SINGAPORE: INSIDE out SYDNEY a Contemporary Creative Showcase
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Exhibition Guide
ArTScience MuSeuM™ PreSenTS ceLeBrATinG SinGAPOre’S cOnTeMPOrArY ArT Exhibition GuidE Detail, And We Were Like Those Who Dreamed, Donna Ong Open 10am to 7pm daily | www.MarinaBaySands.com/ArtScienceMuseum Facebook.com/ArtScienceMuseum | Twitter.com/ArtSciMuseum WELCOME TO PRUDENTIAL SINGAPORE EYE Angela Chong Angela chong is an installation artist who Prudential Singapore Eye presents a with great conceptual confidence. uses light, sound, narrative and interactive comprehensive survey of Singapore’s Works range across media including media to blur the line between fiction and contemporary art scene through the painting, installation and photography. reality. She has shown work in Amsterdam Light Festival in the netherlands; Vivid works of some of the country’s most The line-up includes a number of Festival in Sydney; 100 Points of Light Festival innovative artists. The exhibiting artists who are gaining an international in Melbourne; cP international Biennale in artists were chosen from over 110 following, to artists who are just Jakarta, indonesia, and iLight Marina Bay in submissions and represent a selection beginning to be known. Like all the other Singapore. of the best contemporary art in Prudential Eye exhibitions, Prudential 3D Tic-Tac-Toe is an interactive light sculpture Singapore. Prudential Singapore Eye is Singapore Eye aims to bring to light which allows multiple players of all ages to the first major exhibition in a year of a new and exciting contemporary art play Tic-Tac-Toe with one another. cultural celebrations of the nation’s 50th scene and foster greater appreciation of anniversary. Singapore’s visual art scene both locally and internationally. 3D Tic-Tac-Toe, 2014 The works of the exhibiting artists demonstrate versatility, with many of the artists working experimentally Jeremy Sharma Jeremy Sharma works primarily as a conceptual painter. -
Nhb13093018.Pdf
Annual Report 2012/2013 CONTENTS 2 Highlights for FY2012 14 Board Members 16 Corporate Information 17 Organisational Structure 18 Corporate Governance 20 Grants & Capability Development 24 Giving 32 Donations & Acquisitions 38 Publications FY2012 was an exciting year of new developments. On 1 November 2012, we came under a new ministry – the Ministry of Culture, Community and Youth. Under the new ministry, we aspire 40 Financial Statements to deepen our conversations and engagements with various sectors. We will continue to nurture Statement by Board Members an appreciation for Singapore’s diverse and multicultural heritage and provide platforms for Independent Auditors’ Report community involvement. Financials A new family member, the Language Council joined the NHB family and we warmly welcome Notes to Financial Statements them. Language is closely linked to one’s heritage and the work that the LCS does will allow NHB to be more synergistic in our heritage offerings for Singaporeans. In FY2012, we launched several new initiatives. Of particular significance was the launch of Our Museum @ Taman Jurong – the first community museum in Singapore’s heartlands. The Malay Heritage Centre was re-opened with a renewed focus on Kampong Gelam, and the contributions of the local Malay community. The Asian Civilisations Museum also announced a new extension, which will allow for more of our National Collection to be displayed. Community engagement remained a priority as we stepped up our efforts to engage Singaporeans from all walks of life – heritage enthusiasts, corporations, interest groups, volunteer guides, patrons and many more, joined us in furthering the heritage cause. Their stories and memories were shared and incorporated into a wide range of offerings including community exhibitions and events, heritage trails, merchandise and e-books. -
Artist Biography
