The Master and Margarita Mikhail Bulgakov Pdf
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E-Notes on the Master and Margarita
The Master and Margarita Author unknown e-Notes on The Master and Margarita From the archive section of The Master and Margarita http://www.masterandmargarita.eu Webmaster Jan Vanhellemont Klein Begijnhof 6 B-3000 Leuven +3216583866 +32475260793 Table of Contents 1. Master and Margarita: Introduction 2. Mikhail Bulgakov Biography 3. One-Page Summary 4. Summary and Analysis 5. Quizzes 6. Themes 7. Style 8. Historical Context 9. Critical Overview 10. Character Analysis 11. Essays and Criticism 12. Suggested Essay Topics 13. Sample Essay Outlines 14. Compare and Contrast 15. Topics for Further Study 16. Media Adaptations 17. What Do I Read Next? 18. Bibliography and Further Reading 1. INTRODUCTION The Master and Margarita by Mikhail Bulgakov is considered one of the best and most highly regarded novels to come out of Russia during the Soviet era. The book weaves together satire and realism, art and religion, history and contemporary social values. It features three story lines. The main story, taking place in Russia of the 1930s, concerns a visit by the devil, referred to as Professor Woland, and four of his assistants during Holy Week; they use black magic to play tricks on those who cross their paths. Another story line features the Master, who has been languishing in an insane asylum, and his love, Margarita, who seeks Woland's help in being reunited with the Master. A third story, which is presented as a novel written by the Master, depicts the crucifixion of Yeshua Ha-Notsri, or Jesus Christ, by Pontius Pilate. Using the fantastic elements of the story, Bulgakov satirizes the greed and corruption of Stalin's Soviet Union, in which people's actions were controlled as well as their perceptions of reality. -
IRI's Friends in Russia: the Anti-Utopiain Power
Click here for Full Issue of EIR Volume 23, Number 36, September 6, 1996 �ITillStrategic Studies IRI's friends in Russia: the anti-utopiain power by Roman Bessonov With this contribution from our Russian correspondent is going to take over, and what the next consequences will Roman Bessonov, EIR continues to expose the fraud of"Proj be-actually, to what is historically known as the Russian ect Democracy, "I applied in Russia.2 The cast of characters smuta, or Time of Troubles.3 introduced in this installment, exposes the viciousness of the Russians appear to be deeply disappointed in political argument, which is axiomatic for the International Republi parties, and the State Duma's consensus for the confirmation can Institute (IR/) and kindred "Project Democracy" vehi of Viktor Chernomyrdin as prime minister, in which two cles, that the proponents of "free market" reformsrate as the thirds of the Communist Party of the Russian Federation dep only truly" democratic" forces in Russia. Subsequent articles uties joined, is evidence that not even the CPRF and its elec will explore the activity of the IRI. toral bloc, which had just fieldedthe strong Presidential candi dacy of Gennadi Zyuganov (he received 32% to Yeltsin's The mass media story, that there was a "new victory of democ 35% in the first round; 41% to Yeltsin's 53% in the second), racy in Russia" in the June-July 1996 elections, sounds less constitute a clearly definedopposition. There are no vigorous, and less convincing.The latest events, including the resump independent -
TCA Awards: Jon Hamm
lifestyle MONDAY, AUGUST 10, 2015 Amy Schumer on ‘Trainwreck,’ gender and gun control ello, everybody!’ gushed Amy Schumer. bursting into Saturday’s ‘Hpress conference room at Switzerland’s Locarno and applauding herself. “Well, thank you!”And for the next 27 minutes, sitting beside her sister Kim Caramele, who played straight gal at the conference and takes an associate producer credit on “Trainwreck” - two or more Amy Schumers fielded questions from the international press as she tub- thumped the Judd Apatow-directed “Trainwreck” hours before Saturday’s European premiere. There was her feted comic persona, the ditzy femme airhead, known from Comedy Central’s “Inside Amy Schumer” and the - one presumes- much more real life person shooting from the hip, and still often very funny, on herself, gun control (well-less funny on that one), working with Judd Apatow, “Trainwreck,” humor and multiple other topics. Schumer was very fast, could answer comically without missing a beat, did not disappoint. Comedian Amy Schumer and US Senator Chuck Schumer (D-NY) speak at a press conference A screengrab from the 2015 film ‘Trainwreck’. “Trainwreck” played to Europe’s press Friday calling for tighter gun laws in an effort to stop mass shootings and gun violence. — AFP night to consistent laughter at what will proba- many more scenes; in film, it was more “relax- feminist icon? “I’m proud to be a feminist. I think bly be the most-attended press screening at ing” playing just one character. everybody in this room is proud to be a feminist. Locarno. Remarkably then, at the “Trainwreck” I’ve just got an email from Gloria Steinem. -
The Slavic Vampire Myth in Russian Literature
From Upyr’ to Vampir: The Slavic Vampire Myth in Russian Literature Dorian Townsend Thesis submitted for the degree of Doctor of Philosophy School of Languages and Linguistics Faculty of Arts and Social Sciences The University of New South Wales May 2011 PLEASE TYPE THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname or Family name: Townsend First name: Dorian Other name/s: Aleksandra PhD, Russian Studies Abbreviation for degree as given in the University calendar: School: Languages and Linguistics Faculty: Arts and Social Sciences Title: From Upyr’ to Vampir: The Slavic Vampire Myth in Russian Literature Abstract 350 words maximum: (PLEASE TYPE) The Slavic vampire myth traces back to pre-Orthodox folk belief, serving both as an explanation of death and as the physical embodiment of the tragedies exacted on the community. The symbol’s broad ability to personify tragic events created a versatile system of imagery that transcended its folkloric derivations into the realm of Russian literature, becoming a constant literary device from eighteenth century to post-Soviet fiction. The vampire’s literary usage arose during and after the reign of Catherine the Great and continued into each politically turbulent time that followed. The authors examined in this thesis, Afanasiev, Gogol, Bulgakov, and Lukyanenko, each depicted the issues and internal turmoil experienced in Russia during their respective times. By employing the common mythos of the vampire, the issues suggested within the literature are presented indirectly to the readers giving literary life to pressing societal dilemmas. The purpose of this thesis is to ascertain the vampire’s function within Russian literary societal criticism by first identifying the shifts in imagery in the selected Russian vampiric works, then examining how the shifts relate to the societal changes of the different time periods. -
NASAT Sample Packet Round #1
NASAT Sample Packet Round 1 Tossups 1. The Berman-Hartmanis conjecture states that for one certain class, all sets with this property are pairwise P-isomorphic. BPP has no known languages with this property. A tree of this type has all leaves on the last or second to last level, and all on the left. For a complexity class, if a problem is both that class hard and in that class, that problem can be described as having this property. In graph theory, a graph has this property if every pair of vertices is connected by an edge. For 10 points, give this word that when talking about decision problems such as knapsack and traveling salesman is added to the end of NP. ANSWER: complete [accept NP-complete before BPP] 001-10-15-01102 2. One section of this work quotes the Irish folk song "Gilderoy" between interpretations of "McLeod’s Reel." Its composer arranged all but one of its movements into a symphonic suite titled Four Dance Episodes from this work. This work quotes the railroad song "Sis Joe" in its first and fifth movements, and its main theme is taken from a folk song called "Bonaparte’s Retreat." Its movements include "Saturday Night Waltz," "Corral Nocturne," and "Buckaroo Holiday." This ballet’s plot is driven by rivalry over the Rancher’s Daughter between the Champion Roper and the Wrangler, who ends up with the Cowgirl. For 10 points, name this ballet which features a "Hoe Down" and was written by Aaron Copland. ANSWER: Rodeo 015-10-15-01103 3. -
Bulgakov and Solzhenitsyn— Two Soviet Writers in the Shadows of Tolstoy and Dostoyevsky
The exclusive license for this PDF is limited to personal website use only. No part of this digital document may be reproduced, stored in a retrieval system or transmitted commercially in any form or by any means. The publisher has taken reasonable care in the preparation of this digital document, but makes no expressed or implied warranty of any kind and assumes no responsibility for any errors or omissions. No liability is assumed for incidental or consequential damages in connection with or arising out of information contained herein. This digital document is sold with the clear understanding that the publisher is not engaged in rendering legal, medical or any other professional services. Chapter 13 AN INTERVIEW WITH DIANA SHEETS: BULGAKOV AND SOLZHENITSYN— TWO SOVIET WRITERS IN THE SHADOWS OF TOLSTOY AND DOSTOYEVSKY Keywords: Bulgakov, doubling, One Day in the Life of Ivan Denisovich, Solzhenitsyn, The Days of the Turbins, The First Circle, The Gulag Archipelago, The Master & Margarita, The White Guard MFS: While it would take a book of about 1,000 pages to compare and contrast Tolstoy and Dostoyevsky, we are going to examine briefly two extraordinary 20th century Russian writers—Mikhail Bulgakov (1891-1940) and Aleksandr Solzhenitsyn (1918-2008)—both of whom wrote pioneering literature and resisted Soviet tyranny. But before discussing their work in detail, let’s begin with the literary concept of doubling. How does it apply to these two writers? DS: Tolstoy and Dostoyevsky, two Russian literary giants, are celebrated for having published some of the world’s greatest fiction. Nevertheless, we would be amiss not to extol the tremendous accomplishments of Bulgakov and Solzhenitsyn who managed to create pioneering literature, despite the nearly overwhelming oppression of Soviet totalitarianism. -
Soviet Science Fiction Movies in the Mirror of Film Criticism and Viewers’ Opinions
Alexander Fedorov Soviet science fiction movies in the mirror of film criticism and viewers’ opinions Moscow, 2021 Fedorov A.V. Soviet science fiction movies in the mirror of film criticism and viewers’ opinions. Moscow: Information for all, 2021. 162 p. The monograph provides a wide panorama of the opinions of film critics and viewers about Soviet movies of the fantastic genre of different years. For university students, graduate students, teachers, teachers, a wide audience interested in science fiction. Reviewer: Professor M.P. Tselysh. © Alexander Fedorov, 2021. 1 Table of Contents Introduction …………………………………………………………………………………………………………………………3 1. Soviet science fiction in the mirror of the opinions of film critics and viewers ………………………… 4 2. "The Mystery of Two Oceans": a novel and its adaptation ………………………………………………….. 117 3. "Amphibian Man": a novel and its adaptation ………………………………………………………………….. 122 3. "Hyperboloid of Engineer Garin": a novel and its adaptation …………………………………………….. 126 4. Soviet science fiction at the turn of the 1950s — 1960s and its American screen transformations……………………………………………………………………………………………………………… 130 Conclusion …………………………………………………………………………………………………………………….… 136 Filmography (Soviet fiction Sc-Fi films: 1919—1991) ……………………………………………………………. 138 About the author …………………………………………………………………………………………………………….. 150 References……………………………………………………………….……………………………………………………….. 155 2 Introduction This monograph attempts to provide a broad panorama of Soviet science fiction films (including television ones) in the mirror of -
With Special Reference to Belaia Gvardiia, Beg and Master I Margarita)
Durham E-Theses Religious doctrine in the works of Mikhail Bulgakov (with special reference to Belaia Gvardiia, Beg and master I Margarita) Martin, Isobel Victoria How to cite: Martin, Isobel Victoria (1998) Religious doctrine in the works of Mikhail Bulgakov (with special reference to Belaia Gvardiia, Beg and master I Margarita), Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/4911/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 RELIGIOUS DOCTRINE IN THE WORKS OF MIKHAIL BULGAKOV (WITH SPECIAL REFERENCE TO BELAIA G VARDIIA, BEG AND MASTER I MARGARITA) ISOBEL VICTORIA MARTIN M.A. BY RESEARCH DEPARTMENT OF RUSSIAN UNIVERSITY OF DURHAM JANUARY 1998 The copyright of this thesis rests with the author. No quotation from it should be published without the written consent of the author and information derived from it should be acknowledged. -
Reading Bulgakov's the Master and Margarita from the Perspective of Hinduism
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Modern Languages and Literatures, Department Russian Language and Literature Papers of June 2001 Reading Bulgakov's The Master and Margarita from the Perspective of Hinduism Radha Balasubramanian University of Nebraska - Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/modlangrussian Part of the Modern Languages Commons Balasubramanian, Radha, "Reading Bulgakov's The Master and Margarita from the Perspective of Hinduism" (2001). Russian Language and Literature Papers. 4. https://digitalcommons.unl.edu/modlangrussian/4 This Article is brought to you for free and open access by the Modern Languages and Literatures, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Russian Language and Literature Papers by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Reading Bulgakov's The Master and Margarita from the Perspective of Hinduism Radha Balasubramanian, University of Nebraska-Lincoln Mikhail Bulgakov's The Master and Margarita (1966-67)' has been praised highly for both its literary merit and its spiritual significance. Many critical stud- ies explain the complex nature of the interrelationship between the natural and supernatural in the novel. The unexpected roles that otherworldly beings play in the novel, the resulting satire, and the fantastic in the plot create a certain inevi- table puzzlement about the structure and meaning of the novel. Attempts to ex- plain the implications of the spiritual elements underpinning the fantastic span through various belief systems, but given the complexity of Bulgakov's novel, a coherent, conclusive explanation has been elusive. -
The Master and Margarita’
FEATURES OF THE AUTHOR’S WORLDVIEW IN THE NOVEL BY MIKHAIL BULGAKOV ‘THE MASTER AND MARGARITA’ Prof. Dr. Olga A. Karlova1 Prof. Dr. Natalia P. Koptseva1 1 Siberian Federal University ABSTRACT The article analyzes the mythological systems, that had a significant impact on the outlook of Mikhail Bulgakov as the author of the great novel ‘The Master and Margarita’, the iconic literary work in Russia of XX-of XXI centuries. The article criticizes the tradition of literary studies, where the philosophical context of the novel ‘The Master and Margarita’ is interpreted exclusively in the context of Russian philosophical tradition. The article identifies three semantic constructs of the novel, reveals their basic content, their mutual influence. Based on the analysis of mythological storylines, the content of the philosophical worldview of Mikhail Bulgakov is constructed. Keywords: literary innovations, literary tradition, Soviet myth, philosophical symbolism, literary ‘neosymbolism’. INTRODUCTION It is a well-known opinion, which is considered quite rightful, that stories of Russian literature and Russian philosophy coincide substantially. This phenomenon is rightly associated with the social situation in Russia of the ‘Golden’ and ‘Silver’ ages of the Russian Literature of XIX-XX centuries, as well as with the traditions of figurative art forms of domestic philosophizing. However, it is considered that the novel by Mikhail Bulgakov ‘The Master and Margarita’ essentially falls out of the Russian literary retrospectives [1]. So, in American literature, particularly the works of M. Kreps, it is called innovative for Russian literature, it is not easily amenable to the studies of literary criticism, which approaches it with the old standard system of measurements [2]. -
The Jesus of the Church and the Yeshua of Mikhail Bulgakov
The Jesus of the Church and the Yeshua of Mikhail Bulgakov George Krugovoy* The Master had called his life's work a novel about Pilate. But whatever place the destiny of Pilate occupies within the novel as a whole, it is only in relation to Yeshua that the procurator's personal conflict and tragedy acquire their universal and existential significance. Yeshua is the metaphysical axis around which the universe of The Master and Margarita revolves. Consequently, the character of Yeshua is exceedingly complex in its genesis and, in its final literary form, assimilates more material from a larger number of diversified sources than any other personage. The first major source is the New Testament. In light of this text, Yeshua's personality appears to be profoundly Christian. Even Yeshua's "revolutionary" statement about the coercive nature of every form of political authority and the advent of the kingdom of truth and justice, where there will be no need for Caesars or any rulers,' represents Bulgakov's dramatization of St. Paul's statements.2 Pilate interprets Yeshua's statement as politically subversive and punishable by death according to the Roman lex laese majestatis. But its non-political nature is supported by Yeshua's denial that he had incited the populace to destroy the Yershalaim Temple: "I said, Hegemon, that the Temple of the old faith would fall and that a new temple of truth would arise" (441). * George Krugovoy, born in Kharkov, Ph.D. from the Philosophical Institute in Salzburg, Austria (1933). Taught at Syracuse, NYU, Princeton, Middlebury, Bryn Mawr. Presently, Professor of Russian at Swarthmore College. -
Thesis Submitted for the Degree of Doctor of Philosophy at the University of London
THESIS SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY AT THE UNIVERSITY OF LONDON THE CONCEPT OF SOCIAL TOLERANCE AND SOCIAL POLICY: A CASE STUDY OF CRIME AND PENAL PRACTICES IN THE TRANSITIONAL PERIOD IN UKRAINE. MYKOLA B. PANASYUK LONDON SCHOOL OF ECONOMICS AND POLITICAL SCIENCE, DEPARTMENT OF SOCIAL POLICY AND ADMINISTRATION MAY 2000 UMI Number: U137986 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U137986 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 /(4£St£ f 78 S 7 75 *+7z<5 2 V Abstract The present study focuses on the current state and developments of social and penal policies in Ukraine. It concentrates on changes brought about in the period of social and political transition, which started when Ukraine became an independent state in 1991. In particular, this study attempts to explain the current failure of reforms as being the result of a lack of social tolerance intrinsic to state officials at all levels, a legacy of previous repressive regimes. The introduction examines the notion of tolerance as a value produced by civil society and its importance for the administration of penal policy.