Home’, a milkmaid and cattle on a farm lane signed A. Talmage bottom right, oil on canvas 58 x 71cm.
£600 - 800
406
407 407 Albertus Verhoesen [1806-1881] Lowland cattle a pair, both signed and dated A Verhoesen 1874 bottom centre right oils on panel each 13.5 x 17.5cm. [2] £800 – 1200 87 Biography Heywood Hardy [1843-1933] Painter and watercolourist of animals, hunting and sporting scenes, genre and portraiture. He popularised the genre piece in out of period (18th century) costume giving a very romanticised view of his subject. Hardy was born in Chichester, West Sussex, a son of the artist James Hardy senior (1801-1879) and younger brother of the artist James Hardy Junior (1832-1889). He painted from an early age with the encouragement of his father and was at this time largely self taught, showing great skill at his craft and gaining commission work in some numbers. In 1864 he went to Paris to study at the Ecole des Beaux Arts. He remained for four years and on returning to London in 1864 he gained quick recognition for his preferred subjects and was employed by some of the large country estate owners to paint their horses and domestic animals. In 1870 he moved to St.John’s Wood an area popular with fashionable artists of the time and wealthy patrons. His work was also popularised by his contributions to the Illustrated London News and Graphic magazine. In 1909 he moved to East Preston, Sussex where at the age of eighty three he was commissioned to paint eight panels for the famous Climping Church set high on the South Downs to commemorate it’s 700th anniversary. These proved very controversial as they depicted Christ walking the Downs with local village inhabitants in a very modern setting. They can be seen to this day within this delightful church. Hardy exhibited frequently at the Royal Academy, the R.O.I. and the Royal Society of Portrait Painters.
88 408 Heywood Hardy [1842-1933] Riders on the Shore signed Heywood Hardy bottom right oil on canvas 48 x 66cm. £12000 - 18000
Provenance. With Sothebys Lot 85, 5th June 1996, sold for £9200
89 409 Sir David Murray [1849-1933] A rural scene, cattle on a path in a glade, farm buildings beyond signed bottom left David Murray oil on canvas 60 x 90cm.
£800 - 1200
409 Biography. A Glasgow born painter who started life as a trader in a mercantile firm in Glasgow. During this time he studied art in the evenings under Robert Greenlees at the School of Art in the city, devoting himself to an artistic career from about 1875. He moved to London in 1882, and immediately found success, his 1884 exhibit being purchased by the Chantry Trustees for the Tate Gallery. Murray was elected a full member of the Royal Academy in 1905. He became President of the Royal Institute in 1917 and was knighted in 1918. During his life spent in London he occupied the studios of Millais in Portland Place. In his early career Murray found his subjects in Scotland, but latterly most of his subjects were in the South of England and on the Continent.
410 David Bates [1840-1921] On Rydal Fell, a shepherd in the foreground signed and dated David Bates /02 bottom right further signed and inscribed with title on the reverse oil on canvas 34 x 52cm £500 - 700
410
411 Walter J. Watson [1879-1979] ‘On the Ribble, near Ribchester, Lancashire’ signed and dated Walter J. Watson 1909 bottom left, also signed and inscribed on reverse of canvas, and inscribed on a label with title and date 1909, oil on canvas 40 x 64cm. £800 – 1200 411 Biography. Walter Watson was born in Sommerville, Cheshire. He exhibited at the Royal Cambrian Academy and the Walker Art Gallery, Liverpool. The artist used a soft palette; his execution in oils was careful and precise choosing restful compositions. 412 No Lot. 90 413 413 Frederick John Widgery [1861-1942] The Upper Exe signed oil on canvas 44 x 59cm. £300 – 500 414 No Lot
415 415 Alfred Glendenning Junior [1861-1907] The Young Woodcutter in a woodland clearing signed with monogram and dated 1884 bottom left, oil on canvas 59.5 x 91cm £800 - 1200 Provenance. With Sotheby’s Olympia Lot 140 3rd December 2002. Sold for £2,100. 91 416 Alfred Leyman [1856 - 1933] The Guildhall, Exeter signed watercolour 75 x 52cm. £200 - 300
416
417 Herbert Menzies Marshall [1841-1913] Axmouth, Devon signed and dated 1905 watercolour 24 x 34cm. £200 - 300
417
418 Sir Charles John Holmes [1868-1936] ‘Clouds on the Dents du Midi’; an Alpine view signed, indistinctly inscribed and dated 1937 further signed, inscribed and dated 1937 on a Fine Art Society label attached to the backboard watercolour sketch heightened with white over pencil drawing 25 x 33.5cm. £200 - 300 Provenance. The Fine Art Society 1937
418 92 419 Frederick John Widgery [1861-1942] Dartmoor view near Chagford signed gouache 34.5cm x 52cm. £200 - 300
419
420 Frederick John Widgery [1861-1942] Hay Tor, misty morning, Dartmoor signed gouache 34.5 x 52.5cm. £200 - 300
420
421 Frederick John Widgery [1861-1942] Okehampton, a view over the moor signed, inscribed and dated ‘06 bottom right oil on canvas 14 x 22cm. £200 – 300
422-3. No Lots.
