Dirty Dancing’ and Malay Anxieties: the Changing Context of Malay Ronggeng in the First Half of the Twentieth Century
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Laporan Kinerja Pemerintah Pusat Direktorat Jenderal Kebudayaan
LAPORAN KINERJA PEMERINTAH PUSAT DIREKTORAT JENDERAL KEBUDAYAAN Kementerian Pendidikan dan Kebudayaan Republik Indonesia 2015 LKPP Direktorat Jenderal Kebudayaan 2015 1 2 LKPP Direktorat Jenderal Kebudayaan 2015 KATA PENGANTAR Puji syukur kita panjatkan ke hadirat Tuhan Yang Maha Esa, atas berkat dan rahmat-Nya Direktorat Jenderal Kebudayaan, Kementerian Pendidikan dan Kebudayaan dapat menyelesaikan Laporan Akuntabilitas Kinerja Tahun 2015. Laporan ini merupakan bagian dari upaya Direktorat Jenderal Kebudayaan dalam rangka penguatan sistem akuntabilitas kinerja seperti tertuang dalam Inpres Nomor 7 Tahun 1999 Tentang Akuntabilitas Kinerja Instansi Pemerintah. Laporan Kinerja ini merupakan bentuk pertanggungjawaban Direktorat Jenderal Kebudayaan, Kementerian Pendidikan dan Kebudayaan atas pelaksanaan kontrak kinerja yang telah diperjanjikan maupun pelaksanaan tugas pokok dan fungsinya dalam membantu Menteri Pendidikan dan Kebudayaan dalam menyelenggarakan pemerintahan di bidang pendidikan dan kebudayaan. Laporan ini menyajikan target dan capaian kinerja Direktorat Jenderal Kebudayaan tahun 2015, berupa tingkat capaian Indikator Kinerja Program (IKP) Pelestarian Budaya yang digunakan untuk mengukur tingkat capaian sasaran strategis Direktorat Jenderal Kebudayaan. Laporan Kinerja Direktorat Jenderal Kebudayaan ini diharapkan dapat memberikan manfaat bagi pihak-pihak yang berkepentingan, baik sebagai informasi maupun evaluasi kinerja serta dapat digunakan sebagai acuan dalam penyusunan dan pelaksanaan program/kegiatan tahun yang akan datang. -
Nhb13093018.Pdf
Annual Report 2012/2013 CONTENTS 2 Highlights for FY2012 14 Board Members 16 Corporate Information 17 Organisational Structure 18 Corporate Governance 20 Grants & Capability Development 24 Giving 32 Donations & Acquisitions 38 Publications FY2012 was an exciting year of new developments. On 1 November 2012, we came under a new ministry – the Ministry of Culture, Community and Youth. Under the new ministry, we aspire 40 Financial Statements to deepen our conversations and engagements with various sectors. We will continue to nurture Statement by Board Members an appreciation for Singapore’s diverse and multicultural heritage and provide platforms for Independent Auditors’ Report community involvement. Financials A new family member, the Language Council joined the NHB family and we warmly welcome Notes to Financial Statements them. Language is closely linked to one’s heritage and the work that the LCS does will allow NHB to be more synergistic in our heritage offerings for Singaporeans. In FY2012, we launched several new initiatives. Of particular significance was the launch of Our Museum @ Taman Jurong – the first community museum in Singapore’s heartlands. The Malay Heritage Centre was re-opened with a renewed focus on Kampong Gelam, and the contributions of the local Malay community. The Asian Civilisations Museum also announced a new extension, which will allow for more of our National Collection to be displayed. Community engagement remained a priority as we stepped up our efforts to engage Singaporeans from all walks of life – heritage enthusiasts, corporations, interest groups, volunteer guides, patrons and many more, joined us in furthering the heritage cause. Their stories and memories were shared and incorporated into a wide range of offerings including community exhibitions and events, heritage trails, merchandise and e-books. -
Mapping the History of Malaysian Theatre: an Interview with Ghulam-Sarwar Yousof
