The Misconceptions of Negeri Sembilan Traditional Architecture
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Redefining the Evolution of Ornamented Aesthetic Principles of Langkasukan Art of the Malay Peninsula, Malaysia
This paper is part of the Proceedings of the 1st International Conference on Islamic Heritage Architecture and Art (IHA 2016) www.witconferences.com Allegorical narratives: redefining the evolution of ornamented aesthetic principles of Langkasukan art of the Malay Peninsula, Malaysia Sabariah Ahmad Khan Faculty of Art and Design, University Technology MARA, West Malaysia Abstract The origin of the Malay motif of Langkasuka was believed to encrust in all forms of art objects as early as from the 2nd century AD. The Langkasukan ornamentation which embodies the surface articulation of artefacts enfolds the historical construction of its indigenous culture and ethnicity. With close embedded intention, the Langkasukan ornamentations signify the relationship and graphic expression based on national artistry, racial, creativity, technical skill and religious cultural properties. The Langkasukan motif, characterised by a spiral formulation derived from Hinduism–Buddhism is attributed through a process of modification and stylistic transformation by the artisans and craftsmen of the east coast of Malaysia. Through the web of influences from varied aesthetic sources generated through polity, migration, trade and commerce, a distinctive character in the composition of the patterns deem a rebirth of vernacular aesthetic principles contributing to an embracement of stylistic methodology, present to this day. The principles of Malay art decoded the hermeneutics adaptation and application. The paper attempts to present an analytical study of 100 Malay artefacts ranging from weaponry, woodcarving, puppetry and illuminated manuscripts. The studies would narrate the descriptive nature of the hybrid patterns and manifestations of the early 1800s, with the infusion of Islamic and the abstract norm of animism, Buddhist iconographic symbols overlapping with Hindu traditional motifs and a twist of local flavour. -
Silat: a Muslim Traditional Martial Art in Southern Thailand 125
Silat: A Muslim Traditional Martial Art in Southern Thailand 125 Chapter 3 Silat: A Muslim Traditional Martial Art in Southern Thailand Bussakorn Binson Introduction In Thai nomenclature, silat has various written forms, e.g. zila, sila, shila, zilat, sila, shilat, and zzila. It can also be called dika, buedika, buezila, buerasila, padik, and bueradika. In this chapter, “silat” will be used in accordance with the Encyclopaedia of Cultures in Southern Thailand (Ruengnarong 1999:8029) to depict an art form that is a blend of martial arts, folk performing arts, sport, and an element of the ritual occult all belonging to the Muslim social group of the Malay Peninsula. The most prominent martial art among Thai-Muslim communities in Southern Thailand is known as pencak silat. According to the Pattani Malay dialect - Thai Dictionary, “silat” is derived from “bersila” or “ssila” which means a form of traditional Malaysian martial art. Some linguists postulate that “silat” is derived from the Sanskrit word “shila” which means a fight to support honesty. Silat spread northward from the Malay Peninsula into Southeast Asia sev- eral hundred years ago. Its origin, however, is still ambiguous among Thais due to the absence of written evidence. A few legends have been maintained over the generations by lineages of silat masters in Southern Thailand. Whilst the history of silat is neither clear nor concise, most scholars acknowledge the art form is the result of the blending of a mixture of religious influences from Islam, Hinduism, and Buddhism and cultural influences from Indonesia, India, and China. In this chapter the author will describe the characteristics of silat in Southern Thailand by describing its knowledge transfer and the related rites and beliefs in both practice and performance. -
Framing the Violence in Southern Thailand: Three Waves Of