Artist Donna ONG ⺩美清 Born Singapore Works Singapore Artist Biography __________________ ___________________________________________________________________________________ Year Education 2011 - 2012 MA Fine Arts, LASALLE College of the Arts, Singapore 2003 BA (Hons) Fine Art, Goldsmiths College, University of London, UK 1999 B.Sc. Architecture Bartlett Centre, University College London (UCL), UK __________________ ___________________________________________________________________________________ Year Selected Exhibitions 2017 Singapore: Inside Out Sydney, The Old Clare Hotel, Sydney, Australia After Utopia: Revisiting the Ideal in Asian Contemporary Art, Anne and Gordon Samstag Museum of Art, Adelaide, Australia The Tree as An Art Object, Wälderhaus Museum, Hamburg, Germany Art Stage Jakarta, FOST Gallery, Indonesia Art Stage Singapore, FOST Gallery, Singapore 2016 The Sharing Game: Exchange in Culture and Society, Kulturesymposium Weimar 2016, Galerie Eigenheim, Weimar, Germany For An Image, Faster Than Light, Yinchuan Biennale 2016, MoCA Yinchuan, China Five Trees Make A Forest, NUS Museum, Singapore* My Forest Has No Name, FOST Gallery, Singapore* 2015 After Utopia, Singapore Art Museum, Singapore The Mechanical Corps, Hartware MedienKunstVerein, Dortmund, Germany Prudential Eye Awards, ArtScience Museum, Singapore Prudential Singapore Eye, ArtScience Museum, Singapore 2014 Da Vinci: Shaping the Future, ArtScience Museum, Singapore Modern Love, Institute of Contemporary Arts Singapore, Singapore Bright S’pore(s), Primo Marella Gallery, -
Singapore Heritagefest 2015
FACTSHEET – SINGAPORE HERITAGEFEST 2015 SINGAPORE HERITAGEFEST 2015 Duration: 17 April – 18 May 2015 Various venues Into its 12th year, National Heritage Board’s signature Singapore HeritageFest promises yet another edition of heritage fun! Spanning five weekends from 17 April to 18 May, Singapore HeritageFest 2015 will be the largest edition to date with many more community partners coming on board to contribute and participate. In the festival’s spirit of celebration and discovery, explore familiar places, rediscover the lesser known and forgotten stories behind their past, and come to appreciate them in a whole new way. From our humble beginnings on the banks of the Singapore River, to our heartlands and neighbourhoods that are unique in their own ways, join us as we celebrate not just what connects us as one, but also our diversity that make us truly Singaporean. Weekly Programme Highlights: (Details of all the individual programmes can be found on www.heritagefest.sg) Week 1 Great Town – A Tale of Three Campongs Venue: URA Centre Duration: 17 April –17 May 2015 (Exhibition) 2 May 2015, 10.00am – 11.00am (Talk) Great Town – A Tale of Three Campongs takes a timely look at Singapore’s most iconic heritage district in the south of the Singapore River. Typically described today as Singapore’s “Chinatown”, the district was better known as Big Town, or Tua Poh in Hokkien in the past, in contradistinction to Small Town (Sio Poh), which is in the north of the river. Originally set aside by Raffles as a place of settlement for Singapore’s early Chinese immigrant population, Campong China, even in its earliest incarnation, was never an exclusively Chinese enclave. -
1 Media Release for Immediate Release Singapore Art Museum
Media Release For Immediate Release Singapore Art Museum Presents After Utopia, a Permanent Collection Exhibition That Revisits the Utopian Ideal in Asian Contemporary Art Featuring iconic Southeast Asian and Asian contemporary artworks that examine humanity’s eternal yearning for a better world Singapore, 20 April 2015 – In its latest permanent collection exhibition, After Utopia: Revisiting the Ideal in Asian Contemporary Art, Singapore Art Museum (SAM) examines humanity’s eternal yearning for a better world. Predicated on a sense that the world is not enough, utopian principles and models of worlds have been perpetually re-imagined, and continue to haunt our consciousness through the centuries.! Comprising iconic works of Southeast Asian and Asian contemporary art drawn from SAM’s permanent collection, artists’ collections and new commissions, After Utopia seeks to ask where and how we have located these expressions of both our innermost yearnings as well as our contemporary realities, through 20 artworks by 18 artists and artists’ collectives from Singapore and around the region. Curated by SAM curators Tan Siuli and Louis Ho, After Utopia takes place from 1 May to 18 October 2015. Artists featured in After Utopia include Agus Suwage and Davy Linggar (Indonesia), Anurendra Jegadeva (Malaysia), Chris Chong Chan Fui (Malaysia), Donna Ong (Singapore), Gao Lei (China), Geraldine Javier (Philippines), Ian Woo (Singapore), Jitish Kallat (India), Kamin Lertchaiprasert (Thailand), Kawayan de Guia (Philippines), Made Wianta (Indonesia), Maryanto -
