• Sohrab Sepehri
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The Study of Utopia and Dystopia Ideas from Contemporary Iranian Poet's Perspective
Bagh- e Nazar, 15 (63):69-80 /Sep. 2018 DOI: 10.22034/bagh.2018.67411 Persian translation of this paper entitled: اندیشه های آرمان شهر و پادآرمان شهر از دیدگاه صاحبنظران شعر معاصر ایران (سهراب سپهری و فریدون مشیری) is also published in this issue of journal. The Study of Utopia and Dystopia Ideas from Contemporary Iranian Poet’s Perspective (Sohrab Sepehri and Fereydoun Moshiri) Masoud Haghlesan1, Zohreh Abbaszadeh2, Mohammad Hossein Eslampour*3 Assistant Professor, Department of Architecture, ILkhchi Branch, Islamic Azad University, ILkhchi, Iran. PhD student, Department of Architecture, Jolfa Branch, Islamic Azad University, Jolfa, Iran. PhD student, Department of Architecture, Jolfa Branch, Islamic AzadUniversity, Jolfa, Iran. Received 2017/11/18 revised 2018/06/09 accepted 2018/06/18 available online 2018/08/23 Abstract The ideal city (utopia) is a symbol of an idealized reality with no fault. It can also represent an unachievable reality. What Fereydoun Moshiri depicted as an ideal city includes a city with features such as considering humanistic dimensions, equity, tenderness and love among all human beings. The idealistic elements of Sepehri’s poems can be also considered as a mystical and romantic approach. In his magnificent collection of poems named Hasht Ketab, Sepehri has pointed out some architectural elements such as house, portal, room, mosque and etc. and also some materials such as stones, flowers, clay and so on to interpret utopia in his own way. Research objectives: The research attempts to discuss the concepts of utopia and dystopia from contemporary poet’s perspectives in both Sohrab Sepehri and Fereydoun Moshiri’s works. -
Islamic Perspective Journal of the Islamic Studies and Humanities Number 7, Volume 1, Spring & Summer 2012 London Academy of Iranian Studies
Islamic Perspective Journal of the Islamic Studies and Humanities Number 7, Volume 1, Spring & Summer 2012 London Academy of Iranian Studies Chairman: Seyed G. Safavi, SOAS University, UK Editor-in-Chief: Seyed Javad Miri, Institute for Humanities and Cultural Studies (IHCS), Iran Book Review Editor: Yoginder Singh Sikand, National Law School, Bangalore, India Managing Editor: Reza Hosseini, Institute for Humanities and Cultural Studies (IHCS), Iran Editorial Board Akbar Ahmed, American University, USA Rohit Barot, Bristol University, England Kenneth MacKendrick, University of Manitoba, Canada Faegheh Shirazi, The University of Texas at Austin, USA Judith Blau, University of North Carolina, Chapel Hill, USA Warren S. Goldstein, Center for Critical Research on Religion, USA Oleg V. Kuznetsov, State University of Chita, Siberia, Russia Syed Farid al-Attas, National University of Singapore, Singapore Seyed G. Safavi, SOAS University, UK Richard Foltz, Concordia University, Canada John Herlihy, Petroleum Institute, UAE Margarita Karamihova, Sofia University, Bulgaria Gary Wood, Virginia Polytechnic Institute & State University, USA Seyed Javad Miri, Institute of Humanities and Cultural Studies, Iran Husain Heriyanto, ICAS, Indonesia Eleanor Finnegan, University of Florida, USA Tugrul Keskin, Portland State University, USA Advisory Board George Ritzer, University of Maryland, USA Oliver Leaman, University of Kentucky, USA William I. Robinson, University of California-Santa Barbara, USA Omid Safi, University of North Carolina, USA Charles Butterworth, University of Maryland, College Park, USA Mahmud Keyvanara, Isfahan University of Medical Sciences, Iran Zivar Huseynova, Xezer University, Republic of Azerbayjan Yoginder Singh Sikand, National Law School, Bangalore, India Rachel Woodlock, Monash University, Australia Ejder Okumuş, Eskişehir osmangazi University, Turkey Manuscript Submission Submissions of articles, book reviews and other correspondence should be sent to: Seyed Javad Miri at [email protected]. -
On Complexity of Persian Orthography: L-Systems Approach