421
93 424 • George Melvin Rennie [1874-1953] River landscape with country house signed bottom right, inscribed indistinctly on the stretcher, possibly on the Dee, Scotland, oil on canvas, 29.5 x 45cm, with another oil - a town canal scene - possibly by the same hand. (2) £250 - 350 424
424
425 425 W F Shaw [19/20th Century] Moonlight over The Grand Canal, Venice indistinctly signed and dated W F Shaw ‘80 bottom left oil on canvas laid on board 39 x 59.5cm, together with a companion painting of sunset over an estuary, indistinctly signed, oil on canvas [2] £400 - 600
94 426 Albert Moulton Foweraker [1873-1942] A Mediterranean village scene signed watercolour over pencil drawing 26.5 x 36cm. £250 - 350
426
427 • Augustus William Enness [1876-1948] The Rhone near Ville-Neuve les Avignon signed A W Enness bottom right further signed and inscribed with title on the reverse oil on board 37 x 49.5cm. £400 - 600
427
428 Sir Frank Brangwyn [1867-1956] ‘The House of Tintoretto, Venice’ initialled FB bottom right, watercolour heightened with white, 14.75 x 20cm £100 - 150
428
95 Biography. Edward Brian [Ted] Seago was an English artist who painted both in oils and watercolour. Largely self taught, he did receive some instruction from Sir Alfred Munnings and Bertram Priestman. At 14, he won a Royal Drawing Society award and at 18 years old he joined a travelling show and toured with circuses in Britain and Europe. He continued to paint all this while, becoming well known and popular around the World. Invalided out of the army in 1944, but invited by General Alexander to record the Italian Campaign, in 1945 Colnaghi’s exhibited his war paintings and showed his work annually from that time on. This exhibition and subsequent shows received unprecedented success with large queues before the doors opened. The Queen Mother was a great admirer and collector of Seago’s work. The Duke of Edinburgh invited Seago on a World Tour in ‘Britannia’ in 1956, the paintings of Antartica which were considered to be amongst his best, now hang in Balmoral. He became a member of the RWS in 1959. Seago was a lover of East Anglia, the Norfolk broads and sailing, and was a masterly painter and watercolourist of Broadland. He has had major exhibitions with the Fine Art Society, Richard Green, Portland Gallery and Thomas Gibson. He lived at Ludham in Norfolk, where he died of a brain tumor at the age of 64. In his Will, he requested that one third of his paintings from his studio be destroyed!
96 429 • Edward Seago [1910-1974] Halftide at Waxham Edward Seago studio stamp on reverse of backboard watercolour 37.5 x 55cm £2000 - 3000
Provenance. With Thompson’s Gallery, London
97 430 • Anthony Gross [1905-1984] Miriam, a three-quarter length study of a Moroccan woman Signed Anthony Gross, inscribed with title and dated 1927 bottom left also indistinctly inscribed bottom right watercolour, pencil and charcoal drawing 61.5 x 46.5cm. £500 - 700
Provenance. W.R. Deighton and Sons [Agents for the artist in the 1920s and 1930s]
430 Biography. Anthony Gross, painter and etcher, born Dulwich, son of a Hungarian cartographer. Studied at the Slade School, the Central School of Arts & Crafts and the Ecole des Beaux Art, Paris. In 1925 he studied life classes at the Academie Julian. He travelled extensively in Europe sponsored by W.R.Deighton & Sons, sending etchings and drawings back to England as well as exhibiting in Paris. Returning to England in 1934, Gross worked on animated films and became an art director for London Films. He illustrated a 1929 edition of Jean Cocteau’s Les Enfants Terribles. He was appointed an official War Artist 1939-1945 through the advocacy of Eric Kennington. He travelled extensively in the Middle East, accompanied by Edward Ardizzone and Edward Bawden. From 1948-1954 he was life drawing master at the Central School of Arts and head of printing at the Slade. He exhibited as part of the London School of Art in London and New York between 1948- 1971. Gross’s work is represented in the V&A, the British Museum, the Imperial War Museum, the Tate and numerous National Galleries worldwide.
431 • Anthony Gross [1905-1984] Les Quays, Cahors, figures promenading signed Anthony Gross and inscribed with title bottom left watercolour over pencil drawing 37.5 x 54.5cm. £600 - 800
431 Provenance. W.R. Deighton and Sons [Agents for the artist in the 1920’s and 1930’s]
432 • Alexander Graham Munro [1903-1985] Morocco, High Atlas signed watercolour 71 x 51cm
Biography. Painter, draughtsman and teacher, born in Midlothian. Attended the Royal Scottish Academy life School, won a scholarship and travelled to Paris for further studies. In the 1920’s and 30’s Munro travelled extensively to Europe and North Africa, producing a large body of work. Elected RSW and exhibited frequently at the RSA. Major exhibition at the Portland Gallery in 1989. £250 – 350 433. No Lot. 98 432 434 • Leslie Cole [1910-1976] Woman reading in an interior signed bottom right oil on canvas 48 x 53cm. £250 - 350
Biography. Leslie Cole. Painter, teacher and notable war artist working for the Ministry of Information in Malta, the Admiralty and the War Office. Ferens Gallery in Hull hold his work which is reproduced widely in anthologies of pictures by war artists. Cole lived in London and in 1976 the War Museum staged an exhibition of his WWII work. 434
435 Attributed to Richard Hayley Lever [1876-1958] Town Beach, by repute St. Ives verso another painting, Sunset over a Village oil on canvas 34.5 x 45cm. £300 - 500
435
436 Attributed to Lucien Pissaro [1863-1944] Landscape monogrammed and dated 1934, coloured crayon over pencil 12 x 15cm £300 – 500 437 No Lot.
