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Auction V Iewing
AN AUCTION OF Ancient Coins and Artefacts World Coins and Tokens Islamic Coins The Richmond Suite (Lower Ground Floor) The Washington Hotel 5 Curzon Street Mayfair London W1J 5HE Monday 30 September 2013 10:00 Free Online Bidding Service AUCTION www.dnw.co.uk Monday 23 September to Thursday 26 September 16 Bolton Street, Mayfair, London W1 Strictly by appointment only Friday, Saturday and Sunday, 27, 28 and 29 September 16 Bolton Street, Mayfair, London W1 Public viewing, 10:00 to 17:00 Monday 30 September 16 Bolton Street, Mayfair, London W1 Public viewing, 08:00 to end of the Sale VIEWING Appointments to view: 020 7016 1700 or [email protected] Catalogued by Christopher Webb, Peter Preston-Morley, Jim Brown, Tim Wilkes and Nigel Mills In sending commissions or making enquiries please contact Christopher Webb, Peter Preston-Morley or Jim Brown Catalogue price £15 C ONTENTS Session 1, 10.00 Ancient Coins from the Collection of Dr Paul Lewis.................................................................3001-3025 Ancient Coins from other properties ........................................................................................3026-3084 Ancient Coins – Lots ..................................................................................................................3085-3108 Artefacts ......................................................................................................................................3109-3124 10-minute intermission prior to Session 2 World Coins and Tokens from the Collection formed by Allan -
The Engineering and Mining Journal 1905-07-06: Vol 80 Iss 1
INDEX hjeEngineering^ Mining Journal VOLUME LXXX. JULY TO DECEMBER 1905 THE ENGINEERING AND MINING JOURNAL INCORPORATED 505 Pearl Street, NEW YORK July 6, 1905. THE ENGINEERING AND MINING JOURNAL. I and subordinate feldspar of any kind, with oidal fractures. When porphyritic this be¬ 2sE>^OINEERING^ or without other minerals. comes porphyritic-perlite (f. n.). 6.. Peridotrtes (f. n.) are granular, igne¬ 4. Pumice (f. n.) is a highly vesicular Mining ^Journal ous rocks "composed of olivine and ferro- glass, white or very light-colored. When magnesian minerals, with little or no feld¬ porphyritic this becomes porphyritic- Rock Classification in the Philippines. spar or other minerals. pumice. The following circular has been issued 7. Pyroxenites (f. n.) are granular, ig¬ REFERENCES. by H. D. McCaskey, Chief of the Mining neous rocks composed of pyroxene, with Reference is suggested in connection Bureau of the Philippines, for the instruc¬ little or no feldspar or other minerals. with the above to the following: tion of field assistants; also for the bene¬ 8. Hornblendites (f. n.) are granular, ig¬ 1. ‘Quantitative Classification of Igne¬ fit of miners, prospectors, teachers, inves¬ neous rocks composed of hornblende, with ous Rocks.’ By Whitman Cross, Joseph tigators and others interested in mining little or no feldspar or other minerals. P. Iddings, Louis V. Pirsson, Henry S, and exploration in the Islands: Division B—Aphanites : Washington. The following system for megascopic* (0) Non-porphyritic. These are divided 2. ‘Geology, Volume I. Geologic Pro¬ and field classification of the igneous into— cesses and their Results.’ By Thomas C. rocks, as proposed by the eminent petro- 1. -
Detail of a Silver Denarius from the Museum Collection, Decorated with the Head of Pax (Or Venus), 36–29 BCE
Detail of a silver denarius from the Museum collection, decorated with the head of Pax (or Venus), 36–29 BCE. PM object 29-126-864. 12 EXPEDITION Volume 60 Number 2 Like a Bad Penny Ancient Numismatics in the Modern World by jane sancinito numismatics (pronounced nu-mis-MAT-ics) is the study of coins, paper money, tokens, and medals. More broadly, numismatists (nu-MIS-ma-tists) explore how money is used: to pay for goods and services or to settle debts. Ancient coins and their contexts—including coins found in archaeological excavations—not only provide us with information about a region’s economy, but also about historical changes throughout a period, the beliefs of a society, important leaders, and artistic and fashion trends. EXPEDITION Fall 2018 13 LIKE A BAD PENNY Modern Problems, Ancient Origins Aegina and Athens were among the earliest Greek cities My change is forty-seven cents, a quarter, two dimes, to adopt coinage (ca. 7th century BCE), and both quickly and two pennies, one of them Canadian. Despite the developed imagery that represented them. Aegina, the steaming tea beside me, the product of a successful island city-state, chose a turtle, while on the mainland, exchange with the barista, I’m cranky, because, strictly Athens put the face of its patron deity, Athena, on the front speaking, I’ve been cheated. Not by much of course, (known as the obverse) and her symbols, the owl and the not enough to complain, but I recognize, albeit belat- olive branch, on the back (the reverse). They even started edly, that the Canadian penny isn’t money, not even in using the first three letters of their city’s name,ΑΘΕ , to Canada, where a few years ago they demonetized their signify: this is ours, we made this, and we stand behind it. -