FRAMING THE VIOLENCE IN SOUTHERN THAILAND: THREE WAVES OF MALAY-MUSLIM SEPARATISM A thesis presented to the faculty of the Center for International Studies of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Sara A. Jones June 2007 This thesis entitled FRAMING THE VIOLENCE IN SOUTHERN THAILAND: THREE WAVES OF MALAY-MUSLIM SEPARATISM by SARA A. JONES has been approved for the Center for International Studies by Elizabeth Fuller Collins Associate Professor of Classics and World Religions Drew O. McDaniel Interim Director, Center for International Studies Abstract JONES, SARA A., M.A., June 2007, Southeast Asian Studies FRAMING THE VIOLENCE IN SOUTHERN THAILAND: THREE WAVES OF MALAY-MUSLIM SEPARATISM (130 pp.) Director of Thesis: Elizabeth Fuller Collins This thesis examines how the Thai newspaper, The Nation (an English-language daily), portrays the violence in the Malay-Muslim South through the use of agenda- setting concepts and framing analyses in articles published about four events in 2004. Two of the events are examples of state aggression against southern insurgents whereas the other two are instances in which southern insurgents were the primary aggressors against the state and/or citizens. The history of the Malay-Muslim dominant provinces is reviewed, showing how the separatist movement has evolved into three distinct waves. The original secessionist movements focused on ethnic Malay identity; over time elements of Islamist ideology were introduced such that the current movement is not recognizably a separatist or Islamist movement. This thesis also includes a short analysis of articles published in Matichon sutsapd, a Thai-language weekly, and shows how Malay-Muslim Thais in the South demand justice. -
A Genome Wide Pattern of Population Structure and Admixture In
Hatin et al. The HUGO Journal 2014, 8:5 http://www.thehugojournal.com/content/8/1/5 ORIGINAL RESEARCH Open Access A genome wide pattern of population structure and admixture in peninsular Malaysia Malays Wan Isa Hatin1, Ab Rajab Nur-Shafawati1, Ali Etemad2, Wenfei Jin3, Pengfei Qin3, Shuhua Xu3, Li Jin3, Soon-Guan Tan4, Pornprot Limprasert5, Merican Amir Feisal6,7, Mohammed Rizman-Idid6, Bin Alwi Zilfalil1,2* and The HUGO Pan-Asian SNP Consortium Abstract Background: The Malays consist of various sub-ethnic groups which are believed to have different ancestral origins based on their migrations centuries ago. The sub-ethnic groups can be divided based on the region they inhabit; the northern (Melayu Kedah and Melayu Kelantan), western (Melayu Minang) and southern parts (Melayu Bugis and Melayu Jawa) of Peninsular Malaysia. We analyzed 54,794 autosomal single nucleotide polymorphisms (SNPs) which were shared by 472 unrelated individuals from 17 populations to determine the genetic structure and distributions of the ancestral genetic components in five Malay sub-ethnic groups namely Melayu Bugis, Melayu Jawa, Melayu Minang, Melayu Kedah, and Melayu Kelantan. We also have included in the analysis 12 other study populations from Thailand, Indonesia, China, India, Africa and Orang Asli sub-groups in Malay Peninsula, obtained from the Pan Asian SNP Initiative (PASNPI) Consortium and International HapMap project database. Results: We found evidence of genetic influx from Indians to Malays, more in Melayu Kedah and Melayu Kelantan which are genetically different from the other Malay sub-ethnic groups, but similar to Thai Pattani. More than 98% of these northern Malays haplotypes could be found in either Indians or Chinese populations, indicating a highly admixture pattern among populations. -
Panji and Inao: Questions of Cultural and Textual History
Panji and Inao: Questions of Cultural and Textual History Stuart Robson* Abstract Rattiya Saleh's 1988 book Panji Thai dalam Perbandingan dengan Cerita-cerita Panji Melayu [The Thai Panji in Comparison with the Malay Panji Stories] presents us with a quantity of fresh information on the subject of the Panji literature and has the great advantage of approaching it from both the Malay and Thai sides. It is obviously a wide field, and difficult to master, so that Rattiya's insights are especially welcome. In particular, the link with Thailand had scarcely been touched upon in the past. Although the Panji stories have been the subject of scholarly interest for a long time, ever since W. H. Rassers's De Pandji-roman [The Panji Romance] of 1922, much subsequent comment was merely derivative, simply because not many examples had been edited, let alone translated or made more generally