Models of Time Travel
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Time in Aug and Sta for 09152K
Time in Augustine and Aquinas: What Time Was It When Adam Was Created? Forthcoming in Aquinas and His Sources: The Notre Dame Symposium, ed. Timothy L. Smith, South Bend, St. Augustine Press Robert A. Gahl, Jr. Pontifical University of the Holy Cross Draft: September 15, 2000 In his 1996 Aquinas Lecture, Paradoxes of Time in Saint Augustine, Roland J. Teske, S.J. proposed three paradoxes, whose apparent contradictions he then set out to resolve. 1 In the third and culminating paradox, Teske argues that the only coherent way of reading Augustine's view of time is one that includes a Plotinian world-soul. Teske tentatively claims that Augustine "must have held a doctrine of a universal soul of which individual human souls are in some sense parts."(49) Teske proceeds to conclude that the mind considered in the last chapter of Book 11 of the Confessions "can only be the universal soul with which each individual soul is somehow one." And that Augustine resolved the "third paradox in this very Plotinian fashion so that time is not the distention merely of individual souls, but of the universal soul of which individual souls are in some sense parts."(55) Teske anticipates and rejects the conciliatory response that, for Augustine, this "world-soul" is one with God. Teske explicitly claims that to identify this world-soul with God would be to misread Augustine. In this short paper, I first propose a sketch for an alternative—perhaps more Christian —solution to Teske's third temporal paradox by showing that the Confessions do not require positing the existence of a world-soul as intermediary between God and material creation for the sake of measuring time throughout all the ages and then I will propose that, although such a non-Plotinian solution to the paradox is only implicitly present in the works of Augustine, St. -
Characteristic Alpha Reflects Predictive Anticipatory Activity (PAA)
Characteristic Alpha Reflects Predictive Anticipatory Activity (PAA) in an Auditory-Visual Task Julia A. Mossbridge1,2(&) 1 Institute of Noetic Sciences, Petaluma, USA [email protected] 2 Department of Psychology, Northwestern University, Evanston, USA Abstract. Several lines of evidence suggest that humans can predict events that seem to be unpredictable through ordinary sensory means. After reviewing the literature in this controversial field, I present an exploratory EEG study that addresses this hypothesis. I used a pattern classification algorithm drawing on EEG data prior to stimulus presentation to successfully predict upcoming motor responses that were constrained by the upcoming stimulus. Both the phase of peak alpha activity and overall amplitude at *550 ms prior to the presentation of the stimulus were useful in predicting the upcoming motor response. Although these results support the idea that brain activity may reflect precog- nitive processes in certain situations, due to the exploratory nature of this study, additional pre-registered confirmatory experiments are required before the results can be considered solid. Implications for creating a closed-loop predic- tive system based on human physiology are discussed. Keywords: Predictive anticipatory activity Á Presentiment Á Precognition Á Prospection Á EEG Á Alpha Á Auditory-visual 1 Introduction Many organisms can use associations from past experiences to help predict future ones. For instance, planarian worms that have been trained to expect electrical shock fol- lowing a light burst will demonstrate a conditioned response to the light alone [1]. Here we discuss some neurophysiological correlates of a different kind of prediction – one that does not seem to be based on inferences from past experiences. -
Time in Stephen King's "The Dark Tower"
Ka is a Wheel: Time in Stephen King's "The Dark Tower" Pavičić-Ivelja, Katarina Undergraduate thesis / Završni rad 2015 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Rijeka, Faculty of Humanities and Social Sciences / Sveučilište u Rijeci, Filozofski fakultet u Rijeci Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:186:205178 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-25 Repository / Repozitorij: Repository of the University of Rijeka, Faculty of Humanities and Social Sciences - FHSSRI Repository Katarina Pavičić-Ivelja KA IS A WHEEL: TIME IN STEPHEN KING'S ''THE DARK TOWER'' Submitted in partial fulfilment of the requirements for the B.A. in English Language and Literature and Philosophy at the University of Rijeka Supervisor: Dr Lovorka Gruić-Grmuša September 2015 i TABLE OF CONTENTS PAGE Abstract .......................................................................................................................... iii CHAPTER I. Background ..................................................................................................................1 1.1 Introduction................................................................................................................4 II. Temporal Paradoxes in King's The Dark Tower ........................................................7 2.1 The Way Station Problem ........................................................................................10 2.2 Death of Jake Chambers and the Grandfather -
Ciaran Carson and the Theory of Relativity
Études irlandaises 42-1 | 2017 Incarner / Désincarner l’Irlande Ciaran Carson and the Theory of Relativity Julia C. Obert Electronic version URL: http://journals.openedition.org/etudesirlandaises/5152 DOI: 10.4000/etudesirlandaises.5152 ISSN: 2259-8863 Publisher Presses universitaires de Rennes Printed version Date of publication: 29 June 2017 Number of pages: 123-137 ISBN: 978-2-7535-5495-5 ISSN: 0183-973X Electronic reference Julia C. Obert, « Ciaran Carson and the Theory of Relativity », Études irlandaises [Online], 42-1 | 2017, Online since 29 June 2019, connection on 07 September 2019. URL : http://journals.openedition.org/ etudesirlandaises/5152 ; DOI : 10.4000/etudesirlandaises.5152 © Presses universitaires de Rennes Ciaran Carson and the Theory of Relativity Julia C. Obert University of Wyoming Abstract Ciaran Carson’s poetry collection Until Before After (2010), written while Carson’s wife Deirdre was seriously ill, turns and returns to sickness and the spectre of death. However, it finds some relief from anxiety and grief in the interweaving of poetry and theoretical physics – specifically, in Einstein’s theory of general relativity. Both space and time, the volume contends, are observer-dependent; we do not exist on a linear continuum, and so life and after-life are actually simultaneous. As one contemplates being-towards-death, Carson indicates, these insights can be surprisingly therapeutic. Additionally, traditional music provides the basis for a new, non-Euclidean worldview in Until Before After. As Carson’s work on traditional music suggests, the genre can evade conventional measures of time. For instance, sometimes “a good musician can produce a pulse against the ostensible rhythm of the tune”, a technique that Carson calls “double entendre – like hearing two beats at once”. -
List of Paradoxes 1 List of Paradoxes
List of paradoxes 1 List of paradoxes This is a list of paradoxes, grouped thematically. The grouping is approximate: Paradoxes may fit into more than one category. Because of varying definitions of the term paradox, some of the following are not considered to be paradoxes by everyone. This list collects only those instances that have been termed paradox by at least one source and which have their own article. Although considered paradoxes, some of these are based on fallacious reasoning, or incomplete/faulty analysis. Logic • Barbershop paradox: The supposition that if one of two simultaneous assumptions leads to a contradiction, the other assumption is also disproved leads to paradoxical consequences. • What the Tortoise Said to Achilles "Whatever Logic is good enough to tell me is worth writing down...," also known as Carroll's paradox, not to be confused with the physical paradox of the same name. • Crocodile Dilemma: If a crocodile steals a child and promises its return if the father can correctly guess what the crocodile will do, how should the crocodile respond in the case that the father guesses that the child will not be returned? • Catch-22 (logic): In need of something which can only be had by not being in need of it. • Drinker paradox: In any pub there is a customer such that, if he or she drinks, everybody in the pub drinks. • Paradox of entailment: Inconsistent premises always make an argument valid. • Horse paradox: All horses are the same color. • Lottery paradox: There is one winning ticket in a large lottery. It is reasonable to believe of a particular lottery ticket that it is not the winning ticket, since the probability that it is the winner is so very small, but it is not reasonable to believe that no lottery ticket will win. -
The Archaeology of Time Travel Represents a Particularly Significant Way to Bring Experiencing the Past the Past Back to Life in the Present
This volume explores the relevance of time travel as a characteristic contemporary way to approach (Eds) & Holtorf Petersson the past. If reality is defined as the sum of human experiences and social practices, all reality is partly virtual, and all experienced and practised time travel is real. In that sense, time travel experiences are not necessarily purely imaginary. Time travel experiences and associated social practices have become ubiquitous and popular, increasingly replacing more knowledge-orientated and critical The Archaeology approaches to the past. The papers in this book explore various types and methods of time travel of Time Travel and seek to prove that time travel is a legitimate and timely object of study and critique because it The Archaeology of Time Travel The Archaeology represents a particularly significant way to bring Experiencing the Past the past back to life in the present. in the 21st Century Archaeopress Edited by Archaeopress Archaeology www.archaeopress.com Bodil Petersson Cornelius Holtorf Holtorf and Petersson - Forest Green Cover Less Transparent.indd 1 05/05/2017 10:15:14 The Archaeology of Time Travel Experiencing the Past in the 21st Century Edited by Bodil Petersson Cornelius Holtorf Archaeopress Archaeology Archaeopress Publishing Ltd Gordon House 276 Banbury Road Oxford OX2 7ED www.archaeopress.com ISBN 978 1 78491 500 1 ISBN 978 1 78491 501 8 (e-Pdf) © Archaeopress and the individual authors 2017 Economic support for publishing this book has been received from The Krapperup Foundation The Hainska Foundation Cover illustrations are taken from the different texts of the book. See List of Figures for information. -
Deconstructing the Time Machine (La Déconstruction De La Machine Du Temps) Author(S): Veronica Hollinger Source: Science Fiction Studies, Vol
SF-TH Inc Deconstructing the Time Machine (La déconstruction de la machine du temps) Author(s): Veronica Hollinger Source: Science Fiction Studies, Vol. 14, No. 2, Critical Approaches to Science Fiction: Retrospects & Prospects (Jul., 1987), pp. 201-221 Published by: SF-TH Inc Stable URL: http://www.jstor.org/stable/4239816 . Accessed: 28/08/2014 12:20 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. SF-TH Inc is collaborating with JSTOR to digitize, preserve and extend access to Science Fiction Studies. http://www.jstor.org This content downloaded from 131.111.184.22 on Thu, 28 Aug 2014 12:20:02 PM All use subject to JSTOR Terms and Conditions DECONSTRUCTINGTHE TIMEMACHINE 201 Veronica Hollinger Deconstructingthe Time Machine' Time is, of all modesof existence,most obsequious to the imagination.... SamuelJohnson The idea of time travelhas for manyyears exercised the ingenuitynot only of SF writers,but of scientistsand philosophers as well; neitherthe equationsof quantumphysics nor the rulesof logic have manageddefinitively to proveor to disprove the possibilitythat this most paradoxicalof SF concepts may some day be realized.'The purposeof this presentessay is to examinesome aspects of time travel within the frameworkof Derrideandeconstruction, since, as I hope to demonstrate,the time-travelstory always achieves a deconstructionof certain received ideas about the natureand structureof time. -
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The Sixth Doctor Expanded Universe Sourcebook is a not-for-sale, not-for-profit, unofficial and unapproved fan-made production First edition published August 2018 Full credits at the back Doctor Who: Adventures in Time and Space RPG and Cubicle 7 logo copyright Cubicle 7 Entertainment Ltd. 2013 BBC, DOCTOR WHO, TARDIS and DALEKS are trademarks of the British Broadcasting Corporation All material belongs to its authors (BBC, Virgin, Big Finish, etc.) No attack on such copyrights are intended, nor should be perceived. Please seek out the original source material, you’ll be glad you did. And look for more Doctor Who Expanded Universe Sourcebooks at www.siskoid.com/ExpandedWho including versions of this sourcebook in both low (bandwidth-friendly) and high (print-quality) formats Introduction 4 Prince Most-Deepest-All-Yellow A66 Chapter 1: Sixth Doctor’s Expanded Timeline 5 Professor Pierre Aronnax A67 Professor Rummas A68 Chapter 2: Companions and Allies Rob Roy MacGregor A69 Angela Jennings A1 Rossiter A70 Charlotte Pollard A2 Salim Jahangir A71 Colonel Emily Chaudhry A3 Samuel Belfrage A72 Constance Clarke A4 Sebastian Malvern A73 Dr Peri Brown A5 Sir Walter Raleigh A74 Evelyn Smythe A6 Tegoya Azzuron A75 Flip Jackson A7 The Temporal Powers A76 Frobisher A8 Toby the Sapient Pig A77 Grant Markham A9 Trey Korte A79 Jamie McCrimmon A10 Winston Churchill A80 Jason and Crystal (and Zog) A11 Wolfgang Amadeus Mozart A81 Lieutenant Will Hoffman A13 Mathew Sharpe A14 Chapter 3: Monsters and Villains Melaphyre, The Technomancer A15 Adolf Hitler V1 -
Temporal Disorder U.S
Temporal Disorder U.S. American Time-Travel Narratives from Edward Bellamy to Stephen King Room and time: Seminar Room (Attemsgasse 25, Top Floor), Friday, 4:00-5:30 p.m. First session: October 16, 2015 Course number: 512.255 Lecturer: Univ.-Prof. Dr. Stefan Brandt ˑ Office hours: Thursdays, 4-6 p.m. (Room DG-0036) ˑ Email: [email protected] Description: Going back in time and undoing events from the past belong to the greatest fantasies of humankind. U.S. American literature, in particular, has been fascinated with the conundrums of time traveling. Washington Irving’s short story “Rip Van Winkle” (1819) and Edward Bellamy’s novel Looking Backward (1888) are examples of a literary genre that has attempted to combine historical fiction with utopia or sometimes dystopia. Since Albert Einstein’s discovery that time is a relative quantity that may be ‘bent’ and ‘shortened,’ the amount of time-travel narratives has multiplied. Postmodern American literature, cinema, and television are full of colorful texts that explore the possibilities and potentials of traveling in time. Examples include the popular ABC TV series Time Tunnel (1966/67), the Zemeckis trilogy Back to the Future (1985/89/90), and Audrey Niffenegger’s bestselling book The Time Traveler’s Wife (2003). A most recent version of the genre, that combines historiography, romance, and science fiction, is Stephen King’s unusual novel about the Kennedy assassination, 11/22/63 (2011). As exemplified by these texts, time- travel fiction is “the most discursive of popular genres” (Wittenberg, Time Travel 206), since it capitalizes upon the analogy between time traveling and book reading. -
NARRATIVA AD INFINITUM La Narrativa Transmedia De Doctor Who
NARRATIVA AD INFINITUM La narrativa transmedia de Doctor Who | Título de trabajo Narrativa ad infinitum: La narrativa transmedia de Doctor Who | Estudios Comunicación Audiovisual | Tutor/a Dra. Inmaculada Gordillo Álvarez Firma con el visto bueno del tutor | Agradecimientos | La elaboración de este estudio no habría sido posible sin el apoyo de aquellos que me han ayudado a sacarlo adelante, bien con consejos o correcciones, bien con paciencia; pero sobre todo, con la ayuda desinteresada y la confianza que en más de una ocasión ha sido necesaria. Estoy en deuda con Juanma Asencio, mi “portavoz” en la Universidad de Sevilla mientras estaba de intercambio SICUE en la Pompeu Fabra, y quien ha hecho posible la entrega de este documento, entre otros quebraderos de cabeza que le habré causado. Gracias también a Rafa Cabeza, siempre dispuesto a escuchar mis problemas y a darles una solución optimista. Que el triángulo Draper-Olson-Holloway sea infinito donde la serie no pudo serlo. También en deuda con Sofia Izquierdo, cuyo inmenso conocimiento sobre Doctor Who ha sido clave para este trabajo. Agradecerle además sus lecturas desinteresadas y su apoyo en todo momento. Gracias a Raquel Crisóstomo por confiar en mi trabajo incondicionalmente, así como por las charlas tan enriquecedoras en las que las dudas no lo eran tanto; a Cristina Aguilera por estar ahí siempre, apostando por un trabajo que uno mismo olvida valorar; a Manu Montes por ser el apoyo moral que todo SICUE necesita, ese hombro virtual en el que apoyarse (o físico, después de muchas horas de Valencia en Fallas); a Carlos Scolari, por sus pequeñas masterclass ante cualquier duda; y a Alba Rosillo, por sus consejos y ayuda con el diseño gráfico de la presentación. -
Paradoxes of Interactivity
Uwe Seifert, Jin Hyun Kim, and Anthony Moore (eds.) PARADOXES OF INTERACTIVITY Uwe Seifert, Jin Hyun Kim, and Anthony Moore (eds.) PARADOXES OF INTERACTIVITY Perspectives for Media Theory, Human-Computer Interaction, and Artistic Investigations This publication was financially supported by the German National Research Foundation (Deutsche Forschungsgemeinschaft) within the scope of the Collaborative Research Centre SFB/FK 427 “Media and Cultural Communication”. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de © 2008 transcript Verlag, Bielefeld Edited by: Uwe Seifert, Jin Hyun Kim, Anthony Moore Proofread by: Anthony Moore, Michael Kelly, Jin Hyun Kim, Jochen Arne Otto, Uwe Seifert Typeset by: Jochen Arne Otto, Son-Hwa Chang Design: Carsten Goertz (www.farn.cc) Layout: Jochen Arne Otto, Carsten Goertz, Rosie Placzek, Katja Schwemmer Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-842-1 CONTENTS Uwe Seifert 8 The Co-Evolution of Humans and Machines: A Paradox of Interactivity I. Rethinking Interactivity Sybille Krämer 26 Does the Body Disappear? A Comment on Computer Generated Spaces Ludwig Jäger and Jin Hyun Kim 44 Transparency and Opacity: Interface Technology of Mediation in New Media Art Werner Rammert 62 Where the Action is: Distributed Agency between Humans, Machines, and Programs Frieder Nake 92 Surface, Interface, Subface: Three Cases of Interaction and One Concept Rudolf Kaehr 110 Double Cross Playing Diamonds: Understanding Interactivity in/between Bigraphs and Diamonds II. -
Paradoxes of Human Will in the Time Travel Film
PARADOXES OF HUMAN FREEDOM AND THE TIME TRAVEL FILM A Thesis Submitted to the College of Graduate Studies and Research In Partial Fulfillment of the Requirements for the Degree of Master of Arts In the Department of English University of Saskatchewan Saskatoon By Ricki Elder © Copyright Ricki Elder, December 2009. All rights reserved. PERMISSION TO USE In presenting this thesis in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Head of the Department or the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other use of material in this thesis in whole or part should be addressed to: Head of the Department of English University of Saskatchewan Saskatoon, Saskatchewan S7N 5A5 i ABSTRACT This study discusses how the literary device of time travel can limit or empower protagonists. The main focus is on H.G.