On Complexity of Persian Orthography: L-Systems Approach Nassim Taghipour Pattern Research Center, Tehran, Iran [email protected] Hamid Haj Seyyed Javadi Department of Mathematics and Computer Science, Shahed University Tehran, Iran [email protected] Mohammad Mahdi Dehshibi* Pattern Research Center, Tehran, Iran [email protected] *Corresponding author Andrew Adamatzky Unconventional Computing Centre, University of the West of England Bristol, UK [email protected] To understand how the Persian language developed over time, we un- cover the dynamics of complexity of Persian orthography. We represent Persian words by L-systems and calculate complexity measures of these generative systems. The complexity measures include degrees of non- constructability, generative complexity, and morphological richness; the measures are augmented with time series analysis. The measures are used in a comparative analysis of four representative poets: Rudaki (858–940 AD), Rumi (1207–1273), Sohrab (1928–1980), and Yas (1982–present). We find that irregularity of the Persian language, as characterized by the complexity measures of L-systems representing the words, increases over temporal evolution of the language. 1. Introduction Generation of culture-related motifs, for example, oriental ornaments or scripts, is among the hot topics of computer graphics and virtual re- ality [1–4]. The patterns can be produced in a “natural” way using simulated biological, physical, or chemical processes growing plants as L-systems [5]; precipitating reaction-diffusion media [6] are based on the actual mathematical equations designed by scientists to model the studied phenomena. Other approaches include cellular automata. Thus, Arata et al. [7] used cellular automata with a Margolus neigh- Complex Systems, 25 © 2016 Complex Systems Publications, Inc. -
My Tehran for Sale
! MY TEHRAN FOR SALE A REFLECTION ON THE AESTHETICS OF IRANIAN POETIC CINEMA G. MOUSSAVI ! THESIS IN THE FULFILMENT OF THE DEGREE OF DOCTOR OF CREATIVE ARTS UNIVERSITY OF WESTERN SYDNEY ! © Granaz Moussavi - 2011 DEDICATION I would like to dedicate this paper to the memories of my late mother and father: Parvin Chegini Farahani and Hashem Moussavi, as well as my beloved grandmother Nayer Fakhimi who taught me the first poems to recite. ACKNOWLEDGMENTS I would like to show my gratitude to my supervisors: Dr. Juan Salazar, Associate Professor Hart Cohen, and Professor Ivor Indyk for their encouragement, guidance and support from the initial to the final level of completing this research. My deepest thanks go to Dr. Juan Salazar who kindly but rigorously shepherded me to overcome the obstacles in my way to complete this written research and constantly motivated me to perform to my best ability. I must also extend my appreciation to the University of Western Sydney for its generosity for granting me the scholarship over my candidature. Also, I would like to sincerely thank Michael Falk for editing and proofreading my thesis. I also wish to express my deepest gratitude to the cast and crew of My Tehran For Sale in Australia and Iran, especially those in Iran who backed me up in many ways, gave me courage, and took many risks to facilitate making of the film. I would like to especially mention the actors - Marzieh Vafamehr and Asha Mehrabi - who took so much trouble in the aftermath of the film’s illegal virtual distribution and its wide reception by the audiences in Iran, as well as Amir Chegini (my husband), and the sound recorder Yadollah Najafi. -
Malmö, C-Uppsats 2020 Augusti
Kultur-språk-medier Examensarbete 15 högskolepoäng, grundnivå Läroböcker inom modersmålsundervisning i persiska och konstruktionen av nationell identitet Ferdovs Ahmady Examen och poäng : (Lärarexamen 90 hp) Examinator: Pär Widén Datum för slutseminarium: 2021-06-06 Handledare: Maria Kouns 1 Abstrakt De lärare som undervisar i persiska som modersmål och deras elever kommer ursprungligen från olika områden i den persisktalande världen. Detta leder till en spridd användning av lärobokstitlar i modersmålsundervisning i persiska. Syftet med denna uppsats är att kritiskt undersöka läroböcker som används i modersmålsundervisning i persiska i Sverige samt identifiera tänkbara följder som härstammar från politiska motsättningar och instabilitet i de persisktalande områdena. Uppsatsen bygger på diskurs som ett teoretiskt ramverk och grundar sig på Foucaults teori om diskursanalys. Metoden är kvalitativ och en läromedelsanalys har använts. Materialet som ska analyseras utifrån den diskursanalytiska metoden består av läroböcker som undervisas till elever som kommit från persisktalande områden i Afghanistan och