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WALLACE, (Richard Horatio) Edgar Geboren: Greenwich, Londen, 1 April 1875
WALLACE, (Richard Horatio) Edgar Geboren: Greenwich, Londen, 1 april 1875. Overleden: Hollywood, USA, 10 februari 1932 Opleiding: St. Peter's School, Londen; kostschool, Camberwell, Londen, tot 12 jarige leeftijd. Carrière: Wallace was de onwettige zoon van een acteur, werd geadopteerd door een viskruier en ging op 12-jarige leeftijd van huis weg; werkte bij een drukkerij, in een schoen- winkel, rubberfabriek, als zeeman, stukadoor, melkbezorger, in Londen, 1886-1891; corres- pondent, Reuter's, Zuid Afrika, 1899-1902; correspondent, Zuid Afrika, London Daily Mail, 1900-1902 redacteur, Rand Daily News, Johannesburg, 1902-1903; keerde naar Londen terug: journalist, Daily Mail, 1903-1907 en Standard, 1910; redacteur paardenraces en later redacteur The Week-End, The Week-End Racing Supplement, 1910-1912; redacteur paardenraces en speciaal journalist, Evening News, 1910-1912; oprichter van de bladen voor paardenraces Bibury's Weekly en R.E. Walton's Weekly, redacteur, Ideas en The Story Journal, 1913; schrijver en later redacteur, Town Topics, 1913-1916; schreef regelmatig bijdragen voor de Birmingham Post, Thomson's Weekly News, Dundee; paardenraces columnist, The Star, 1927-1932, Daily Mail, 1930-1932; toneelcriticus, Morning Post, 1928; oprichter, The Bucks Mail, 1930; redacteur, Sunday News, 1931; voorzitter van de raad van directeuren en filmschrijver/regisseur, British Lion Film Corporation. Militaire dienst: Royal West Regiment, Engeland, 1893-1896; Medical Staff Corps, Zuid Afrika, 1896-1899; kocht zijn ontslag af in 1899; diende bij de Lincoln's Inn afdeling van de Special Constabulary en als speciaal ondervrager voor het War Office, gedurende de Eerste Wereldoorlog. Lid van: Press Club, Londen (voorzitter, 1923-1924). Familie: getrouwd met 1. -
The Forgotten Realms Are a World of the Realms, Matched by a Sheet of Very Similar to the Earth of the 13Th and Ice, Equally Relentless, to Its East
These things also I have observed: that knowledge of our world is to be nurtured like a precious flower, for it is the most precious thing we have. Wherefore guard the word written and heed words unwrittenand set them down ere they fade . Learn then, well, the arts of reading, writing, and listening true, and they will lead you to the greatest art of all: understanding. Alaundo of Candlekeep Cyclopedia of the Realms Table of Contents Introductions ..................................................................4 About this Product ..............................................................5 Time in the Realms ..............................................................6 Names in the Realms .............................................................7 Languages of the Realms .........................................................8 Currency in the Realms ..........................................................9 Religion in the Realms ...........................................................10 Cyclopedia Entries ..............................................................19 Anauroch Map ..................................................................23 Arabel Map ....................................................................24 Cormyr Map ...................................................................33 Cormyr Royal Lineage ...........................................................34 DalelandsMap ..................................................................36 Immersea Map ..................................................................53 -
A Twelvemonth's Residence in the West Indies
A twelvemonth's residence in the West Indies, during the transition from slavery to apprenticeship; with incidental notices of the state of society, prospects, and natural resources of Jamaica and other islands. By R. R. Madden. v.1 Madden, Richard Robert, 1798-1886. London, J. Cochrane and co., 1835. http://hdl.handle.net/2027/mdp.39015014707494 Public Domain, Google-digitized http://www.hathitrust.org/access_use#pd-google This work is in the Public Domain, meaning that it is not subject to copyright. Users are free to copy, use, and redistribute the work in part or in whole. It is possible that heirs or the estate of the authors of individual portions of the work, such as illustrations, assert copyrights over these portions. Depending on the nature of subsequent use that is made, additional rights may need to be obtained independently of anything we can address. The digital images and OCR of this work were produced by Google, Inc. (indicated by a watermark on each page in the PageTurner). Google requests that the images and OCR not be re-hosted, redistributed or used commercially. The images are provided for educational, scholarly, non-commercial purposes. Generated for member (University of Florida) on 2013-03-23 14:48 GMT / http://hdl.handle.net/2027/mdp.39015014707494 Public Domain, Google-digitized / http://www.hathitrust.org/access_use#pd-google A twelvemonth'sresidenceintheWestIndies,duringtransitionfromslaverytoapprenticeshipRichardRobertMadden Generated for member (University of Florida) on 2013-03-23 14:48 GMT / http://hdl.handle.net/2027/mdp.39015014707494 Public Domain, Google-digitized / http://www.hathitrust.org/access_use#pd-google Generated for member (University of Florida) on 2013-03-23 14:48 GMT / http://hdl.handle.net/2027/mdp.39015014707494 Public Domain, Google-digitized / http://www.hathitrust.org/access_use#pd-google I I . -