An Archaeological Analysis of Anglo-Saxon Shropshire A.D. 600 – 1066: with a Catalogue of Artefacts
An Archaeological Analysis of Anglo-Saxon Shropshire A.D. 600 – 1066: With a catalogue of artefacts By Esme Nadine Hookway A thesis submitted to the University of Birmingham for the degree of MRes Classics, Ancient History and Archaeology College of Arts and Law University of Birmingham March 2015 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract The Anglo-Saxon period spanned over 600 years, beginning in the fifth century with migrations into the Roman province of Britannia by peoples’ from the Continent, witnessing the arrival of Scandinavian raiders and settlers from the ninth century and ending with the Norman Conquest of a unified England in 1066. This was a period of immense cultural, political, economic and religious change. The archaeological evidence for this period is however sparse in comparison with the preceding Roman period and the following medieval period. This is particularly apparent in regions of western England, and our understanding of Shropshire, a county with a notable lack of Anglo-Saxon archaeological or historical evidence, remains obscure. This research aims to enhance our understanding of the Anglo-Saxon period in Shropshire by combining multiple sources of evidence, including the growing body of artefacts recorded by the Portable Antiquity Scheme, to produce an over-view of Shropshire during the Anglo-Saxon period. -
Anglo-Norman Money Names in Context
94 kalbų studijos / studies about languages no. 32 / 2018 SAL 32/2018 Anglo-Norman Money Anglo-Norman Money Names in Names in Context Context Received 12/2017 Anglų-normanų pinigų Accepted 05/2018 pavadinimai kontekste SOCIOLINGUISTICS / SOCIOLINGVISTIKA Natalya Davidko PhD, associated professor, Moscow Institute Touro (MIT), Russia. http://dx.doi.org/10.5755/j01.sal.0.32.19597 The present study is the second in a series of inquiries into the specificity of money names in the history of English. The time frame is the Anglo-Norman period (1066–1500). The paper explores two distinct concepts – that of money as an abstract ideal construct and the concept of the coin represented by sets of nummular tokens. The centrality of cognitive concepts allows us to establish a link between socio-historical factors and actuation of naming, i. e., to study medieval onomasiological patterns in all complexity of social, cognitive, political, and ideological aspects. Semiotic study of Anglo-Norman coinage gives an insight into the meaning of messages Kings of England and France tried to communicate to each other and their subjects through coin iconography employing a set of elaborate images based on culturally preferred symbolic elements. By studying references to medieval coinage in various literary genres, we propose to outline some of the contours of new metaphoricity based on the concept of money and new mercantile ideology. KEYWORDS: Anglo-Norman, trilingualism, culture, cognitive narratology, onomasiological patterns, money symbolism, semiotics, concept of the coin, mercantile ideology. On earth there is a little thing, Sir Penny is his name, we’re told, That reigns as does the richest king He compels both young and old In this and every land; To bow unto his hand. -
Dazzling Desire