Iran. En genomgång av de läromedlen som används i modersmålsundervisning i persiska i Sverige visar att de har en förankring i politik, etnicitet, religion och den nationella diskursen vilket leder till att negativt påverka modersmålsundervisning i persiska i Sverige. Resultatet utifrån skolans värdegrund visar att befintliga läromedel i modersmålsundervisning i persiska är politisk färgade. Det syns tydligt hur språket som verktyg och instrument används av utbildningsväsendet för att skapa kategorier, social verklighet och att konstruera en nationalistisk normativ som ideal diskurs. Nyckelord: Läroböcker, modersmålsundervisningen, diskursanalys, nationalism, persiska språket. 2 Innehållsförteckning ● Inledning 4 ● Syfte och Frågeställning 5 ● Bakgrund 6 ● Teoretiska perspektiv 11 ● Tidigare forskning 15 ● Metod och material 20 ● Resultat 23 ● Diskussion och slutsats 32 ● Vidare forskning 37 Referenslista 3 1. -
GHAREHGOZLOU, BAHAREH, Ph.D., August 2018 TRANSLATION STUDIES
GHAREHGOZLOU, BAHAREH, Ph.D., August 2018 TRANSLATION STUDIES A STUDY OF PERSIAN-ENGLISH LITERARY TRANSLATION FLOWS: TEXTS AND PARATEXTS IN THREE HISTORICAL CONTEXTS (261 PP.) Dissertation Advisor: Françoise Massardier-Kenney This dissertation addresses the need to expand translation scholarship through the inclusion of research into different translation traditions and histories (D’hulst 2001: 5; Bandia 2006; Tymoczko 2006: 15; Baker 2009: 1); the importance of compiling bibliographies of translations in a variety of translation traditions (Pym 1998: 42; D’hulst 2010: 400); and the need for empirical studies on the functional aspects of (translation) paratexts (Genette 1997: 12–15). It provides a digital bibliography that documents what works of Persian literature were translated into English, by whom, where, and when, and explores how these translations were presented to Anglophone readers across three historical periods—1925–1941, 1942–1979, and 1980–2015— marked by important socio-political events in the contemporary history of Iran and the country’s shifting relations with the Anglophone West. Through a methodical search in the library of congress catalogued in OCLC WorldCat, a bibliographical database including 863 editions of Persian-English literary translations along with their relevant metadata—titles in Persian, authors, translators, publishers, and dates and places of publication—was compiled and, through a quantitative analysis of this bibliographical data over time, patterns of translation publication across the given periods -
Master's Degree in Economics and Management of Arts and Cultural
Master’s Degree in Economics and Management of Arts and Cultural Activities Final Thesis Contemporary Iranian Art: Emerging Interest in Iranian Art in the International Art Markets and the Reception, Production and Assessment of Iranian Contemporary Art in the International Sphere Supervisor Prof. Cristina Tonghini Graduand Darya Shojai Kaveh 870809 Academic Year 2018 / 2019 Table of Contents Introduction i Acknowledgements vii Chapter One | Historical and political background of Iran from the 20th Century to the 21st Century 1 Introduction 1 1.1 | The Reza Shah Era (1921-2941) 4 1.2 | The Mohammed Reza Shah Era (1941-1979) 12 1.3 | The Islamic Republic of Iran (1979-now) 27 Chapter Two | Tracing the evolution of Iranian art through the 20th and 21st Centuries 35 2.1 | From Kamal ol-Molk to Reza Shah Pahlavi (1880-1940): The beginning of Modern Iranian Art 35 2.2 | Art under Reza Shah Pahlavi (1921-1941) 40 2.3 | Modernisation and Westernisation under Mohammad Reza Shah Pahlavi (1941-1979) 44 2.4 | Art under the Islamic Revolution and the New Millennium (1979-now) 52 Chapter Three | The Art Market for Contemporary Art and the Role of Iran in the Middle East 60 3.1 | Definition of the market for fine arts 60 3.2 | 1980s - 1990s: Emerging countries in the art market and the value of art 60 3.3 | Methodology 66 3.4 | Analysis of the art market: a comparison of Christie’s, Sotheby’s and Tehran Auction 69 3.4.1 | The art market in 2009 and 2010 71 3.4.2 | The art market in 2011 and 2012 77 3.4.3 | The art market in 2013 and 2014 85 3.4.4 | The art market in 2015 and 2016 92 3.4.5 | The art market in 2017 and 2018 98 3.4.6 | The art market in 2019 106 Conclusions 110 Bibliography 116 List of Images 126 Introduction In the last decade, the global fine arts market has grown with unprecedented speed, swiftly recovering from the 2008 financial crisis that enveloped the world’s economy. -