accessible. The starting point of interest in the Panji stories was, and is, the recognition that they represent a portion of the original creative production of the Javanese in the field of literature. Alongside themes borrowed from other regions, India in particular, this theme is one totally Javanese in inspiration. This assertion needs to be clarified against the background of the cultural history of Java. As has been said several times before, the group of stories which are dubbed "Panji stories" are not historical, but rather epic and romantic in character. However, it should be stated that they may well have links with a historical period, and that the places mentioned existed in specific geographical locations, which served as points of departure for further development and spread of the stories. -
TRADITIONAL MALAYSIAN BUILT Rorms
TRADITIONAL MALAYSIAN BUILT roRMS: A STUDY or THE ORIGINS, MAIN BUILDING TYPES, DEVELOPMBHT or BUILDING roRMS, DESIGN PRINCIPLES AND THE APPLICATION or TRADITIONAL CONCEPTS IN MODERN BUILDINGS Esmawee Haji Endut A thesis submitted to fulfil the requirements for the degree of Doctor of Philosophy at the Department of Architecture University of Sheffield November 1993 I TRADITIONAL MALAYSIAN BUILT FORMS: A STUDY OF THE ORIGINS, MAIN BUILDING TYPES, DEVELOPMENT OF BUILDING FORMS, DESIGN PRINCIPLES AND THE APPLICATION OF TRADITIONAL CONCEPTS IN MODERN BUILDINGS SUMMARY The architectural heritage of Malaysia consists of Malay, Chinese and colonial architecture. These three major components of traditional Malaysian architecturel have evolved in sequence and have overlapped from the beginning of the fifteenth century. These building traditions ceased with the emergence of a new architectural movement which was brought into the country in the twentieth century after the nation's independence. This new phase was the development of modern architecture and during this period, many buildings in Malaysian cities were built in the International Style, which was popular in many western countries. The continual process of adopting western styles and images has resulted in buildings which disregard the environmental and climatic factors of Malaysia and this has led to the problem of identity in the development of Malaysian architecture. It was in view of this problem that this research was initiated, coupled with an interest to investigate the underlying principles of traditional built 1 For the purpose of this study, 'traditional architecture' or 'traditional built forms' refer to the early building traditions in Malaysia before independence which includes the Chinese and colonial buildings. -
Alor Setar and the State of Kedah | by Datuk Hamidah M
Alor Setar And The State Of Kedah | By Datuk Hamidah M. Yusoff 'Selamat Datang ke Negeri Kedah - Jelapang right in the centre of the city. people pronounced it as 'Alok Stuck anyway) Padi Malaysia' (Welcome to Kedah - Rice and s»o the name has stuck. Bowl of Malaysia) is the sign that greets The people of Kedah speak Malay with a visitors entering the State of Kedah overland distinctive accent. Kedahans were often teased Alor Setar is approachable from all parts of through its western border with Penang. by the way they speak when they interacted Peninsular Malaysia by road, by air, by rail and by sea. If you travel by road from Kuala Lumpur, use the North-South Expressway that takes about 5-6 hours of driving, passing through the states of Selangor and Perak, the longest state on the peninsula. Once you enter Kedah the scenery offers panoramic views of padi fields, mountains, rivers and sea. The vast stretches of padi fields beckons visitors to the state. Kedah is the largest rice producer in Malaysia and is also a distribution centre for manufacturing and agricultural products and supports agro-based industries as well. As you drive from the town of Gurun to Alor Setar, a distance of about 40 km, you will notice on both sides of the main road the Wan Mat Saman Canal. It is the longest canal or aqueduct in Malaysia and provides an important channel for the irrigation of padi Vast fields of padi fields in the Kedah plains. The canal was built in 1885 and was a tremendous achievement ou will understand why Kedah is with the other Malays in the peninsula. -
