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D O • C O M O • M O Србија
d o c o _ m o m o_ international working group for documentation and conservation d o of •building, placesc ando schemes _ m o • m o _ србија of the modern movement Minimum Documentation Fiche 2003 composed by national/regional working party of: Do.co.mo.mo Serbia 0.1 Picture of the place 0.1. Depicted item Competition proposal of the Park of Friendship in Novi Beograd 0.2. Source Personal archive of Milan Pališaški 0.3. Date - Local data base code LND-RS-011-b-0001 1. Identity of the place d o 1.1.• Current c name o of the_ place m o • m o _ србија3 The Park of Friendship in Novi Beograd 1.2. Variant or former/original name 4 The Park of Friendship 1.3. Street name and number 5 It is located among Nikola Tesla Boulevard, Usce Street and Sava and Danube Rivers confluence. 1.4. Town 6 Belgrade 1.5. Region/municipality 7 Novi Beograd 1.6. Zip code 8 11070 1.7. Country 9 Republic of Serbia (made in SFRY) 1.8. National grid reference 10 44°49'12.8"N 20°26'12.3"E 1.9. Classification/typology 11 Monumental park 1.10. Protection status and date 12 Significant place, Friendship Park in New Belgrade (Decision "Official Gazette of RS", no.8 / 2014) 2. History of the place 2.1. Original draft/purpose 13 The park is located in a triangular area of about 11 hectares of land surrounded by the most important new buildings in the city - the buildings of the Federal Executive Council (SIV, today the Palace of Serbia), the Museum of Contemporary Art and the Central Committee of SCY (today the Usce Palace). -
The Memory of the Avant- Garde and the New Wave in the Contemporary
The Memory of the Avant- Garde and the New Wave in the Contemporary Serbian Novel Marko Avramović Institute for Literature and Arts, 2 Kralja Milana St, 11000 Belgrade, Serbia https://orcid.org/0000-0001-5878-5777 [email protected] This article is dealing with the topic of two past twentieth-century epochs in a few representative Serbian novels at the turn from the twentieth to the twenty-first century. These are the 1980s and the New Wave era in Yugoslavia, an epoch close to the past that can still be written about from the perspective of an immediate witness, and the avant-garde era, that is, the period between the two world wars marked in art by different movements of the historical avant-garde. The novels Milenijum u Beogradu (Millennium in Belgrade, 2000) by Vladimir Pištalo, Vrt u Veneciji (The Garden in Venice, 2002) by Mileta Prodanović, and Kiša i hartija (Rain and Paper, 2004) by Vladimir Tasić are being interpreted. In these novels, it is particularly noteworthy that the two aforementioned epochs are most commonly linked as part of the same creative and intellectual currents in the twentieth century. Keywords: Serbian literature / contemporary Serbian novel / literary avant-garde / New Wave / Zenitism / rock and roll / Pištalo, Vladimir / Prodanović, Mileta / Tasić, Vladimir In Vladimir Tasić’s Farewell Gift (2001), one of the key contemporary Serbian novels, the narrator at some points expresses a high apprecia- tion of the two epochs. One is personally experienced, while the other has long been placed in historical niches -
Serbia Turns Blind Eye to Rare Bird Slaughter
Issue No. 211 Friday, July 22 - Thursday, September 08, 2016 ORDER DELIVERY TO Belgrade ‘failing to Political Must-see YOUR DOOR +381 11 4030 303 develop satirists eye music [email protected] - - - - - - - ISSN 1820-8339 1 mid-market Belgrade local festivals BELGRADE INSIGHT IS PUBLISHED BY 0 1 tourism’ elections in August Page 5 Page 9 Page 13 9 7 7 1 8 2 0 8 3 3 0 0 0 Even when the Democrats longas continue to likely is This also are negotiations Drawn-out Surely the situation is urgent Many of us who have experi We feel in-the-know because bia has shown us that (a.) no single no (a.) that us shown has bia party or coalition will ever gain the governa form to required majority negotiations political (b.) and ment, will never be quickly concluded. achieved