436
99 Biography. Myles Birket Foster was a successful and extremely popular 19th century watercolourist, illustrator and engraver. Born in North Shields, his family moved to London in 1830. His father recognised his son’s artistic talent and apprenticed him to the wood engraver Ebenezer Landells where he worked on illustrations for Punch and the Illustrated London News. Birket Foster became a book illustrator and taught himself to paint in watercolour. He became an instant success, elected a member of the Old Watercolour Society in 1860 and went on to exhibit some 400 works at the Royal Academy over two decades. He travelled widely at this time, painting in Scotland, the Rhine Valley, the Swiss Lakes and Italy, especially Venice. It was after moving to Witley in Surrey that he started to produce the work for which he is best known; sentimentalised views of the contemporary English countryside, particularly around Surrey. Although criticised by some for their idealised view of country life, this body of work proved very popular, and realised three figure sums in their time! His house in Witley was partly decorated by the Pre-Raphaelites and became a centre for many artists of the day. He lived here until 1893 when he moved to Weybridge. Largely because of his contemporary success his work was much faked within his life time; genuine works are fairly easy to recognise, his finished watercolours having a stipple technique, especially on flesh, and his drawings are minutely accurate. He generally worked on a small scale, but is one of very few watercolourists to make a complete success of large compositions.
100 438 Myles Birket Foster [1825-1899] St. Andrews, stormy seas breaking against the cliffs monogrammed and inscribed St. Andrews bottom left watercolour heightened with white 58 x 83.5cm. £3000 - 5000
Provenance. Frost & Reed Ltd.
101 439
439 • Ernest Howard Shepard [1879-1976] Shoes pen and ink drawing 2.5 x 25.5cm. £300 - 400
Provenance. The Fine Art Society. Exhibition E H Shepard, December 2006, No.160. An illustration for ‘The Modern Struwwelpeter’.
440 • Ernest Howard Shepard [1879-1976] Head of a woman signed, sepia pastel drawing 29.5 x 17.5cm. £400 - 500
Provenance. The Fine Art Society. Exhibition E 440 H Shepard, December 2006, No.160
441 442 441 442 James Paterson [1854-1932] • Robert O. Lenkiewicz [1941-2002] Portrait of a girl, head and shoulders Portrait of a man, head and shoulders signed and dated 1918 bottom centre Project 1, Vagrancy pastel over pencil drawing pencil 35 x 25cm. 28 x 19cm. £200 - 300 £200 -300
Provenance. Aitken Dottson, Edinburgh Provenance. The Lenkiewicz Studio Sale, 2008, Lot 154. Bearnes, Westpoint, Exeter. 102 443 John Strickland Goodall [1908-1996] The Milliner’s shop signed John S Goodall bottom right watercolour over pencil heightened with bodycolour 17.5 x 12.5cm. £300 - 500
Footnote. Illustration from the book ‘Story of the High Street’, late 1960’s.
Biography. J.S.Goodall started illustrating books in pen and ink in the late 1950s. These were titled ‘Village School’ and ‘Village Diary’ by the fictitious village schoolmistress ‘Miss Reed’. In the late 1960s Goodall started on his wordless books. He alternated the full page with half pages that can be turned to change the story. The story of ‘The High Street’ was a large format book about English life and continued on with this format.
443
444
444 John Leech [1817-1864] Lord Brougham as the “Phoenix” pencil drawing with another “Miss Tomboy” two 6.75 x 8cm, 7.75 x 7cm respectively. £80 – 120
445 No Lot.
103 The following ten lots are a collection of drawings, from a deceased estate, sold on behalf of a beneficiary.
Biography. John White Abbott [1763-1851] was born and educated in Exeter. A friend and pupil of Francis Towne, he came from a wealthy family who owned estates around Exeter one of which ‘Fordlands’, he inherited. He trained and practiced as a surgeon in the City whilst drawing and painting for recreation, which became more important to him as his reputation grew. He exhibited at the Royal Academy from 1793-1827. He rarely left the West Country to paint, his only extended journey was to Scotland, the Lake District, Lancashire, Derbyshire and Warwickshire in 1791. His drawing style is very close to Towne’s with neat pen outlines and light, clear colour washes or a grey wash.
