El Inglés Prohibido
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Corpus Christi College the Pelican Record
CORPUS CHRISTI COLLEGE THE PELICAN RECORD Vol. LI December 2015 CORPUS CHRISTI COLLEGE THE PELICAN RECORD Vol. LI December 2015 i The Pelican Record Editor: Mark Whittow Design and Printing: Lynx DPM Limited Published by Corpus Christi College, Oxford 2015 Website: http://www.ccc.ox.ac.uk Email: [email protected] The editor would like to thank Rachel Pearson, Julian Reid, Sara Watson and David Wilson. Front cover: The Library, by former artist-in-residence Ceri Allen. By kind permission of Nick Thorn Back cover: Stone pelican in Durham Castle, carved during Richard Fox’s tenure as Bishop of Durham. Photograph by Peter Rhodes ii The Pelican Record CONTENTS President’s Report ................................................................................... 3 President’s Seminar: Casting the Audience Peter Nichols ............................................................................................ 11 Bishop Foxe’s Humanistic Library and the Alchemical Pelican Alexandra Marraccini ................................................................................ 17 Remembrance Day Sermon A sermon delivered by the President on 9 November 2014 ....................... 22 Corpuscle Casualties from the Second World War Harriet Fisher ............................................................................................. 27 A Postgraduate at Corpus Michael Baker ............................................................................................. 34 Law at Corpus Lucia Zedner and Liz Fisher .................................................................... -
LEAVING Hotill CALAFORNIX
LEAVING HOtILL CALAFORNIX Undamming the world’s rivers, forcing the collection of that which falls from the heavens and/or your ass, o camillo. An autobiographic historical expose, for Life. Introit I’m John Lawrence Kanazawa Jolley. Currently life on the planet is having a stroke, diagnosed from a human’s anatomy point of view, severe blockage of its flow ways. From life’s point of view humans are dam, slacker home building, ditch digging, drain the well dry, devil’s GMO food of the god’s, monocultural, sewage pumpers or porous dam sheddy flushtoile.t. ecocide artists. Compounding this problem is a machine/computer/vessel/organism that creates clone doppelganger pirates that’ve highjacked the surface guilty of the same crime. If we do anything well its intuitive container transportation. This is the case. I’m educated University of Florida, Institute of Food and Agricultural Sciences, Environmental Horticulture. I’m a trapper, gardener, carpenter, fisherperson, cooper and teacher. Drainage is the most important idea to consider when gardening. I paddled a canoe across North America and back, been through Lake Sacagawea twice. I’m a bullfighter, the foremost gardener in the world, the point spokesman for life, the man himself, hole puncher, obstacle remover, the pencil man, the one, Christ almighty. The character who appears again when it’s an “Obama nation of desolation” to save the world from damnation. I’m a specialist, designed specifically to solve the currentless dam problem. The timeliest, most intelligent, aggressive, offensive, desperate character ever created, for a reason. The health of life on the planet is in severe question. -
CELEBRATING FORTY YEARS of FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and Counting…