Legal Mediators: British Consuls in Tengyue (Western Yunnan) and the Burma-China Frontier Region, –
Modern Asian Studies , () pp. –. © The Author . This is an Open Access article, distributed under the terms of the Creative Commons Attribution- NonCommercial-ShareAlike licence (http://creativecommons.org/licenses/by-nc-sa/./), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the same Creative Commons licence is included and the original work is properly cited. The written permission of Cambridge University Press must be obtained for commercial re-use. doi:./SXX First published online August Legal Mediators: British consuls in Tengyue (western Yunnan) and the Burma-China frontier region, – EMILY WHEWELL Max Planck Institute for European Legal History Email: [email protected] Abstract British consuls were key agents for the British imperial presence in China from to . Their role, which was to perform administrative duties that protected the rights of British subjects, is most prominently remembered in connection with the east coast. Here larger foreign communities and international maritime trade necessitated their presence. However, British consuls were also posted to the far southwest province of Yunnan and the Burma-China frontier region. This article sheds light on the role of consuls working in the little-known British consular station of Tengyue, situated close to the Burma-China frontier. Using the reports of locally stationed consuls and Burmese frontier officials, it argues that consuls were important mediators of legal power operating at the fringes of empire for British imperial and colonial interests in this region. They represented British and European subjects, and were mediators in legal disputes between British Burma and China, helping to smooth over Sino- British relations and promoting British Burmese sovereign interests. -
First National News Dated May 1
- COLLEEN-A'-- GEORGE MOORE ^- FITZMAURICE- \€ fill M t* •' j 7 Vol. III. No. 8. April 15/1928 " and then in 1928 came a great turning point in the history of the picture industry* "That year First National broke with FIVE famous record- breakers right off the bat! "Colleen Moore in 'Her Wild Oat', Richard Barthelmess in 'The Patent Leather Kid', 'The Private Life of Helen of Troy', 'Shepherd of the Hills' by Harold Bell Wright, and Richard Barthelmess in 'The Noose'— one right after another! And each one better than the last. "Of course everybody remembers these great hits today, just as they remember 'Abraham Lincoln/ 'The Sea Hawk,' and 'Birth of a Nation'. But the thing few people realize is that these five pictures that have come down in history were released in A SINGLE MONTH by A SINGLE COMPANY. "And on top of that First National followed right up with "I made more a dozen others just as big, including Colleen Moore in 'Lilac with 'The Time', Richard Barthelmess in 'The Little Shepherd of King- money dom Come', Charlie Murray in 'Vamping Venus', Johnny Patent Leather Hines in 'Chinatown Charlie', Harry Langdon in 'The Kid' than with Chaser', 'Ladies' Night in a Turkish Bath' with Jack Mulhall and Dorothy Mackaill, and Charlie Murray and George Sidney in 'Flying Romeos'. or ff "What a season that was! *Fill in here the titles of any "Of course all my house records were knocked sky-high. two of the greatest Specials "I remember as though it were yesterday how completely of the past or present and these great hits took the trade by storm. -
The Picture Show Annual (1928)
Hid •v Digitized by the Internet Archive in 2015 https://archive.org/details/pictureshowannuaOOamal Corinne Griffith, " The Lady in Ermine," proves a shawl and a fan are just as becoming. Corinne is one of the long-established stars whose popularity shows no signs of declining and beauty no signs of fading. - Picture Show Annual 9 rkey Ktpt~ thcMouies Francis X. Bushman as Messala, the villain of the piece, and Ramon Novarro, the hero, in " Ben Hut." PICTURESQUE PERSONALITIES OF THE PICTURES—PAST AND PRESENT ALTHOUGH the cinema as we know it now—and by that I mean plays made by moving pictures—is only about eighteen years old (for it was in the Wallace spring of 1908 that D. W. Griffith started to direct for Reid, the old Biograph), its short history is packed with whose death romance and tragedy. robbed the screen ofa boyish charm Picture plays there had been before Griffith came on and breezy cheer the scene. The first movie that could really be called iness that have a picture play was " The Soldier's Courtship," made by never been replaced. an Englishman, Robert W. Paul, on the roof of the Alhambra Theatre in 18% ; but it was in the Biograph Studio that the real start was made with the film play. Here Mary Pickford started her screen career, to be followed later by Lillian and Dorothy Gish, and the three Talmadge sisters. Natalie Talmadge did not take as kindly to film acting as did her sisters, and when Norma and Constance had made a name and the family had gone from New York to Hollywood Natalie went into the business side of the films and held some big positions before she retired on her marriage with Buster Keaton. -
Englischer Diplomat, Commissioner Chinese Maritime Customs Biographie 1901 James Acheson Ist Konsul Des Englischen Konsulats in Qiongzhou
Report Title - p. 1 of 266 Report Title Acheson, James (um 1901) : Englischer Diplomat, Commissioner Chinese Maritime Customs Biographie 1901 James Acheson ist Konsul des englischen Konsulats in Qiongzhou. [Qing1] Adam, James Robertson (Dundee, Schottland 1863-1915 Anshun, Guizhou vom Blitz erschlagen) : Protestantischer Missionar China Inland Mission Biographie 1887 James Robertson Adam wird Missionar der China Inland Mission in China. [Prot2] Addis, John Mansfield = Addis, John Mansfield Sir (1914-1983) : Englischer Diplomat Biographie 1947-1950 John Mansfield Addis ist Erster Sekretär der britischen Botschaft in Nanjing. [SOAS] 1950-1954 John Mansfield Addis ist im Foreign Office der britischen Botschaft in Beijing tätig. [ODNB] 1954-1957 John Mansfield Addis ist Generalkonsul der britischen Botschaft in Beijing. [SOAS] 1970-1974 John Mansfield Addis ist Botschafter der britischen Regierung in Beijing. [SOAS] 1975 John Mansfield Addis wird Senior Research Fellow in Contemporary Chinese Studies am Wolfson College, Oxford. [SOAS] Adeney, David Howard (Bedford, Bedfordshire 1911-1994) : Englischer protestantischer Missionar China Inland Mission Biographie 1934 Ruth Adeney lernt Chinesisch an der Sprachenschule der China Inland Mission in Yangzhou (Jiangsu) ; David Howard Adeney in Anqing (Anhui). [BGC] 1934-1938 David Howard Adeney ist als Missionar in Henan tätig. [BGC] 1938 Heirat von David Howard Adeney und Ruth Adeney in Henan. [BGC] 1938-1941 David Howard Adeney und Ruth Adeney sind als Missionare in Fangcheng (Henan) tätig. [BGC] 1941-1945 David Howard Adeney und Ruth Adeney halten sich in Amerika auf. [BGC] 1946-1950 David Howard Adeney und Ruth Adeney sind für das Chinese Inter-Varisty Fellowship für Universitäts-Studenten in Nanjing und Shanghai tätig. [BGC] 1950-1956 David Howard Adeney und Ruth Adeney halten sich in Amerika auf. -
Films Refusés, Du Moins En Première Instance, Par La Censure 1917-1926 N.B
Films refusés, du moins en première instance, par la censure 1917-1926 N.B. : Ce tableau dresse, d’après les archives de la Régie du cinéma, la liste de tous les refus prononcés par le Bureau de la censure à l’égard d’une version de film soumise pour approbation. Comme de nombreux films ont été soumis plus d’une fois, dans des versions différentes, chaque refus successif fait l’objet d’une nouvelle ligne. La date est celle de la décision. Les « Remarques » sont reproduites telles qu’elles se trouvent dans les documents originaux, accompagnées parfois de commentaires entre [ ]. 1632 02 janv 1917 The wager Metro Immoral and criminal; commissioner of police in league with crooks to commit a frame-up robbery to win a wager. 1633 04 janv 1917 Blood money Bison Criminal and a very low type. 1634 04 janv 1917 The moral right Imperial Murder. 1635 05 janv 1917 The piper price Blue Bird Infidelity and not in good taste. 1636 08 janv 1917 Intolerance Griffith [Version modifiée]. Scafold scenes; naked woman; man in death cell; massacre; fights and murder; peeping thow kay hole and girl fixing her stocking; scenes in temple of love; raiding bawdy house; kissing and hugging; naked statue; girls half clad. 1637 09 janv 1917 Redeeming love Morosco Too much caricature on a clergyman; cabaret gambling and filthy scenes. 1638 12 janv 1917 Kick in Pathé Criminal and low. 1639 12 janv 1917 Her New-York Pathé With a tendency to immorality. 1640 12 janv 1917 Double room mystery Red Murder; robbery and of low type. -
Report Title 16. Jahrhundert 17. Jahrhundert 18. Jahrhundert
