(Iowa City, Iowa), 1972-07-17
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I.V., Campus Voter Registration Campaign Shifts Into Overdrive
T VOL. 53-N O . 9 TUESDAY, SEPTEMBER 26,1972 UNIVERSITY OF CALIFORNIA. SANTA BARBARA ■ I.V., campus voter registration campaign shifts into overdrive By DAVE CARLSON Building, Library, and McGovern organizer for Gary Hart, is If you have changed your, Headquarters at 6527 Madrid are particularly concerned. address in any way since you last other sites where registrars w ill be " I f people register in I.V .," he registered to vote, you must located. said, "they're more likely to have re-register or you , will be an effect because of the marginal ineligible. Assembly race. Also, it's a If your 18th birthday falls on genuine hassle to get absentee any date before November, you ballots in time." should register now. Supporters of Hart and Tim October 8 is the last day to ■ Lemucchi, who is running for photo: Tom Lendino register for the November Congress in the Bakersfield REPUBLICAN ASSEMBLYMAN Bill Ketchum: candidate for re-election. elections. District to which I.V. is These are the messages that connected, are basing much of partisan campaigners are trying to their hopes on a huge Isla Vista convey to Isla Vista's 13,000 flore. Daus io turnout. young and mobile inhabitants. Santa Barbara County is now Ketcham’s platform: The McGovern-Shriver and Gary Registern Wok over 50 percent Democratic, Hart for Assembly campaigns are thanks to I.V.'s contributions to working hard to register at least Persons need only register 30 the Democratic voters column. 8,000 Isla Vista ns- on the days before an election to qualify The Republicans will also be ‘cat, squeeze, trim’ assumption that the populous for voting, according to the working in Isla Vista, "but only enclave is rich in liberal Supreme Court, which struck on a door-to-door, personal By SCOTT LARSON The Paso Robles assemblyman Democratic voters. -
Storm Disrupts Power Service, Halts Traffic
-Pi^U'< s- 10-year Jail Sentence r" SEE STOKY BELOW' TheWeatnw Mostly sunny, less warn FINAL and humid today; clear and T Red Bank, Freehold f cool tonight Mostly sonny and l_ Long Branch 7 pleasant tomorrow. EDITION nr • ' • Monmouth County's Outstanding Home Newspaper 34 PAGES VOL.95 NO. 22 RED BANK, NJ. WEDNESDAY, JULY 26,1972 TEN CENTS niraimiii Affected Towns Ponder Beach Fee Ruling A state Supreme Court rul- decision is made on a course Bright charges residents ?5 decision "ridiculous,1' and Mayor Norton said, "is a democracy," she said, "but nicipal beach would not make George Hoffman said the new ing that shore communities of action. per year for season passes added, "It may certainly grave problem in our then sometimes we wonder if as much profit. "We would state ruling will not have cannot charge nonresidents "We have instructed our and $10 for nonresidents. At bring more people to our borough. If the governor we do." lose approximately 4Q to 59 much effect on the city. higher beach fees than they borough attorney, Richard L. the same time, a. 50-cent ad- beach on season passes, but at wants this decision to apply Mayor Sidney B. Johnson of per cent of our revenue." "The only effect it will charge residents will have Bonello," said Mayor Cecile mission is charged for the, the same time this would then i>e should make available Monmouth Beach said he had He saw no plans for appeal- have," he said, "would be on little U any effect on Bayshore F. -
Fifteen Minutes of Fame, Fame in Fifteen Minutes