their surprising result at last month’s general election, quickly itbecame clear that the re sult was actually more-or-less the result election other every as same in Serbia, i.e. inconclusive. as Serbia’s politicians form new political parties every time disagree with they their current party reg 342 currently are (there leader political parties in Serbia). istered the norm. One Ambassador Belgrade-based recently told me he was also alarmed by the distinct lack of urgency among politicians. Serbian “The country is standstill at and a I don’t understand their logic. If they are so eager to progress towards the EU and en theycome how investors, courage go home at 5pm sharp and don’t work weekends?” overtime. -
ILIJA ŠOŠKIĆ CV * 1935, in Dečani, Montenegrin Province Zeta
ILIJA ŠOŠKIĆ CV * 1935, in Dečani, Montenegrin Province Zeta, Kingdom of Yugoslavia. Lives and works between Split, Croatia and Roma, Italy. Education: Studied fine arts at the Academy of Fine Arts in Bologna (IT), Academy of Fine Arts in Belgrade (RS) and High School of Art in Herceg Novi (ME). Solo exhibitions (selection): 2019 “We are all in risk”, curated by Janka Vukmir, Institute for Contemporary Art, Zagreb, HR 2018 “Action Forms”, retrospective; curated by Zoran Erić and Nebojša Milenković, MoCAB Belgrade and MSUV Novi Sad, RS 2017 “Fisis / Res publica”, curated by Paolo Codato and collective Ex Lavanderia, Santa Maria della Pietà, Ex hospital for mental health, Rome, IT 2015 “Performa 15”, prints / Skype-performance; commissioner Rose Lee Goldberg, curated by Juan Puntes, New York biennale of performances art, White Box Gallery NY, USA “Token“, performance with artist Stefanija Šoškić; curated by Marat Guelman DEAC Artist Residency Jugooceanija, Kotor, ME “PPP nine hour after. 40 years after“, curated by Petar Mitrić and Szabolsc Tolnai, 22nd European Film Festival, Palić, RS “Token“, curated by Spartak Dulić, Gallery dr Vinko Perčić, Subotica, RS “Il sussurro. La triade riconfigurata“, curated by Viviana Guadagno, Zoo Zone Art Forum, Rome, IT 2013 “Token“, curated by Susana Novčić, National Museum, Kraljevo, RS 2011 “Logos poietikos“, curated by Vlafimir Đurišić, Music Festival Espressivo, Cetinje, ME 2010 ”Tractatus”, curated by Slaven Tolj, ARL Art Workshop Lazareti, Dubrovnik, HR “Entscheidungsproblem“, curated by Eugen Borkovsky, -
HOW EUROPE WORKS for LGBTI RIGHTS the Serbian Story
HOW EUROPE WORKS FOR LGBTI RIGHTS The Serbian Story Vuk Raičević Imprint Author Vuk Raičević, Legal Officer at Belgrade Centre for Human Rights Editorial Team Edita Barać-Savić, Michael Roick Layout Dina dizajn Print Manaurta Number of copies 300 Publisher Friedrich Naumann Foundation for Freedom Western Balkans Bulevar Kneza Aleksandra Karadjordjevica 13/A8, 11040 Belgrade, Serbia 00 381 11 3066824 [email protected] http://westbalkan.fnst.org @FNFWesternBalkans @FNFWestbalkans YT /FreedomTVEurope Copyright © 2020 by the Friedrich Naumann Foundation for Freedom All rights reserved. This article reflects the opinion of the author and does not necessarily represent the position of the Friedrich Naumann Foundation for Freedom. HOW EUROPE WORKS FOR LGBTI RIGHTS The Serbian Story Contents Foreword ..............................................................................................................................................................................5 Introduction ..........................................................................................................................................................................7 From the Decriminalisation of Homosexuality to the First (Violent) Pride in Serbia ............................................................................................................................................8 The Rights of LGBTI Persons in Serbia and EU Enlargement Policy ......................................................................10 Serbia’s Accession to the European -
The Zero Decade of Architecture in Belgrade and Serbia