Matine-Daftary I Bahman Mohassess I Malekeh Nayini I Fereydoon Omidi I Hamed Rashtian I Ali Akbar Sadeghi I Mina Talaee I Parviz Tanavoli
Hessam KHALATBARI & Yassi METGHALCHI ont le plaisir de vous convier au vernissage de l’exposition JEUDI 30 JUIN 2016 À PARTIR DE 18H00 Aydin Aghdashloo I Mehrak Davoudi I Reza Derakhshani I Kambiz Derambakhsh I Mohsen Fouladpour I Sahand Hesamiyan I Ramin Jamshidi Leyly Matine-Daftary I Bahman Mohassess I Malekeh Nayini I Fereydoon Omidi I Hamed Rashtian I Ali Akbar Sadeghi I Mina Talaee I Parviz Tanavoli 216 rue Saint Martin 75003 Paris, France T. +33 1 42 71 87 83 - [email protected] www.galerienicolasflamel.com 2 INTRODUCTION PREFACE A JOURNEY THROUGH TIME I grew up in an Iranian household surrounded by art and literature. Our wooden library was home to a spiraling tower of hundreds of carefully- Galerie Nicolas Flamel is pleased to present TIME MACHINE, an exhibition stacked books, and our dining room walls were peppered with the works of featuring the works of fifteen Iranian artists that illuminates modern and contemporary artists Aghdashloo, Katouzian and Bijani among them. contemporary creativity. Much to my mother’s despair, and despite weekly painting and calligraphy A very symbolic theme inspired by Albert Einstein’s famous theory of relativity lessons, I was a failed artist. As Salvador Dali once said, when it comes to who predicted that “time is relative to the observer”. drawing, “there is no possibility of cheating. It is either good or bad”. And mine He showed that time travel will be possible as well as «premonition» and «deja were bad. I couldn’t draw a straight line, much less put my thoughts on paper. vu» during which an observer experiences the future before it becomes the Nevertheless, art maintained a strong presence in my life. -
Towards Reflexive Land and Water Management in Iran Linking Technology, Governance and Culture
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Wageningen University & Research Publications Towards Reflexive Land and Water Management in Iran Linking Technology, Governance and Culture Mohammad Reza Balali I Thesis committee Thesis Supervisors Prof. dr. M.J.J.A.A. Korthals Professor of Applied philosophy Wageningen University Prof. dr. F.W.J. Keulartz Associate professor, Applied Philosophy Group Wageningen University Other members Prof. dr. Paul Richards, Wageningen University Prof. dr. Josee van Eijndhoven, Erasmus University Rotterdam Prof. dr. ir. Wouter. T. de Groot, Leiden University Dr. Maurits Ertsen, Delft University of Technology This research was conducted under the auspices of the Graduate School of Social Sciences II Towards Reflexive Land and Water Management in Iran Linking Technology, Governance and Culture Mohammad Reza Balali Thesis Submitted in partial fulfillment of the requirements for the degree of doctor at Wageningen University by the authority of Rector Magnificus Prof.dr.M.J.Kropff, in the presence of the Thesis Committee appointed by the Doctorate Board to be defended in public on Tuesday 8 September 2009 at 4 PM in the Aula III Mohammad Reza Balali Towards reflexive land and water management in Iran. Linking technology, governance and culture, 255 pages Thesis, Wageningen University, Wageningen, NL (2009) With references, with summaries in Dutch and English ISBN 978-90-8585-427-2 IV Contents Preface 1 Chapter1. Introduction 7 1.1. General picture of Iran 8 1.2. Land and water problems 15 1.3. Linking land and water issues 19 1.4. Research questions and methodology 21 1.5. -
Farshid Parsikia Hamid Janipour Curator Curator