446 448 451 John White Abbott John White Abbott John White Abbott [1763-1851] [1763-1851] [1763-1851] Exeter City, a view from the A study of a group of trees in The Lake of Como Cathedral, figures on a path in parkland initialled JWA and FT and the foreground- pen and grey ink and grey inscribed on reverse of paper initialled and dated May 1815 wash on two sheets of paper pen and grey ink and grey and pen and grey wash laid down brown wash, 22.5 x 18cm 25.5 x 35.75cm 15.5 x 21.75cms. £600 - 900 £400 – 600 £250 - 350 447 449 This drawing is an example John White Abbott John White Abbott of JWA copying the work of [1763-1851] [1763-1851] Francis Towne. A very similar Fordland, two figures Fordland, a stream running drawing sold at Sotheby’s Lot conversing by a stream, one through woodland 81, on the 11th November mounted on horseback signed with initials and dated 1993 for £900. initialled and dated 1797 1797 bottom middle, inscribed bottom left, also also initialled JWA dated 1797 452 initialled dated and inscribed and inscribed ‘Fordland, John White Abbott on reverse ‘Fordland finished finished on the spot’ on the [1763-1851] on the spot’ reverse of drawing Lake of Walenstadt pencil drawing, pencil drawing, Initialled JWA and FT and 29.5 x 21.5cm. 29.5 x 21.5cm inscribed with title on reverse £300 - 500 £300 - 500 pen and grey ink and grey Provenance. Elizabeth Abbott, Provenance. Elizabeth Abbott, wash March 1832. March 1832. 19 x 25cm. £250 - 350 450 This is an example of John John White Abbott White Abbott copying the [1763-1851] work of Francis Towne. A cottage at the edge of woodland by a quarry, thought 453 to be ‘Newton’, Devon John White Abbott pen and grey ink and grey [1763-1851] wash Unloading cargo, shore scene 15.5 x 22cm with wagon, horses and £200 - 300 beached sailing craft pen and grey ink and grey wash, 14.5 x 20cm. £300 – 500 454-5 No Lots.
446 104 450
447
451
448
452
449 453 105 456 Tom Rowden [1842-1926] Sheep in a coastal landscape signed and dated ‘95 watercolour 24 x 51cm, and a companion picture of cattle, a pair (2) £300 - 500
456
456
457 Attributed to William Turner of Oxford [1789-1862] Fortified town, figures in a yard monochrome wash drawing, 11.5 x 15.5cm. £200 - 250
457 458 John Fisher [1748-1825] Teign Estuary signed and dated 1787 watercolour 28.5 x 47cm. £200 - 300
458
106 459 John Gendall [1790-1865] ‘On the Teign, near Gidley’ Signed, dated and inscribed Oct. 11th 1855, also inscribed on an old label on reverse, watercolour and bodycolour with scratching out 37.5 x 27.75cms. £200 - 300
459 460 • Cecil Arthur Hunt [1873-1965] Snowdon signed C A Hunt bottom left watercolour 15044 x 52cm. £200 - 300
460
461 461 Circle of John Constable [1776-1837] Cattle grazing in a landscape, with a companion watercolour of willow tree and pond, possibly Hampstead watercolour over pencil drawing 13.5 x 18.25cm and 14 x 18.5cm respectively (2), unframed £250 – 350 462 No Lot. 107 463 F J Delacour [19th Century] The Worcester, East Indiaman, off Dartmouth signed, inscribed and dated 1829 bottom right watercolour over pen and ink drawing 47x 66.5cm. £800 - 1200
463
464 Samuel Philips Jackson [1830-1904] Approaching the harbour signed and dated S.P. Jackson ‘76 watercolour over pencil 50 x 79.5cm £300 - 500
464
465 Conrad Carelli [1869-1956] Rivercraft on the Nile at Givneh signed Conrad H.R. Carelli bottom right inscribed with title on reverse watercolour 17.5 x 35.5cm £300 – 500 466 No Lot
465
108 467 Samuel Phillips Jackson [1830-1904] Hulk in Plymouth Sound signed and dated 1856 bottom left watercolour 46 x 73.5cm. £1000 - 1500
467
468 Samuel Phillips Jackson [1830-1904] Trawlers off the North Devon coast signed and dated 1855 bottom right watercolour 45 x 67cm. £600 - 900
468
469 Attributed to Samuel Jackson [1794-1869] An overshot mill in the uplands watercolour with scratching out 21 x 31.5cm. £400 – 600
469
109 470 Swiss School late 18th/early19th Century La Fontaine Du Barisart signed xhrouiiet? bottom right gouache, 8 x 12cm, together with seven other similar studies.[8] £300 - 500
110 471 • Luigi Russolo [1885-1947] Nocturne Landscape signed L Russolo bottom left oil on board 23 x 29.5cm. £1000 – 2000
Biography. Luigi Rossolo is an important figure in Italian Futurism. The destruction of most his work prompted the Royal Academy to claim in the 1989 catalogue of Italian Art in the 20th Century that all his later work was ‘lost’ and indeed very little has come to the market. His most famous painting, which is in the Estorik Collection, is La Musica (1911). Rossolo was also an accomplished composer and musician inventing the intonarumoro (noise-intoner) which was a gurgling, buzzing, exploding device admired by Stravinsky and Prokofiev.