5 JAN 18 1 FEB 18 1 | 5 JAN 18 - 1 FEB 18 88 LOTHIAN ROAD | FILMHOUSECinema.COM CELEBRATING FORTY YEARS OF FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and counting… As you’ll spot deep within this programme (and hinted at on the front cover) January 2018 sees the start of a series of films that lead up to celebrations in October marking the 40th birthday of Filmhouse as a public cinema on Lothian Road. We’ve chosen to screen a film from every year we’ve been bringing the very best cinema to the good people of Edinburgh, and while it is tremendous fun looking back through the history of what has shown here, it was quite an undertaking going through all the old programmes and choosing what to show, and a bit of a personal journey for me as one who started coming here as a customer in the mid-80s (I know, I must have started very young...). At that time, I’d no idea that Filmhouse had only been in existence for less than 10 years – it seemed like such an established, essential institution and impossible to imagine it not existing in a city such as Edinburgh. My only hope is that the cinema is as important today as I felt it was then, and that the giants on whose shoulders we currently stand feel we’re worthy of their legacy. I hope you can join us for at least some of the screenings on this trip down memory lane... And now, back to the now. -
Nothing Is Impossible
Nothing is Impossible. Autobiography of William Hamilton Robertson (Known as Wullie, Scottie, Ginger, Sparks and Bill) Ballenbreich by Avonbridge, Falkirk Me my mum and Fred Explanation about Fred KARNO who I refer to in this book. Frederick John Westcott (26 March 1866 – 18 September 1941), best known by his stage name Fred Karno, was a theatre impresario of the British music hall. Karno is credited with inventing the custard-pie-in –the-face gag. During the 1890s, in order to circumvent stage censorship, Karno developed a form of sketch comedy without dialogue. Cheeky authority defying playlets such as “Jail Birds” (1896) in which prisoners play tricks on warders and “Early Birds” (1903) where a small man defeats a large ruffian in London’s East End can be seen as precursors of movie silent comedy. In fact, among the young comedians who worked for him were Charlie Chaplin and Arthur Jefferson, who later adopted the name of Stan Laurel. These were part of what was known as “Fred Karno’s Army”, a phrase still occasionally used in the U.K. to refer to a chaotic group or organisation. The phrase was also adopted by British solders into a trench song in the First World War, as a parody of, or rather to the tune of, the hymn “The Church’s One Foundation”. In the Second World War it was adapted as the anthem of “The Guinea Pig Club”, the first line becoming ”We are McIndoe’s Army”. The men, having their burnt faces etc. rebuilt, by the Famous Plastic Surgeon Mr. -
THE MODERATE SOPRANO Glyndebourne’S Original Love Story by David Hare Directed by Jeremy Herrin
PRESS RELEASE IMAGES CAN BE DOWNLOADED HERE Twitter | @ModerateSoprano Facebook | @TheModerateSoprano Website | www.themoderatesoprano.com Playful Productions presents Hampstead Theatre’s THE MODERATE SOPRANO Glyndebourne’s Original Love Story By David Hare Directed by Jeremy Herrin LAST CHANCE TO SEE DAVID HARE’S THE MODERATE SOPRANO AS CRITICALLY ACCLAIMED WEST END PRODUCTION ENTERS ITS FINAL FIVE WEEKS AT THE DUKE OF YORK’S THEATRE. STARRING OLIVIER AWARD WINNING ROGER ALLAM AND NANCY CARROLL AS GLYNDEBOURNE FOUNDER JOHN CHRISTIE AND HIS WIFE AUDREY MILDMAY. STRICTLY LIMITED RUN MUST END SATURDAY 30 JUNE. Audiences have just five weeks left to see David Hare’s critically acclaimed new play The Moderate Soprano, about the love story at the heart of the foundation of Glyndebourne, directed by Jeremy Herrin and starring Olivier Award winners Roger Allam and Nancy Carroll. The production enters its final weeks at the Duke of York’s Theatre where it must end a strictly limited season on Saturday 30 June. The previously untold story of an English eccentric, a young soprano and three refugees from Germany who together established Glyndebourne, one of England’s best loved cultural institutions, has garnered public and critical acclaim alike. The production has been embraced by the Christie family who continue to be involved with the running of Glyndebourne, 84 years after its launch. Executive Director Gus Christie attended the West End opening with his family and praised the portrayal of his grandfather John Christie who founded one of the most successful opera houses in the world. First seen in a sold out run at Hampstead Theatre in 2015, the new production opened in the West End this spring, with Roger Allam and Nancy Carroll reprising their original roles as Glyndebourne founder John Christie and soprano Audrey Mildmay. -