ASIATIC, VOLUME 4, NUMBER 2, DECEMBER 2010 Mapping the History of Malaysian Theatre: An Interview with Ghulam-Sarwar Yousof Madiha Ramlan & M.A. Quayum1 International Islamic University Malaysia It seems that a rich variety of traditional theatre forms existed and perhaps continues to exist in Malaysia. Could you provide some elucidation on this? If you are looking for any kind of history or tradition of theatre in Malaysia you won’t get it, because of its relative antiquity and the lack of records. Indirect sources such as hikayat literature fail to mention anything. Hikayat Raja-Raja Pasai mentions Javanese wayang kulit, and Hikayat Patani mentions various music and dance forms, most of which cannot be precisely identified, but there is no mention of theatre. The reason is clear enough. The hikayat generally focuses on events in royal court, while most traditional theatre developed as folk art, with what is known as popular theatre coming in at the end of the 19th century. There has never been any court tradition of theatre in the Malay sultanates. In approaching traditional theatre, my own way has been to first look at the proto- theatre or elementary forms before going on to the more advanced ones. This is a scheme I worked out for traditional Southeast Asian theatre. Could you elaborate on this? Almost all theatre activity in Southeast Asia fits into four categories as follows: Proto-Theatre, Puppet Theatre, Dance Theatre and Opera. In the case of the Philippines, one could identify a separate category for Christian theatre forms. Such forms don’t exist in the rest of the region. -
Singapore Heritagefest 2015
FACTSHEET – SINGAPORE HERITAGEFEST 2015 SINGAPORE HERITAGEFEST 2015 Duration: 17 April – 18 May 2015 Various venues Into its 12th year, National Heritage Board’s signature Singapore HeritageFest promises yet another edition of heritage fun! Spanning five weekends from 17 April to 18 May, Singapore HeritageFest 2015 will be the largest edition to date with many more community partners coming on board to contribute and participate. In the festival’s spirit of celebration and discovery, explore familiar places, rediscover the lesser known and forgotten stories behind their past, and come to appreciate them in a whole new way. From our humble beginnings on the banks of the Singapore River, to our heartlands and neighbourhoods that are unique in their own ways, join us as we celebrate not just what connects us as one, but also our diversity that make us truly Singaporean. Weekly Programme Highlights: (Details of all the individual programmes can be found on www.heritagefest.sg) Week 1 Great Town – A Tale of Three Campongs Venue: URA Centre Duration: 17 April –17 May 2015 (Exhibition) 2 May 2015, 10.00am – 11.00am (Talk) Great Town – A Tale of Three Campongs takes a timely look at Singapore’s most iconic heritage district in the south of the Singapore River. Typically described today as Singapore’s “Chinatown”, the district was better known as Big Town, or Tua Poh in Hokkien in the past, in contradistinction to Small Town (Sio Poh), which is in the north of the river. Originally set aside by Raffles as a place of settlement for Singapore’s early Chinese immigrant population, Campong China, even in its earliest incarnation, was never an exclusively Chinese enclave. -
Tajuk Perkara Malaysia: Perluasan Library of Congress Subject Headings
Tajuk Perkara Malaysia: Perluasan Library of Congress Subject Headings TAJUK PERKARA MALAYSIA: PERLUASAN LIBRARY OF CONGRESS SUBJECT HEADINGS EDISI KEDUA TAJUK PERKARA MALAYSIA: PERLUASAN LIBRARY OF CONGRESS SUBJECT HEADINGS EDISI KEDUA Perpustakaan Negara Malaysia Kuala Lumpur 2020 © Perpustakaan Negara Malaysia 2020 Hak cipta terpelihara. Tiada bahagian terbitan ini boleh diterbitkan semula atau ditukar dalam apa jua bentuk dan dengan apa jua sama ada elektronik, mekanikal, fotokopi, rakaman dan sebagainya sebelum mendapat kebenaran bertulis daripada Ketua Pengarah Perpustakaan Negara Malaysia. Diterbitkan oleh: Perpustakaan Negara Malaysia 232, Jalan Tun Razak 50572 Kuala Lumpur Tel: 03-2687 1700 Faks: 03-2694 2490 www.pnm.gov.my www.facebook.com/PerpustakaanNegaraMalaysia blogpnm.pnm.gov.my twitter.com/PNM_sosial Perpustakaan Negara Malaysia Data Pengkatalogan-dalam-Penerbitan TAJUK PERKARA MALAYSIA : PERLUASAN LIBRARY OF CONGRESS SUBJECT HEADINGS. – EDISI KEDUA. Mode of access: Internet eISBN 978-967-931-359-8 1. Subject headings--Malaysia. 