Las Vegas in Singapore: Casinos and the Taming of Vice
Las Vegas in Singapore: Casinos and the Taming of Vice By Kah-Wee Lee A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy In Architecture and the Designated Emphasis in Global Metropolitan Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Nezar AlSayyad, Chair Professor C. Greig Crysler Professor Andrew M. Shanken Professor Aihwa Ong Fall 2012 Las Vegas in Singapore: Casinos and the Taming of Vice ©2012 Kah-Wee Lee 1 Abstract Las Vegas in Singapore: Casinos and the Taming of Vice by Kah-Wee Lee Doctor of Philosophy in Architecture University of California, Berkeley Professor Nezar AlSayyad, Chair This dissertation investigates the historical formation of the modern casino as a “dividing practice” that cuts society along moral, legal and economic lines. It analyzes specific episodes in Singapore’s and Las Vegas’ histories when the moral problem of vice was transformed into a series of practical interventions devised by lawyers, detectives, architects and bureaucrats to criminalize and legalize gambling. Spatial containment and aesthetic form are key considerations and techniques in these schemes. I show how such schemes revolve around the complex management of the political costs and practical limits of changing the moral-legal status of gambling, whether it is to criminalize a popular form of illegality or to legalize an activity that threatens the normative order of society. The rise of the modern casino as a spatially bounded and concentrated form of gambling that is seamless with corporate management practices and popular culture is an indication of how far such costs and limits have been masked and stretched. -
The Sanjiangren in Singapore © 2012 Shen Lingxie
Chinese Southern Diaspora Studies, Volume 5, 2011-12 南方華裔研究雜志, 第五卷, 2011-12 The Sanjiangren in Singapore © 2012 Shen Lingxie* Introduction The Chinese population in Singapore is a migrant community, a part of the large-scale Chinese diaspora in the region set in motion by Western colonialism at the turn of the twentieth century. As with other overseas Chinese communities in Southeast Asia, the large majority of these migrants were from southern China; the Hokkien, Teochew and Cantonese constitute three-quarters of the Chinese population in Singapore today.1 Most studies of the Chinese society in Singapore have hence focused on these dialect groups and to a lesser extent the Hakka and the Hainanese as well. Minority dialect groups such as the Sanjiangren, are in comparison almost negligible in number, and have largely been overlooked in historical writings though Liu Hong and Wong Sin Kiong have described the existence of a “Sanjiang” community in Singapore in their work Singapore Chinese Society in Transition, and Cheng Lim-Keak mentioned the “Sanjiangren” as a community that specialised in furniture and dress-making in Social Change and the Chinese in Singapore. The Shaw brothers Tan Sri Runme (邵仁枚) and Sir Run Run (邵逸夫), famed film producers and cinema owners are Sanjiangren.2 So are Chiang Yick Ching, founder of his eponymous CYC Shanghai Shirts Company that dressed Singapore’s Minister Mentor Lee Kuan Yew, and Chou Sing Chu (周星衢) who started the bookstore chain Popular. 3 Singaporeans are well acquainted with these enterprises, but few are aware of which dialect group their founders belong to. -
Hi Life! July 2013 (Vol. 2/Issue
