Kazuo Ishiguro When We Were Orphans
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Bickers, Thesis 1992
Bickers, R. (1992). Changing British Attitudes to China and the Chinese, 1928-1931: Thesis submitted for the degree of Doctor of Philosophy, School of Oriental and African Studies, University of London. School of Oriental and African Studies, University of London. Peer reviewed version Link to publication record in Explore Bristol Research PDF-document Copyright Robert Bickers, 1992 University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ Changing British Attitudes to China and the Chinese, 1928-1931 Thesis submitted for the degree of Doctor of Philosphy Robert A. Bickers School of Oriental and African Studies University of London 1992 Copyright 1992 Robert Bickers Abstract This study examines the context and nature of British attitudes to China and the Chinese in the period 1928 to 1931, between the initial consolidation of the Nationalist Revolution in China and the Japanese invasion of Manchuria. The relationship between official and popular levels of this discourse provides the dominant theme of this work. It is argued that these years saw the start of a major long-term shift in British attitudes prompted by the Nationalist Revolution and by changes in Britain's official policy towards China. A wide range of official, institutional, and private primary and secondary material relating to Sino-British relations and to British treaty port life in China is examined in order to identify the sources, nature, and influence of British attitudes. -
Living in the “Enchanted World” of Childhood Fantasy: Mimetism and Literary Illusion in Kazuo Ishiguro’S When We Were Orphans
Living in the “Enchanted World” of Childhood Title Fantasy : Mimetism and Literary Illusion in Kazuo Ishiguro's When We Were Orphans Author(s) Nakajima, Ayaka Citation 待兼山論叢. 文学篇. 50 P.17-P.43 Issue Date 2016-12-26 Text Version publisher URL http://hdl.handle.net/11094/70038 DOI rights Note Osaka University Knowledge Archive : OUKA https://ir.library.osaka-u.ac.jp/ Osaka University 17 Living in the “Enchanted World” of Childhood Fantasy: Mimetism and Literary Illusion in Kazuo Ishiguro’s When We Were Orphans Ayaka N Keywords: Kazuo Ishiguro/ English detective ction/ British opium trade/orphan/ hybridity I When Kazuo Ishiguro published his fifth novel, When We Were Orphans (2000), following his enigmatic and recondite fourth novel, The Unconsoled (1995), many readers, who had perhaps expected the author to return to the more realistic style characterizing his rst three novels, appeared to feel betrayed and held that Ishiguro had failed to communicate himself with his new novel. In When We Were Orphans, the rst three parts of the story, set in 1930s London, seem to be based on classic English detective ction and supercially narrated in a more realistic mode; however, Ishiguro, who refused to return to the familiar territory of his earlier novels, presents a hallucinatory and dreamlike world in an experimental style, similar to that in Unconsoled, especially in the latter parts of the novel, which is set in late-1930s Shanghai, during the Second Sino-Japanese War (1937-45). As Maya Jaggi astutely observes, the narrative style used in When We Were Orphans is a meld of Ishiguro’s previous works: while the narrative prose is “exquisitely restrained and limpid,” just as in his rst three novels, the ctional world presented by his characteristic prose is “recondite” and “dream- like,” evoking his fourth, highly experimental novel (8). -
WALLACE, (Richard Horatio) Edgar Geboren: Greenwich, Londen, 1 April 1875
WALLACE, (Richard Horatio) Edgar Geboren: Greenwich, Londen, 1 april 1875. Overleden: Hollywood, USA, 10 februari 1932 Opleiding: St. Peter's School, Londen; kostschool, Camberwell, Londen, tot 12 jarige leeftijd. Carrière: Wallace was de onwettige zoon van een acteur, werd geadopteerd door een viskruier en ging op 12-jarige leeftijd van huis weg; werkte bij een drukkerij, in een schoen- winkel, rubberfabriek, als zeeman, stukadoor, melkbezorger, in Londen, 1886-1891; corres- pondent, Reuter's, Zuid Afrika, 1899-1902; correspondent, Zuid Afrika, London Daily Mail, 1900-1902 redacteur, Rand Daily News, Johannesburg, 1902-1903; keerde naar Londen terug: journalist, Daily Mail, 1903-1907 en Standard, 1910; redacteur paardenraces en later redacteur The Week-End, The Week-End Racing Supplement, 1910-1912; redacteur paardenraces en speciaal journalist, Evening News, 1910-1912; oprichter van de bladen voor paardenraces Bibury's Weekly en R.E. Walton's Weekly, redacteur, Ideas en The Story Journal, 1913; schrijver en later redacteur, Town Topics, 1913-1916; schreef regelmatig bijdragen voor de Birmingham Post, Thomson's Weekly News, Dundee; paardenraces columnist, The Star, 1927-1932, Daily Mail, 1930-1932; toneelcriticus, Morning Post, 1928; oprichter, The Bucks Mail, 1930; redacteur, Sunday News, 1931; voorzitter van de raad van directeuren en filmschrijver/regisseur, British Lion Film Corporation. Militaire dienst: Royal West Regiment, Engeland, 1893-1896; Medical Staff Corps, Zuid Afrika, 1896-1899; kocht zijn ontslag af in 1899; diende bij de Lincoln's Inn afdeling van de Special Constabulary en als speciaal ondervrager voor het War Office, gedurende de Eerste Wereldoorlog. Lid van: Press Club, Londen (voorzitter, 1923-1924). Familie: getrouwd met 1. -
The Forgotten Realms Are a World of the Realms, Matched by a Sheet of Very Similar to the Earth of the 13Th and Ice, Equally Relentless, to Its East
These things also I have observed: that knowledge of our world is to be nurtured like a precious flower, for it is the most precious thing we have. Wherefore guard the word written and heed words unwrittenand set them down ere they fade . Learn then, well, the arts of reading, writing, and listening true, and they will lead you to the greatest art of all: understanding. Alaundo of Candlekeep Cyclopedia of the Realms Table of Contents Introductions ..................................................................4 About this Product ..............................................................5 Time in the Realms ..............................................................6 Names in the Realms .............................................................7 Languages of the Realms .........................................................8 Currency in the Realms ..........................................................9 Religion in the Realms ...........................................................10 Cyclopedia Entries ..............................................................19 Anauroch Map ..................................................................23 Arabel Map ....................................................................24 Cormyr Map ...................................................................33 Cormyr Royal Lineage ...........................................................34 DalelandsMap ..................................................................36 Immersea Map ..................................................................53 -
On Rereading Kazuo Ishiguro Chris Holmes, Kelly Mee Rich
On Rereading Kazuo Ishiguro Chris Holmes, Kelly Mee Rich MFS Modern Fiction Studies, Volume 67, Number 1, Spring 2021, pp. 1-19 (Article) Published by Johns Hopkins University Press For additional information about this article https://muse.jhu.edu/article/786756 [ Access provided at 1 Apr 2021 01:55 GMT from Ithaca College ] Chris Holmes and Kelly Mee Rich 1 On Rereading Kazuo f Ishiguro Chris Holmes and Kelly Mee Rich To consider the career of a single author is necessarily an exercise in rereading. It means revisiting their work, certainly, but also, more carefully, studying how the impress of their authorship evolves over time, and what core elements remain that make them recognizably themselves. Of those authors writing today, Kazuo Ishiguro lends himself exceptionally well to rereading in part because his oeuvre, especially his novels, are so coherent. Featuring first-person narrators reflecting on the remains of their day, these protagonists struggle to come to terms with their participation in structures of harm, and do so with a formal complexity and tonal distance that suggests unreli- ability or a vexed relationship to their own place in the order of things. Ishiguro is also an impeccable re-reader, as the intertextuality of his prose suggests. He convincingly inhabits, as well as cleverly rewrites, existing genres such as the country house novel, the novel of manners, the English boarding school novel, the mystery novel, the bildung- sroman, science fiction, and, most recently, Arthurian fantasy. Artist, detective, pianist, clone: to read Ishiguro always entails rereading in relation to his own oeuvre, as well as to the literary canon. -
A Twelvemonth's Residence in the West Indies