472 No Lot 111 Biography. Born into a large bourgeoise family in Innsbruck, Franz Richard Unterberger studied at the Academy of Munich under Clemens von Zimmermann and latterly at the Academy of Dusseldorf. The favoured academy for Scandinavian painters painting abroad. Consequently Unterberger was drawn to Scandinavia where in the early 1860s he produced a number of atmospheric mountain scenes. Following this period Unterberger moved to Brussels, where he felt the art market was more lucrative; he was to live and work there periodically for most of his life. He was becoming by now a truly European artist, travelling extensively from Norway to Sicily, exhibiting throughout Europe, Hamburg, Antwerp, Brussels, Berlin, Stuttgart, Paris, Munich, Vienna, additionally in the U.S.A. at Philadelphia and Boston. From the 1870’s Unterberger was painting panoramic Italian scenes, coastal landscapes set in Southern Italy ,Capri, Naples, Amalfi, Sorrento, Palermo and views set in Venice; his works suffused with warm Mediterranean light and a shimmering silvery tone. In 1884 he exhibited in London at the International Universal Exhibition, in the Austrian section, increasing his huge International reputation with resultant sales and commissions. Southern Italy and Venetian scenes, formed the great majority of his output in the 1890’s; in his later years Unterberger moved to a studio in Neuilly-sur-Seine where he died on the 25th May 1902.
112 473 Franz Richard Unterberger [1838-1901] The Gulf of Salerno, possibly Positano All Saints’ Day signed F R Unterberger bottom right oil on canvas 82.5 x 70cm. £25000 - 35000
Provenance. West Country private collection
113 474 Eugenio Zampighi [1859-1944] The Tame Pidgeon; a family with birds and pets in an interior signed E.Zampighi bottom right oil on canvas 24.5 x 34.5cm. £3000 - 5000
Provenance. Frost & Reed E.Stacy-Marks Private collection West Country
Biography. Eugene Zampighi , an Italian painter and photographer of genre subjects, born in Modena, where he studied art at the Academy of Fine Arts under Antonio Simonazzi. Influenced by Giovanni Muzzioli. After winning the Poletti Prize in 1880 he continued his studies in Rome and latterly Florence where he settled in 1884. From this time Zampighi painted a series of genre subjects, scenes of happy rural and domestic life amongst the poorer classes. These works were very successful on the art market and brought him international commissions. His photography work was for the most part geared to his painting and took place mainly in the studio with the aid of models in peasant costume. Zampighi would use these images to produce a joyous and idyllic image of Italian rural life which was very popular with foreign tourists.
114 475 Nicholas Condy [1793-1857] Interior of the cobbler’s cottage, three figures and a child around a table signed and dated N.Condy 1850 bottom left oil on panel 33.5 x 43cm. £4000 - 6000
Biography. Nicholas Condy was born in Plymouth and enlisted in the army as a young man. On his discharge in 1818 he returned to Plymouth to take up painting professionally, and married the daughter of Captain Oates, a portrait painter from Falmouth. Condy painted both in oils and watercolours; his subject matter ranging from marine, to landscape to genre and cottage interiors. The interiors were highly finished and detailed. Here for example there is a line of fish drying above the fireplace and a peacock feather in the window together with dozens of other small interior details. The painting technique of thin glazes took inspiration from 18th century continental examples, rather than Condy’s British contemporaries like Wheatley and Morland. It was said Condy died from grief at the premature death of his son Nicholas Matthew Condy [1816-1851] who had become a talented and successful marine artist in his own right.
115 476 476 F.G Pasmore Jnr [fl.1875-1884] Cottage interior with three boys; Stable interior with three boys, a cock bird and dogs a pair, both signed and dated F.G.Pasmore 1882 oils on canvas each 46 x 36cm. [2] £1500 - 2000
477 Michelangelo Meucci [1840-1909] A jay in a tree sighting a butterfly signed M.Meucci, inscribed Firenze and dated 1871? bottom right oil on board, 44 x 36.5cm. £400 - 600
478 No Lot.
477 116 479 479 William Muller [1812-1845] Windmill in a landscape signed bottom right oil on panel 24.5 x 33cm. £300 - 500
480 480 William Stone [fl. 1865-1878] Winter river scene signed bottom right, inscribed on stretcher ‘the frozen river, River Severn, Newton Montgomeryshire’, Oil on canvas 40 x 60.5cm. £250 – 350
481-2 No Lots. 117 483 Circle of Phillip Hutchins Rogers [c.1790-1853] Shipping and fisherfolk in a Dutch bay oil on canvas 62 x 75cm £300 - 500
483
484 Thomas Miles Richardson [1813-1890] River landscape with boat builders, horses and figures in the foreground, view to a town beyond signed and dated 1860 bottom left watercolour 33 x 65.5cm. 484 £200 - 300
485 Arthur Meadows [1843-1907] ‘The Coast of St. Malo, Evening’; fisherfolk unloading a beached craft signed and dated Arthur Meadows 1884 bottom left also signed, dated and inscribed with title on reverse of canvas oil on canvas 25 x 35.25cm £1200 - 1800
Provenance. Private collection West Country 485
118 486
486 Charles Dixon [1872-1934] The Pool of London signed, inscribed and dated ‘08 bottom left watercolour 27 x 75cm £2000 - 3000
487 Cedric Gray [19/20th Century] Whitby Harbour; Shipping in a bay a pair both signed and dated ‘80 oils on board each 10 x 30cm. [2] 487 £150 – 250
