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The Attlee Governments
Vic07 10/15/03 2:11 PM Page 159 Chapter 7 The Attlee governments The election of a majority Labour government in 1945 generated great excitement on the left. Hugh Dalton described how ‘That first sensa- tion, tingling and triumphant, was of a new society to be built. There was exhilaration among us, joy and hope, determination and confi- dence. We felt exalted, dedication, walking on air, walking with destiny.’1 Dalton followed this by aiding Herbert Morrison in an attempt to replace Attlee as leader of the PLP.2 This was foiled by the bulky protection of Bevin, outraged at their plotting and disloyalty. Bevin apparently hated Morrison, and thought of him as ‘a scheming little bastard’.3 Certainly he thought Morrison’s conduct in the past had been ‘devious and unreliable’.4 It was to be particularly irksome for Bevin that it was Morrison who eventually replaced him as Foreign Secretary in 1951. The Attlee government not only generated great excitement on the left at the time, but since has also attracted more attention from academics than any other period of Labour history. Foreign policy is a case in point. The foreign policy of the Attlee government is attractive to study because it spans so many politically and historically significant issues. To start with, this period was unique in that it was the first time that there was a majority Labour government in British political history, with a clear mandate and programme of reform. Whereas the two minority Labour governments of the inter-war period had had to rely on support from the Liberals to pass legislation, this time Labour had power as well as office. -
The Memory of the Avant- Garde and the New Wave in the Contemporary
The Memory of the Avant- Garde and the New Wave in the Contemporary Serbian Novel Marko Avramović Institute for Literature and Arts, 2 Kralja Milana St, 11000 Belgrade, Serbia https://orcid.org/0000-0001-5878-5777 [email protected] This article is dealing with the topic of two past twentieth-century epochs in a few representative Serbian novels at the turn from the twentieth to the twenty-first century. These are the 1980s and the New Wave era in Yugoslavia, an epoch close to the past that can still be written about from the perspective of an immediate witness, and the avant-garde era, that is, the period between the two world wars marked in art by different movements of the historical avant-garde. The novels Milenijum u Beogradu (Millennium in Belgrade, 2000) by Vladimir Pištalo, Vrt u Veneciji (The Garden in Venice, 2002) by Mileta Prodanović, and Kiša i hartija (Rain and Paper, 2004) by Vladimir Tasić are being interpreted. In these novels, it is particularly noteworthy that the two aforementioned epochs are most commonly linked as part of the same creative and intellectual currents in the twentieth century. Keywords: Serbian literature / contemporary Serbian novel / literary avant-garde / New Wave / Zenitism / rock and roll / Pištalo, Vladimir / Prodanović, Mileta / Tasić, Vladimir In Vladimir Tasić’s Farewell Gift (2001), one of the key contemporary Serbian novels, the narrator at some points expresses a high apprecia- tion of the two epochs. One is personally experienced, while the other has long been placed in historical niches -
ILIJA ŠOŠKIĆ CV * 1935, in Dečani, Montenegrin Province Zeta