2. Subject headings, Malay. 3. Government publications--Malaysia. 4. Electronic books. I. Perpustakaan Negara Malaysia. 025.47 KANDUNGAN Sekapur Sirih Ketua Pengarah Perpustakaan Negara Malaysia i Prakata Pengenalan ii Objektif iii Format iv-v Skop vi-viii Senarai Ahli Jawatankuasa Tajuk Perkara Malaysia: Perluasan Library of Congress Subject Headings ix Senarai Tajuk Perkara Malaysia: Perluasan Library of Congress Subject Headings Tajuk Perkara Topikal (Tag 650) 1-152 Tajuk Perkara Geografik (Tag 651) 153-181 Bibliografi 183-188 Tajuk Perkara Malaysia: Perluasan Library of Congress Subject Headings Sekapur Sirih Ketua Pengarah Perpustakaan Negara Malaysia Syukur Alhamdulillah dipanjatkan dengan penuh kesyukuran kerana dengan izin- Nya Perpustakaan Negara Malaysia telah berjaya menerbitkan buku Tajuk Perkara Malaysia: Perluasan Library of Congress Subject Headings Edisi Kedua ini. -
Intercultural Theatre Praxis: Traditional Malay Theatre Meets Shakespeare's the Tempest
University of Wollongong Research Online University of Wollongong Thesis Collection 2017+ University of Wollongong Thesis Collections 2017 Intercultural theatre praxis: traditional Malay theatre meets Shakespeare's The Tempest Norzizi Zulkafli University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/theses1 University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Zulkafli, Norzizi, Intercultural theatre praxis: traditional Malay theatre meets Shakespeare's The Tempest, Doctor of Philosophy thesis, School of the Arts, English and Media, University of Wollongong, 2017. -
Common Injuries Identified in Malay Dance Farah Fadzali, April 2021
Soultari Amin Farid, Choreographer, Arts Educator and Researcher Common injuries identified in Malay Dance Farah Fadzali, April 2021 The traditional dance forms of the Malay communities in Singapore are wide-ranging and diverse: Zapin, Joget, Asli, and Inang are just some of the many examples amongst others. However, the underlying beauty of this traditional dance is a series of complex and dynamic footwork, performed repetitively to achieve pinpoint finesse in its execution. Together with the countless hours of practice, it places extremely high stress and strain on the dancer’s lower limbs like the foot and ankle. Along with dance practice lasting several hours a day, dancers often risk stress fractures and other overuse injuries. In this article, we will look at some common injuries identified in Malay dance. Zapin: Elegant, soft and subtle body movements. Joget: Performed on a quick tempo with duple and triple beat divisions while dancers make fast rhythmic hand and foot movements. Asli: Owing to its soft and gentle rhythm, Asli is a graceful dance form where every movement has a meaning. Inang: Inang is usually performed with grounded and graceful foot movements. Long scarves are also held in hands like props while performing, which add to the charm of this dance form. __________________________________________________________________________________________ Disclaimer: *SCAPE strongly recommends that you consult with your physician before executing any exercises. Information contained within this article is for educational and informational purposes only while authors draw on their professional expertise and research available. In the event that you use the information provided through our website and or article, *SCAPE and the authors assume no responsibility. -