S A J _ 2009 _ 1 _ UDK BROJEVI: 72(497.11)”19/20” ID BROJ: 172311564 THE ZERO DECADE OF ARCHITECTURE IN BELGRADE AND SERBIA A B S T R A C T The intention of this paper is to contemplate the root problem that was prevalent in the architecture in Serbia and in Belgrade in the last decade, and to try to provide some insight into few issues and discuss the future solutions: what are the core values and what is specific in the recent architecture of Belgrade/ Serbia, what was lacking in the theoretical and practical areas of architecture and what is the significance of the realized architecture at the local, regional or the European level. The challenge of keeping the traditional architecture, yet incorporate proven global concepts that are both aesthetically pleasing, yet serve a practical purpose, was in conclusion presented as the emulation of the new ideas on old notions, integration of global concepts, local knowledge and experience to deliver superior quality architectural achievements, based on highly motivated, professional, visionary, resourceful, experienced or promising Serbian architects. Zoran Lazović 1 KEY WORDS University of Belgrade - Faculty of Architecture ARCHITECTURE CONTEXT CULTURE SYMPTOMS RESULTS PARADIGMS CHANGES S A J _ 2009 _ 1 _ The architecture in Belgrade and Serbia, its creative potential and implemented concepts in the recent period, are barely known today, even at the regional level. The reason for that certainly being closing of the culturological and communicational theoretical and practical interaction with the international community and the overall isolation during the nineties, which continued over the past decade too, with austere and incomplete flow or exchange of information, very few exhibitions of the achievements of the Serbian architecture in the region or in Europe, with acutely small number of published works, texts, books and reviews of works, either locally or within Europe. -
GSA-Report-2009.Pdf
www.gsa.org.rs REPORT ON HUMAN RIGHTS STATUS OF GLBT PERSONS IN SERBIA 2009 CONTENTS PREFACE BY BORIS DITTRICH 09 OPENING WORD BY ULRIKE LUNACEK 11 I SUMMARY 13 II INTRODUCTION 15 III RIGHT TO LIFE 17 IV RIGHT TO PHYSICAL AND PSYCHOLOGICAL INTEGRITY 21 V RIGHT TO FAIR TRIAL AND EQUAL PROTECTION 33 UNDER THE LAW VI FREEDOM OF ASSEMBLY 39 VII HEALTH PROTECTION 57 VIII RIGHT TO EDUCATION 63 IX ATTITUDE OF THE STATE TOWARDS GLBT POPULATION 67 AUTHORS Boris Milićević, Nenad Sarić, Lazar Pavlović, Mirjana Bogdanović, Veroljub Đukić, Nemanja Ćirilović X THE ATTITUDE OF POLITICAL PARTIES TOWARDS 77 GLBT POPULATION TRANSLATION Ljiljana Madžarević, Vesna Gajišin, Vladimir Lazić XI THE ATTITUDE OF NATIONAL AND INTERNATIONAL 93 DIZAJN & LAYOUT ORGANIZATIONS TOWARDS GLBT POPULATION Dragan Lončar OTHER CONTRIBUTORS XII MEDIA VIEW ON GLBT POPULATION IN SERBIA 97 Miroslav Janković, Monika Lajhner, Jelena Đorđević, Dragan Popović, Zdravko Janković, Marina Marković, Jovana Zlatković, Darko Kenig, Jelisaveta Belić, Ivan Knežević, Nebojša Muljava COVER ILLUSTRATION XIII GLBT MOVEMENT IN SERBIA 99 Stylized photo of a school desk of one gay secondary school student on which are drawn swastikas, messages “death to fagots”, etc.. However, on the desk someone also wrote: “I’m glad there is someone like me. N. :)” XIV RECOMMENDATIONS 101 THANKS! Members of the Gay Straight Alliance Victims of the violence and discrimination who courageously spoke publicly and reported the incidents Civil Rights Defenders and Fund for an Open Society for financial support to create -
Popular Music and Narratives of Identity in Croatia Since 1991