488 No Lot.
487
119 489 • Ethelbert White [1891-1972] Woodland, figures in the middle distance signed Ethelbert White bottom right oil on canvas 54 x 64cm. £600 – 800
489
Biography. A painter in oil and watercolour, illustrator, wood engraver and poster designer. Born at Isleworth, ‘Bertie’ White and his wife Betty became noted bohemians; travellers by caravan, regular attendees of the Chelsea Arts Ball, singers and collectors of folk songs. Ethelbert White studied at St. John’s Wood Art School becoming good friends with advanced painters such as Mark Gertler and C.R.W. Nevinson. White and Nevinson together painted a Futurist version of Hampstead Heath on Fair Day for the 1913 A.A.A. Exhibition. White was a regular exhibitor at the Royal Academy and the Royal Watercolour Society. He travelled widely in Ireland, France and Spain. A memorial exhibition was held at the Fine art Society in 1979.
490 David West [1868-1936] Ben Rinnes From Knockando, Speyside, Scotland signed David West R.S.W bottom right further signed and inscribed on the reverse watercolour 55.5 x 77cm. £500 – 700 491 No Lot.
490
120 492 David West [1868-1936] A Sunset at Lossiemouth signed bottom right further signed and inscribed with title on ten reverse watercolour 52.5 x 63.5cm. £500 - 700
492
493 Attributed to Samuel Philips Jackson [1830-1904] The Avon Gorge watercolour heightened with white 29.5 x 42cm. £200 - 300
493
494 • Barry Mason [20th Century] Clipper under full sail signed bottom left oil on canvas 49 x 75cm. £800 – 1200 495 No Lot.
494 121 496 Attributed to Stanhope Alexander Forbes [1857-1947] Fishermen repairing nets oil sketch on canvas signed Stanhope A. Forbes to reverse in pencil there is also a label attached to the back board inscribed ‘Sketch by’ with signature of Stanhope A. Forbes oil on canvas laid in a mount 23 x 30.5cm. £1200 - 1800
Provenance. Family history has it that this sketch was gifted to the vendors Grandmother, a Miss Kathleen Fraser, by Stanhope Forbes. There are two photocopy letters accompanying the lot. Both written and signed by Stanhope Forbes. One is difficult to read. The other is a reference by the artist for Miss Kathleen Fraser stating Fraser was ‘for a considerable time, his pupil, and was well qualified to teach drawing or painting’. The letters are dated 1915.
122 497 • Donald McIntyre [1923-2009] ‘The Stream’ signed bottom left further signed and titled on the framing tape attached to the reverse oil on canvas board 63.5 x 101.5cm. £3000 - 5000
Provenance. With Sothebys Lot 94 18th March 2008, Sold £4250
Biography. Born in Leeds, Yorkshire, Donald McIntyre spent his early childhood in north west Scotland. He painted as a youth, developing a style in the Scottish Colourist tradition. Trained as a dentist, he also attended evening classes at Glasgow School of Arts, giving up his career at the age of 40 to pursue a career as an artist. He regularly painted the coastal landscapes of Scotland and North Wales, and spent his summers on Iona, working his sketches en plein air, finishing his larger works in his studio. He was a member of the Royal Cambrian Academy and regularly exhibited with the Thackeray Gallery, the Howard Roberts and the Albany Galleries.
123 498 498 • Fred Yates [1922- 2008] The Passage Inn, Topsham signed and dated YATES 70 bottom right oil on board 80.5 x 137cm. £800 - 1200
499 499 • Fred Yates [1922-2008] The Park, Penzance signed bottom right oil on canvas 30 x 35.5cm £500 - 700
124 500 • Simeon Stafford [b.1956] No.17 Bus, Piccadilly Circus signed bottom left inscribed on the reverse oil on board 39 x 49cm. £600 - 900
500 501 • Emmanuel Michel (Many) Benner, [1873-1965] Still life, ‘Fleurs’ signed Many Benner further signed and inscribed on the stretcher and inscribed with artist’s address 43 Avenue de Villiers, Paris oil on canvas 53 x 45cm £300 - 500
With The Tryon Gallery
501 502 • Eileen Agar [1899-1991] Portrait signed AGAR bottom centre watercolour on cut and shaped paper 35.5 x 30cm overall £600 – 800 Provenance Christies, Lot 530, 14th December 2010
Biography. Surrealist painter in oils watercolour and acrylic, collagist and object-maker. Born in Buenos Aires, she came to England in 1911. Studied at the Byam Shaw School and later at the Brook Green School and the Slade with Leon Underwood. Studied for two years in Paris and was introduced to Surrealism. Moved in circles with Ezra Pound, Evelyn Waugh, Pablo Picasso, Man Ray, Henry Moore and Paul Nash, whom she counted amongst her friends. Had 502 first one-woman show at the Redfern Gallery in 1942 and a retrospective at Birch & Conran in 1988. There was a centenary show at the Scottish National Gallery of Modern Art and also at the Redfern. The Tate Gallery hold her work, which has in part a strong jokey element. Elected a Royal Academician shortly before she died.
503-5 No Lots. 125 506 Walter Graham Grieve [1872-1937] Ben Trilleachan signed, inscribed and dated June 1931 on a label attached to the backboard oil on canvas 24 x 34cm. £300 - 500
506
507 Arthur Henry Enock [1882-1912] Dartmouth; a calm misty day looking out to sea past the castle signed watercolour 30 x 49.5cm. £200 - 300
507
508 Cecil Arthur Hunt [1873-1965] On the Sussex Downs signed watercolour 30 x 37cm. £200 - 300
With Clarges Gallery, London, W1
508
126 509 • Duncan James Corrowr Grant [1885-1978] ‘Mealtime’, Arabs by a roadside, Morocco monogrammed and inscribed DG Morocco ‘68 on reverse of canvas 65 x 91cm. £4000 - 6000
Provenance Phillips Son & Neale Lot 246 7th March 1986 sold for £1500.
We are grateful to Richard Store for authenticating this picture. This colourful work was painted in 1968 at Charleston from studies made in Morocco where the artist visited in 1966 and 1968. Other examples are “Figures Marrakesh” signed and dated ‘69, 66 x 81cm, sold Christies 1997 and ‘Garden at Farah, Tangier’ , signed and dated ‘66, oil on board, 56 x 40cm, sold Sothebys 1994.
Biography. Duncan grant was a British painter and designer of textiles, pottery, theatre sets and costumes. Educated in India and St Paul’s London, studied art at Westminster School of Art and in Paris under Jacques Emile Blanche. He became the Director of Roger Fry’s Omega Workshops and for the rest of his life involved himself with decorative commissions. Around 1916 he became involved with Charleston and the Bloomsbury Group and a lifelong companion of Vanessa Bell. Grant often worked in the South of France spending summers at Cassis between 1927-1938. His early close relationships were with Lytton Strachey and John Maynard Keynes. In 1935, along with other prominent British artists, he was selected to provide paintings and fabrics for the RMS Queen Mary, a not altogether happy commission! In Grant’s later years the poet Paul Roche, whom he had known since 1946 and who frequently modelled for Grant, took care of him and helped him maintain his way of life at Charleston. Duncan Grant’s remains are buried beside Vanessa Bell’s in the churchyard of St. Peter’s Church, West Firle, East Sussex, close to Charleston. 127 510 • Reg Watkiss [b.1933] West Penwith Landscape signed bottom right acrylic on board 19 x 25.5cm £100 - 150
510 511 • John Hitchens [b.1940] Hills and Fields signed oil on canvas 32 x 47cm, unframed. £400 - 600
511 512 • Patrick Hayman [1915-1988] Flight signed Hayman bottom right also signed and inscribed with title on reverse oil on board 38 x 25.5cm. £600 - 800
Provenance With Christies, 2010.
•Biography. Born in London and studied in Malvern. Lived in New Zealand 1936-1947 and taught at the Art School in Dunedin. With a group of young artists he developed New Zealand’s first indigenous modernism. A daughter, Christina was born in 1942. Hayman returned to England in 1947 and settled in St.Ives, Cornwall. Here he admired the work of Alfred Wallis, his own works having a childlike quality and being vigorous, vivid 512 and direct. Exhibited in 1988 at Painted Poems with the Louise Hallett Gallery and there were retrospectives at Camden Arts 128 Centre in 1990 and Belgrave Gallery in 2005. 513 • Alan Cotton [b.1938] Florence from Piazzale Michelangelo, Evening Sunlight signed bottom right further signed, inscribed and dated 1989 on the stretcher oil on canvas 90 x 100cm. £800 - 1200
513
514 Jane Page [Contemporary] ‘Irises’ signed and dated ‘93 oil on canvas 69 x 74cm. £300 – 500
515 No Lot
514
129 516 • Robert O. Lenkiewicz [1941-2002] Father, Sons and pet Dog Project 17. Observations on Local Education, 1988 signed twice on the reverse oil on canvas 93 x 89cm. £1500 - 2000
517 • Robert O. Lenkiewicz [1941-2002] Group of Teachers, Cothill, Plympton, Project 17. Observations on Local Education, 1988 oil on canvas 189 x 233cm. £2000 - 3000
130 518 • Robert O. Lenkiewicz [1941-2002] Young Hasid signed twice and dated 1965 on the reverse also inscribed ‘[Hampstead] Eton Avenue-study/ Young Hasid-for life size Four Figures Hasidic [Cabala] - painting now in Glasgow. [Hotel Shemtof 85-87 Fordwych Road]’ oil on board, 44 x 28.5cm. £5000 – 7000
Provenance. Lot 202 The Lenkiewicz Studio Sale, Bearne’s, Westpoint, Exeter, 2008
519 No Lot
131 Biography. Winifred Nicholson was born in Oxford, as Rosa Winifred Roberts. Her mother, Lady Cecilia, was a daughter of the politician George Howard, 9th Earl of Carlisle. Her father, an accomplished artist himself, painted with Winifred from an early age. She attended the Byam Shaw School of Art. She married Ben Nicholson in 1920 initially exhibiting for some while under her maiden name Winifred Roberts. She exhibited at the Mayor Gallery and became a member of the New England Art Club. Unlike her husband Ben she was never really a member of the then newly founded St. Ives School and she never permanently lived there, travelling extensively as she did. She experimented in her own form of abstraction in the 1930’s. Influences between Ben and Winifred were mutual, Ben Nicholson admitting that he learnt a lot about colour from Winifred. After their divorce in 1938, W.N. spent most of her long life in Cumberland. The Tate Gallery had a significant exhibition of her work in 1987, and the Kettle’s Yard Cambridge have a large collection. An auction record was set for her work in March 2011 in London when Sea Treasures, a 1952 work, realised £145,000.
