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Medieval Art & Architecture Medieval Art & Architecture The Libraries of Professor Joachim Gaehde, Brandeis University and Dr. Lillian M.C. Randall, Curator of Manuscripts and Rare Books, Walters Art Gallery, Baltimore 1,288 titles in ca. 1,475 physical volumes From Brandeis Universisty website Remembering Joachim Gaehde, professor emeritus of fine arts Joachim Gaehde Nov. 26, 2013 Joachim Gaehde, professor emeritus of fine arts, passed away Nov. 24, of pneumonia. He was 92 and lived in Arlington, Mass. A scholar of Carolingian illuminated manuscripts, Gaehde was the eminence grise of the Department of Fine Arts for most of his long tenure at Brandeis, said his colleague Nancy Scott, associate professor of fine arts. Gaehde was born in Dresden, Germany, in 1921. His mother was Jewish, and he survived most of the war years in Nazi Germany. He emigrated to the United States in 1950 and later earned his doctoral degree from the Institute of Fine Arts at New York University. In 1962, Gaehde joined the Brandeis faculty as an associate professor and was promoted to full professor in 1969. He also served as dean of the faculty in the 1970s under President Marver Bernstein. Scott said that Gaehde defined the field of medieval studies at Brandeis, and became well known for his rigorous course studies; his kindly concern and manner toward students; and his wit, elegance and dedication. “As a colleague, [he] held the department to high standards, and at the same time he enjoyed the pleasures of his American life — he favored a blue Fiat convertible, which he drove with the top down in all kinds of weather; loved his Rhodesian Ridgeback dogs, which were part of his daily constitutionals; and was a gourmet cook,” recalled Scott. Gaehde married Christa Maria Schelcher in 1946. Christa, who was renowned in the field of conservation and restoration of art on paper, and worked for many of the top American museums, predeceased her husband in 2002. Gaehde is survived by his sons, Stephan, of Brookline, Mass., and Nicholas, of Concord, Mass., and by his five grandchildren, Lilly, Stephanie, Christian, Miranda and Oliver. From: Dictionary of Art Historians Randall, Lilian M[aria] C[harlotte] née Cramer Date born: 1931 Place Born: Berlin, Germany Medievalist; Walters Art Gallery curator. Lilian Cramer was the daughter of Frederick Henry Cramer (1906-1954) and Elizabeth Agnes Ziegler (Cramer). Her father was a professor of history and avid racecar driver. The family immigrated to the United States 1938 from Nazi Germany where her father taught at Mount Holyoke College. Cramer graduated cum laude from Mount Holyoke College,1950 with an A. B., continuing graduate work at Radcliffe College, gaining an M. A. in 1951. A grant from American Association of University Women, 1953-1954 allowed her to complete her dissertation research. At Harvard she met a fellow art history graduate student Richard Harding Randall, Jr. (q.v.), whom she married in 1953. Her father was killed (age 48) taking part in the Tour de France auto race in 1954. Randall's Ph.D., from Radcliffe was awarded in 1955 with a dissertation on medieval marginalia, some of the earliest work addressing the topic per se in art history. In 1957 her article in the Art Bulletin , "Exempla and their Influence on Gothic Marginal Illumination," won the Arthur Kingsley Porter Prize from the College Art Association. She was an associate scholar at the Radcliffe Institute for Independent Study between 1961 and 1963. In 1964 when her husband became assistant director of the Walters Art Gallery in Baltimore, she joined Johns Hopkins University as a visiting lecturer in medieval art. During that time Randall completed her book on medieval marginalia, Images in the Margins of Gothic Manuscripts , published in 1966. She remained at Hopkins until 1968. After a year as assistant director at the Maryland Arts Council 1972-1973, the Walters Gallery hired her as curator of manuscripts and rare books in 1974. Randall developed a secondary interest in the history of American collecting, editing and publishing the diary of the art dealer George A. Lucas (1824- 1909) in 1979. She became research curator of manuscripts in 1985 and research consultant for the Museum until 1997. Randall was named a member of the board of directors of the International Center for Medieval Art in 1978 (until 1982 and again 1996). She was awarded a Getty grant for 1990-1992. Mount Holyoke College awarded her an honorary doctorate in 1998. Her work on marginalia was expanded upon by Michael Camille (q.v.). Home Country: Germany/United States Sources: Who's Who in American Art . 