Popular music and narratives of identity in Croatia since 1991 Catherine Baker UCL I, Catherine Baker, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated / the thesis. UMI Number: U592565 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U592565 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 2 Abstract This thesis employs historical, literary and anthropological methods to show how narratives of identity have been expressed in Croatia since 1991 (when Croatia declared independence from Yugoslavia) through popular music and through talking about popular music. Since the beginning of the war in Croatia (1991-95) when the state media stimulated the production of popular music conveying appropriate narratives of national identity, Croatian popular music has been a site for the articulation of explicit national narratives of identity. The practice has continued into the present day, reflecting political and social change in Croatia (e.g. the growth of the war veterans lobby and protests against the Hague Tribunal). -
PROSTOR POSEBNI OTISAK/ SEPARAT 466-477 Znanstveni Prilozi Aleksandar Kadijeviæ
PROSTOR 19 [2011] 2 [42] ZNANSTVENI ÈASOPIS ZA ARHITEKTURU I URBANIZAM A SCHOLARLY JOURNAL OF ARCHITECTURE AND URBAN PLANNING SVEUÈILIŠTE POSEBNI OTISAK / SEPARAT OFFPRINT U ZAGREBU, ARHITEKTONSKI FAKULTET Znanstveni prilozi Scientific Papers UNIVERSITY OF ZAGREB, FACULTY 466-477 Aleksandar Kadijeviæ Hrvatski arhitekti u izgradnji Croatian Architects in 20th Century OF ARCHITECTURE Beograda u 20. stoljeæu Architecture in Belgrade ISSN 1330-0652 Pregledni znanstveni èlanak Subject Reviews CODEN PORREV UDK 72.036(497.11 Beograd)”19” UDC 72.036(497.11 Beograd)”19” UDK | UDC 71/72 19 [2011] 2 [42] 281-542 7-12 [2011] Sl. 1. L. Horvat: Zavod za osiguranje radnika (dovršio Petar Gaèiæ), Nemanjina 2, 1929.-1931., prvobitni izgled (fotografija iz 1940.) Fig. 1 L. Horvat: Workers’ Insurance Office (complete by Petar Gaèiæ), 2 Nemanjina Street, 1929-31, original state (photo from 1940) Znanstveni prilozi | Scientific Papers 19[2011] 2[42] PROSTOR 467 Aleksandar Kadijeviæ Filozofski fakultet Faculty of Philosophy Odeljenje za istoriju umetnosti Department of Art History Srbija - 11000 Beograd, Èika Ljubina 18-20 Srbija - 11000 Beograd, Èika Ljubina 18-20 Pregledni znanstveni èlanak Subject Review UDK 72.036(497.11 Beograd)”19” UDC 72.036(497.11 Beograd)”19” Tehnièke znanosti / Arhitektura i urbanizam Technical Sciences / Architecture and Urban Planning 2.01.04. - Povijest i teorija arhitekture 2.01.04 - History and Theory of Architecture i zaštita graditeljskog naslijeða and Preservation of the Built Heritage Èlanak primljen / prihvaæen: 12. 10. 2011. / 5. 12. 2011. Article Received / Accepted: 12. 10. 2011. / 5. 12. 2011. Hrvatski arhitekti u izgradnji Beograda u 20. stoljeæu Croatian Architects in 20th Century Architecture in Belgrade Beograd Belgrade hrvatski arhitekti Croatian architects 20. -
Adventures of the Spirit CULTURAL HERITAGE of SERBIA Adventures of the Spirit NATIONAL TOURISM ORGANISATION the CULTURAL HERITAGE of SERBIA of SERBIA
NATIONAL TOURISM ORGANISATION of SERBIA www.serbia.travel Free Copy Adventures of the Spirit CULTURAL HERITAGE OF SERBIA Adventures of the Spirit NATIONAL TOURISM ORGANISATION THE CULTURAL HERITAGE OF SERBIA of SERBIA Archaeological sites At the sources of the human spirit 4 Serbia in the era of the Roman Empire Following the paths of Roman emperors 6 Monasteries of Serbia Sanctuaries of spirituality 8 Catholic churches in Serbia The spirit of Catholicism 14 Ottoman cultural heritage A new cultural circle 16 Synagogues Gathering places 18 Fortresses Places of action! 20 Folk architecture Life in harmony with nature 22 Industrial heritage in Serbia Go on a retro science fiction adventure 24 European refreshment 26 Art Nouveau 20th-century architecture 28 Where have the decorations gone? UNESCO in Serbia We are the World 32 Cultural Routes of the Council of Europe in Serbia Spiritual connections 36 Museums in Serbia 38 Galleries in Serbia Accelerators of culture 42 Graffiti, murals and street art Street spirit 44 Novi Sad 2021 – European Capital of Culture Open-minded city 46 New venues for cultural offerings How to plan the unexpected? 48 Gradac Monastery, 13th century, Photograph on the cover page: Kadinjača Memorial Park, XX century fresco detail Ready for a great adventure? Set off on an unprecedented expedition – from the place where the first monumental art in Europe was created and the cities where Roman emperors lived and whose walls changed rulers over the centuries only to eventually become the sites of popular festivals to the manufacturing facilities that are creating new ideas for the future today. -