Andy Warhol and the Dawn of Modern-Day Celebrity Culture 113 Alicja Piechucka Fi!een Minutes of Fame, Fame in Fi!een Minutes: Andy Warhol and the Dawn of Modern-Day Celebrity Culture Life imitates art more than art imitates life. –Oscar Wilde Celebrity is a mask that eats into the face. –John Updike If someone conducted a poll to choose an American personality who best embodies the 1960s, Andy Warhol would be a strong candidate. Pop art, the movement Warhol is typically associated with, !ourished in the 60s. It was also during that decade that Warhol’s career peaked. From 1964 till 1968 his studio, known as the Silver Factory, became not just a hothouse of artistic activity, but also the embodiment of the zeitgeist: the “sex, drugs and rock’n’roll” culture of the period with its penchant for experimentation and excess, the revolution in morals and sexuality (Korichi 182–183, 206–208). "e seventh decade of the twentieth century was also the time when Warhol opened an important chapter in his painterly career. In the early sixties, he started executing celebrity portraits. In 1962, he completed series such as Marilyn and Red Elvis as well as portraits of Natalie Wood and Warren Beatty, followed, a year later, by Jackie and Ten Lizes. In total, Warhol produced hundreds of paintings depicting stars and famous personalities. "is major chapter in his artistic career coincided, in 1969, with the founding of Interview magazine, a monthly devoted to cinema and to the celebration of celebrity, in which Warhol was the driving force. -
UC Irvine UC Irvine Electronic Theses and Dissertations
UC Irvine UC Irvine Electronic Theses and Dissertations Title Revealing the Monsters Within: Andy Warhol, the 1972 Mao series, and Vote McGovern Permalink https://escholarship.org/uc/item/9k15w3vs Author Kasimoff, Naomi Michael Publication Date 2017 License https://creativecommons.org/licenses/by-nd/4.0/ 4.0 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, IRVINE Revealing the Monsters Within: Andy Warhol, the 1972 Mao series, and Vote McGovern THESIS submitted in partial satisfaction of the requirements for the degree of MASTER OF ARTS in Art History by Naomi Michael Kasimoff Thesis Committee: Professor Cécile Whiting, Chair Associate Professor Roberta Wue Assistant Professor James Nisbet 2017 © 2017 Naomi Michael Kasimoff DEDICATION To my parents Mike and Laura, my brothers Michael and Jacob, and my wonderful Michael who helped me get through this year with their unending love and support. I am forever grateful for your confidence in me. ii TABLE OF CONTENTS Page ACKNOWLEDGMENTS iv ABSTRACT OF THE THESIS v INTRODUCTION 1 The Public Mao 3 The Public Nixon and the Infamous Meeting 7 Andy and Horror Films 10 Andy and Mao 16 Andy and Nixon 19 Andy and the Double Persona 21 BIBLIOGRAPHY 23 iii ACKNOWLEDGMENTS I would like to express my sincere gratitude to my committee chair, Professor Cécile Whiting, for her patience and guidance, without which I would not have been able to complete my thesis. I am grateful for having been able to work with you. I would like to thank my committee members, Professor Roberta Wue and Professor James Nisbet, for always giving me great advice and for helping me to grow. -
The Norman Conquest: the Style and Legacy of All in the Family
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Boston University Institutional Repository (OpenBU) Boston University OpenBU http://open.bu.edu Theses & Dissertations Boston University Theses & Dissertations 2016 The Norman conquest: the style and legacy of All in the Family https://hdl.handle.net/2144/17119 Boston University BOSTON UNIVERSITY COLLEGE OF COMMUNICATION Thesis THE NORMAN CONQUEST: THE STYLE AND LEGACY OF ALL IN THE FAMILY by BAILEY FRANCES LIZOTTE B.A., Emerson College, 2013 Submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts 2016 © 2016 by BAILEY FRANCES LIZOTTE All rights reserved Approved by First Reader ___________________________________________________ Deborah L. Jaramillo, Ph.D. Assistant Professor of Film and Television Second Reader ___________________________________________________ Michael Loman Professor of Television DEDICATION This thesis is dedicated to Jean Lizotte, Nicholas Clark, and Alvin Delpino. iv ACKNOWLEDGMENTS First, I’m exceedingly thankful for the guidance and patience of my thesis advisor, Dr. Deborah Jaramillo, whose investment and dedication to this project allowed me to explore a topic close to my heart. I am also grateful for the guidance of my second reader, Michael Loman, whose professional experience and insight proved invaluable to my work. Additionally, I am indebted to all of the professors in the Film and Television Studies program who have facilitated my growth as a viewer and a scholar, especially Ray Carney, Charles Warren, Roy Grundmann, and John Bernstein. Thank you to David Kociemba, whose advice and encouragement has been greatly appreciated throughout this entire process. A special thank you to my fellow graduate students, especially Sarah Crane, Dani Franco, Jess Lajoie, Victoria Quamme, and Sophie Summergrad. -