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Horizon J. Hum. & Soc. Sci. 2 (2): 85 – 94 (2020) Journal of Humanities and Social Sciences Research www.horizon-JHSSR.com ORIGINAL ARTICLE The Native’s Independence Rhetoric in Translation: Shahnon Ahmad and Noorjaya Halimah Mohamed Ali School of Humanities, Universiti Sains Malaysia 11800, Pulau Pinang, Malaysia ARTICLE INFO ABSTRACT Article history Nations are narrated into being; bearing this concept in mind, this Received: 15-Sep-20 research analyses the works of two native Malay writers that have been Revised: 04-Nov-20 Accepted: 01-Dec-20 translated into English and how their writings show the rhetoric of inde- Published: 07-Dec-20 pendence that was used in order to gain independence by the Malays in the Malay Peninsula. It will also look at the cultural and emotional effect *Corresponding Author of the translated independence rhetoric that has been lost through trans- Halimah Mohamed Ali lation. This essay will be read using a postcolonial lens made famous by E-mail: [email protected] Edward Said, Franz Fanon, and Homi K. Bhabha. Via this lens, it will analyze how the Malay postcolonial culture has been translated into English. Todd Jones’s essay “Translation and Belief Ascription: Fundamental Barriers” (2003) will be used to analyze the text. It will be argued that how episte- mology is used to ascribe belief and how cultural epistemology has been translated into the English language via Shahnon Ahmad’s “A Merdeka Tale” and Noorjaya’s “The Quest for Langkasuka”. The translation of cul- tural epistemology is successful in both the texts because the translation of the text can be easily understood. -
J. Wisseman Christie State Formation in Early Maritime Southeast Asia; a Consideration of the Theories and the Data
J. Wisseman Christie State formation in early maritime Southeast Asia; A consideration of the theories and the data In: Bijdragen tot de Taal-, Land- en Volkenkunde 151 (1995), no: 2, Leiden, 235-288 This PDF-file was downloaded from http://www.kitlv-journals.nl Downloaded from Brill.com10/11/2021 08:52:34AM via free access STATE-OF-THE-ART REVIEWS JAN WISSEMAN CHRISTIE State Formation in Early Maritime Southeast Asia A Consideration of the Theories and the Data Introduction Over the last decade or so several attempts have been made to come to grips with the problem of how and when the early states of Southeast Asia first developed. Most of the more prominent essays (Wolters 1982; Wheatley 1983; Higham 1989; Hagesteijn 1989) have focused largely or exclusively upon the first states of the mainland. The maritime region has been less well served, due partly to the paucity and intractability of the data, and partly to the fact that most scholars dealing with the early history of the maritime region are still struggling to produce adequate descriptions of the states of the later first millennium A.D., well after the first states were founded. Although a number of studies have dealt in passing with aspects of the question, and others have focused upon the earliest states in limited portions of the region, no overview of the ideas concerning state formation in the region has yet been produced. This essay represents a preliminary attempt to redress the balance between the maritime and mainland portions of Southeast Asia, by providing a brief survey of some of the views, assumptions and models that have arisen in literature on the early history of the maritime region, and by reviewing the data - some very recently published - available for the study of the late prehistoric and early historic periods in the area. -
Fiction Or Facts: Hikayat Merong Mahawangsa (The Kedah Annals) in the View of Current Civilization Value