Women's Creativity Since the Modern Movement
WOMEN’S CREATIVITY SINCE THE MODERN MOVEMENT (1918-2018): TOWARD A NEW PERCEPTION AND RECEPTION MoMoWo Symposium 2018 Programme and Abstracts of the International Conference Edited by CATERINA FRANCHINI and EMILIA GARDA MoMoWo Symposium 2018. Women’s Creativity since the Modern Movement (1918-2018): Toward a New Perception and Reception. Programme and Abstracts of the International Conference Politecnico di Torino, Campus Lingotto | 13th–16th June 2018, Torino, Italy EDITED BY GRAPHIC DESIGN CONCEPT Caterina Franchini and Emilia Garda Caterina Franchini Emilia Garda MOMOWO SCIENTIFIC COMMITTEE POLITO (Turin | Italy) LAYOUT Emilia Garda, Caterina Franchini Pre-press La Terra Promessa ENSILIS IADE (Lisbon | Portugal) TEXTS REVISION Maria Helena Souto Cristiana Chiorino UNIOVI (Oviedo | Spain) ComunicArch Ana Mária Fernández García Caterina Franchini VU (Amsterdam | The Netherlands) MoMoWo Politecnico di Torino - DIST Marjan Groot ZRC SAZU (Ljubljana | Slovenia) PROOFREADING Helena Seražin Cristina Cassavia STUBA (Bratislava | Slovakia) MoMoWo Politecnico di Torino - DISEG Henrieta Moravčíková Caterina Franchini MoMoWo Politecnico di Torino - DIST COORDINATION | SCIENTIFIC SECRETARIAT Caterina Franchini, Politecnico di Torino - DIST PRINTING La Terra Promessa Società Coop. Sociale ONLUS ORGANISING SECRETARIAT Beinasco (Turin, Italy) Cristiana Chiorino, ComunicArch Cristina Cassavia (Assistant), POLITO PUBLISHER Publication of the project MoMoWo - Women’s Politecnico di Torino Creativity since the Modern Movement. This project has been co-funded -
Intangible Cultural Heritage As Tourism Resource of Serbia
Sociology and Anthropology 5(6): 442-449, 2017 http://www.hrpub.org DOI: 10.13189/sa.2017.050602 Intangible Cultural Heritage as Tourism Resource of Serbia Branko Krasojević1,*, Biljana Djordjević2 1"Consultant in Tourism" Agency, Serbia 2National Museum in Belgrade, Serbia Copyright©2017 by authors, all rights reserved. Authors agree that this article remains permanently open access under the terms of the Creative Commons Attribution License 4.0 International License Abstract Intangible cultural heritage, as a factor of crafts and handicrafts. 2 Promotion of intangible cultural promoting and developing cultural and national identity, is heritage under this Convention is implemented through three the focus of attention of the UNESCO, UNWTO and other lists, which include the representative heritage of humanity, international organizations specializing in the protection and heritage in need of an urgent protection and examples of the promotion of culture and tourism, thereby generating tourism good practice.3 The main objective of the Convention for the demand. The tourist offer of Serbia includes intangible preservation of the Intangible Cultural Heritage is its cultural heritage which is modestly and inadequately protection and revitalization. In fact, the term revitalization presented and interpreted. This project is the result of does not mean the revival of extinct and forgotten traditions, research for the development of national strategies in tourism knowledge and skills. However, it means encouragement to and the investigations of the intangible cultural heritage as a those who in spite of the negative impacts on globalization tourism potential. Its aim is to highlight the importance of persist in cultivating their local traditions which identify intangible heritage as a factor involved in generating the them as a community or a group, and by the transfer to the critical mass of the contemporarily interpreted cultural younger generation endeavor to ensure continuity of the tourism products which can significantly enhance the identity which defines them.