17th edition. New York: R.R. Bowker, 1986, p. Nelson, Robert S., and Seidel, Linda. "Michael Camille: A Memorial." Gesta 41 no. 1, no. 2 (2002): 138. Bibliography: [dissertation:] Gothic Marginal Illustrations: Iconography, Style, and Regional Schools in England, North France, and Belgium1250-1350 A.D . Radcliffe, 1955; "Exempla and their Influence on Gothic Marginal Illumination." Art Bulletin 39 (June 1957): 97-107; "Fieschi Psalter." Journal of the Walters Art Gallery 23 (1960): 26- 47; Images in the Margins of Gothic Manuscripts . Berkeley: University of California Press, 1966; edited, The Diary of George A. Lucas: an American Art Agent in Paris, 1857-1909 . Princeton, NJ: Princeton University Press, 1979; "Originality and Flair in an Early 15th Century Book of Hours: Walters 219." Gesta 20 no. 1 (1981): 233-42; Illuminated Manuscripts: Masterpieces in Miniature: Highlights from the Collection of the Walters Art Gallery . Baltimore, MD: Walters Art Gallery, 1984; ARS LIBRI MEDIEVAL ART AND ARCHITECTURE : THE GAEHDE AND RANDALL LIBRARIES GENERAL WORKS 1 ACHTERBERG, HERBERT. Interpretatio Christiana: Verkleidete Glaubensgestalten der Germanen auf deutschem Boden. Eine Quellenschau nach den Berichten der Merowinger- und Karolingerzeit. (Form und Geist.) xvi, 176pp. Sm. 4to. Self-wraps. Ph.D. thesis, Universität Greifswald. Leipzig (Verlag Hermann Eichblatt), 1930. 2 ADAM, PAUL. L’Humanisme à Sélestat: L’École, les humanistes, la bibliothèque. 5e édition. 102, (2)pp., 12 plates. 15 illus. 4to. Wraps. Sélestat (Imprimerie Stahl Sélestat), 1987. 3 ADAM, VON BREMEN. History of the Archbishops of Hamburg-Bremen. Translated with an introduction and notes by Francis J. Tschan. (Records of Civilization. Sources and Studies. 53.) xxxiv, 253, (1)pp. Sm. 4to. Cloth. D.j. New York (Columbia University Press), 1959. 4 ADAMS, HENRY. Mont-Saint-Michel and Chartres. With an introduction by Ralph Adams Cram. xiv, 401, (1)pp. Frontis. in color, 12 plates. 4to. Boards, 1/4 cloth. Boston/New York (Houghton Mifflin Company), 1913. 5 ADELSON, HOWARD L. Light Weight Solidi and Byzantine Trade During the Sixth and Seventh Centuries. (Numismatic Notes and Monographs. No. 138.) ix, (1), 187, (1)pp., 14 plates. Sm. 4to. Wraps. New York (The American Numismatic Society), 1957. 6 ADHÉMAR, JEAN. Influences antiques dans l’art du Moyen Age français. Recherches sur les sources et les thèmes d’inspiration. (Studies of the Warburg Institute. 7.) xvi, (2), 344pp, 40 plates. 4to. Cloth (slightly worn). London (Warburg Institute), 1939. Arntzen/Rainwater R73 ; Chamberlin 2481 7 AGNELLO, GIUSEPPE. L’architettura civile e religiosa in Sicilia nell’età sveva. (Collezione Meridionale. Serie III: Il Mezzogiorno Artistico.) 467pp. 276 illus. Lrg. 4to. Wraps. Roma (Collezione Meridionale Editrice), 1961. 8 AINALOV, D.V. The Hellenistic Origins of Byzantine Art. Edited by Cyril Mango. (The Rutgers Byzantine Series.) xv, (3), 322pp. 128 illus. Sm. 4to. Cloth. D.j. (somewhat worn). New Brunswick (Rutgers University Press), 1961. Arntzen/Rainwater I146 9 AKERMANN, MANFRED. Die Staufer: Ein europäisches Herrschergeschlecht. 190pp. Prof. illus. in color. 4to. Wraps. Darmstadt (Wissenschaftliche Buchgesellschaft), 2003. 10 ALEXANDER, J.J.G. Italian Renaissance Illuminations. 118, (2)pp. 40 color plates, 19 text illus. 4to. Wraps. New York (George Braziller), 1977. 11 ALEXANDER, J.J.G. Medieval Illuminators and Their Methods of Work. vii, (1), 214, (2)pp. 247 illus. (some color). 4to. Cloth. D.j. New Haven/London (Yale University Press), 1992. 12 ALEXANDER, J.J.G. Norman Illumination at Mont St. Michel, 966-1100. xxiv, 263, (3)pp., 55 plates. 4to. Cloth. D.j. Oxford (Clarendon Press), 1970. 13 AMSTERDAM. RIJKSMUSEUM. The Art of Devotion in the Middle Ages in Europe, 1300-1500. [By] Henk van Os. With Eugène Honée, Hans Nieuwdorp, Bernhard Ridderbos. Translated from the Dutch by Michael Hoyle. Nov. 1994-Feb. 1995. 192pp. 48 color plates, 78 text figs. 4to. Cloth. D.j. Princeton (Princeton University Press), 1994. Marmor/Ross M164 14 ANDERSON, MARY DÉSIRÉE. The Choir Stalls of Lincoln Minster. 51, (1)pp. 42 illus. 4to. Wraps. Cover title: Lincoln Choir Stalls. Lincoln (The Friends of Lincoln Cathedral), 1967. 15 ANDERSON, MARY DÉSIRÉE. Drama and Imagery in English Medieval Churches. xi, (1), 248pp., 24 plates. 4to. Cloth. D.j. Cambridge (Cambridge University Press), 1963. 16 ANDERSON, MARY DÉSIRÉE. Misericords: Medieval Life in English Woodcarving. (The King Penguin Books. 72.) 30, (2)pp., 48 plates. 12mo. Boards. Harmondsworth (Penguin Books), 1954. 17 ANDERSON, WILLIAM. Green Man: The Archetype of our Oneness with the Earth. Photography by Clive Hicks. 176pp. 137 illus. 4to. Wraps. ARS LIBRI 2 MEDIEVAL ART AND ARCHITECTURE : THE GAEHDE AND RANDALL LIBRARIES Helhoughton (COMPASSbooks), 1990. 18 ARIÈS, PHILIPPE & DUBY, GEORGES (GENERAL EDITORS). A History of Private Life. 5 vols., as follows: I: From Pagan Rome to Byzantium. Paul Veyne, editor. ix, (5), 670pp., 16 color plates. Prof. illus. II: Revelations of the Medieval World. Georges Duby, editor. xiii, (3), 650pp., 16 color plates. Prof. illus. III: Passions of the Renaissance. Roger Chartier, editor. (4), 645pp., 16 color plates. Prof. illus. Lacking title-page. IV: From the Fires of Revolution to the Great War. Michelle Perrot, editor. (6), 713pp., 16 color plates. Prof. illus. V: Riddles of Identity in Modern Times. Antoine Prost and Gérard Vincent, editors. (4), 630pp., 16 color plates.
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