Art and Transformation
ISSUES IN INTEGRATIVE STUDIES No. 16, pp. 57-71 (1998) Art and Transformation by Debora Wood Artist and Critic Abstract: Many contemporary artists intend to challenge the viewer’s modes of perception by manipulating traditional imagery, but does this transformation of cultural stock images consti- tute a transformation in the audience? This paper will examine artists who appropriate images using reproductive technologies in an attempt to reach a large audience and initiate social change. Printmaking plays a significant role in ethical discourse. Since its inven- tion more than 500 years ago, printmaking has been the most economical way to disseminate information. Artists have been using prints to encourage social reform ever since print technology allowed. Today, with the advent of digital cameras, photocopy machines, and inexpensive computer equipment, it is easy to reproduce pre-existing images. These reproductions can then be transformed by cropping, enlarging, erasing part of the image, drawing on top of it, or combining it with other previously unrelated imagery or text. In this way, the altered works acquire new meanings as well as make reference to the original images. This kind of appropriation can be used to raise the moral consciousness of the viewer by using traditional imagery alongside contemporary text or manipulations in order to challenge social norms. The question is whether or not this transformation of cultural imagery con- stitutes a transformation in the audience. This is not an automatic process. For example, if an artist alters a reproduction in an effort to highlight dis- crimination, it does not automatically follow that the community will no longer discriminate. -
Hofstra Football Results (1937-2009)
Hofstra Football Archive Book Aronson, Eric-80 ALL-TIME HOFSTRA Aronwald, William-59, 60, 61 Arrington, Kyle-04, 05, 06, 07 FOOTBALL Artis, Rasul-94 LETTERMEN Artus, Bill-71 Asante, Kwabena-07, 08, 09 1937-2009 Asermelly, Joe-04, 05, 06, 07 Ashburn, Nick-00 (Note: Years indicated include red-shirt Asselta, Arthur-95, 96, 97, 98, 99 years) Atlas, Dave-85 Attar, Michael-82, 83, 84 A Auguste, Milo-88 Abdallah, Luqman-08 Austin, Alex-90, 91 Abiola, Larry-07, 08 Austin, Hugh-83, 84 Ablondi, Steve-89, 90, 91, 92 Austin, Pat-86 Adam, Michael-94 Austin, Paul-83, 84 Adams, Charlie-98, 99, 00, 01 Avery, Michael-83 Adinaro, Joe-60, 61, 62 Avillo, Phillip-60, 61, 62 Adrian, Kevin-69 Avin, Fritz-91, 92, 93, 94 A’Hara, Scott-07 Ayers, Mike-80 Aime, Dante-89, Aime, Jeff-06, 07, 08, 09 Ainbinder, Bob-59 B Ainbinder, Ed-82, 83, 84 Babb, Robert-48, 49 Akabalu, Joe-05, 06, 07, 08, 09 Bach, George-61 Akinnuoye, Ayola-89, 90, 91, 92 Bacieuwicz, Anthony-52 Albi, Frank-78, 80, 81 Backiel, Steve-41 Alexander, Bill-70, 71 Baer, B.-52 Alexander, Robert-63, 64 Bailey, Matt-01 Aliberti, Joe-82 Baker, Bill-82 Allen, Robert-65, 66, 67 Baker, Pat-82 Allison, Tyree-96, 97, 98 Balcius, Mark-94 Allison, Will-03 Baldino, Mario-92 Almanzar, Alex-01 Balducci, Noel-60 Alosi, Sal-96, 98, 99, 00 Baldwin, Donald-56, 57, 58 Alpert, Eric-73, 74, 75 Baldwin, Jim-59 Alsup, Scott-99 Balitsos, Stace-80, 81 Altomare, Nick-05, 06, 07, 08 Ballard, Dave-68, 69 Alvarez, Cesar-07, 08 Ballentine, Wallace-77 Amador, Martin-49 Balsamo, Ken-87 Amankulor, Chinedu-97 Banalett, Steve-90 Amato, -
Perkins Cites Growl Sets a Eadem Ic Goa 1
lH t.ltRY IVERSITY OF DEL A ,y A~ £ UNIVERSITY THE CLOUDY WEATHE EXPANSION BUT NO HAZE see page 3 see page 4 VOL. 88 NO.1 NEWARK, DELAWARE SEPTEMBE·R 19, 1 ~ Labor Shortage Slows Building Perkins Cites Growl OfNewComplex Sets Aeadem ic Goa 1: Residents ot the new West President John A. Perkins next year on the quality a1 Complex may experience some addressed the student body and integrity of what goes on in t ~ inconvenience due to delays faculty this morning at con-, classrooms and laboratories in the completion ot the do rm vocation to open the 1966-67 He stressed, "To work itories, according to John E. academic year. this endeavor to an extent whit Hocutt, vice-president torstu In his speech, the president will ensure that every stt dent at! airs. urged "both faculty and stu dent, given his ability, wi Hocutt said· the general con dents as this university year learn more by attending t tractor blamed a shortage of opens to concentrate in this university than any oth skilled workmen, particularly wtn not only give deep em( electricians, tor the failure to tiona! ,satisfaction, but mo meet the completion deadline. important, this endeavor wi New comers receive orientation material in Student Center Tue$day. NEW YORK TIMES Some ot the lounge and rec :)ubscriptions to th(;! New bring to faculty and studen 'reatlon rooms and some finish York Times wi II be available greater satisfaction, too, ing work in corridors and . at the Student Center office be~ng a part of this unive other public areas may not be from today through Thursday. -
THE INDEPENDENT VOICE of the VISUAL ARTS Chicago, Detroit, Los Angeles, Miami, Milwaukee, Nashville, New York, St
THE INDEPENDENT VOICE OF THE VISUAL ARTS Chicago, Detroit, Los Angeles, Miami, Milwaukee, Nashville, New York, St. Louis Volume 34 No. 3 January/February 2020 Established 1973 INSIDE NATHAN WORCESTER examines Warhol at AIC while MICHEL SÉGARD tackles Silver Clouds at Lawrence & Clark CHICHAN KWONG covers two NYC Pope.L shows while NOA/H FIELDS critiques the catalog to Pope.L’s MoMA show In separate reviews, K.A. LETTS and STEVIE HANLEY immerse themselves in Art Basel Miami Beach and surrounding art fairs $8 U.S. KELLI WOODS surveys Nashville’s vibrant, thriving art scene NEW ART EXAMINER Cover: Top, Silver Clouds at Lawrence & Clark. Photo courtesy of Lawrence & Clark. Side, Maurizio Cattelan's Comedian. Photo by Sarah Cascone. Source: artnet News. Bottom, Pope.L The Great White Way, Contents 22 miles, 9 years, 1 street. 2000-09. Performance. © Pope.L. Courtesy of the artists and Mitchell–Innes & Nash, New York. State of the Art Scene 3 Introduction 4 “Andy Warhol—From A to B and Back Again” NATHAN WORCESTER provides a realistic, unsentimental analysis of the first major Warhol retrospective in the United States since 1989. 6 Silver Clouds: Playing with God? MICHEL SÉGARD explores the non-commercial side of Silver Clouds and its possible spiritual underpinnings. 8 Materials: Holes, Emotion, and Water Pope.L exhibitions at the Whitney and MoMA in New York propelled CHICHAN KWONG on a journey of free association. 10 Lacking for Pope.L NOA/H FIELDS critiques the catalogue to the "member: Pope.L 1978–2001" exhibition at MoMA. 13 Works that Caught Our Eye at Art Basel Miami Beach and NADA Our Detroit editor, K.A. -
Hofstra Football, 2006
- Hofstra has won 43 of its last 80 regular season games and 52 of its last 90 in-season contests. The Pride is 66-43 in regular season play since the start of the 1997 season. Hofstra has posted an 82-50-1 record over the last 133 regular season games. ON THIS DAY IN HOFSTRA FOOTBALL HISTORY: 2000 - In one of the more controversial games in the past two decades, two Hofstra interceptions were nullified by pass HOFSTRA interference calls, and Hofstra was whistled for six penalties in FOOTBALL, 2006 the fourth quarter and the overtimes as the fifth-ranked GAME 9: Penguins of Youngstown State were able to post a 42-35 HOFSTRA UNIVERSITY (2-6, 1-4) double-overtime victory over the Pride at Stambaugh Stadium. vs. Trevor Dimmie rushed 26 times for 119 yards and two UNIVERSITY OF RHODE ISLAND touchdowns to lead the Pride. (3-5, 1-4) Saturday, November 4, 2006 – 1 p.m. 1994 - The Pride jumped out to a 35-0 halftime lead and coasted to a 42-16 victory over Rhode Island at Shuart James M. Shuart Stadium -Hempstead, NY Stadium. Quarterback Carlos Garay passed for three touchdowns, including two to Michael Wright, and rushed for Television: None a fourth score. Severin Cornelius rushed for two touchdowns Radio: WRHU-FM (88.7), Pregame show at 12:30 p.m. while Nick Johnson caught seven passes for 111 yards and one Greg Rice (play-by-play), Matt Shortis (color), touchdown. Linebacker Joey Driver led the Pride defense with Shannon Bennett (sideline) 14 tackles and one sack. -
Theorizing Conservative Egalitarianism by Erin Baribeau a Disserta
Taxpayers and Homeowners, Forgotten Men, and Citizen-Workers: Theorizing Conservative Egalitarianism by Erin Baribeau A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Political Science) in the University of Michigan 2014 Doctoral Committee: Professor Lisa J. Disch (Chair) Professor Pamela Brandwein Professor Robert Mickey Professor Matthew D. Lassiter Copyright Erin Baribeau 2014 Acknowledgments First, I would like to thank Lisa Disch for her inspiration and unflagging support and guidance, both throughout my graduate career and at every step in the writing of this dissertation. I would also like to express my deep gratitude to Pamela Brandwein and Robert Mickey, both of whom have played a tremendous role in sparking my research interests, and in pushing me to be more precise when developing and articulating my ideas and arguments. Matthew Lassiter has provided great clarity and much needed historical insight for the framing of this project, and to him I am greatly indebted. The process of developing, clarifying, and revising this dissertation was truly a collective effort. For their help, I thank Danielle LaVaque-Manty, Scott Beal at the Sweetland Center for Writing, my friends and colleagues in the Political Theory Workshop at Michigan, my Fall 2013 Sweetland Dissertation Writing Group, and participants at the "Theory in Black and White" panel at the 2014 Meeting of the Southern Political Science Association, and the "Race in North America" panel at the 2014 Meeting of the Western Political Science Association. For their generous financial support for research and travel, I also thank the Department of Political Science at Michigan. -
"Introduction: Survey of Literature of "All in The
6 "INTRODUCTION: SURVEY OF LITERATURE OF "ALL IN THE FAMILY" Mike Porter On the night of January 12, 1971 a group of men sat watching a monitor in the CBS executive suite in New York. Some were optjmistic but all were nervous as careers lay on the line. Meanwhile, a continent away, another gentleman was "pacing the floor of a viewing room in Television City, 1 Hollywood, like an expectant father." It was too late for anyone to change their minds--the point of no return had been reached. At 10:30 p.m. EST, these men looked on as a new mid-season replacement program was fed down the lines to awaiting and warned affiliates nationwide. Meanwhile, in every major television market, extra operators hired by the network prepared themselves for the expected tempest of an enraged American public. As was later recalled, these men "kind of sneaked it on 2 one night with no advance advertising or anything." As the show began with its now familiar theme song--American entered into what was later described as "a new era of candor. The name of the program was "All in the Family." Without a doubt, "All in the Family" is one of the most controversial yet successful series in the history The show about Archie Bunker, his wife Edith, his daughter Gloria and his son-in-law the "Meathead," became what one 7 4 observer called "instant American folklore." Indeed that observation became true since in 1978 Archie Bunker's famous chair was installed as an exhibit at the Smithsonian Institution.