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The Nineteenth-Century Home Theatre: Women and Material Space
The Nineteenth-Century Home Theatre: Women and Material Space Ann Margaret Mazur Pittsburgh, Pennsylvania B.S. Mathematics and English, University of Notre Dame, 2007 M.A. English and American literature, University of Notre Dame, 2009 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of English University of Virginia May, 2014 © 2014 Ann M. Mazur Table of Contents Acknowledgments…………...…………………………………………………………..…..……i Dedication…………...……………………………………………………………………………ii Chapter 1 Introduction: The Home Theatre in Context……………………………………...………………1 Chapter 2 A Parlour Education: Reworking Gender and Domestic Space in Ladies’ and Children’s Theatricals...........................63 Chapter 3 Beyond the Home (Drama): Imperialism, Painting, and Adaptation in the Home Theatrical………………………………..126 Chapter 4 Props in Victorian Parlour Plays: the Periperformative, Private Objects, and Restructuring Material Space……………………..206 Chapter 5 Victorian Women, the Home Theatre, and the Cultural Potency of A Doll’s House……….….279 Works Cited………………………………………………………………………………....…325 Acknowledgements I am deeply grateful to the American Association of University Women for my 2013-2014 American Dissertation Fellowship, which provided valuable time as well as the financial means to complete The Nineteenth-Century Home Theatre: Women and Material Space over the past year. I wish to thank my dissertation director Alison Booth, whose support and advice has been tremendous throughout my entire writing process, and who has served as a wonderful mentor during my time as a Ph.D. student at the University of Virginia. My dissertation truly began during an Independent Study on women in the Victorian theatre with Alison during Spring 2011. Karen Chase and John O’Brien, the two supporting members of what I have often called my dream dissertation committee, offered timely encouragement, refreshing insight on chapter drafts, and supported my vision for this genre recovery project. -
Racial Slur Database - by SLUR (Over 2500 Listed)
Racial Slur Database - By SLUR (over 2500 listed) Slur Represents Reasons/Origins 539 Jews Corresponds with the letters J-E-W on a telephone. 925 Blacks Police Code in Suburban LA for "Suspicious Person" 7-11 Arabs Work at menial jobs like 7-11 clerks. Refers to circumcision and consumerism (never pay retail). The term is most widely used in the UK where circumcision among non-Jews or non- 10% Off Jews Muslims is more rare, but in the United States, where it is more common, it can be considered insulting to many non-Jewish males as well. 51st Stater Canadians Canada is so culturally similar to the U. S. that they are practically the 51st state 8 Mile Whites When white kids try to act ghetto or "black". From the 2002 movie "8 Mile". Stands for American Ignorance as well as Artificial Intelligence-in other words...Americans are stupid and ignorant. they think they have everything A.I. Americans and are more advanced than every other country AA Blacks African American. Could also refer to double-A batteries, which you use for a while then throw away. Abba-Dabba Arabs Used in the movie "Betrayed" by rural American hate group. ABC (1) Chinese American-Born Chinese. An Americanized Chinese person who does not understand Chinese culture. ABC (2) Australians Aboriginals use it to offend white australians, it means "Aboriginal Bum Cleaner" Means American Born Confused Desi (pronounced day-see). Used by Indians to describe American-born Indians who are confused about their ABCD Indians culture. (Desi is slang for an 'countryman'). -
All Feathers and Attitude Virginia Macdonald Northern Michigan University, [email protected]