‘She probably has no equal among Modern British painters, as a colourist of the most exquisite refinement’. P.C. Konody writing in the Observer in 1927.
132 520 • Winifred Nicholson [1893-1981] Still life of Garden Flowers circa 1972, oil on canvas board 59 x 48.5cm. £20000 - 30000
Provenance. With Crane Kalman Gallery December 1972, where bought by Dr. Gibson, thence by direct family descent. 133 521 • Charles Frederick Tunnicliffe [1901-1976] Siamese cat sitting amongst grasses signed C.F. Tunnicliffe bottom right watercolour 42.5 x 57.5cm. £1200 – 1800
Biography. An internationally renowned naturalistic artist, working in many mediums; oil, watercolour, etching and wood engraving. Studied at the Royal College of Art he became an illustrator, famously illustrating Henry Williamson’s ‘Tarka the Otter’. He also illustrated the Brooke Bond tea cards which were seen by millions of people in the 50’s and 60’s. He illustrated a number of the ‘Ladybird books’. He was elected a Royal Academician and exhibited worldwide. After his death much of his personal collection was bequeathed to Anglesey Council and can now be seen at the Anglesey Gallery.
522-550 No Lots.
134 Forthcoming Picture Sales The next Picture Sales are on Tuesday 19th November 2013 and Tuesday January 21st 2014
Edwin Penny [born 1930] Collared Doves signed bottom left watercolour 71.5 x 50cm For a valuation and to enquire Provenance. With Frost & Reed about consigning a single picture Estimate £1,200 - £1,800 or a collection, please contact To be sold 21st January 2014 with four other Dan Goddard or Penny watercolours from the same collection Martin Scadgell
135 Artist Index
ARTIST Lot Nos. ARTIST Lot Nos. ABBOTT, J.W. 446, 447, 448, LENKIEWICZ, R.O. 442, 516, 517, 449, 450, 451, 518 452, 453 LEYMAN, A. 416 ACOSTA, A. 373, 374 MARSHALL, H.M. 417 AGAR, E. 502 MASON, B. 494 BATES, D. 410 MCINTYRE, D. 497 BENNER, E M. (MANY) 501 MEADOWS, A. 485 BRANGWYN, S.F. 428 MEUCCI, M. 477 CARELLI, C. 465 MULLER, W. 479 CIARDI, E. 397 MUNRO, A.G. 432 COLE, L. 434 MURRAY, D. 409 CONDY, N. 475 NICHOLSON, W. 520 COTTON, A. 513 PAGE, J. 514 DAWSON, H. 405 PAICE, G. 402 DELACOUR, F. J. 463 PASMORE Jnr, F.G. 476 DIGHTON, R. 359 PATERSON, J. 441 DIXON, C. 486 RENNIE, G. M. 424 ENNESS, A.W. 396,427 RICHARDSON, T.M. 484 ENOCK, A.H. 507 ROWDEN, T. 456 EPSTEIN, J. 371 RUSSOLO, L. 471 FISHER, J. 458 SEAGO, E. 429 FORBES, G. T. 393 SHAW, W.F. 425 FOSTER, M. B. 438 SHAYER, W. 404 FOWERAKER, A.M. 426 SHEPARD, E. H. 439, 440 GATEHOUSE, C.E. 400 STAFFORD, S. 500 GENDALL, J. 459 STONE, W. 480 GLENDENNING, Jnr. A.G. 415 TALMAGE, A.M. 406 GOODALL, J.S. 443 TUCKER, J.W. 383, 384, 385, GORDON, J.W. 365, 368 386, 387, 388 GRANT, D.J.C. 509 TUNNICLIFFE, C.F. 521 GRAY, C. 487 UNTERBERGER, F.R. 473 GRIEVE, W. G. 506 VAUGHAN, E. 353 GROSS, A. 430, 431 VERHOESEN, A. 407 HAHNISH, A. 362 WATKISS, R. 510 HARDY, H. 408 WATSON, W.J. 411 HAYLLAR, J. 392 WEST, D. 490, 492 HAYMAN, P. 512 WHITE, E. 489 HITCHENS, J. 511 WIDGERY, F.J. 413, 419, 420, HOLMES, C.J. 418 421 HUNT, C.A. 460, 508 WYLD, W. 394, 395 HUNT, C.A. 508 YATES, F. 498, 499 HUTCHISON, W.O. 391 ZAMPIGHI, E. 474 JACKSON, S. P. 464, 467, 468 LEECH, J. 444
136