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Transportation and Homeric Epic
Transportation and Homeric Epic Michael O’Neill Power A thesis submitted for the degree of Doctor of Philosophy of The Australian National University May 2006 ii — — iii Statement of Originality Except where due acknowledgement is given, this thesis is the result of my own research carried out under the supervision of Dr Elizabeth Minchin of the Classics Program of the Australian National University with the advice of Dr Judith Slee of the Division of Psychology of the Australian National University. _________________________________ Michael O’Neill Power May 2006 iv — — v Acknowledgements I am very grateful to everyone who has made the completion of this thesis possible: to those with whom I have discussed my ideas (whether at conferences or in cafés); to Dr Alan Rumsey of the Research School of Pacific and Asian Studies for his advice; and to the staff of the Classics Program at The Australian National University. I must also voice my thanks to Mrs Mary Harber for her assistance in translating Wilhelm Grimm’s “Die Sage von Polyphem” and for correcting a final copy of the manuscript. Early versions of several chapters of this thesis were presented at a range of conferences and seminars and benefited greatly from the questions they evoked: a version of Chapter 2 was delivered at ASCS XXVI, at the University of Otago, Dunedin, New Zealand in 1995; versions of Chapter 4 were delivered at The Homer Seminar II, at The Australian National University, Canberra, in 2003, and at ASCS XXV, at La Trobe University, Bendigo, in 2004; and a version of Chapter 5 was presented at The Homer Seminar III, at The Australian National University, Canberra, in 2005. -
I. Produits De La Recherche
I. Produits de la recherche 1. Journaux / revues Articles scientifiques Aharon, I., Bourgeois-Gironde, S., and Levin, Y. (2015). Special issue on “Complexity modeling in social science and economics”. Mind & Society, 14(2), pp. 153-154. Alsmith, A. and Vignemont de, F. (2012). Embodying the mind & representing the body. In A. Alsmith, and de F. Vignemont de (Eds.), The body represented/Embodied representation. Review of Philosophy and Psychology, Special issue, 3 (1). Arcangeli, M. (2012). Esperimenti mentali [Thought experiments]”. APhEx (Analytical and Philosophical Explanation), 6, pp. 33-72. Arcangeli, M. (2013). Immaginare è simulare: cosa e come? [Imagining is simulating: what and how?]. Rivista di Estetica, s.i. “Nuove teorie dell’immaginazione”, 53/2, pp. 135-154. Arcangeli, M. (2014). Against cognitivism about supposition. Philosophia, 42/3, pp. 607-624. Arcangeli, M. (2017). De l’autre côté du miroir de l’imagination. Imagination et imagerie mentale. Bulletin d’analyse phénoménologique, XIII/2, pp. 108-128 Arcangeli, M. (2017). Interacting with Emotions: Imagination and Supposition. Philosophical Quarterly. Arnold, G., and Auvray, M. (2014). Perceptual learning: Tactile letter recognition transfers across body surfaces. Multisensory Research, 27(1), pp. 71-90. Atran, S. (2012). Talking to the Enemy: An Alternative Approach to Ending Intractable Conflicts. Solutions 3: pp. 41-51. Atran, S. (2012). Parasite stress is not so critical to the history of religions or major group formations. Behavioral and Brain Sciences 35: pp. 79-80. Atran, S. (2013). From mutualism to moral transcendence. Behavioral and Brain Sciences 36: pp. 81-82. Atran, S. (2014). Martyrdom’s would-be myth buster. Behavioral and Brain Sciences, 37: pp. -
The Distancing-Embracing Model of the Enjoyment of Negative Emotions in Art Reception
BEHAVIORAL AND BRAIN SCIENCES (2017), Page 1 of 63 doi:10.1017/S0140525X17000309, e347 The Distancing-Embracing model of the enjoyment of negative emotions in art reception Winfried Menninghaus1 Department of Language and Literature, Max Planck Institute for Empirical Aesthetics, 60322 Frankfurt am Main, Germany [email protected] Valentin Wagner Department of Language and Literature, Max Planck Institute for Empirical Aesthetics, 60322 Frankfurt am Main, Germany [email protected] Julian Hanich Department of Arts, Culture and Media, University of Groningen, 9700 AB Groningen, The Netherlands [email protected] Eugen Wassiliwizky Department of Language and Literature, Max Planck Institute for Empirical Aesthetics, 60322 Frankfurt am Main, Germany [email protected] Thomas Jacobsen Experimental Psychology Unit, Helmut Schmidt University/University of the Federal Armed Forces Hamburg, 22043 Hamburg, Germany [email protected] Stefan Koelsch University of Bergen, 5020 Bergen, Norway [email protected] Abstract: Why are negative emotions so central in art reception far beyond tragedy? Revisiting classical aesthetics in the light of recent psychological research, we present a novel model to explain this much discussed (apparent) paradox. We argue that negative emotions are an important resource for the arts in general, rather than a special license for exceptional art forms only. The underlying rationale is that negative emotions have been shown to be particularly powerful in securing attention, intense emotional involvement, and high memorability, and hence is precisely what artworks strive for. Two groups of processing mechanisms are identified that conjointly adopt the particular powers of negative emotions for art’s purposes. -