Report Title - p. 1 Report Title 16. Jahrhundert 1583 Geschichte : China - Europa : England Elizabeth I. schreibt einen Brief an den Kaiser von China um Kontakt aufzunehmen. [Hsia8:S. 220] 1596-1597 Geschichte : China - Europa : England Elizabeth I. schickt drei Schiffe nach China und gibt Benjamin Wood einen Brief an den Kaiser mit. Die Schiffe erleiden Schiffbruch im Golf von Martaban, Burma. [Hsia8:S. 220,LOC] 17. Jahrhundert 1625 Geschichte : China - Europa : England Engländer erreichen die chinesische Küste. [Wie 1] 1637 Geschichte : China - Europa : England Die ersten englischen Schiffe kommen an der Küste von Süd-Ost China an. [Stai 1] 1683-1684 Geschichte : China - Europa : England William Dampier durchquert die chinesischen Meere. [Boot] 1698-1701 Geschichte : China - Europa : England James Cunningham reist 1698 als Arzt einer Fabrik der British E.I. Company nach Amoy [Xiamen]. 1699 wird er Fellow der Royal Society und reist 1700 wieder nach China. 1701 erreicht er die Insel Chusan [Zhoushan]. 1699 Geschichte : China - Europa : England / Wirtschaft und Handel Gründung der British East India Company in China, was den Handel mit Hong Kong fördert. [Wik] 18. Jahrhundert 1766 Geschichte : China - Europa : England James Lind besucht Guangzhou und sammelt chinesische Gegenstände und Bücher. [Kit1:S. 59] Report Title - p. 2 1774-1784 Geschichte : China - Europa : England Huang Yadong hält sich in England auf. He is described as Wang-y-Tong, who worked as a page in the John Frederick Sackville's household at Knole and attended the local Sevenoaks School. Huang Yadong is known to have visited the naturalists Mary Delany and the Duchess of Portland at the latter’s country seat of Bulstrode, discussing Chinese plants and their uses with them. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Dancing Dreams: Performing American Identities in Postwar Hollywood Musicals, 1944-1958
Dancing Dreams: Performing American Identities in Postwar Hollywood Musicals, 1944-1958 Pamella R. Lach A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History Chapel Hill 2007 Approved by: Peter G. Filene John F. Kasson Robert C. Allen Jerma Jackson William Ferris ©2007 Pamella R. Lach ALL RIGHTS RESERVED ii Abstract Pamella R. Lach Dancing Dreams: Performing American Identities in Postwar Hollywood Musicals, 1944-1958 (Under the direction of Peter G. Filene) With the pressures of the dawning Cold War, postwar Americans struggled to find a balance between conformity and authentic individualism. Although musical motion pictures appeared conservative, seemingly touting traditional gender roles and championing American democratic values, song-and-dance numbers (spectacles) actually functioned as sites of release for filmmakers, actors, and moviegoers. Spectacles, which film censors and red- baiting politicians considered little more than harmless entertainment and indirect forms of expression, were the least regulated aspects of musicals. These scenes provided relatively safe spaces for actors to play with and defy, but also reify, social expectations. Spectacles were also sites of resistance for performers, who relied on their voices and bodies— sometimes at odds with each other—to reclaim power that was denied them either by social strictures or an oppressive studio system. Dancing Dreams is a series of case studies about the role of spectacle—literal dances but also spectacles of discourse, nostalgia, stardom, and race—in inspiring Americans to find forms of individual self-expression with the potential to challenge prevailing norms. -
1 INTRODUCTION Charteris and His Work Every Year the UK Crime
1 INTRODUCTION Charteris and His Work Every year the UK Crime Writers' Association holds its prestigious “Diamond Dagger” ceremony. The Diamond Dagger is awarded annually to crime writers whose careers have been marked by sustained excellence, and who have made a significant contribution to crime fiction published in the English language. Winners have included Ian Rankin, Eric Ambler, John le Carré and Ruth Rendell. On 7 May 1992 the Chairman of the Association presented the Diamond Dagger to the 84-year old Leslie Charteris, whose fiction featuring the gentleman warrior, vigilante adventurer and modern knight-errant Simon Templar, known as the Saint, first appeared in 1928 and is still being published today. Outperforming both heroes and villains and a destroyer of society's enemies for decades, the central protagonist of Charteris’ twelve novels, thirty-four novellas and twelve volumes of short stories excelled in popularity. As Clive Bloom has warned, figures relating to book sales, at least in Britain, “must always be approached with considerable caution,”1 but based on known editions and reprints, publishers’ remarks and information from Charteris’ letters, it has been estimated that Charteris’ sales have topped forty million.2 While small in relation to the huge output and marketing of authors like the early twentieth-century thriller writer Edgar Wallace, or the famous Agatha Christie whose sales run into billions, Charteris’ sales record for his more modest output remains very substantial. Publication of his fiction tailed off in the 1980s, but from December 2012 Mulholland Books at Hodder and Stoughton commenced republication of thirty-five Saint titles.