A twelvemonth's residence in the West Indies, during the transition from slavery to apprenticeship; with incidental notices of the state of society, prospects, and natural resources of Jamaica and other islands. By R. R. Madden. v.1 Madden, Richard Robert, 1798-1886. London, J. Cochrane and co., 1835. http://hdl.handle.net/2027/mdp.39015014707494 Public Domain, Google-digitized http://www.hathitrust.org/access_use#pd-google This work is in the Public Domain, meaning that it is not subject to copyright. Users are free to copy, use, and redistribute the work in part or in whole. It is possible that heirs or the estate of the authors of individual portions of the work, such as illustrations, assert copyrights over these portions. Depending on the nature of subsequent use that is made, additional rights may need to be obtained independently of anything we can address. The digital images and OCR of this work were produced by Google, Inc. (indicated by a watermark on each page in the PageTurner). Google requests that the images and OCR not be re-hosted, redistributed or used commercially. The images are provided for educational, scholarly, non-commercial purposes. Generated for member (University of Florida) on 2013-03-23 14:48 GMT / http://hdl.handle.net/2027/mdp.39015014707494 Public Domain, Google-digitized / http://www.hathitrust.org/access_use#pd-google A twelvemonth'sresidenceintheWestIndies,duringtransitionfromslaverytoapprenticeshipRichardRobertMadden Generated for member (University of Florida) on 2013-03-23 14:48 GMT / http://hdl.handle.net/2027/mdp.39015014707494 Public Domain, Google-digitized / http://www.hathitrust.org/access_use#pd-google Generated for member (University of Florida) on 2013-03-23 14:48 GMT / http://hdl.handle.net/2027/mdp.39015014707494 Public Domain, Google-digitized / http://www.hathitrust.org/access_use#pd-google I I . -
Representation of Reality in Ishiguro's When We Were Orphans
VRÁNKOVÁ, K., KOY, CH. (eds) Dream, Imagination and Reality in Literature. South Bohemian Anglo-American Studies No. 1. České Budějovice: Editio Universitatis Bohemiae Meridionalis, 2007. ISBN 978-80-7394-006-5 The Orphan’s Dream Come True: Representation of Reality in Ishiguro’s When We Were Orphans Zuzana Fonioková Masaryk University Abstract: This paper deals with the ways reality is presented in Kazuo Ishiguro’s novel When We Were Orphans. This topic is connected with the condition of the main character and narrator of this novel, Christopher Banks. According to the representation of reality, the novel can be divided into two parts. The novel’s reality as it is presented in the first part, the account that the narrator created during his life in London, corresponds to the reality of the reader’s own world. In this part, Banks acts as a conventional unreliable narrator, deceiving himself in order to avoid realizing unacceptable aspects of his situation as an orphan, yet the scenic presentation mostly remains reliable. In the second part, created in Shanghai, a gap opens between the reality presented and the reality of the reader’s world. The fictional world of the novel adjusts to Banks’s self-deceived mind and his wishes, dreams and products of imagination become the reality. Although more options for the interpretation of the novel’s second part exist, I argue that Banks lives in a kind of ‘surreality’ which connects the realm of dreams with that of reality. In this way, When We Were Orphans challenges the reader’s conception of reality and of its possibilities and shows new ways of representing reality in fiction. -
Psycho-Linguistic Modelling in Kazuo Ishiguro's Novels
Global Education & Social Sciences Journal Vol. I, No. 2 (June 2021) Page 13 _____________________________________________________________________________________ _____ Psycho-Linguistic Modelling in Kazuo Ishiguro’s Novels Amalia Călinescu, Ph.D. University of Bucharest, Romania Email: [email protected] Abstract Most theories and models use different names for the same existential tenets, which may prove confusing, since the ultimate purpose of all studies is to help people heal their traumas and make inspired decisions for the betterment of their lives. Kazuo Ishiguro, meanwhile, proposes an internal shift of behavioral modelling, given the intricacy of human interrelations as well as the difficulty of altering one’s environment. All Ishigurian characters epitomize the hidden powers of the human mind and heart while the power of their language can influence readers’ emotional system, which underlies the decision-making process. The current study proposes a psycho- linguistic synthesis of Ishiguro’s novels as a way to gain better knowledge about how to apply fiction to real life, as well as prove that good fiction can influence readers’ perceptions, wants, needs, choices and decisions, and, by implication, their whole life, and, by extension, the wellbeing of their families, groups, communities and nations. By creating more effective literacy nudges and incentives, most public, private and non-profit institutions and organizations with cognitive-behavioral, psychotherapeutic, integrative, sociological, neuroscientific and didactic profiles can help people relate works of fiction to real life for individual and collective improvement. The collaboration of these institutions and organizations for the optimization of their functioning strategies can lead to significant improvement of their performance, which, in turn, leads to a major increase in people’s reading interests and, ultimately, to readers’ long-term health and wellbeing owing to the power of all good fiction to speak to readers’ thoughts and emotions. -
The Fantasy of International Writing in Kazuo Ishiguro's When
47 The International Settlement DOI: 10.2478/abcsj-2018-0016 American, British and Canadian Studies, Volume 31, December 2018 The International Settlement: The Fantasy of International Writing in Kazuo Ishiguro’s When We Were Orphans JERRINE TAN Brown University, USA Abstract I identify two general approaches to the reception of Ishiguro’s novels: World Literature critics writing on cosmopolitanism exalt what I am calling Ishiguro’s “post-Japan novels” for their consideration of universal ethical dilemmas that transcend their historical moment and place; conversely, most criticism on his “Japan novels” performs problematically culture-specific exoticizing and Orientalist readings. Widely read as a detective novel about a British detective, Christopher Banks, solving the mystery of his parents’ disappearance, When We Were Orphans is in many ways Ishiguro’s most underwhelming novel. But, set in Shanghai, it is an anomaly among Ishiguro’s “post-Japan novels.” Its lackluster reception may be explained by simply acknowledging from the start that When We Were Orphans is just not a very good detective novel at all. The refusal or discomfort around doing so, this essay argues, is because the excuse of bad genre provides (like Japaneseness does for the Japan novels) precisely the convenient veil for why the novel does not work, or is not well liked. In other words, by historicizing the novel and reading it (with)in its political and historical moment, I argue that When We Were Orphans forces an exposure of the double standard and aestheticizing reading practices that critics often bring to their readings of Ishiguro’s works. 1 Keywords: Kazuo Ishiguro, World Literature, Detective Fiction, Critical Race Theory, Japaneseness, Japan, Shanghai, Immigrant Writers As a widely published and translated writer of Anglo-Japanese background, Kazuo Ishiguro has made his life – and a living – out of crossing borders of nation, language, and even genre. -
9783039119974 Intro 002.Pdf
Introduction Kazuo Ishiguro, born in Nagasaki, Japan, in 1954, is among the most cel ebrated writers in contemporary Britain. He embarked on a writing career with A Pale View of Hills (1982) and An Artist of the Floating World (1986), but did not secure a firm foothold in the profession until the publication of The Remains of the Day (1989). Winner of the 1989 Booker Prize, The Remains of the Day was adapted into a Merchant–Ivory film in 1993, which drew even greater attention to his literary talent. After the huge success of The Remains of the Day, Ishiguro experimented with a style notably dif ferent from the compact narrative that characterizes his first three novels. The Unconsoled (1995) exhibits dreamlike reality and proceeds in constant digressions. Lengthy and convoluted, the fourth novel received mixed responses from readers and critics. This perhaps explains why Whe n We Were Orphans (2000) and Never Let Me Go (2005) returned to Ishiguro’s earlier approach, a relatively realistic rendition of trauma and regret. Like the preceding two novels, his latest work Nocturnes (2009) exhibits real ism with occasional absurdity. In addition to the above-mentioned seven books, Ishiguro has written a number of short stories, TV scripts, and screenplays. Most of his short stories were published in the early 1980s. ‘A Strange and Sometimes Sad ness’ (1980) was first printed in a now extinct magazine,Bananas , and was collected, with ‘Waiting for J’ and ‘Getting Poisoned’, in Introduction 7: Stories by New Writers (1981). ‘The Summer after the War’ and ‘October, 1948’ respectively appeared in Granta in 1983 and 1985 before both pieces were incorporated into An Artist of the Floating World. -
Repression and Displacement in Kazuo Ishiguro's When We Were Orphans and Never Let Me Go by Emily Cappo
Repression and Displacement in Kazuo Ishiguro’s When We Were Orphans and Never Let Me Go by Emily Cappo Repression and Displacement in Kazuo Ishiguro’s When We Were Orphans and Never Let Me Go by Emily Cappo A thesis presented for the B.A. degree with Honors in The Department of English University of Michigan Spring 2009 © 2009 by Emily Cappo For my mother and father and for John Acknowledgements My first thanks go to my advisor, Peter Ho Davies, for his invaluable advice, encouragement, and the prompt, insightful feedback he provided draft after draft. I am grateful as well to Andrea Zemgulys, who graciously read and offered comments on extra pages of my writing. I owe many thanks to Nancy Ambrose King, whose unfailing optimism kept me going this year, and who always understood when I needed to miss studio class. Finally, I would not have completed this thesis without the late-night Facebook messages of Megan Acho, the tireless patience of John Levey, or the unceasing love and support of my parents, Nan and Dirk Cappo. Abstract This thesis is a psychological reading of two novels by Japanese-born British author Kazuo Ishiguro: When We Were Orphans (2000) and Never Let Me Go (2005). In particular, it examines the ways in which repression and displacement, themes often cited in Ishiguro’s earlier works, are represented with increasing sophistication and complexity in these novels. Repression and displacement plague the narrators of Ishiguro’s four previous books. In When We Were Orphans and Never Let Me Go, these two conditions influence not only the narrators, but their supporting characters, the novels’ settings, and the way a reader interprets each story. -
The Fragility of Life: Kazuo Ishiguro's Worldview in Never Let Me Go
The Fragility of Life: Kazuo Ishiguro’s Worldview in Never Let Me Go Shinya MORIKAWA Abstract 本稿は、カズオ・イシグロのNever Let Me Go (2005) にみられる作者の世界観を論じた ものである。その世界観とは、生は泡沫のごとく脆い、という認識である。イシグロは、 従来、大人のつく嘘に守られた子供の世界を泡に喩えていた。事実、前作のWhen We Were Orphans (2000)では、少年時代に形成された妄想が成人期に崩壊する様が描かれており、 それが作品の中心テーマになっている。一方、Never Let Me Goでは、この子供時代の脆 さが、クローンの生全体、ひいては人間の生そのものを表象するものとしてテーマ化さ れている。本稿の目的は、この生の脆弱さが、最新の長編小説に反映された、作者の世 界観の核となる概念であることを説明することにある。具体的には、まず本作の創作経 緯をたどり、次にクローンの幼少期の泡の形成と破壊の過程を通観し、さらにその過程 を読者に追体験させることが作者の意図であることを指摘し、そうした過程を経たクロ ーンと読者が直面する生と死の制御不能性を示す比喩を確認したうえで、最後に、生の 脆弱さという認識こそが作者の世界観の根底をなすものであると述べる。 Key Words: Kazuo Ishiguro, worldview, bubble, clone, Never Let Me Go Quite a few reviewers of Kazuo Ishiguro’s Never Let Me Go (2005) have rightly been nonplussed both by its thematic obscurity and by its narrative implausibility. Louis Menand, Sarah Kerr, and Andrew Riemer, for instance, all express puzzlement at the sheer difficulty of locating its central theme, while Philip Hensher, Michiko Kakutani, and Jay Jennings cast doubt on the plausibility of its conclusion—namely, that the clones end up unconditionally accepting their fate of offering their vital organs to those from whose embryos they were apparently created. The first group of those reviewers poses an unexpressed question, ‘What is Ishiguro writing about?’ implicitly requesting that the author be clearer in what he has to say. The second, meanwhile, puts another, ‘Why do they turn out so passive and helpless?’ impatiently demanding that the cloned students, if closer to humans, be more rebellious.1) This will suggest that the author’s seemingly improbable rendition of human nature with any equivocal messages encoded in it has doubly - 315 - baffled some of his top-notch readers. But in fact the whole novel is predicated on the assumption that the clones’ very helplessness is that of human beings, who are generally as helpless as the clones in the way of having very few options to exercise in what they can do with their lives; and virtually no choice but to accept their mortality.