Fiction Or Facts: Hikayat Merong Mahawangsa (The Kedah Annals) In The View Of Current Civilization Value Dr. Arba’iyah Ab. Aziz, Fadilah Abdullah, Wan Noor Faizah Wan Omar, Azyyati Anuar, Firdaus Abdul Rahman & Hasnira Hassan Faculty of Art & Design, UiTM Shah Alam Abstract Hikayat Merong Mahawangsa is a historical document about the writing of ancient Malay folklore, which mirrors the fine Malay traditional culture through the practice of high cultural moral values and customs. The essence of its contents explains that ancient/old Malay culture is rich with values which can be learned and taken as an example. The genealogy of Malay rulers have been previously analysed and discussed by scholars from different era. The translation of this account tells about its very own and unique metaphors, myths and legends. It is known that almost all ancient Malay kingdoms are connected to a particular history about their origins and ruling chronicles. Hikayat Merong Mahawangsa is the truth as well as a literary document to prove that the Malay history cannot be denied and its significance need to be understood. Thus, among the objectives of this paper work is to see whether Hikayat Merong Mahawangsa is a fictional or a factual account. Apart from that, this paper is meant to investigate whether the work is still relevant with the values of Malay modern society. Keywords: Value, fiction, facts, metaphor, civilization and thought. 81 Introduction Ancient Malay kingdoms have their own historical literary collections. There are varieties of narrations about the founding of a particular state, its progress, the golden age and the downfall. -
The Philosophy in the Creation of Traditional Malay Carving Motifs in Peninsula Malaysia
GEOGRAFIA Online TM Malaysia Journal of Society and Space 8 issue 7 (88 - 95) 88 © 2012, ISSN 2180-2491 The philosophy in the creation of traditional Malay carving motifs in Peninsula Malaysia Haziyah Hussin 1, Zawiyah Baba 1, Aminuddin Hassan 2, Aishah@Eshah Haji Mohamed 3 1Institute of the Malay World and Civilisation, Universiti Kebangsaan Malaysia, 2Department of Foundation of Education, Universiti Putra Malaysia, 3Pusat Pengajian Sosial, Pembangunan dan Persekitaran, Fakulti Sains Sosial dan Kemanusiaan, Universiti Kebangsaan Malaysia Correspondence: Haziyah Hussin (email: [email protected]) Abstract This paper explains how the concept of the creation of Malay woodcarving motifs is associated with the ancient Malay kingdom of Langkasuka which came under the influence of Hinduism. However, since the coming of Islam, the philosophy of creating Malay carving motifs had undergone discernable changes. The motifs created have been found to be adapted to avoid contravening Islamic principles and values. Generally, the creation of traditional Malay carving motifs has its own guiding principles which differentiate it from carving traditions elsewhere. Basically, traditional Malay carving motifs can be categorised into decorative motifs or patterns which have been inspired by early or ancient Malay motifs such as the design pattern with floral motifs, stalks of leaves and tendrils (awang larat which literally means meandering clouds) which are found in the environment of Malay society as well as motifs inspired by the imagination of early carvers. This paper concludes with an explanation on the philosophy of selecting traditional Malay wood carving motifs based on Malay carving techniques. Keywords: Hindu influence, Islamic influence, Kingdom of Langkasuka, Malay wood carving motifs, nature motifs, philosophy of motif creation Introduction Historically, Hinduism had a major influence on the development of culture in the Malay world. -
From Periphery to Centre
University of Wollongong Thesis Collections University of Wollongong Thesis Collection University of Wollongong Year From periphery to centre Philip King University of Wollongong King, Philip, From periphery to centre, PhD thesis, School of History and Politics, University of Wollongong, 2006. http://ro.uow.edu.au/theses/603 This paper is posted at Research Online. http://ro.uow.edu.au/theses/603 NOTE This online version of the thesis may have different page formatting and pagination from the paper copy held in the University of Wollongong Library. UNIVERSITY OF WOLLONGONG COPYRIGHT WARNING You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. FROM PERIPHERY TO CENTRE Shaping the History of the Central Peninsula A thesis submitted in fulfilment of the requirements for the award of the degree Doctor of Philosophy From University of Wollongong By Philip King B.A. (Hons), University of Wollongong History and Politics Program March 2006 DECLARATION I, Philip King, declare that this thesis, submitted in fulfilment of the requirements for the award of Doctor of Philosophy in the History and Politics Program , Faculty of Arts, University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged.