Lafayette Report 2.2.10
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Ouiatenon Story
Ouiatenon— Fort Ouiatenon A French officer, four French Marines, and a countryside as well. The country was rich in blacksmith arrived by canoe to what would become resources; the Wabash was teaming with fish and Fort Ouiatenon in 1717. They had been sent by beaver, the Wea Plain was the home of woodland the governor of New France at the request of the bison, and the surrounding forested hills Ouia (sometimes spelled as ‘Wea’), a band of the contained deer and wild turkeys. The villages’ Miami tribe, who two years earlier had called for associated fields of corn, beans, and pumpkins a missionary and blacksmith to come and live with covered two leagues, or over four miles. them along the River Ouabache (Wabash River). Although the fort was surrounded by a log The establishment of Fort Ouiatenon was an stockade, it was not a military garrison as much important move on the part of the French. During as it was a trading post. No more than twenty this time, the British were moving inland from soldiers served at the post at any time. Some their coastal colonies, looking to exploit the vast four hundred bales of furs were produced by the resources of the North American continent. They Miami each year and traded to the twenty or sought access to territories claimed by the French more traders who journeyed from Detroit with crown, and tried to bring the Native American goods such as blankets, guns, knives, tomahawks, tribes into the British sphere of influence. cloth, glass beads, mirrors, silver brooches, and The French, through the services of the Sieur de brandy. -
Kethtippecanunk, a Mixed 18Th- and Early L9th-Century Town on the Banks of the Tippecanoe River- Recent Research by Jones, James R., III
Kethtippecanunk, A mixed 18th- and early l9th-century town on the banks of the Tippecanoe river- recent research by Jones, James R., III Jones, James R., III (Department of Anthropology, Indiana University- Indianapolis ) KETHTIPPECANUNK, A MIXED 18TH- AND EARLY l9TH-CENTURY TOWN ON THE BANKS OF THE TIPPECANOE RTVER- RECENT RESEARCH Early aboriginal, and later, mixed Euroamerican-Indian occupations near the mouth of the Tippecanoe River are reported in documents during the latter two-thirds of the 18th century, and continue until the early 1800s. Inhabitants or users of the area included Native Americans such as the Wea, other Miami groups, the Potawatomi, and Euroamericans such as French traders. By the late 1700s, the mixed French-Indian town of Kethtippecanunk (site 12 T S9) was flourishing there, and consisted of a large number of substantial structures and a predominantly Euroamerican settlement style, until destroyed by militia in 1791. Analysis of past surface artifact collections from the site (1984- present), and controlled archaeological and magnetometer reconnaissance by IU-Indianapolis in 1987, reveal an occupation quite different from the downstream sites of the Wea Village (12 T 6), Fort Ouiatenon (12 T 9), and the "Kickapoo Mascouten" area north of the fort. Given its cultural "mix" and utilitarian emphasis upon trading, artifacts from Kethtippecanunk were expected to reflect a predominantly Euroamerican pattern, especially in terms of architectural, construction, hardware, and kitchen items. Comparison of 12 T 59 to the other 18th-century sites in the region should help reveal differential patterns of acculturation and historic development for the various early historic cultures in Tippecanoe County. -
Indigo in Motion …A Decidedly Unique Fusion of Jazz and Ballet
A Teacher's Handbook for Pittsburgh Ballet Theatre's Production of Indigo in Motion …a decidedly unique fusion of jazz and ballet Choreography Kevin O'Day Lynne Taylor-Corbett Dwight Rhoden Music Ray Brown Stanley Turrentine Lena Horne Billy Strayhorn Sponsored by Pittsburgh Ballet Theatre's Arts Education programs are supported by major grants from the following: Allegheny Regional Asset District Claude Worthington Benedum Foundation Pennsylvania Council on the Arts The Hearst Foundation Sponsoring the William Randolph Hearst Endowed Fund for Arts Education Additional support is provided by: Alcoa Foundation, Allegheny County, Bayer Foundation, H. M. Bitner Charitable Trust, Columbia Gas of Pennsylvania, Dominion, Duquesne Light Company, Frick Fund of the Buhl Foundation, Grable Foundation, Highmark Blue Cross Blue Shield, The Mary Hillman Jennings Foundation, Milton G. Hulme Charitable Foundation, The Roy A. Hunt Foundation, Earl Knudsen Charitable Foundation, Lazarus Fund of the Federated Foundation, Matthews Educational and Charitable Foundation,, McFeely-Rogers Fund of The Pittsburgh Foundation, William V. and Catherine A. McKinney Charitable Foundation, Howard and Nell E. Miller Foundation, The Charles M. Morris Charitable Trust, Pennsylvania Department of Community and Economic Development, The Rockwell Foundation, James M. and Lucy K. Schoonmaker Foundation, Target Corporation, Robert and Mary Weisbrod Foundation, and the Hilda M. Willis Foundation. INTRODUCTION Dear Educator, In the social atmosphere of our country, in this generation, a professional ballet company with dedicated and highly trained artists cannot afford to be just a vehicle for public entertainment. We have a mission, a commission, and an obligation to be the standard bearer for this beautiful classical art so that generations to come can view, enjoy, and appreciate the significance that culture has in our lives. -
Rental Rate Schedule the Benedum Center 2019-2020 for the Performing Arts Sept 1, 2019 to Aug 31, 2020 I
Rental Rate Schedule The Benedum Center 2019-2020 for the Performing Arts Sept 1, 2019 to Aug 31, 2020 I. Rental Rates Per Performance Base Rent Percentage Rent Monday-Thursday Matinees $ 7,125.00 vs. 10% of Net Receipts, whichever Monday-Sunday Mornings is higher Monday-Wednesday Evenings $ 8,300.00 vs. 10% of Net Receipts, whichever is higher Thursday-Sunday Evenings $ 9,275.00 vs. 10% of Net Receipts, whichever Friday-Saturday Matinees is higher *Net receipts are gross receipts from the sale of tickets less City of Pittsburgh Amusement Tax. **The above rental rates apply to all rehearsals with invited guests or paid audiences. ***Load-in, load-out, and dark days that do not include a performance pay the full rental rate. II. Additional Charges A. Permits Vehicle Parking (e.g. trucks and tour $ 75.00 per vehicle busses) may require a Traffic Obstruction permit which the Lessor will acquire on (subject to change (up to 15 days) behalf of the Lessee without notice) B. Ticketing, Box Office, Taxes, and Fees Box Office Service, single ticket $ 1,600.00 per performance sales, ticket printing Credit Cards 3% subject to change Internet Sales 3% subject to change *Credit Card and Internet Service fees are a presenter expense and may not be passed on to customers. Group Sales Commission 10% City of Pittsburgh Amusement Tax Gross x .04762 City of Pittsburgh Prod. Permit $ 25.00 (Subject to change) Theater Restoration Fee $ 5.00 per paid ticket Cultural District Fee $ 1.25 per paid ticket 1 of 5 C. Front of House, Staffing, and Security Front of House staff (Incl. -
90E Congrès Annuel Hyatt Hotel at the Arch Saint Louis, Missouri
AMERICAN ASSOCIATION OF TEACHERS OF FRENCH 90e Congrès annuel Hyatt Hotel at the Arch Saint Louis, Missouri du 16 au 19 juillet 2017 “Le Français dans une perspective globale: ‘The Finest Con uence in the World’” Remerciements L’AATF exprime sa profonde reconnaissance aux personnes et aux organismes suivants qui ont contribué au succès de notre quatre-vingt-dixième congrès annuel à Saint-Louis. Sans leur aide et leur soutien précieux, nous n’aurions jamais pu mener à bien l’organisation de ce congrès. Les Sponsors Ambassade de France, Vista Higher Learning, Concordia Language Villages, Webster University (MO), Sainte Genevieve Tourism, TV5 Monde et nos remerciements aussi à Lorraine Boissonneault, journaliste, Karl Cogard, Ambassade de France aux USA, Brian Kennelly, Cal Poly, San Luis Obispo (CA), Angèle Kingué, Bucknell University (PA), Janel Lafond-Paquin , Director of the AATF Future Leaders Program, Mariette Monpierre, Conférencière d’honneur, Robert Moore, National Park Service Historian at the Jeff erson National Expansion Memorial, Denis Quénelle, Consulat de France à Chicago, William Rivers, Joint National Committee for Languages/National Council for Languages and International Studies, Dennis Stroughmatt, musicien et historien, Jeanne Zarucchi, University of Missouri-Saint Louis. Comité local Suzanne Hendrickson, Présidente du comité, Anna Amelung, Karen Bettis, Anne Craver, Bill Hendrickson, Audra Merfeld-Langston, Jennifer Tadsen , Violaine White Personnel de l’AATF: Lindsey Gibson et Christy Brown. Ce programme est dédié à la mémoire d’Anne-Marie de Moret, co-fondatrice du chapitre AATF de Saint-Louis et sa présidente de 1950 à 1965, disparue le 11 mars 2017 à l’âge de 91 ans. -
Tips for Graduate Living 2012-2013
Tips for Graduate Living 2012-2013 22nd Edition Editors: 2011-2012 Student Affairs Committee Swen Ervin, Steve Kimble (Committee Co-Chair), Marwa Noureldin (Editor), Meghan Robinson (Committee Co- Chair), Sarah Rutkowski, Drew Swartz 1 Table of Contents I. INTRODUCTION ........................................................................................................................................ 5 II WELCOME FROM THE PRESIDENT OF PGSG. .............................................................................................. 6 III. PURDUE GRADUATE STUDENT GOVERNMENT ......................................................................................... 7 MISSION .............................................................................................................................................................. 7 ADMINISTRATIVE COMMITTEES ......................................................................................................................... 7 CONTACT INFORMATION .................................................................................................................................... 8 IV. THE UNIVERSITY AND GRADUATE SCHOOL .............................................................................................. 9 THE GRADUATE SCHOOL ..................................................................................................................................... 9 UNIVERSITY REGULATIONS AND HELPFUL HINTS .............................................................................................. -
Indiana History: a Booklist for Fourth Grade
Volume 8, Number 2 (1989) /53 Indiana History: A Booklist for Fourth Grade Winnie Adler and Dianne Lawson, Youth Librarians Tippecanoe County Public Library Lafayette, IN Presenting our Hoosier heritage to connections, and other works which Indiana youngsters is a joy that have chapters on Eastern Woodland parents, teachers and librarians or Indiana Indians. Only four Lincoln share. Unfortunately, although biographies are cited in the "Famous Indiana history is studied in fourth People" section although there are grade, many of the materials that others which are appropriate. would be useful to youthful research ers are at a much higher level. To General Works help meet the demand for lower level Indiana history materials, our youth • Bailey, Bernardine. Picture Book staff reviewed our collection and Of Indiana. Albert Whitman, 1966. created a topical list to guide students. • Britannica Junior. Encyclopedia Of course this booklist is based Britannica, Inc., 1976. chiefly on our own collection and • Crout, George. Where The although we have consistently sought Ohio Flows. Benefic Press, 1964. elementary-level Indiana materials, you may well own titles which we • Crump, Claudia. Indiana Yester lack. We hope this booklist will help day and Today. Silver Burdett, 1985. you as we all try to share the good • Fradin, Dennis B. Indiana In news about Indiana's past. Words and Pictures. Children's, 1980. The topical non-fiction list is not • McCall, Edith. Forts In The annotated as most of the titles are self Wilderness. Children's, 1980. expanatory. The six categories are based on subjects suggested by a • Peek, David T. Indiana Adven- fourth grade teacher and our experi ture. -
Program for the Elixir of Love
DONIZETTI’S THE ELIXIR OF LOVE A potent potion to drive devotion APRIL 21, 24, 27, 29, 2018 STUDENT MATINEE: APRIL 26, 2018 BENEDUM CENTER 2017-18 SEASON TABLE OF CONTENTS THE ELIXIR EstatementJEWELRY OF LOVE (L’elisir d’amore) Set the stage for compliments and make a statement Music by Gaetano Donizetti every time you wear a piece of fine jewelry from Libretto by Felice Romani, after Eugène Scribe’s libretto for Daniel Auber’s Le philtre (1831) our Vintage & Contemporary Estate Collection. Affordable luxury that steals the spotlight. 2 .............Letter From Our Board Leadership Michele Fabrizi 3 .............Letter From Our General Director Board Chair 5 .............The Cast Gene Welsh 7 .............Synopsis Board President Christopher Hahn 11 ............Artist Biographies General Director 22 ...........Director’s Note Antony Walker 24 ...........Learn About Opera Music Director 25 ...........Student Matinee 26 ...........The Monteverdi Society Allison M. Ruppert Managing Editor 27 ............Board of Directors Platinum rings featuring Greenawalt Design LLC Rubies, Pink Tourmaline, 31 ............Annual Fund Listings Graphic Design and Precious Topaz. To schedule 38 ...........Orchestra your advertising in Pittsburgh Opera’s Authentic • Curated • Quality 39 ...........Chorus and Supernumeraries program, please call 412-471-1497 or VINTAGE & CONTEMPORARY 43 ...........Staff and Volunteers email advertising@ culturaldistrict.org. MOSES 44 ...........Benedum Directory Jewelers SINCE 1949 This program is published by Pittsburgh Opera, Inc., 2425 Liberty Avenue, Pittsburgh, PA 15222. EstateJEWELRY COLLECTION Phone: 412-281-0912; Fax 412-281-4324; Website www.pittsburghopera.org. Celebrating 69 years in business! All correspondence should be sent to the above address. Pittsburgh Opera assumes no responsibility for unsolicited manuscripts. Articles may be reprinted with permission. -
National Endowment for the Arts Annual Report 1993
L T 1 TO THE CONGRESS OF THE UNITED STATES: It is my special pleasure to transmit herewith the Annual Report of the National Endowment for the Arts for the fiscal year 1993. The National Endowment for the Arts has awarded over 100,000 grants since 1965 for arts projects that touch every community in the Nation. Through its grants to individual artists, the agency has helped to launch and sustain the voice and grace of a generation--such as the brilliance of Rita Dove, now the U.S. Poet Laureate, or the daring of dancer Arthur Mitchell. Through its grants to art organizations, it has helped invigorate community arts centers and museums, preserve our folk heritage, and advance the perform ing, literary, and visual arts. Since its inception, the Arts Endowment has believed that all children should have an education in the arts. Over the past few years, the agency has worked hard to include the arts in our national education reform movement. Today, the arts are helping to lead the way in renewing American schools. I have seen first-hand the success story of this small agency. In my home State of Arkansas, the National Endowment for the Arts worked in partnership with the State arts agency and the private sector to bring artists into our schools, to help cities revive downtown centers, and to support opera and jazz, literature and music. All across the United States, the Endowment invests in our cultural institutions and artists. People in communities small and large in every State have greater opportunities to participate and enjoy the arts. -
Facility Guide
PURDUE UNIVERSITY A great place to meet! PROPHETSTOWN STATE PARK 2019-20 MEETING & EVENT FACILITY GUIDE DOWNTOWN TIPPECANOE COUNTY COURTHOUSE WOLF PARK Conference Centers Welcome to lafayette - Westl afayette Discover Lafayette - West Lafayette, Indiana, just an hour north of CONTENTS Indianapolis, two hours south of Chicago Conference Centers 3-7 and Home of Purdue University. Purdue Conferences 8 We offer all the professional meeting Camps and Retreat Centers 9 and lodging facilities you would expect Hotel with Meeting Spaces 10 in a large city, with all the charm of a Meeting Venues 11-18 bustling Big Ten town. Whether you are Dining For Large Groups 19-21 interested in the full-service conference Service Professionals 22-28 center at Purdue University, one of our historic venues or one of the other great conference hotels or venues in the area, the team at Visit Lafayette - West Lafayette will help you with every step of planning your meeting! Conference Centers Courtyard by Marriott Conference Center 765-449-4800 • marriott.com/hotels/travel/lafcy-courtyard-lafayette • 150 Fairington Avenue, Lafayette, IN 47905 122 Guest Rooms; Facility Capacity: Theater: 462, Classroom: 262, Banquet: 310, 3700 square foot ballroom, 5400 square foot outdoor event patio. Brand new conference space including a state-of-the-art, 5,500-square-foot conference center and 32 new spacious and modernized guest rooms. The convention center can host up to 310 participants for fully catered indoor and outdoor events on the hotel’s patio. For weddings, the hotel features a beautiful and expansive bridal suite. The conference center boasts versatile meeting space, modern audio-visual systems, updated business services and custom lighting. -
Department of City Planning's
Division of Zoning and Development Review City of Pittsburgh, Department of City Planning 200 Ross Street, Third Floor Pittsburgh, Pennsylvania 15219 HISTORIC REVIEW COMMISSION OF PITTSBURGH Properties that are Designated as City Landmarks or are Located in City Designated Historic Districts Revised June 2019 Key: ALL COMMONS Allegheny Commons Parks Historic Site ALL WEST Allegheny West Historic District ALPHA TERRACE Alpha Terrace Historic District DEUTSCHTOWN Deutschtown Historic District EAST CARSON East Carson Street Historic District INDIVIDUAL Individually Designated City Historic Structure LEMMON ROW Lemmon Row Historic District MANCHESTER Manchester Historic District MARKET SQUARE Market Square Historic District MEX WAR STREETS Mexican War Streets Historic District MURRAY HILL Murray Hill Avenue Historic District OAKLAND Oakland Civic Historic District OAKLAND SQUARE Oakland Square Historic District PENN-LIBERTY Penn-Liberty Historic District ROSLYN FARMS Roslyn Farms Historic District SCHENLEY FARMS Schenley Farms Historic District NOMINATED Nominated for Historic Designation STREET ADDRESS HISTORIC DISTRICT 43rd Street 160 (Turney House) INDIVIDUAL 46th Street 340 (St. Mary’s Academy) INDIVIDUAL 172 (Peterson House) INDIVIDUAL Abdell Street 1006-1014 (even) MANCHESTER Adams Street 1307-1445 (odd) MANCHESTER 1400-1438 (even) MANCHESTER Allegheny Avenue 1100 ALL WEST 920 (Calvary Methodist Church) INDIVIDUAL 1001-1207 (odd) MANCHESTER 1305-1315 (odd) MANCHESTER 1501-1513 (odd) MANCHESTER Allegheny Commons Allegheny Commons Parks ALL COMMONS (North, West, and East Parks) Allegheny Square Allegheny Library INDIVIDUAL Pittsburgh Children’s Museum INDIVIDUAL (former Old Allegheny Post Office) Former Buhl Planetarium Building INDIVIDUAL Alger Street 1 (Greenfield Elementary School) INDIVIDUAL Apple Avenue 7101 (National Negro Opera House) INDIVIDUAL Arch Street 810 (Allegheny Middle School) INDIVIDUAL 1416 (former Engine House No. -
Pittsburgh Cultural Trust + Cultural District
PITTSBURGH REGION Thursday Afternoon Session Pittsburgh Cultural Trust + Cultural District Downtown Pittsburgh’s Cultural District is the heart of the region’s arts and cultural scene, and one of the clearest examples of the quality of life transformation that has taken place over the past several decades. The Cultural District is a 14-square block area in Downtown Pittsburgh with 90 retailers, 50 restaurants, seven theaters, eight public parks, numerous art installations, and a dozen galleries. The area is anchored by a trio of historic theaters – The Benedum Center for the Performing Arts, home of the Pittsburgh Opera, Pittsburgh Ballet Theater, and Pittsburgh Civic Light Opera; Heinz Hall for the Performing Arts, where the world-class Pittsburgh Symphony Orchestra performs; and The Byham Theater, the oldest of the trio having been originally constructed in 1903. The story of the Cultural District began in the early 1980s when several visionaries from the business, civic, and foundation communities set out to transform Downtown Pittsburgh and show that investments made in arts and cultural assets can catalyze broader economic development. This group of visionaries, led by H.J. “Jack” Heinz II, grandson of the founder of the iconic Heinz ketchup company, formed the Pittsburgh Cultural Trust. The Cultural Trust is a 501(c)(3) non-profit whose initial goals were to restore downtown’s historic theaters, revitalize other degraded buildings and spaces, and drive overall transformation and development. At the time, the area now called the Cultural District was defined by blight, having fallen into severe decline as a red-light district. The Cultural Trust’s first project was to embark on a $43 million restoration of the Stanley Theater – a movie palace opened in 1928, into the 2,800-seat Benedum Center for the Performing Arts.