Northern Michigan University NMU Commons All NMU Master's Theses Student Works 5-2015 All Feathers and Attitude Virginia MacDonald Northern Michigan University, [email protected] Follow this and additional works at: https://commons.nmu.edu/theses Part of the Nonfiction Commons Recommended Citation MacDonald, Virginia, "All Feathers and Attitude" (2015). All NMU Master's Theses. 38. https://commons.nmu.edu/theses/38 This Open Access is brought to you for free and open access by the Student Works at NMU Commons. It has been accepted for inclusion in All NMU Master's Theses by an authorized administrator of NMU Commons. For more information, please contact [email protected],[email protected]. ALL FEATHERS AND ATTITUDE By Virginia A. MacDonald THESIS Submitted to Northern Michigan University In partial fulfillment of the requirements For the degree of MASTER OF FINE ARTS Office of Graduate Education and Research April 2015 SIGNATURE APPROVAL FORM Title of Thesis: ALL FEATHERS AND ATTITUDE This thesis by Virginia A. MacDonald is recommended for approval by the student’s Thesis Committee and Faculty Chair in the Department of English and by the Assistant Provost of Graduate Education and Research. ________________________________________________________________ Committee Chair: Matt Frank Date ________________________________________________________________ First Reader: Daniel Gocella Date ________________________________________________________________ Second Reader: Jon Billman Date _________________________________________________________________ Faculty Chair: Dr. Robert Whalen Date ________________________________________________________________ Dr. Brian D. Cherry Date Assistant Provost of Graduate Education and Research ABSTRACT ALL FEATHERS AND ATTITUDE By Virginia A. MacDonald This collection of essays and prose poems seeks to examine the elements of an identity: how memories, culture, work, place, family, and brain chemistry simultaneously create and undermine a sense of self. -
A History of the Welsh English Dialect in Fiction
_________________________________________________________________________Swansea University E-Theses A History of the Welsh English Dialect in Fiction Jones, Benjamin A. How to cite: _________________________________________________________________________ Jones, Benjamin A. (2018) A History of the Welsh English Dialect in Fiction. Doctoral thesis, Swansea University. http://cronfa.swan.ac.uk/Record/cronfa44723 Use policy: _________________________________________________________________________ This item is brought to you by Swansea University. Any person downloading material is agreeing to abide by the terms of the repository licence: copies of full text items may be used or reproduced in any format or medium, without prior permission for personal research or study, educational or non-commercial purposes only. The copyright for any work remains with the original author unless otherwise specified. The full-text must not be sold in any format or medium without the formal permission of the copyright holder. Permission for multiple reproductions should be obtained from the original author. Authors are personally responsible for adhering to copyright and publisher restrictions when uploading content to the repository. Please link to the metadata record in the Swansea University repository, Cronfa (link given in the citation reference above.) http://www.swansea.ac.uk/library/researchsupport/ris-support/ A history of the Welsh English dialect in fiction Benjamin Alexander Jones Submitted to Swansea University in fulfilment of the requirements -
Imagined States
Utah State University DigitalCommons@USU All USU Press Publications USU Press 2001 Imagined States Luisa Del giudice Gerald Porter Follow this and additional works at: https://digitalcommons.usu.edu/usupress_pubs Part of the Cultural History Commons, and the Folklore Commons Recommended Citation Del, G. L., & Porter, G. (2001). Imagined states: Nationalism, utopia, and longing in oral cultures. Logan, Utah: Utah State University Press. This Book is brought to you for free and open access by the USU Press at DigitalCommons@USU. It has been accepted for inclusion in All USU Press Publications by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. Imagined States Nationalism, Utopia, and Longing in Oral Cultures Imagined States Nationalism, Utopia, and Longing in Oral Cultures Edited by Luisa Del Giudice and Gerald Porter Utah State University Press Logan, Utah ISBN 0-87421-457-2 (E-BOOK) Copyright © 2001 Utah State University Press All rights reserved Utah State University Press Logan Utah 84322-7800 Cover illustration: oil painting by Filippo Falciatore, entitled Cuccagna al Largo di Palazzo (cf. figure 15). Electa Archive, Elewood SpA, Milano. Reproduced from Settecento Napoletano 1994, 136. Chapter display images taken from Il Mondo alla Riversa (Upside Down World), Rome: Anonymous Italian, c. 1650. Civica Raccolta delle Stampe Achille Bertarelli, Milano. Reproduced from Bertarelli 1974, 60 (figure 38). Library of Congress Cataloging-in-Publication Data Imagined states : nationalism, utopia, and longing in oral cultures / edited by Luisa Del Giudice and Gerald Porter. p. cm. Includes bibliographical references and index. ISBN 0-87421-412-2 (pbk. : alk. paper) 1. -