Farshid Parsikia Hamid Janipour Curator Curator Farshid Parsi Kia was born on khordad 14, 1361 in Tehran. He is the artist, teacher, designer and author in the filed of art and culture. He is an icon ( one of the most im- portant faces) of 5th generation of Iranian graphic designer and he’s been working in designing journals, posters, advertisements, teaching and research graphics . He is also the manager of Dena gallery and he is the head of the Iranian graphic design commit- tee(association) and | Iranian painter association, and Parsi Studio . He had been also art manager of Chista journal. Farshid Parsi Kia is the 3rd of 4 sons of Kia family ( an educational family). He has spent his adolescence (childhood) in Absardar parish (Iran st, province) near the Alame Noori Seminary (school) and in Fakhr Abad (meshi st. Province) went to Malik Ashtar Conser- datory (high school). This member of graphic designer association received his diploma of graphic design major in (1999)1378, his expertise of graphic in (2001) 1380 and he had his bachelor in visual communication in (2011) 1390 from Enghelab Eslami Faculty. He has been edu- cated in history too. His first collaboration (cooperation) as a designer and art manager was with Chista journal in 2000 ( 1379). He has also experience of teaching graphic in the school of fine arts, institutions and different universities (colleges). The book (100agahi matbouat) -(2013) 1392- ide khalaghiat publication has been compiled (published) in the field of history of graphic advertisement and covers and it also has information about designers and advertising agencies from 1305-1357. -
Nature in Sohrab Sepehri's Poetry and Thought
International Journal of Academic Research in Business and Social Sciences April 2015, Vol. 5, No. 4 ISSN: 2222-6990 Nature in Sohrab Sepehri's Poetry and Thought Dr. Mohammadreza Nasr Isfahani1, Mahdi MohammadGhasemi2, Zahra Hosseini3, Zahra Eftekhar4 DOI: 10.6007/IJARBSS/v5-i4/1586 URL: http://dx.doi.org/10.6007/IJARBSS/v5-i4/1586 Abstract: In Sepehri's view, the entire universe, even nature, is alive and active. Nature has not only physical appearance, but also spiritual essence and soul. Looking at nature monotheistically, we can even see mud and bur as containers of the truth and signs of God. Sepehri believes that nature is the embodiment of God's grace and grandeur. Hence, looking at and meditating on it, man may be led to meet God and reach spiritual worlds. In Sepehri's poetry, nature and phenomena in the universe, as well as their living, beauty, and meaningfulness, are treated as manifestations of the Truth and inspiration. Key words: Man, Faith, God, Sepehri, Nature Introduction: Sohrab Sepehri, the contemporary Iranian poet and painter, is among the artists who are expert in both poetry and painting. As a thoughtful poet who spent most of his life in pondering upon different horizons and spiritual matters and studying various mystical, philosophical, and religious schools and worldviews, Sepehri has unique attitudes toward life. This view of man and the meaning of life evolves and is illuminated gradually throughout his works. It seems that he has followed human's life from the beginning to the end of its evolution and provided his audience with the most essential issues of life. -
Iranian Modern Art During the Pahlavi Dynasty (1925-1979)
Iranian Modern Art during the Pahlavi Dynasty (1925-1979) DISSERTATION to Obtain the degree of Doctor of Art History at the Institute of Art History, University of Regensburg 2021 Presented by Solmaz Keshavarzi First appraiser: Prof. Dr. Christoph Wagner Contents Preface ............................................................................................................................ 10 Abstract ........................................................................................................................... 11 Introduction .................................................................................................................... 12 Methodology ................................................................................................................... 13 1 Modernity .................................................................................................................. 1 1.1 The beginning of modernity in Iran ....................................................................... 2 1.2 Modernity in Iran under Pahlavi rule .................................................................... 5 1.3 Chronology ............................................................................................................ 8 1.3.1 1911-1942 ................................................................................................... 8 1.3.2 1942-1958 ................................................................................................... 8 1.3.3 1958-1979 ..................................................................................................