Time in Aug and Sta for 09152K
Time in Augustine and Aquinas: What Time Was It When Adam Was Created? Forthcoming in Aquinas and His Sources: The Notre Dame Symposium, ed. Timothy L. Smith, South Bend, St. Augustine Press Robert A. Gahl, Jr. Pontifical University of the Holy Cross Draft: September 15, 2000 In his 1996 Aquinas Lecture, Paradoxes of Time in Saint Augustine, Roland J. Teske, S.J. proposed three paradoxes, whose apparent contradictions he then set out to resolve. 1 In the third and culminating paradox, Teske argues that the only coherent way of reading Augustine's view of time is one that includes a Plotinian world-soul. Teske tentatively claims that Augustine "must have held a doctrine of a universal soul of which individual human souls are in some sense parts."(49) Teske proceeds to conclude that the mind considered in the last chapter of Book 11 of the Confessions "can only be the universal soul with which each individual soul is somehow one." And that Augustine resolved the "third paradox in this very Plotinian fashion so that time is not the distention merely of individual souls, but of the universal soul of which individual souls are in some sense parts."(55) Teske anticipates and rejects the conciliatory response that, for Augustine, this "world-soul" is one with God. Teske explicitly claims that to identify this world-soul with God would be to misread Augustine. In this short paper, I first propose a sketch for an alternative—perhaps more Christian —solution to Teske's third temporal paradox by showing that the Confessions do not require positing the existence of a world-soul as intermediary between God and material creation for the sake of measuring time throughout all the ages and then I will propose that, although such a non-Plotinian solution to the paradox is only implicitly present in the works of Augustine, St. -
Characteristic Alpha Reflects Predictive Anticipatory Activity (PAA)
Characteristic Alpha Reflects Predictive Anticipatory Activity (PAA) in an Auditory-Visual Task Julia A. Mossbridge1,2(&) 1 Institute of Noetic Sciences, Petaluma, USA [email protected] 2 Department of Psychology, Northwestern University, Evanston, USA Abstract. Several lines of evidence suggest that humans can predict events that seem to be unpredictable through ordinary sensory means. After reviewing the literature in this controversial field, I present an exploratory EEG study that addresses this hypothesis. I used a pattern classification algorithm drawing on EEG data prior to stimulus presentation to successfully predict upcoming motor responses that were constrained by the upcoming stimulus. Both the phase of peak alpha activity and overall amplitude at *550 ms prior to the presentation of the stimulus were useful in predicting the upcoming motor response. Although these results support the idea that brain activity may reflect precog- nitive processes in certain situations, due to the exploratory nature of this study, additional pre-registered confirmatory experiments are required before the results can be considered solid. Implications for creating a closed-loop predic- tive system based on human physiology are discussed. Keywords: Predictive anticipatory activity Á Presentiment Á Precognition Á Prospection Á EEG Á Alpha Á Auditory-visual 1 Introduction Many organisms can use associations from past experiences to help predict future ones. For instance, planarian worms that have been trained to expect electrical shock fol- lowing a light burst will demonstrate a conditioned response to the light alone [1]. Here we discuss some neurophysiological correlates of a different kind of prediction – one that does not seem to be based on inferences from past experiences. -
The Transcendental Argument of the Novel
The Transcendental Argument of the Novel Gilbert Plumer June 11, 2017 Journal of the American Philosophical Association accepted manuscript 1. Introduction Attending to a peculiar divergence, Warner (1979: 186) provides a striking description of the reception of Samuel Richardson’s groundbreaking novel Clarissa: When the completed novel is delivered to the public and readers still persist in asserting a misguided understanding of the novel, a new tone of irritation enters Richardson’s correspondence. At best, these readers are guilty of flagrant inattention to the novel’s design; at worst, an immoral admiration for Lovelace. Richardson meets this challenge to his art by carrying out significant changes in the body of Clarissa. These modifications come in two waves. In April 1749, six months after releasing the final installment of the first edition, Richardson publishes a second edition that includes footnotes and a long index summary of the novel, placed at the beginning of the text. Over the next two years, serious “errors” of reading continue, so in the Spring of 1751 Richardson publishes a third edition that weaves two hundred pages of additional material into the text. Similarly, Palmer (1973: 8) says that Clarissa is “a novel in which the central character [whom he regards as Lovelace] breaks the bonds of control of the author and reveals unconscious impulses which Richardson ‘did not understand himself’.” As we might say using commonplace categories, ‘the character took on a life of its own’ or even ‘the story wrote itself’. For this phenomenon of divergence to be possible, there have to be at least two levels of meaning or message of a work—that intended by the author and that conveyed or implicated by the text. -