RCA Camden Label Discography the RCA Camden Label Was Started in 1953 As a Budget Label
RCA Discography Part 57 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Camden Label Discography The RCA Camden label was started in 1953 as a budget label. It was named after Camden New Jersey which was the manufacturing and distribution center of RCA Victor records. Much of the material released by Camden were reissues of albums released by RCA Victor, usually with a few less songs. Initially the label was used for classical releases but soon started releasing popular, country and comedy albums. Albums released by Camden included ones released by RCA of Canada using the same numbering system. These RCA of Canada albums were only distributed in Canada and were not listed in the Schwann catalogs. CAL 100 – Tchaikovsky: Nutcracker Suite/Saint-Saens: Carnival of the Animals – Warwick Symphony Orchestra [195?] CAL 101 – Prokofieff: Peter and the Wolf/Richard Strauss: Till Eulenspiegel’s Merry Pranks – Boston Symphony Orchestra [195?] CAL 102 – Beethoven: Symphony No. 3 in E-Flat (Eroica) – London Philharmonic Orchestra [195?] CAL 103 – Symphonies No. 5 Op. 67, C Minor (Beethoven) – Stattford Symphony Orchestra (London Philharmanic Orchestra) [1960] CAL 104 – Dvorak: Symphony No. 5 in E-Minor (New World) – Philadelphia Orchestra [195?] CAL 105 – Concert Classics – Warwick Symphony Orchestra [195?] Sibelius: Finlandia/Boccherini: Minuet/Haydn: 18th Century Dance/Bach: Fugue in G minor/Wagner: Lohengrin Act 1 Prelude; Magic Fire Music/Handel: Pastoral Symphony CAL 106 – Schubert: Symphony No. 8 Unfinished/Symphony No. 5 – Serge Koussevitzky, Boston Symphony Orchestra [195?] CAL 107 – Franck: Symphony in D Minor – San Francisco Symphony [195?] CAL 108 - Sibelius Symphony No. -
The Presence of the Past: Medieval Encounters in the Writing of Virginia Woolf and Lynette Roberts
The Presence of the Past: Medieval Encounters in the Writing of Virginia Woolf and Lynette Roberts Siriol McAvoy Thesis Submitted for the Degree of Doctor of Philosophy (English Literature) School of English, Communication and Philosophy Cardiff University 2016 Table of Contents Abstract iii Acknowledgements v Introduction 1 Virginia Woolf, Lynette Roberts and the Presence of the Past Part I: Landscape and Travel 1 Re-writing Romance in Virginia Woolf’s The Voyage Out 58 2 Travelling Medieval Cultures in the Poetry of Lynette Roberts 101 Part II: Re-enchanting Domestic Space 3 Mrs Dalloway, William Morris, and Medievalism: Crafting a ‘Room of 143 One’s Own in the Soul’ 4 ‘Earthbound’: Rootedness and Re-enactment in the Shadow of War 184 Part III: Language and Community 5 Anonymity, Culture and Community in Virginia Woolf’s Writing of the 223 1940s: The Fable of ‘Anon’ 6 ‘Unlocked the Padlocked Lungs’: the Idea of the Vernacular in the Writing 271 of Lynette Roberts Conclusion 320 Bibliography 334 ii Abstract This thesis starts from the premise that medievalism is an important yet under-recognised seam in British modernist culture. Untangling and examining the medieval threads that weave throughout the modern interest in the new, I supply an important link in the chain connecting modernism to postmodernism. Specifically, I consider medievalism through the lens of gender. Suggesting that women’s prolific engagement with medieval culture during the modernist period has been mysteriously neglected, I illuminate modernist women writers’ creative engagement with the Middle Ages by focusing on two writers in particular – Virginia Woolf (1882-1941) and Lynette Roberts (1909-1995). -
Across the Margins: Cultural Identity and Change in the Atlantic Archipelago Norquay, Glenda (Ed.); Smyth, Gerry (Ed.)