ILIJA ŠOŠKIĆ CV * 1935, in Dečani, Montenegrin Province Zeta, Kingdom of Yugoslavia. Lives and works between Split, Croatia and Roma, Italy. Education: Studied fine arts at the Academy of Fine Arts in Bologna (IT), Academy of Fine Arts in Belgrade (RS) and High School of Art in Herceg Novi (ME). Solo exhibitions (selection): 2019 “We are all in risk”, curated by Janka Vukmir, Institute for Contemporary Art, Zagreb, HR 2018 “Action Forms”, retrospective; curated by Zoran Erić and Nebojša Milenković, MoCAB Belgrade and MSUV Novi Sad, RS 2017 “Fisis / Res publica”, curated by Paolo Codato and collective Ex Lavanderia, Santa Maria della Pietà, Ex hospital for mental health, Rome, IT 2015 “Performa 15”, prints / Skype-performance; commissioner Rose Lee Goldberg, curated by Juan Puntes, New York biennale of performances art, White Box Gallery NY, USA “Token“, performance with artist Stefanija Šoškić; curated by Marat Guelman DEAC Artist Residency Jugooceanija, Kotor, ME “PPP nine hour after. 40 years after“, curated by Petar Mitrić and Szabolsc Tolnai, 22nd European Film Festival, Palić, RS “Token“, curated by Spartak Dulić, Gallery dr Vinko Perčić, Subotica, RS “Il sussurro. La triade riconfigurata“, curated by Viviana Guadagno, Zoo Zone Art Forum, Rome, IT 2013 “Token“, curated by Susana Novčić, National Museum, Kraljevo, RS 2011 “Logos poietikos“, curated by Vlafimir Đurišić, Music Festival Espressivo, Cetinje, ME 2010 ”Tractatus”, curated by Slaven Tolj, ARL Art Workshop Lazareti, Dubrovnik, HR “Entscheidungsproblem“, curated by Eugen Borkovsky, -
Biografski Zbornik
1 2 Slovenska akademija znanosti in umetnosti ob petinsedemdesetletnici Biografski zbornik 3 Slovenska akademija znanosti in umetnosti ob petinsedemdesetletnici Biografski zbornik Sprejeto na seji predsedstva dne 21. aprila 2009. Uredniški odbor Peter Štih, Kajetan Gantar, Alojz Kralj, Matija Gogala, Niko Grafenauer, Marjan Kordaš Glavni in odgovorni urednik Andrej Kranjc Jezikovni pregled Marjeta Humar Zbiranje gradiva Veronika Simoniti Izdala Slovenska akademija znanosti in umetnosti v Ljubljani Logotip Ranko Novak Fotografije Igor Lapajne (ZRC SAZU), Marko Zaplatil (ZRC SAZU), osebni arhiv oz. posredništvo članov SAZU Oblikovanje in prelom Matija Jemec Tisk Littera picta d.o.o. Naklada 500 izvodov Ljubljana, 2013 CIP - Kataložni zapis o publikaciji Narodna in univerzitetna knjižnica, Ljubljana 001.32(497.4):929 SLOVENSKA akademija znanosti in umetnosti Slovenska akademija znanosti in umetnosti ob petinse- demdesetletnici : 1938-2013 : 75 : biografski zbornik / [glavni urednik Andrej Kranjc]. - Ljubljana : Slovenska akademija znanosti in umetnosti, 2013 ISBN 978-961-268-025-1 1. Kranjc, Andrej, 1943- 269149184 4 Vsebina Uvodna beseda 7 Biografije članov I. razred Zgodovinske in družbene vede Redni člani 13 Izredna člana 43 Dopisni člani 49 II. razred Filološke in literarne vede Redni člani 85 Dopisni člani 117 III. razred Matematične, fizikalne, kemijske in tehniške vede Redni člani 145 Izredni član 187 Dopisni člani 191 IV. razred Naravoslovne vede Redni člani 233 Izredni člani 255 Dopisni člani 263 V. razred Umetnosti Redni člani 287 Izredni član 327 Dopisni člani 331 VI. razred Medicinske vede Redni člani 357 Izredna člana 381 Dopisni člani 387 Umrli člani 405 Imensko kazalo članov 431 5 6 Uvodna beseda Jože Trontelj predsednik SAZU Slovenska akademija znanosti in umetnosti je bila ustanovljena leta 1938, po večkratnih neuspešnih poskusih v prejšnjem in predprejšnjem stoletju. -
Annales, Series Historia Et Sociologia 30, 2020, 1
Anali za istrske in mediteranske študije Annali di Studi istriani e mediterranei Annals for Istrian and Mediterranean Studies Series Historia et Sociologia, 30, 2020, 1 UDK 009 Annales, Ser. hist. sociol., 30, 2020, 1, pp. 1-176, Koper 2020 ISSN 1408-5348 UDK 009 ISSN 1408-5348 (Print) ISSN 2591-1775 (Online) Anali za istrske in mediteranske študije Annali di Studi istriani e mediterranei Annals for Istrian and Mediterranean Studies Series Historia et Sociologia, 30, 2020, 1 KOPER 2020 ANNALES · Ser. hist. sociol. · 30 · 2020 · 1 ISSN 1408-5348 (Tiskana izd.) UDK 009 Letnik 30, leto 2020, številka 1 ISSN 2591-1775 (Spletna izd.) UREDNIŠKI ODBOR/ Roderick Bailey (UK), Simona Bergoč, Furio Bianco (IT), COMITATO DI REDAZIONE/ Alexander Cherkasov (RUS), Lucija Čok, Lovorka Čoralić (HR), BOARD OF EDITORS: Darko Darovec, Goran Filipi (HR), Devan Jagodic (IT), Vesna Mikolič, Luciano Monzali (IT), Aleksej Kalc, Avgust Lešnik, John Martin (USA), Robert Matijašić (HR), Darja Mihelič, Edward Muir (USA), Vojislav Pavlović (SRB), Peter Pirker (AUT), Claudio Povolo (IT), Marijan Premović (ME), Andrej Rahten, Vida Rožac Darovec, Mateja Sedmak, Lenart Škof, Marta Verginella, Špela Verovšek, Tomislav Vignjević, Paolo Wulzer (IT), Salvator Žitko Glavni urednik/Redattore capo/ Editor in chief: Darko Darovec Odgovorni urednik/Redattore responsabile/Responsible Editor: Salvator Žitko Urednika/Redattori/Editors: Urška Lampe, Gorazd Bajc Prevajalci/Traduttori/Translators: Petra Berlot (it.) Oblikovalec/Progetto grafico/ Graphic design: Dušan Podgornik , Darko -
Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell
Copyrights sought (Albert) Basil (Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell) Filson Young (Alexander) Forbes Hendry (Alexander) Frederick Whyte (Alfred Hubert) Roy Fedden (Alfred) Alistair Cooke (Alfred) Guy Garrod (Alfred) James Hawkey (Archibald) Berkeley Milne (Archibald) David Stirling (Archibald) Havergal Downes-Shaw (Arthur) Berriedale Keith (Arthur) Beverley Baxter (Arthur) Cecil Tyrrell Beck (Arthur) Clive Morrison-Bell (Arthur) Hugh (Elsdale) Molson (Arthur) Mervyn Stockwood (Arthur) Paul Boissier, Harrow Heraldry Committee & Harrow School (Arthur) Trevor Dawson (Arwyn) Lynn Ungoed-Thomas (Basil Arthur) John Peto (Basil) Kingsley Martin (Basil) Kingsley Martin (Basil) Kingsley Martin & New Statesman (Borlasse Elward) Wyndham Childs (Cecil Frederick) Nevil Macready (Cecil George) Graham Hayman (Charles Edward) Howard Vincent (Charles Henry) Collins Baker (Charles) Alexander Harris (Charles) Cyril Clarke (Charles) Edgar Wood (Charles) Edward Troup (Charles) Frederick (Howard) Gough (Charles) Michael Duff (Charles) Philip Fothergill (Charles) Philip Fothergill, Liberal National Organisation, N-E Warwickshire Liberal Association & Rt Hon Charles Albert McCurdy (Charles) Vernon (Oldfield) Bartlett (Charles) Vernon (Oldfield) Bartlett & World Review of Reviews (Claude) Nigel (Byam) Davies (Claude) Nigel (Byam) Davies (Colin) Mark Patrick (Crwfurd) Wilfrid Griffin Eady (Cyril) Berkeley Ormerod (Cyril) Desmond Keeling (Cyril) George Toogood (Cyril) Kenneth Bird (David) Euan Wallace (Davies) Evan Bedford (Denis Duncan) -
Slovenske Akademije Znanosti in Umetnosti
SLOVENSKE AKADEMIJE ZNANOSTI IN UMETNOSTI 66. KNJIGA 2015 LJUBLJANA 2016 ISSN 0374-0315 LETOPIS SLOVENSKE AKADEMIJE ZNANOSTI IN UMETNOSTI 66/2015 THE YEARBOOK OF THE SLOVENIAN ACADEMY OF SCIENCES AND ARTS VOLUME 66/2015 ANNALES ACADEMIAE SCIENTIARUM ET ARTIUM SLOVENICAE LIBER LXVI (2015) SLOVENSKE AKADEMIJE ZNANOSTI IN UMETNOSTI 66. KNJIGA 2015 THE YEARBOOK OF THE SLOVENIAN ACADEMY OF SCIENCES AND ARTS VOLUME 66/2015 LJUBLJANA 2016 SPREJETO NA SEJI PREDSEDSTVA SLOVENSKE AKADEMIJE ZNANOSTI IN UMETNOSTI DNE 23. FEBRUARJA 2016 Naslov - Address SLOVENSKA AKADEMIJA ZNANOSTI IN UMETNOSTI SI-1000 LJUBLJANA, Novi trg 3, p.p. 323, telefon (01) 470-61-00, faks (01) 425-34-23, elektronska pošta: [email protected] spletna stran: www.sazu.si VSEBINA / CONTENTS I ORGANIZACIJA SAZU/ SASA ORGANIZATION .............................................................9 Skupščina, redni, izredni, dopisni člani / SASA Assembly, Full Members, Associate Members and Corresponding Members ................................... 11 II POROČILO O DELU SAZU / REPORT ON THE WORK OF SASA ..............................19 Slovenska akademija znanosti in umetnosti v letu 2015 .....................................................21 The Slovenian Academy of Sciences and Arts in the year 2015 .........................................27 Delo skupščine ............................................................................................................................35 I. Razred za zgodovinske in družbene vede ..............................................................................37 -
Dve Two Domovini Homelands
DVE 9 DOMOVINI TWO HOMELANDS Dve domovini / Two Homelands 9 Razprave o izseljenstvu Migration Studies Uredniški odbor dr. Marjan Drnovšek, akad. dr. Ferdo Gestrin (odgovorni urednik), Aleksej Kalc, dr. Matjaž Klemenčič, akad. dr. Rado L. Lenček, akad. dr. Janez Stanonik, dr. Andrej Vovko, mag. Zvone Žigon, dr. Janja Žitnik (glavna urednica) Tehnični urednik Jure Žitnik Prevod in lektoriranje AMIDAS, Ljubljana Naslov uredništva Inštitut za slovensko izseljenstvo ZRC SAZU, Novi trg 4, 1000 Ljubljana, Slovenija Tisk Kurir d. o. o., Ljubljana Za strokovnost prispevkov odgovarjajo avtorji. Slika na naslovnici: Slovenska nostalgija po urugvajsko: južnoameriška torba za mate čaj s slovenskim grbom (Foto: Zvone Žigon) Revija je izšla s finančno pomočjo Ministrstva za znanost in tehnologijo Republike Slovenije. Revija šteje med proizvode, za katere se plačuje 5-odstotni davek od prometa proizvodov (po mnenju Ministrstva za znanost in tehnologijo Republike Slovenije, št. 415-01-17/95 z dne 16.2.1995). KAZALO - KONTENTS Janja Žitnik SPREMNA BESEDA ...................................................................................... 7 FOREWORD.....................................................................................................9 100. OBLETNICA ROJSTVA LOUISA ADAMIČA (THE 100™ BIRTH ANNIVERSARY OF LOUIS ADAMIC) Rozina Svent POMEN OSEBNIH PISEM (KORESPONDENCE) IN DNEVNIKOV PRI PREDSTAVITVI CELOSTNE PODOBE UMETNIKOV 13 (THE SIGNIFICANCE OF PERSONAL LETTERS (CORRESPON DENCE) AND DIARIES IN A COMPREHENSIVE PRESENTATION OF AN ARTIST)..............................................................................................26 -
VIEWS of COMMUNISM and BRITISH FOREIGN POLICY, 1916-1950 Presented By
109 731 III 3 I fill \IIIIEIII‘ "T, fif‘r This is to certify that the thesis entitled THOSE BLOODY REDS: ERNEST BEVIN'S PUBLIC VIEWS OF COMMUNISM AND BRITISH FOREIGN POLICY, 1916-1950 presented by Shelley_Grange has been accepted towards fulfillment of the requirements for M.A. degree in History MMWL Major professor Date October 5, I983 0-7639 MS U is an Affirmative Action/Equal Opportunity Institution BEIURNING MATERIALS: MSU Place in book drop to LIBRARIES remove this checkout from —:—- your record. FINES will be charged if book is returned after the date stamped below. THOSE BLOODY REDS: ERNEST BEVIN'S PUBLIC VIEWS OF COMMUNISM AND BRITISH FOREIGN POLICY 1945—1950 By Shelley Grange A Thesis Submitted to Michigan State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Department of History 1983 ABSTRACT THOSE BLOODY REDS: ERNEST BEVIN'S PUBLIC VIEWS OF COMMUNISM AND BRITISH FOREIGN POLICY 1945-1950 By Shelley Grange Ernest Bevin served as Britain's foreign secretary from 1945 to 1951, years marked by international tension commonly labelled the "Cold War." This thesis examines Bevin's public views of Communism and how those views were reflected in Britain's Cold War foreign policy. Secondary sources were studied on Bevin's life prior to 1945 and on British Labour, its foreign policy traditions and historical relationship with British and international Communism. The thesis drew primarily from daily issues of the London Times and Daily Herald, House of Commons Debates and Labour Party Conference Reports —— almost all from July 1945 to July 1950. -
Anti-Fascism and Democracy in the 1930S
02_EHQ 32/1 articles 20/11/01 10:48 am Page 39 Tom Buchanan Anti-fascism and Democracy in the 1930s In November 1936 Konni Zilliacus wrote to John Strachey, a leading British left-wing intellectual and a prime mover in the recently founded Left Book Club, inviting him to ponder ‘the problem of class-war strategy and tactics in a democracy’. Zilliacus, a press officer with the League of Nations and subse- quently a Labour Party MP, was particularly worried about the failure of the Communist Party and the Comintern to offer a clear justification for their decision to support the Popular Front and collective security. ‘There is no doubt’, Zilliacus wrote, ‘that those who are on the side of unity are woefully short of a convincing come-back when the Right-Wing put up the story about Com- munist support of democracy etc. being merely tactical camou- flage.’1 Zilliacus’s comment raises very clearly the issue that lies at the heart of this article. For it is well known that the rise of fascism in the 1930s appeared to produce a striking affirmation of sup- port for democracy, most notably in the 1936 election victories of the Spanish and French Popular Fronts. Here, and elsewhere, anti-fascism was able to unite broad political coalitions rang- ing from liberals and conservatives to socialists, communists and anarchists. But were these coalitions united more by a fear of fascism than by a love of democracy — were they, in effect, marriages of convenience? Historians have long disagreed on this issue. Some have emphasized the prior loyalty of Communist supporters of the Popular Front to the Stalinist regime in the USSR, and have explained their new-found faith in democracy as, indeed, a mere ‘tactical camouflage’ (a view given retrospec- tive weight by the 1939 Nazi–Soviet Pact). -
Popular Music and Narratives of Identity in Croatia Since 1991
Popular music and narratives of identity in Croatia since 1991 Catherine Baker UCL I, Catherine Baker, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated / the thesis. UMI Number: U592565 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U592565 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 2 Abstract This thesis employs historical, literary and anthropological methods to show how narratives of identity have been expressed in Croatia since 1991 (when Croatia declared independence from Yugoslavia) through popular music and through talking about popular music. Since the beginning of the war in Croatia (1991-95) when the state media stimulated the production of popular music conveying appropriate narratives of national identity, Croatian popular music has been a site for the articulation of explicit national narratives of identity. The practice has continued into the present day, reflecting political and social change in Croatia (e.g. the growth of the war veterans lobby and protests against the Hague Tribunal). -
Belgradeuniversity of Belgrade To
BelgradeWelcometo the University Guidewww.bg.ac.rs Guide of Belgrade UniversityGuide Welcome Guide to the University of Belgrade Rector’s Foreword 4 Introduction 6 University of Belgrade History of the University of Belgrade 8 At a Glance 10 University Members 12 International Cooperation 14 Internationalization at the University of Belgrade 15 Mobility Strategy of the University of Belgrade 18 Why study in Belgrade Academic Excellence 25 About Belgrade 26 Culture and Entertainment 28 Become a Student of the University of Belgrade Study at the University of Belgrade 31 • Enrolling in degree studies • Exchange and mobility opportunities for incoming students Academic and Administrative Staff Mobility 35 Academic Information 36 Study Programs in Foreign Languages 38 Living & Studying in Belgrade: Useful Information Entering the Country and Temporary Stay Permit 41 Accommodation 43 Cost of Living 44 Cost of Studying 45 Arriving in Belgrade 46 Erasmus Student Network 47 Serbian Language 48 Other Useful Information 49 SIPUS Tempus Project 50 www.bg.ac.rs 3 Welcome Guide to the University of Belgrade is my sincere pleasure to greet you on behalf of the University Therefore, I invite you to get of Belgrade and express my belief that this publication will acquainted with our faculties and It provide relevant and useful information about our University and research centers, in order to find the possibilities offered to you to study in English, as well as other a place ideal for your studies and alternatives at the time when you choose your higher education professional development and alma mater. at the same time experience a different culture and meet differ- Foreword The University of Belgrade, the biggest and the oldest university ent people.