SINGAPORE: INSIDE out SYDNEY a Contemporary Creative Showcase
SINGAPORE: INSIDE OUT SYDNEY A Contemporary Creative Showcase KENSINGTON ST CHIPPENDALE 3 & 4 Nov, 12noon-10pm 5 Nov, 12noon-6pm Free Event #SGInsideOut #VisitSingapore #PassionMadePossible www.VisitSingapore.com/sgioau 1 Singapore: Inside Out is an international and experiential showcase that recognises Singapore’s top creative talents from a spectrum of disciplines and serves as a platform for multi-disciplinary and cross-national collaborations. Inaugurated in 2015 as a travelling showcase to Beijing, London and New York City before returning to Singapore, the 2017 edition will continue to shine the spotlight on Singapore’s creative talents on an international stage – this time in Tokyo (August 2017) and Sydney (November 2017). ORGANISED BY IN CONJUNCTION WITH www.stb.gov.sg www.visitsingapore.com Twitter @STB_sg (https://twitter.com/stb_sg) https://facebook.com/VisitSingaporeANZ/ 3 CREATIVE TEAM Zarch is an architecture studio established in 1999 that has, over time, developed a practice centred in architecture, yet in equal parts daringly and comfortably crossing multiple fields and disciplines in its approach to spatial design. Building upon a collaborative vision where interaction between like-minded individuals both within and without is valued as part of the creative process, this showcase is curated in collaboration with Singapore art collective, Vertical Submarine as art director. Founded in 2003, the collective won the Grand Prize for the Singapore’s President’s Young Talents Award in 2009 and the Celeste Art Prize, New York, in 2011, and a finalist of the 2015 Sovereign Asian Art Prize, Hong Kong. They were also listed as “10 Essential Artist Collectives In Asia You Should Know” by The Artling, Singapore. -
Las Vegas in Singapore: Casinos and the Taming of Vice
Las Vegas in Singapore: Casinos and the Taming of Vice By Kah-Wee Lee A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy In Architecture and the Designated Emphasis in Global Metropolitan Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Nezar AlSayyad, Chair Professor C. Greig Crysler Professor Andrew M. Shanken Professor Aihwa Ong Fall 2012 Las Vegas in Singapore: Casinos and the Taming of Vice ©2012 Kah-Wee Lee 1 Abstract Las Vegas in Singapore: Casinos and the Taming of Vice by Kah-Wee Lee Doctor of Philosophy in Architecture University of California, Berkeley Professor Nezar AlSayyad, Chair This dissertation investigates the historical formation of the modern casino as a “dividing practice” that cuts society along moral, legal and economic lines. It analyzes specific episodes in Singapore’s and Las Vegas’ histories when the moral problem of vice was transformed into a series of practical interventions devised by lawyers, detectives, architects and bureaucrats to criminalize and legalize gambling. Spatial containment and aesthetic form are key considerations and techniques in these schemes. I show how such schemes revolve around the complex management of the political costs and practical limits of changing the moral-legal status of gambling, whether it is to criminalize a popular form of illegality or to legalize an activity that threatens the normative order of society. The rise of the modern casino as a spatially bounded and concentrated form of gambling that is seamless with corporate management practices and popular culture is an indication of how far such costs and limits have been masked and stretched. -
Seni Pertunjukan Wisata Di Candi Borobudur Kabupaten Magelang
