Pitt's Building Our Future Together Capital Campaign Exceeds $1.5
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Indigo in Motion …A Decidedly Unique Fusion of Jazz and Ballet
A Teacher's Handbook for Pittsburgh Ballet Theatre's Production of Indigo in Motion …a decidedly unique fusion of jazz and ballet Choreography Kevin O'Day Lynne Taylor-Corbett Dwight Rhoden Music Ray Brown Stanley Turrentine Lena Horne Billy Strayhorn Sponsored by Pittsburgh Ballet Theatre's Arts Education programs are supported by major grants from the following: Allegheny Regional Asset District Claude Worthington Benedum Foundation Pennsylvania Council on the Arts The Hearst Foundation Sponsoring the William Randolph Hearst Endowed Fund for Arts Education Additional support is provided by: Alcoa Foundation, Allegheny County, Bayer Foundation, H. M. Bitner Charitable Trust, Columbia Gas of Pennsylvania, Dominion, Duquesne Light Company, Frick Fund of the Buhl Foundation, Grable Foundation, Highmark Blue Cross Blue Shield, The Mary Hillman Jennings Foundation, Milton G. Hulme Charitable Foundation, The Roy A. Hunt Foundation, Earl Knudsen Charitable Foundation, Lazarus Fund of the Federated Foundation, Matthews Educational and Charitable Foundation,, McFeely-Rogers Fund of The Pittsburgh Foundation, William V. and Catherine A. McKinney Charitable Foundation, Howard and Nell E. Miller Foundation, The Charles M. Morris Charitable Trust, Pennsylvania Department of Community and Economic Development, The Rockwell Foundation, James M. and Lucy K. Schoonmaker Foundation, Target Corporation, Robert and Mary Weisbrod Foundation, and the Hilda M. Willis Foundation. INTRODUCTION Dear Educator, In the social atmosphere of our country, in this generation, a professional ballet company with dedicated and highly trained artists cannot afford to be just a vehicle for public entertainment. We have a mission, a commission, and an obligation to be the standard bearer for this beautiful classical art so that generations to come can view, enjoy, and appreciate the significance that culture has in our lives. -
Rental Rate Schedule the Benedum Center 2019-2020 for the Performing Arts Sept 1, 2019 to Aug 31, 2020 I
Rental Rate Schedule The Benedum Center 2019-2020 for the Performing Arts Sept 1, 2019 to Aug 31, 2020 I. Rental Rates Per Performance Base Rent Percentage Rent Monday-Thursday Matinees $ 7,125.00 vs. 10% of Net Receipts, whichever Monday-Sunday Mornings is higher Monday-Wednesday Evenings $ 8,300.00 vs. 10% of Net Receipts, whichever is higher Thursday-Sunday Evenings $ 9,275.00 vs. 10% of Net Receipts, whichever Friday-Saturday Matinees is higher *Net receipts are gross receipts from the sale of tickets less City of Pittsburgh Amusement Tax. **The above rental rates apply to all rehearsals with invited guests or paid audiences. ***Load-in, load-out, and dark days that do not include a performance pay the full rental rate. II. Additional Charges A. Permits Vehicle Parking (e.g. trucks and tour $ 75.00 per vehicle busses) may require a Traffic Obstruction permit which the Lessor will acquire on (subject to change (up to 15 days) behalf of the Lessee without notice) B. Ticketing, Box Office, Taxes, and Fees Box Office Service, single ticket $ 1,600.00 per performance sales, ticket printing Credit Cards 3% subject to change Internet Sales 3% subject to change *Credit Card and Internet Service fees are a presenter expense and may not be passed on to customers. Group Sales Commission 10% City of Pittsburgh Amusement Tax Gross x .04762 City of Pittsburgh Prod. Permit $ 25.00 (Subject to change) Theater Restoration Fee $ 5.00 per paid ticket Cultural District Fee $ 1.25 per paid ticket 1 of 5 C. Front of House, Staffing, and Security Front of House staff (Incl. -
Program for the Elixir of Love
DONIZETTI’S THE ELIXIR OF LOVE A potent potion to drive devotion APRIL 21, 24, 27, 29, 2018 STUDENT MATINEE: APRIL 26, 2018 BENEDUM CENTER 2017-18 SEASON TABLE OF CONTENTS THE ELIXIR EstatementJEWELRY OF LOVE (L’elisir d’amore) Set the stage for compliments and make a statement Music by Gaetano Donizetti every time you wear a piece of fine jewelry from Libretto by Felice Romani, after Eugène Scribe’s libretto for Daniel Auber’s Le philtre (1831) our Vintage & Contemporary Estate Collection. Affordable luxury that steals the spotlight. 2 .............Letter From Our Board Leadership Michele Fabrizi 3 .............Letter From Our General Director Board Chair 5 .............The Cast Gene Welsh 7 .............Synopsis Board President Christopher Hahn 11 ............Artist Biographies General Director 22 ...........Director’s Note Antony Walker 24 ...........Learn About Opera Music Director 25 ...........Student Matinee 26 ...........The Monteverdi Society Allison M. Ruppert Managing Editor 27 ............Board of Directors Platinum rings featuring Greenawalt Design LLC Rubies, Pink Tourmaline, 31 ............Annual Fund Listings Graphic Design and Precious Topaz. To schedule 38 ...........Orchestra your advertising in Pittsburgh Opera’s Authentic • Curated • Quality 39 ...........Chorus and Supernumeraries program, please call 412-471-1497 or VINTAGE & CONTEMPORARY 43 ...........Staff and Volunteers email advertising@ culturaldistrict.org. MOSES 44 ...........Benedum Directory Jewelers SINCE 1949 This program is published by Pittsburgh Opera, Inc., 2425 Liberty Avenue, Pittsburgh, PA 15222. EstateJEWELRY COLLECTION Phone: 412-281-0912; Fax 412-281-4324; Website www.pittsburghopera.org. Celebrating 69 years in business! All correspondence should be sent to the above address. Pittsburgh Opera assumes no responsibility for unsolicited manuscripts. Articles may be reprinted with permission. -
National Endowment for the Arts Annual Report 1993
L T 1 TO THE CONGRESS OF THE UNITED STATES: It is my special pleasure to transmit herewith the Annual Report of the National Endowment for the Arts for the fiscal year 1993. The National Endowment for the Arts has awarded over 100,000 grants since 1965 for arts projects that touch every community in the Nation. Through its grants to individual artists, the agency has helped to launch and sustain the voice and grace of a generation--such as the brilliance of Rita Dove, now the U.S. Poet Laureate, or the daring of dancer Arthur Mitchell. Through its grants to art organizations, it has helped invigorate community arts centers and museums, preserve our folk heritage, and advance the perform ing, literary, and visual arts. Since its inception, the Arts Endowment has believed that all children should have an education in the arts. Over the past few years, the agency has worked hard to include the arts in our national education reform movement. Today, the arts are helping to lead the way in renewing American schools. I have seen first-hand the success story of this small agency. In my home State of Arkansas, the National Endowment for the Arts worked in partnership with the State arts agency and the private sector to bring artists into our schools, to help cities revive downtown centers, and to support opera and jazz, literature and music. All across the United States, the Endowment invests in our cultural institutions and artists. People in communities small and large in every State have greater opportunities to participate and enjoy the arts. -
Department of City Planning's
Division of Zoning and Development Review City of Pittsburgh, Department of City Planning 200 Ross Street, Third Floor Pittsburgh, Pennsylvania 15219 HISTORIC REVIEW COMMISSION OF PITTSBURGH Properties that are Designated as City Landmarks or are Located in City Designated Historic Districts Revised June 2019 Key: ALL COMMONS Allegheny Commons Parks Historic Site ALL WEST Allegheny West Historic District ALPHA TERRACE Alpha Terrace Historic District DEUTSCHTOWN Deutschtown Historic District EAST CARSON East Carson Street Historic District INDIVIDUAL Individually Designated City Historic Structure LEMMON ROW Lemmon Row Historic District MANCHESTER Manchester Historic District MARKET SQUARE Market Square Historic District MEX WAR STREETS Mexican War Streets Historic District MURRAY HILL Murray Hill Avenue Historic District OAKLAND Oakland Civic Historic District OAKLAND SQUARE Oakland Square Historic District PENN-LIBERTY Penn-Liberty Historic District ROSLYN FARMS Roslyn Farms Historic District SCHENLEY FARMS Schenley Farms Historic District NOMINATED Nominated for Historic Designation STREET ADDRESS HISTORIC DISTRICT 43rd Street 160 (Turney House) INDIVIDUAL 46th Street 340 (St. Mary’s Academy) INDIVIDUAL 172 (Peterson House) INDIVIDUAL Abdell Street 1006-1014 (even) MANCHESTER Adams Street 1307-1445 (odd) MANCHESTER 1400-1438 (even) MANCHESTER Allegheny Avenue 1100 ALL WEST 920 (Calvary Methodist Church) INDIVIDUAL 1001-1207 (odd) MANCHESTER 1305-1315 (odd) MANCHESTER 1501-1513 (odd) MANCHESTER Allegheny Commons Allegheny Commons Parks ALL COMMONS (North, West, and East Parks) Allegheny Square Allegheny Library INDIVIDUAL Pittsburgh Children’s Museum INDIVIDUAL (former Old Allegheny Post Office) Former Buhl Planetarium Building INDIVIDUAL Alger Street 1 (Greenfield Elementary School) INDIVIDUAL Apple Avenue 7101 (National Negro Opera House) INDIVIDUAL Arch Street 810 (Allegheny Middle School) INDIVIDUAL 1416 (former Engine House No. -
Pittsburgh Cultural Trust + Cultural District
PITTSBURGH REGION Thursday Afternoon Session Pittsburgh Cultural Trust + Cultural District Downtown Pittsburgh’s Cultural District is the heart of the region’s arts and cultural scene, and one of the clearest examples of the quality of life transformation that has taken place over the past several decades. The Cultural District is a 14-square block area in Downtown Pittsburgh with 90 retailers, 50 restaurants, seven theaters, eight public parks, numerous art installations, and a dozen galleries. The area is anchored by a trio of historic theaters – The Benedum Center for the Performing Arts, home of the Pittsburgh Opera, Pittsburgh Ballet Theater, and Pittsburgh Civic Light Opera; Heinz Hall for the Performing Arts, where the world-class Pittsburgh Symphony Orchestra performs; and The Byham Theater, the oldest of the trio having been originally constructed in 1903. The story of the Cultural District began in the early 1980s when several visionaries from the business, civic, and foundation communities set out to transform Downtown Pittsburgh and show that investments made in arts and cultural assets can catalyze broader economic development. This group of visionaries, led by H.J. “Jack” Heinz II, grandson of the founder of the iconic Heinz ketchup company, formed the Pittsburgh Cultural Trust. The Cultural Trust is a 501(c)(3) non-profit whose initial goals were to restore downtown’s historic theaters, revitalize other degraded buildings and spaces, and drive overall transformation and development. At the time, the area now called the Cultural District was defined by blight, having fallen into severe decline as a red-light district. The Cultural Trust’s first project was to embark on a $43 million restoration of the Stanley Theater – a movie palace opened in 1928, into the 2,800-seat Benedum Center for the Performing Arts. -
Thanks to Our Donors
Celebrating DONORS and volunteer leadership PHOTO: LISA KYLE 2004 Left to right: Dolly Ellenberg, Vice President, Development; Suzy Broadhurst, Chair, Board of Trustees and Interim President; Maxwell King, President, Heinz Endowments; and Janet Sarbaugh, Program Director of the Heinz Endowments Arts & Culture Program 36 CARNEGIE • SUMMER 2005 Traditionally, the role of museums was primarily to preserve the past. Today, museums —particularly the four Carnegie Museums —play a Some of the key people we must thank for helping us reach these much more important role in people’s lives and in the development achievements are: of the communities they serve. Time after time, our museums amaze • Janie Thompson, chair of the Trustee/Board Annual Giving Fund us with the thought-provoking exhibitions, innovative educational and Development Committee. programs, special events, and community partnerships they develop and the impact they have on our region. • Peter Veeder, chair of the Annual Sustaining Fund. • Ray Steeb and Lou Cestello, co-chairs of the Corporate Yet, none of these things would be possible without the generosity of Committee. our many wonderful supporters, some of whom you’ll read about on the following pages. Carnegie Museums has always been inspired to • Debbie Dick, chair of the Individual Gifts Committee. reach out to the region and do great things by the passionate support These individuals give so much of themselves year after year and truly and strong commitment of our donors —and we’ve thrived as a result. lead by example. We are thankful for their support and friendship. Over the years, one of our most remarkable supporters has also We would also like to take this opportunity to recognize three other been one of our most steadfast: The Heinz Endowments. -
The Heinz Endowments Program and Application
2007 20THE HEINZ ENDOWMENTS PROGRAM08 AND APPLICATION GUIDELINES 1 THE ENDOWMENTS’ MISSION 2 ORGANIZATIONAL GOALS & VISION 3 STRATEGIC ALLIANCES 4 PROGRAM GOALS & STRATEGIES: 4 Arts & Culture 6 Children, Youth & Families 8 Education 10 Environment 12 Innovation Economy 14 APPLICATION GUIDELINES 17 BOARD OF DIRECTORS THE MISSION The Heinz Endowments was formed from the Howard Heinz Endowment, established in 1941, and the Vira I. Heinz Endowment, established in 1986. It is the product of a deep family commitment to community and the common good that began with H. J. Heinz, and which continues to this day. The Endowments is based in Pittsburgh, where we use our region as a laboratory for the development of solutions to challenges that are national in scope. Although the majority of our giving is concentrated within southwestern Pennsylvania, we work wherever necessary, including statewide and nationally, to fulfill our mission. That is to help our region thrive as a whole community— economically, ecologically, educationally and culturally— while advancing the state of knowledge and practice in the fields in which we work. Our fields of emphasis include philanthropy in general and the disciplines represented by our five grant-making programs: Arts & Culture; Children, Youth & Families; Education; Environment; and Innovation Economy. In life, Howard Heinz and Vira I. Heinz set high expectations for their philanthropy. Today, the Endowments is committed to doing the same. Our charge is to be diligent, thoughtful and creative in continually working to set new standards of philanthropic excellence. Recognizing that none of our work would be possible without a sound financial base, we also are committed to preserving and enhancing the Endowments’ assets through prudent investment management. -
The Heinz Endowments 2013 Annual Report
The Heinz20 Endowments 2013 Annual Report 13 financial summary 2 Total Grants by Program Area: $72.8 million Arts & Culture $13.7 Children, Youth & Families $8.7 Community & Economic Development $10.6 Education $20.1 Environment $10.6 Common Initiatives $9.1 Historical Perspective: 2009 – 2013 Total Approved Grants 13 $72.8 (in millions) 12 $75.1 11 $67.1 10 $47.6 09 $40.0 Total Net Assets 13 $1.6 (in billions) 12 $1.5 11 $1.4 10 $1.5 09 $1.4 The most recent certified financial statements and 990-PF forms are available on the Financials page of our website at www.heinz.org/about_financials.aspx. 2013 grants 3 ARTS & CULTURE Calliope House, Inc. Communities in Schools of Frick Art & Historical Center For three-year operating support Pittsburgh — Allegheny County, Inc. To provide funding for the Ach Clear Pathways (2013/14–2015/16) and for strategic To provide two years of operating construction of a new Orientation To support the arts education planning assistance support for Hip-Hop on L.O.C.K. Center; relocation of the Education programming and professional $73,000 $110,000 Center with the addition of a new development of key staff Carriage Gallery and collection $25,000 Carnegie Institute Community Human Services storage; and construction of a To engage outside consultants Corporation Community Center Afrika Yetu Inc. in assisting the Arts Education For support of the first art $1,000,000 To support the West End Collaborative with its messaging installation project of Innovation Multicultural Community Center and communications strategies Oakland Gateway to the Arts, Inc. -
July 1, 2017 to June 30, 2018
The Buhl Foundation . Annual Report by the President July 1, 2017 to June 30, 2018 . HENRY BUHL, JR. 1848-1927 . By his will Henry Buhl Jr. created The Buhl Foundation and dedicated it to “charitable, educational, and public uses and purposes,” as a memorial to his beloved wife, Louise C. Buhl. Pittsburgh, Pennsylvania BOARD OF DIRECTORS PETER F. MATHIESON, Chair SALEEM H. GHUBRIL, Vice Chair KIM TILLOTSON FLEMING, Secretary and Treasurer QUINTIN B. BULLOCK ANNE LEWIS LARA E. WASHINGTON OFFICERS DIANA A. BUCCO, President STAFF DANIEL M. BARRETT, Program Officer (as of September 11, 2017) AMBER J. FARR, Director, One Northside BETHANY R. HESTER, Administrative Assistant LINDA J. WEAVER, Office Manager HENRY BUHL, JR. CHAIR FOR CIVIC LEADERSHIP FREDERICK W. THIEMAN Centre City Tower, Suite 2300 650 Smithfield Street Pittsburgh, Pennsylvania 15222 Phone: (412) 566-2711 Fax: (412) 566-2714 Email: [email protected] From the Desk of the President, This has been a year of significant growth and evolution for the Buhl Foundation. We are in the midst shifting the Foundation’s resources toward a geographic focus on the Northside of Pittsburgh. What is apparent, is that a place-based focus is not just about geography, but rather a methodology or grantmaking philosophy. One that is anchored in data and driven by the feedback and input of the residents whose lives we aspire to support. The Buhl Foundation staff have aspired to work through an imbedded philanthropy model that is anchored in mutual respect and partnership among the residents of a community. Through this model, the Buhl foundation is working to leverage human and financial capital, connect a neighborhood to opportunity and shift from funding programs to investing in work that will be catalytic in creating change at the household, community and systemic level. -
The Old Curiosity Shop
PICT CLASSIC THEATRE At WQED’s Fred Rogers Studio Adapted by Alan Stanford from the novel by Charles Dickens Nov. 23 - Dec. 15, 2018 Directed by Alan Stanford explore PICT Classic Theatre presents examine The Old Curiosity Shop experience Directed by Alan Stanford starring Martin Giles* Matt Henderson James FitzGerald* Calema Graham Karen Baum* Jordan Ross Weinhold Jonathan Visser* Sean Lenhart Ken Bolden* Patrick Conner Jeff Monahan* Kendra McLaughlin Caroline Lucas Kaitlin Kerr Jacob Epstein Production Assistant Stage Scenic Artist Stage Manager Manager Deborah Thomas Cory F. Goddard* Catherine Kolos* Sound Designer Lighting Designer Master Electrician Kris Buggey Keith A. Truax Nicole White Technical Director Production Assistant Costume Designer Maggie Crockarell Anna Cunningham Joan Markert .. most of all expect the extraordinary Production Manager from WQED. Liam Nute WQED is member supported. wqed.org/donate *Member of the Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. www.wqed.org Cast Martin Giles* ......................... Quilp James FitzGerald* .................. Brass Karen Baum* .......................... Sally Brass Jonathan Visser* ....................... Showman 1/Short/Garland Ken Bolden* .............................. Showman 2/Codlin/Witherden Jeff Monahan* ........................... Single Gent Caroline Lucas ......................... Nell Jacob Epstein ............................ Kit Matt Henderson ....................... The Boy Calema Graham ...................... -
Operation Homecoming
issue 2 2013 The Magazine of The Heinz Endowments OPERATION HOMECOMING How a coalition of philanthropies, nonprofi ts and government agencies joined forces to support veterans’ transition from military to civilian life RIVER WATER SCIENCE STORMWATER CONTROLS inside Board of Directors The Heinz Endowments was formed state of knowledge and practice in from the Howard Heinz Endowment, the fi elds in which we work. Our fi elds Teresa Heinz established in 1941, and the Vira I. of emphasis include philanthropy in Chairman Heinz Endowment, established in 1986. general and the disciplines represented James M. Walton It is the product of a deep family by our fi ve grant-making programs: Vice chairman commitment to community and the Arts & Culture; Children, Youth & common good that began with H.J. Families; Education; Environment; André T. Heinz Heinz, and that continues to this day. and Innovation Economy. Christopher D. Heinz The Endowments is based in In life, Howard Heinz and Vira I. H. John Heinz IV Pittsburgh, where we use our region Heinz set high expectations for their Sasha L. Heinz as a laboratory for the development philanthropy. Today, the Endowments Damon Aherne of solutions to challenges that are is committed to doing the same. Carol R. Brown national in scope. Although the majority Our charge is to be diligent, thoughtful Judith M. Davenport of our giving is concentrated within and creative in continually working Franco Harris southwestern Pennsylvania, we work to set new standards of philanthropic Wendy Mackenzie wherever necessary, including excellence. Recognizing that none Shirley M. Malcom state wide and nationally, to fulfi ll of our work would be possible without James E.