www.ssoar.info Across the margins: cultural identity and change in the Atlantic archipelago Norquay, Glenda (Ed.); Smyth, Gerry (Ed.) Veröffentlichungsversion / Published Version Sammelwerk / collection Zur Verfügung gestellt in Kooperation mit / provided in cooperation with: OAPEN (Open Access Publishing in European Networks) Empfohlene Zitierung / Suggested Citation: Norquay, G.a., & Smyth, G. (Eds.). (2002). Across the margins: cultural identity and change in the Atlantic archipelago. Manchester: Manchester Univ. Press. https://nbn-resolving.org/urn:nbn:de:0168-ssoar-271145 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-NC-ND Lizenz This document is made available under a CC BY-NC-ND Licence (Namensnennung-Nicht-kommerziell-Keine Bearbeitung) zur (Attribution-Non Comercial-NoDerivatives). For more Information Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden see: Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0 https://creativecommons.org/licenses/by-nc-nd/4.0/deed.de 1 Across the margins Norquay_00_Prelims 1 22/3/02, 9:26 am Norquay_00_Prelims 2 22/3/02, 9:26 am Across the margins Cultural identity and change in the Atlantic archipelago EDITED BY GLENDA NORQUAY AND GERRY SMYTH Manchester University Press Manchester and New York distributed exclusively in the USA by Palgrave Norquay_00_Prelims 3 22/3/02, 9:27 am Copyright © Manchester University Press 2002 While copyright in the volume is vested in Manchester University Press, copyright in individual chapters belongs to their respective -
Ethnic Boundaries, Identity, and Schooling: a Socio - Cultural Study of Welsh-English Relations
DOCUMENT RESUME ED 108 517 FL 006 988 AUTHOR Khleif, Bud B. TITLE Ethnic Boundaries, Identity, and Schooling: A Socio - cultural Study of Welsh-English Relations. SPONS AGENCY National Inst. of Education (DREW), Washington, D.C. PUE PATE 8 May 75 GRANT NE-G-00-3-0130 \ NOTE 464p.; Portions of\pages 30, 140, 164, 255, 371, and 403 are copyrighted) and not available. They do not affect the,,pagination EDRS PRICE MF-$0.76 HC-$23.48 PLUS POSTAGE DESCRIPTORS *Bilingual Education; Bilingualism; *Cultural Awareness; Cultural Background; Cultural Education; Cultural Factors; Economic Factors; Educational Legislation; Educational Planning; Educational Policy; Ethnic Groups; *Ethnic Relations; *Ethnic Studies; Language Instruction; Language Planning; Language Pole; *Nationalism; Official Languages; Political Attitudes; Second Languages; Social Factors; Sociolinguistics; Uncommonly Taught Languages; *Welsh IDENTIFIERS Welsh English Relations ABSTRACT This report is concerned with the current Welsh cultural resurgence, with the focus of this resurgence on the Welsh language as a chief determinant of ethnicity, and with the efforts of the Welsh to obtain from those that govern them institutional supports for their language in schools, courts of law, and similar public and official establishments. This study is put in the co xt of relations with the English, the historical background of the Welch, and the larger context of autonomist movements in Europe and North America, South America, Asia, and Africa. The questions explored here include:(1) what -
El Inglés Prohibido
www.FreeLibros.org EL INGLES PROHIBIDO GLENN DARRAGH E D I T O R I A L S T A N L E Y www.FreeLibros.org EL INGLES PROHIBIDO WRITTEN BY GLENN DARRAGH PUBLISHED BY EDITORIAL STANLEY LAYOUT ANGELA G6MEZ MARTIN COVER DESIGN DISENO IRUNES © EDITORIAL STANLEY APDO. 207 - 20302 IRUN - SPAIN TELF. (943) 64 04 12 - FAX. (943) 64 38 63 ISBN: 84-7873-349-3 DEP. LEG. BI-354-01 FIRST EDITION 2001 PRINTERS www.FreeLibros.orgIMPRENTA BEREKINTZA ACKNOWLEDGEMENTS Examples of usage were drawn from newspapers and magazines as indicated in the text of the book, as well as from the following printed sources: Albee, Edward: Who's Afraid of Virginia Woolf?; Amis, Kingsley:The Green Man, The Old Devils', Amis, Martin: Money, London Fields; Barnes, Julian: Talking it Over; Beckett, Samuel: Molloy; Bender, Aimee: The Girl in the Flammable Skirt; Bennet, William: The Falkland Line; Beretta, Alan: What's Your Game?; Bergreen, Laurence: Louis Armstrong, An Extravagant Life; Bruce, Lenny: The Essential Lenny Bruce; Bukowski, Charles: Post Office, Factotum, Women, Love is a Dog from Hell; Carlin, Tony: One More Hand; Carrol, James: An American Requiem; Century, Douglas: Street Kingdom; Chandler, Raymond: Farewell, My Lovely; Chanteau, Diane: The Longest Sausage In The World; Chapman, Robert L.: American Slang; Cleese, John: Fawlty Towers; Coe, Jonathan: The House of Sleep; Coen, Ethan: Gates of Eden; Cole, Lew: 12465 Kimberland Ave.; Cook, Peter: Beyond the Fringe; Cornfield, Robert: The Tree Still Grows in Brooklyn; Corsitto, Christopher: Next Door To Erica; Doughty,