SENI PERTUNJUKAN WISATA DI CANDI BOROBUDUR KABUPATEN MAGELANG Skripsi diajukan untuk memenuhi salah satu syarat untuk memperoleh gelar Sarjana Pendidikan Seni Tari oleh Ayu Nur Adilla 2501415152 JURUSAN PENDIDIKAN SENI DRAMA, TARI DAN MUSIK FAKULTAS BAHASA DAN SENI UNIVERSITAS NEGERI SEMARANG 2020 SENI PERTUNJUKAN WISATA DI CANDI BOROBUDUR KABUPATEN MAGELANG Skripsi diajukan untuk memenuhi salah satu syarat untuk memperoleh gelar Sarjana Pendidikan Seni Tari oleh Ayu Nur Adilla 2501415152 JURUSAN PENDIDIKAN SENI DRAMA, TARI DAN MUSIK FAKULTAS BAHASA DAN SENI UNIVERSITAS NEGERI SEMARANG 2020 i ii iii iv MOTTO DAN PERSEMBAHAN MOTTO: “Musuh yang paling berbahaya di atas dunia ini adalah penakut dan bimbang. Teman yang paling setia hanyalah keberanian dan keyakinan yang teguh.” _Andrew Jackson_ PERSEMBAHAN : Skripsi ini saya persembahkan untuk : 1. Almamater Universitas Negeri Semarang 2. Ibu dan Kakak tercinta v PRAKATA Puji syukur penulis panjatkan kepada Tuhan Yang Maha Esa, atas segala rahmat dan karunia-Nya, sehingga dapat terselesaikan penyusunan skripsi dengan judul SENI PERTUNJUKAN WISATA DI CANDI BOROBUDUR KABUPATEN MAGELANG yang disusun dalam rangka memenuhi tugas dan sebagai salah satu syarat untuk memperoleh gelar Sarjana Pendidikan dari Universitas Negeri Semarang. Penulis menyadari bahwa tanpa bantuan dari beberapa pihak, penulis skripsi ini tidak akan selesai. Oleh karena itu, dalam kesempatan ini penulis ingin menyampaikan apresiasi setinggi-tingginya dan ucapan terimakasih kepada pihak- pihak sebagai berikut : 1. Prof. Dr. Fathur Rokhman, M.Hum., Rektor Universitas Negeri Semarang yang telah memberikan fasilitas selama melaksanakan perkuliahan. 2. Dr. Sri Rejeki Urip, M.Hum., Dekan Fakultas Bahasa dan Seni Universitas Negeri Semarang yang telah memberikan izin penelitian kepada peneliti. 3. Dr. -
The Sanjiangren in Singapore © 2012 Shen Lingxie
Chinese Southern Diaspora Studies, Volume 5, 2011-12 南方華裔研究雜志, 第五卷, 2011-12 The Sanjiangren in Singapore © 2012 Shen Lingxie* Introduction The Chinese population in Singapore is a migrant community, a part of the large-scale Chinese diaspora in the region set in motion by Western colonialism at the turn of the twentieth century. As with other overseas Chinese communities in Southeast Asia, the large majority of these migrants were from southern China; the Hokkien, Teochew and Cantonese constitute three-quarters of the Chinese population in Singapore today.1 Most studies of the Chinese society in Singapore have hence focused on these dialect groups and to a lesser extent the Hakka and the Hainanese as well. Minority dialect groups such as the Sanjiangren, are in comparison almost negligible in number, and have largely been overlooked in historical writings though Liu Hong and Wong Sin Kiong have described the existence of a “Sanjiang” community in Singapore in their work Singapore Chinese Society in Transition, and Cheng Lim-Keak mentioned the “Sanjiangren” as a community that specialised in furniture and dress-making in Social Change and the Chinese in Singapore. The Shaw brothers Tan Sri Runme (邵仁枚) and Sir Run Run (邵逸夫), famed film producers and cinema owners are Sanjiangren.2 So are Chiang Yick Ching, founder of his eponymous CYC Shanghai Shirts Company that dressed Singapore’s Minister Mentor Lee Kuan Yew, and Chou Sing Chu (周星衢) who started the bookstore chain Popular. 3 Singaporeans are well acquainted with these enterprises, but few are aware of which dialect group their founders belong to. -
2019 Jamalludin Nur Izzati 1567945 Ethesis
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ The origin, evolution and future of Mek Mulung a state heritage status and beyond Jamalludin, Nur Izzati Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 04. Oct. 2021 THE ORIGIN, EVOLUTION AND FUTURE OF MEK MULUNG: A STATE HERITAGE STATUS AND BEYOND Nur Izzati Jamalludin Submitted in fulfilment for the requirements for the degree of Doctor of Philosophy at King’s College London May 2019 1 Abstract This research was carried out to trace the development of Mek Mulung, a dance- drama which is native solely to the village of Wang Tepus, Kedah in peninsular Malaysia.