Time in Stephen King's "The Dark Tower"
Ka is a Wheel: Time in Stephen King's "The Dark Tower" Pavičić-Ivelja, Katarina Undergraduate thesis / Završni rad 2015 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Rijeka, Faculty of Humanities and Social Sciences / Sveučilište u Rijeci, Filozofski fakultet u Rijeci Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:186:205178 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-25 Repository / Repozitorij: Repository of the University of Rijeka, Faculty of Humanities and Social Sciences - FHSSRI Repository Katarina Pavičić-Ivelja KA IS A WHEEL: TIME IN STEPHEN KING'S ''THE DARK TOWER'' Submitted in partial fulfilment of the requirements for the B.A. in English Language and Literature and Philosophy at the University of Rijeka Supervisor: Dr Lovorka Gruić-Grmuša September 2015 i TABLE OF CONTENTS PAGE Abstract .......................................................................................................................... iii CHAPTER I. Background ..................................................................................................................1 1.1 Introduction................................................................................................................4 II. Temporal Paradoxes in King's The Dark Tower ........................................................7 2.1 The Way Station Problem ........................................................................................10 2.2 Death of Jake Chambers and the Grandfather -
Ciaran Carson and the Theory of Relativity
Études irlandaises 42-1 | 2017 Incarner / Désincarner l’Irlande Ciaran Carson and the Theory of Relativity Julia C. Obert Electronic version URL: http://journals.openedition.org/etudesirlandaises/5152 DOI: 10.4000/etudesirlandaises.5152 ISSN: 2259-8863 Publisher Presses universitaires de Rennes Printed version Date of publication: 29 June 2017 Number of pages: 123-137 ISBN: 978-2-7535-5495-5 ISSN: 0183-973X Electronic reference Julia C. Obert, « Ciaran Carson and the Theory of Relativity », Études irlandaises [Online], 42-1 | 2017, Online since 29 June 2019, connection on 07 September 2019. URL : http://journals.openedition.org/ etudesirlandaises/5152 ; DOI : 10.4000/etudesirlandaises.5152 © Presses universitaires de Rennes Ciaran Carson and the Theory of Relativity Julia C. Obert University of Wyoming Abstract Ciaran Carson’s poetry collection Until Before After (2010), written while Carson’s wife Deirdre was seriously ill, turns and returns to sickness and the spectre of death. However, it finds some relief from anxiety and grief in the interweaving of poetry and theoretical physics – specifically, in Einstein’s theory of general relativity. Both space and time, the volume contends, are observer-dependent; we do not exist on a linear continuum, and so life and after-life are actually simultaneous. As one contemplates being-towards-death, Carson indicates, these insights can be surprisingly therapeutic. Additionally, traditional music provides the basis for a new, non-Euclidean worldview in Until Before After. As Carson’s work on traditional music suggests, the genre can evade conventional measures of time. For instance, sometimes “a good musician can produce a pulse against the ostensible rhythm of the tune”, a technique that Carson calls “double entendre – like hearing two beats at once”. -
List of Paradoxes 1 List of Paradoxes
List of paradoxes 1 List of paradoxes This is a list of paradoxes, grouped thematically. The grouping is approximate: Paradoxes may fit into more than one category. Because of varying definitions of the term paradox, some of the following are not considered to be paradoxes by everyone. This list collects only those instances that have been termed paradox by at least one source and which have their own article. Although considered paradoxes, some of these are based on fallacious reasoning, or incomplete/faulty analysis. Logic • Barbershop paradox: The supposition that if one of two simultaneous assumptions leads to a contradiction, the other assumption is also disproved leads to paradoxical consequences. • What the Tortoise Said to Achilles "Whatever Logic is good enough to tell me is worth writing down...," also known as Carroll's paradox, not to be confused with the physical paradox of the same name. • Crocodile Dilemma: If a crocodile steals a child and promises