Emindanao Library an Annotated Bibliography (Preliminary Edition)
eMindanao Library An Annotated Bibliography (Preliminary Edition) Published online by Center for Philippine Studies University of Hawai’i at Mānoa Honolulu, Hawaii July 25, 2014 TABLE OF CONTENTS Preface iii I. Articles/Books 1 II. Bibliographies 236 III. Videos/Images 240 IV. Websites 242 V. Others (Interviews/biographies/dictionaries) 248 PREFACE This project is part of eMindanao Library, an electronic, digitized collection of materials being established by the Center for Philippine Studies, University of Hawai’i at Mānoa. At present, this annotated bibliography is a work in progress envisioned to be published online in full, with its own internal search mechanism. The list is drawn from web-based resources, mostly articles and a few books that are available or published on the internet. Some of them are born-digital with no known analog equivalent. Later, the bibliography will include printed materials such as books and journal articles, and other textual materials, images and audio-visual items. eMindanao will play host as a depository of such materials in digital form in a dedicated website. Please note that some resources listed here may have links that are “broken” at the time users search for them online. They may have been discontinued for some reason, hence are not accessible any longer. Materials are broadly categorized into the following: Articles/Books Bibliographies Videos/Images Websites, and Others (Interviews/ Biographies/ Dictionaries) Updated: July 25, 2014 Notes: This annotated bibliography has been originally published at http://www.hawaii.edu/cps/emindanao.html, and re-posted at http://www.emindanao.com. All Rights Reserved. For comments and feedbacks, write to: Center for Philippine Studies University of Hawai’i at Mānoa 1890 East-West Road, Moore 416 Honolulu, Hawaii 96822 Email: [email protected] Phone: (808) 956-6086 Fax: (808) 956-2682 Suggested format for citation of this resource: Center for Philippine Studies, University of Hawai’i at Mānoa. -
2017 Producers Book Finalists
PRODUCERS BOOK & PRINT SOURCE LIST Pre-Festival Edition THE 2017 PRODUCERS BOOK A LETTER FROM THE SCREENPLAY & FILM COMPETITION DIRECTORS Hello! Each year, we prepare our annual Producers Book which contains loglines and contact information for the year’s top scripts in our various Script Competitions. Please feel free to reach out to any of the writers listed here to request a copy of their scripts. Also included is our Print Source List containing information for all films selected for the 2017 Festival. This year’s Semifinalists and Finalists were chosen from a field of 9,487 scripts entered in our Screenplay, Digital Series, Playwriting, and Fiction Podcast Competitions. Each year we are amazed by the professional quality and talent that we receive and this year wasn’t any different. The Competition is open to feature-length scripts in the genres of drama, comedy, sci-fi, and horror; teleplay pilots and specs, short scripts, stage plays, fiction podcast scripts, and digital series scripts. Year after year, our strive in programming the Austin Film Festival film slate is to discover and champion the writers and those who can translate amazing stories to the screen. We received over 5,000 film submissions this year and had the task of whittling it down to 182 films that embody our mission and passion for storytelling. It was a harrowing task, but it led to our strongest year of film yet. We’re so proud of this year’s diverse group of filmmakers and unique voices and can’t wait for these works to be seen, shared, and loved. -
Philippine Scene Demonstrating the Preparation of Favorite Filipino Dishes