A Hong Leong Group e-newsletter July 2013 (Vol. 2/Issue 16) HIGHLIGHTS Hong Leong Holdings M Hotel Chengdu CDL Launches Launches One Balmoral In China Jewel @ Buangkok ST Life Theatre Awards At NBA 3x Singapore Meets Fans Italian Extravaganza With W Singapore At Orchard Hotel Mayfair And Pontini Head Chefs PLUS! We want to hear from you! • Man U Players At W Singapore (left) Tell us about your projects, executive • Millennium Minneapolis Reopens In Time for appointments, awards and accolades, latest 50th Anniversary promotions, charity and community outreach programmes, etc. • Treats Galore For M&C Loyalty Card Members • Spreading Fun And Cheer At The Assisi Hospice If you have interesting photos to go along Charity Fun Day with them, all the better! Email your stories and pictures to Group ...and more in this issue of Hi Life! Corporate Affairs at [email protected] M&C Expands Its Footprint In China With M Hotel Chengdu On July 2, Millennium & Copthorne Hotels plc (M&C) announced the inauguration of M Hotel Chengdu. This marks another milestone in the Group’s venture into China, an event that was attended by Singapore ministers Mr Lim Swee Say, Minister in Prime Minister’s Office and Mr Lawrence Wong, Acting Minister for Culture, Community and Youth and Senior Minister of State for Communications and Information. M Hotel Chengdu is the second such hotel in the world, after the first M Hotel was launched in Singapore in 2000. The “M” brand caters to a new generation of travellers and centres on the young and young at heart. -
Singaporean Cinema in the 21St Century: Screening Nostalgia
SINGAPOREAN CINEMA IN THE 21ST CENTURY: SCREENING NOSTALGIA LEE WEI YING (B.A.(Hons.), NUS) A THESIS SUBMITTED FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF CHINESE STUDIES NATIONAL UNIVERSITY OF SINGAPORE 2013 Declaration i Acknowledgement First and utmost, I owe a huge debt of gratitude to my supervisor, Dr. Nicolai Volland for his guidance, patience and support throughout my period of study. My heartfelt appreciation goes also to Associate Professor Yung Sai Shing who not only inspired and led me to learn more about myself and my own country with his most enlightening advice and guidance but also shared his invaluable resources with me so readily. Thanks also to Dr. Xu Lanjun, Associate Professor Ong Chang Woei, Associate Professor Wong Sin Kiong and many other teachers from the NUS Chinese Studies Department for all the encouragement and suggestions given in relation to the writing of this thesis. To Professor Paul Pickowicz, Professor Wendy Larson, Professor Meaghan Morris and Professor Wang Ban for offering their professional opinions during my course of research. And, of course, Su Zhangkai who shared with me generously his impressive collection of films and magazines. Not forgetting Ms Quek Geok Hong, Mdm Fong Yoke Chan and Mdm Kwong Ai Wah for always being there to lend me a helping hand. I am also much indebted to National University of Singapore, for providing me with a wonderful environment to learn and grow and also awarding me the research scholarship and conference funding during the two years of study. In NUS, I also got to know many great friends whom I like to express my sincere thanks to for making this endeavor of mine less treacherous with their kind help, moral support, care and company. -
Little India Heritage Trail
The Little India Heritage Trail is part of the National Heritage Board’s » DISCOVER OUR SHARED HERITAGE ongoing efforts to document and present the history and social memories of places in Singapore. We hope to bring back fond memories LITTLE INDIA for those who have worked, lived or played in this historical and cultural precinct, and serve as a useful source of information for visitors and new residents. HERITAGE TRAIL Supported by “The Race Course, Farrer Park”, 1840 A tempeh (Indonesian soy dish) seller attending to customers at Tekka Market, 1971 Courtesy of National Museum of Singapore, National Heritage Board Courtesy of Singapore Press Holdings Limited R O B A S J A D I O N L O G E S T A A V I E KK WOMEN’S V E E AND CHILDREN’S HOSPITAL O AD G W D RO L A O E D D O N BUS N OA U R R A C L T D ARK E R OA OTHER HERITAGE TRAILS R A S Y RU P O N A OH LEONG SAN SEE ER T NS J AD SE E ES TEMPLE FARR T R G N O BUS P BUS M R SRI VADAPATHIRA IN THIS SERIES A H O K KALIAMMAN TEMPLE BUS A A AD O M R D E S UR BUS P FARRER PARK O S C SAKYA MUNI BUDDHA ACE H FIELD R GAYA TEMPLE I R MRT E FARRER PARK B AD R SRI SRINIVASA E O STATION RO PERUMAL A ANG MO KIO T A TEMPLE AD O T D O R BUS D B Y FARRER PARK W A B I RO R BUS ND R EN BUS LA U C O R BER R H B O BALESTIER D MA A E A R RO KINTA ROAD RTS D NORTHUM E FORMER KANDANG R OA S GOON R N KERBAU HOSPITAL O A AC RO R D E A K E COUR LA S D BUKIT TIMAH I E T A RAC COU C D LAND D NE TRANSPORT H ROA AUTHORITY E E E N PET R RD BEDOK O E TU TA S ANGULLIA R BUS FOOCHOW R A A N MOSQUE SE K L METHODIST IN K LAN -