its return if the father can correctly guess what the crocodile will do, how should the crocodile respond in the case that the father guesses that the child will not be returned? • Catch-22 (logic): In need of something which can only be had by not being in need of it. • Drinker paradox: In any pub there is a customer such that, if he or she drinks, everybody in the pub drinks. • Paradox of entailment: Inconsistent premises always make an argument valid. • Horse paradox: All horses are the same color. • Lottery paradox: There is one winning ticket in a large lottery. It is reasonable to believe of a particular lottery ticket that it is not the winning ticket, since the probability that it is the winner is so very small, but it is not reasonable to believe that no lottery ticket will win. -
A Manifestation of All Life : Intersections of Virtue Ethics, Philosophy of Emotion, and Philosophy of Literature
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2010 A manifestation of all life : intersections of virtue ethics, philosophy of emotion, and philosophy of literature. Derek Lee Penwell 1965- University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Recommended Citation Penwell, Derek Lee 1965-, "A manifestation of all life : intersections of virtue ethics, philosophy of emotion, and philosophy of literature." (2010). Electronic Theses and Dissertations. Paper 1113. https://doi.org/10.18297/etd/1113 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. A MANIFESTATION OF ALL LIFE: INTERSECTIONS OF VIRTUE ETHICS, PHILOSOPHY OF EMOTION, AND PHILOSOPHY OF LITERATURE By Derek Lee Penwell B.R.E., Great Lakes Christian College, 1987 M.A.R., Emmanuel School of Religion, 1990 M.Div., Lexington Theological Seminary D.Min., Lexington Theological Seminary A Dissertation Submitted to the Faculty of the Graduate School of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy -
The Matter of Beauty: Materialism and the Self in Victorian Aesthetic Theory
The Matter of Beauty: Materialism and the Self in Victorian Aesthetic Theory by Benjamin Joseph Morgan A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Rhetoric in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Anthony J. Cascardi, Co-Chair Professor Barbara Spackman, Co-Chair Professor C. Daniel Blanton Professor Ramona Naddaff Spring 2010 The Matter of Beauty: Materialism and the Self in Victorian Aesthetic Theory © 2010 Benjamin Joseph Morgan 1 Abstract The Matter of Beauty: Materialism and the Self in Victorian Aesthetic Theory by Benjamin Joseph Morgan Doctor of Philosophy in Rhetoric University of California, Berkeley Professor Anthony J. Cascardi, Co-Chair Professor Barbara Spackman, Co-Chair The Matter of Beauty proposes that Victorian aesthetic theory is not a branch of philosophy focusing on art; rather, it is best understood as an interdisciplinary investigation of how humans relate affectively to physical things. The central claim of the dissertation is that aesthetic theory in the late-Victorian period enabled a significant reconsideration of what a “human” was, and of how distinctions could be drawn between self and other. I pursue this claim across four authors—Walter Pater, William Morris, Grant Allen, and Vernon Lee—who represent different modes in which a materialist strain of aesthetics led to a recognition that individuals constitutively lack autonomy from one another and from their surroundings. My analysis of a wide range of late-Victorian writing demonstrates that aesthetic theory responded to a question that was powerfully raised by nineteenth-century science, and that remains with us today: If our most elevated emotions can be localized as electrical activity in the brain, is there a “self” that transcends our material being? The intellectual tradition that I reconstruct reveals that considering aesthetic experience is a productive step toward answering this question. -
A Paradox of American Tragedy : Long Day's Journey Into Night and the Problem of Negative Emotion in Theatrical Performance
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 8-2013 A paradox of American tragedy : Long day's journey into night and the problem of negative emotion in theatrical performance. Jeremy Killian University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Recommended Citation Killian, Jeremy, "A paradox of American tragedy : Long day's journey into night and the problem of negative emotion in theatrical performance." (2013). Electronic Theses and Dissertations. Paper 749. https://doi.org/10.18297/etd/749 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. A PARADOX OF AMERICAN TRAGEDY: LONG DAY’S JOURNEY INTO NIGHT AND THE PROBLEM OF NEGATIVE EMOTION IN THEATRICAL PERFORMANCE By Jeremy Killian B.A. Pensacola Christian College 2001 M.A. Pensacola Christian College 2003 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Department of Humanities University of Louisville Louisville, Kentucky August 2013 A PARADOX OF AMERICAN TRAGEDY: LONG DAY’S JOURNEY INTO NIGHT AND THE PROBLEM OF NEGATIVE EMOTION IN THEATRICAL PERFORMANCE By Jeremy Killian B.A.