Msgr. Gutierrez Miles Beauchamp Entertainment Freedom, not bondage; Wait ‘till you Annabelle prefers Yilmaz transformation... hear this one over John Lloyd for Ruffa June 26 - July 2, 2009 Thousands march vs ConAss PHILIPPINE NEWS SER- VICE -- VARIOUS groups GK Global Summit A visit to my old high school opposed to Charter change yesterday occupied the corner of Ayala Avenue and Paseo de Meloto passes torch No longer the summer of 1964, but Roxas in Makati City to show their indignation to efforts to to Oquinena and looks rewrite the Charter which they the winter of our lives in 2009 said will extend the term of toward future When I mentioned that I President Macapagal-Arroyo. would be going home to the Event organizers said there were about 20,000 people who Philippines last April, some marched and converged at of my classmates asked me the city’s financial district but to visit our old high school the police gave a conserva- and see how we could be tive crowd estimate of about of help. A classmate from 5,000. Philadelphia was also going Personalities spotted marching included Senators home at the same time and Manuel Roxas II, Benigno suggested that we meet “Noy-noy” Aquino III, Pan- with our other classmates in filo Lacson, Rodolfo Biazon, Manila. Pia Cayetano, Loren Legarda, Jamby Madrigal and Rich- By Simeon G. Silverio, Jr. ard Gordon, former Senate Publisher & Editor President Franklin Drilon and Gabriela Rep. Liza Maza, and The San Diego Rep. Jose de Venecia. They Asian Journal took turns lambasting allies of the administration who See page 5 Arellano facade (Continued on page 4) Tony Meloto addresses the crowd as Luis Oquinena and other GK supporters look on. -
THE MODERATE SOPRANO Glyndebourne’S Original Love Story by David Hare Directed by Jeremy Herrin
PRESS RELEASE IMAGES CAN BE DOWNLOADED HERE Twitter | @ModerateSoprano Facebook | @TheModerateSoprano Website | www.themoderatesoprano.com Playful Productions presents Hampstead Theatre’s THE MODERATE SOPRANO Glyndebourne’s Original Love Story By David Hare Directed by Jeremy Herrin LAST CHANCE TO SEE DAVID HARE’S THE MODERATE SOPRANO AS CRITICALLY ACCLAIMED WEST END PRODUCTION ENTERS ITS FINAL FIVE WEEKS AT THE DUKE OF YORK’S THEATRE. STARRING OLIVIER AWARD WINNING ROGER ALLAM AND NANCY CARROLL AS GLYNDEBOURNE FOUNDER JOHN CHRISTIE AND HIS WIFE AUDREY MILDMAY. STRICTLY LIMITED RUN MUST END SATURDAY 30 JUNE. Audiences have just five weeks left to see David Hare’s critically acclaimed new play The Moderate Soprano, about the love story at the heart of the foundation of Glyndebourne, directed by Jeremy Herrin and starring Olivier Award winners Roger Allam and Nancy Carroll. The production enters its final weeks at the Duke of York’s Theatre where it must end a strictly limited season on Saturday 30 June. The previously untold story of an English eccentric, a young soprano and three refugees from Germany who together established Glyndebourne, one of England’s best loved cultural institutions, has garnered public and critical acclaim alike. The production has been embraced by the Christie family who continue to be involved with the running of Glyndebourne, 84 years after its launch. Executive Director Gus Christie attended the West End opening with his family and praised the portrayal of his grandfather John Christie who founded one of the most successful opera houses in the world. First seen in a sold out run at Hampstead Theatre in 2015, the new production opened in the West End this spring, with Roger Allam and Nancy Carroll reprising their original roles as Glyndebourne founder John Christie and soprano Audrey Mildmay. -
Model Builder September 1972
CARL GOLDBERG MODELS THAT '«RANGER 42 The Versatile Almost- ARE REALLY Ready-To-Fly Fun Model. $1995 GREAT TO FLY! SKYLANE 62 © Takes Single To 4 Channel Proportional Radio. Molded Fuselage...One Piece Molded Wing, Stabilizer and Vertical Fin. Also Free Flight. Span 42". Weight 26 oz. For .049— Semi-Scale Beauty in .10 Engines. a Great Flying Model! I $2295 1-Piece Full-Length Sides ToU8h Roomy Cabin and Front End. For 2 To 4 Channel Proportional Steerable Nose Gear. Span 62". Weight 4>/2-5 Lbs. For 35 To .45 Engines. *OJ FEATURES: Now With 1-Piece Full-Length Sides. Takes 2 to 4 Channel Pro portional. Span 56". Weight 3V4-4V4 lbs. For .15-.19-.35 Engines. • See-through cabin, with die-cut plywood cabin sides FEATURES: • Shaped leading edges plus sheeting • Semi-symmetrical wing section • Coil-sprung nose gear. • Cleanly die-cut parts that fit formed main gear i / R Q w w & r • Shaped and notched leading and • Clark Y wing section, hardwood struts For Single or 2 Channel, trailing edges Pulse or Digital. Span 37" • Steerable nose gear, formed main gear • Cleanly die-cut ribs, fuse sides, Weight 18 oz. For .049 formers, etc. Engines. • New simple "Symmet-TRU'' $8.95 1/2A SKYLANE $9.95 wing construction For Single or 2 Channel, Pulse or Digital Span 4 2". Weight 22 0 2 . For .049 To -10 Engines Š A o e íto ittq $ 2 9 9 5 The GnndvearGoodyear Rar.prRacer With FnmiPhEnough ^ Area and Stability So You Can Fly It! For 4 Channel Proportional. -
Instruction Mannual Part
1map? fl r,fl 6 ietary Interviewer’s Manual for %e Hispanic Health and Nutrition Examirkion Survey, 1982434 U.S. DEPARTMENT OF HEALTH AND HUMAN SERVICES * Public Health Service * National Center for Health Statistics .------I ;:.:.:.:.:. ::.:::::::. :::::. ..I .:.,....‘.‘.~.‘.~.~.~.~.‘. -c b .‘.‘.‘.‘.~.‘.‘.’ .‘,‘.‘,‘,‘,~,‘.‘_‘,’ .~.‘.‘.~.‘.‘.~.‘.~.‘.’ This manual was prepared by V\!estat with assistance from Development Associates. Part 15f ● Dieta~ Interviewer’s Manual for the Hispanic Health and Nutrition Examination Survey, 1982-84 HHANES Data Collection U.S. DEPARTMENT OF HEALTH AND HUMAN SERVICES Public Health Service National Center for Health Statistics Hyattsviller Maryland August 1985 TABLE OF CONTENTS PART I. GENERAL INTERVIEWING TECHNIQUES Chapter Page 1 OVERVIEW OF THE HISPANIC HANES ..................................... 1-1 1.1 Introduction ..........● ......,.............................. 1-1 1.2 History of the National Health and Nutrition Examination Survey Program .................,......................... 1-1 1.3 Purpose of the Hispanic HANES .........0....0................ 1-2 1.4 Method of Data Collection ................................... 1-3 1.5 Confidentiality ...,............● ...................● ...0 ● .● . 1-6 1.6 Informed Consent ............................................ 1-6 1.7 Professional Ethics ......................................... 1-7 2 BEFORE BEGINNINGTHE INTERVIEW ..................................... 2-1 2.1 Review Your Interviewer’s Manual and Other Study Materials.. 2-1 2.2 Review the Questionnaire -
La Resistencia Como Práctica Que Posibilita La Subjetivación
ANAGRAMAS - UNIVERSIDAD DE MEDELLIN La resistencia como práctica que posibilita la subjetivación. Un acercamiento al concierto-ritual de música de resistencia* Mariana Rebeca Ferrari Violante** Recibido: 2016-08-12 Enviado a pares: 2016-08-23 Aprobado por pares: 2016-09-18 Aceptado: 2016-11-11 DOI: 10.22395/angr.v15n30a7 Resumen En la sociedad actual existe un interés, por parte de los aparatos de poder, de gobernar al ser humano. Sin embargo, también está presente una inquietud genuina en los gobernados de no ser administrados. En este sentido, la búsqueda de estrategias para ejercer resistencia es algo necesario. Esta no es una tarea fácil, pero existe la posibilidad de que el sujeto encuentre en un pequeño pliegue del discurso opresor la oportunidad de resistir y comandar desde sí y para sí su pensamiento, conducta y acciones. La subjetivación, entendida como un proceso por medio del cual un sujeto puede tener acción sobre sí mismo y moldearse bajo sus propios designios, es una de las consecuencias de la resistencia, y en este trabajo la exploramos en un contexto en específico: los conciertos de música de resistencia entendidos como rituales. En esta investigación describimos uno de estos conciertos-rituales tomando en cuenta solo tres elementos: la música de resistencia, el lugar donde se llevan a cabo y los sujetos que asisten. Cada uno de estos componentes posee características particulares que pueden propiciar prácticas de resistencia y, en consecuencia, el proceso de subjetivación. Así pues, el objetivo de este trabajo es explorar brevemente la relación entre la resistencia, la subjetivación y la práctica ética en un contexto específico que es el concierto-ritual.