Four Singaporean Artists That Help Us Rethink Nature
In earlier works such as “Project Eden”, for instance, the artist evoked the idea of the private garden, a staple of British culture. Back in 2007, when the artwork was conceived, the Singaporean government forbade private greenspaces in public housing. In childlike fashion, the artist used her imagination by fashioning everyday cleaning equipment into an installation which mimicked a garden. Four Singaporean Artists That Help Us Rethink Nature Donna Ong, “Project-Eden” | Courtesy of the artist Naima Morelli 26 Aug 2016 In “Gift Series: Hortus Conclusus” (2013), the artist created elegant boxes displaying backlit TEXT : Naima Morelli illustrations of plants. She obeyed an aesthetic criterion, arranging the depictions of flora by IMAGES: Courtesy of the artists colour rather than botanical compatibility. A figurine of a Renaissance Madonna was placed in the centre of the composition, completely incorporated in the natural environment. The What does nature represent in the urban landscape we inhabit? Singaporean artists provide feeling conveyed is one of mystery, spirituality and beauty. us with strong visual metaphors to see the not-so-evident narratives behind nature. More recent works like “Five Threes Make a Nature is a recurrent subject in the work of Singaporean artists. The theme is tackled both on Forest” (2016) and “The Forest Speaks Back” an individual level and collectively, as shown by recent exhibitions like “Each blade of grass (2014) deal with the themes of colonialism each shrub each tree” at The Substation and “The Sovereign Forest” at NTU CCA. and exoticism. Donna Ong explores the archetype of the tropical landscape from two The ubiquity of this theme is not surprising for a city-state which has rebranded itself as first opposite points of view: that of the locals and “Garden City”, then “City in a Garden” since 1967. -
Annual Report Statements 2009
An overview of Sentosa 09/10 annual report Think beyond! Joint Message � [Left] Dr Loo Choon Yong Chairman Sentosa Development Corporation executive Chairman raffles Medical Group ltd [Right] Mike Barclay Chief executive officer Sentosa Development Corporation the 2009/10 Financial Year proved to be a period of significant transformation for sentosa. the opening of the much- anticipated Resorts World sentosa was a key milestone in the island resort’s evolution into a family entertainment destination, and looks set to more than double visitorship to the island in the course of its first year of operations. sentosa Development Corporation expended a tremendous amount of time and effort over the last year on infrastructure upgrading to prepare for this step-change in guest arrival numbers. adding to the excitement were the opening of new attractions along siloso Beach and the growth of the sentosa Cove community to almost 2,500 residents. these noteworthy achievements were made possible by years of diligent master planning by successive generations of board directors and management. against the backdrop of a global economic downturn, Sentosa Development Corporation performed strongly at an operating level. this solid accomplishment can be attributed to the 7.83 million Sentosa visitors which exceeded the island’s previous record by 28 per cent. 01 | SentoSa annual report 09/10 09/10 annual report the move to place more focus on promoting the island as a preferred leisure and ‘staycation’ destination for Singaporeans garnered strong support from the local market, which more than compensated for the slow-down in international tourist arrivals to Singapore.