VISITOR GUIDE DAZZLING 18/10/2017 14/01/2018 DESIRE Diamonds and their emotional meaning Please return this visitor guide after your visit. Do you want to read the texts again? You can download them from our website (www.mas.be) or buy the publication in the MASshop. Photo credits 13. / 15. © Antwerp, MAS – 32. © Chantilly, Musée Condé – 53. © Vienna, Museum für Völker- kunde (Foto-archiv nr.5125) – 54. © St-Petersburg, Russisch Etnografisch Museum (nr. 850-139) – 56. © Collection Staf Daems – 71. Private collection - 103. © Antwerp, Cathedral – Chapel of Our Lady/Brussels, KIK-IRPA, cliché KN008630 – 126. © Lennik, Kasteel van Gaasbeek – 131. © Antwerp, Royal Museum of Fine Arts (560) / Lucas Art in Flanders – 134. © Rotterdam, Museum Boijmans Van Beuningen, foto: Studio Tromp, Rotterdam – 148. © Vienna, Bundesmobilienverwaltung – Hofburg Wien, Sisi-Museum, Photographer: Gerald Schedy – 153. © Brussels, Archives of the Royal Palace – 160. © Victoria, Royal BC Museum and Archives (193501-001) – 161. / 162. © Washington, Library of Congress, Prints & Photographs Division, Edward S. Curtis Collection – 167. © St-Petersburg, The State Hermitage Museum (GE-1352) – 170. © St-Petersburg, The State Hermitage Museum (ERR-1104) – 171. © London, Royal Collection Trust / © Her Majesty Queen Elizabeth II 2017 (RCIN 2153177) – 176. © Geneva, Herbert Horovitz Collection – 179. © Brussels, Chancellery of the prime minister – 184. © bpk – Bildagentur – 185. © Julien Mattia / ZUMA Wire / Alamy Live News – 193. © Tervuren, Royal Museum for Central Afrika, Casimir Zagourski (EP.0.0.3342) – 194. © Washington, Smithsonian Institution, National Museum of African Art (Eliot Elisofon Photographic Archives) – 200. – 204. © Kadir van Lohuizen / NOOR – 205. © Felipe Dana / AP / Isopix – b. / n2. © Antwerp, Hendrik Conscience Heritage Library – c. -
Lars Bjerre | the Robbery, 1914
LARS BJERRE | THE ROBBERY, 1914 11.1. - 14.3. 2020 | LEIPZIG On a late evening in the middle of July 1914, a robbery is being planned. Robber 1: “In London the peoples' moustaches are rather ginger coloured!” Robber 2: “Of course they are. Do we have three of them?” Robber 3: “We've got plenty. Have a look in the box, over there.” Robber 2: “I found three good ones.” Robber 3: “There is no way all three of us will wear ginger coloured ones. I want a black moustache!” Robber 1: “They will be moving the crown from Saint Petersburg to Moscow next week. We really need to...” Robber 2: “...don’t they wear their moustaches in Moscow with a bigger curl than in Saint Petersburg?” Robber 3: “I’m not sure.” LARS BJERRE | THE ROBBERY, 1914 »The Robbery, 1914« basiert auf einer Fiktion: Einige Wochen vor »The Robbery, 1914« is based on a fictional narrative set a few dem Ausbruch des ersten Weltkriegs entscheiden sich drei Männer weeks before the outbreak of World War I when three men decide dazu einen folgenreichen Diebstahl zu begehen. Sie planen den to commit a momentous theft. They plan to rob three crown jewels: Raub von drei Kronjuwelen: der preußischen Hohenzollernkrone, the Prussian Hohenzollern Crown, the British St. Edward‘s Crown, der britischen St. Edwards Krone und der Russischen Zarenkrone, and the Russian Tsar‘s Crown - the property of the three cousins die zum Besitz der drei Cousins Kaiser Wilhelm II., King George V. of Kaiser Wilhelm II, King George V, and Tsar Nicholas II. -
Romanov News Новости Романовых
Romanov News Новости Романовых By Ludmila & Paul Kulikovsky №120 March 2018 Alexander II Tsar-Liberator The press conference about the exhibition "Alexander II Liberator. On the 200th anniversary of his birth." March 12, a press conference dedicated to the State Historical Museum exhibition of the "Alexander II Liberator. On the 200th anniversary of his birth" was held in TASS head office in Moscow. The State Historical Museum on the occasion of the 200th anniversary of the birth of Alexander II will present the first large-scale monographic exposition dedicated to the activities of the Emperor, which should return to the Russian society the memory of this outstanding statesman. The exposition will be open from April 4 to October 15. The press conference was attended by Alexey K. Levykin, Director of the Historical Museum; Andrey D. Yanovsky, Deputy Director for Research; Konstantin I. Mogilevsky, Executive Director of the Fund "History of the Fatherland"; Evgeniy V. Pchelov, PhD (History), Archival Institute of the RSUH; Paul E. Kulikovsky, great-great-great-grandson of Emperor Alexander II; Prince George A. Yurievsky, great- grandson of Emperor Alexander II; Sergey V. Mironenko, scientist Head of GARF; and Alexander A. Kastravets, Advisor to the Chairman of the Board of Directors of United Metallurgic Company. After the introduction of the speakers, a 3 minutes video presenting the exhibition project "Alexander II the Liberator" was shown. Video - https://mediashm.ru/?p=13756#13756 "This is the first major monographic exhibition dedicated to Alexander II, not only in the Historical Museum, but also in our country," said Alexei Levykin, director of the State Historical Museum. -
Ancient Coins Greek Coins
Ancient coins Greek coins 1 Calabria, Tarentum (272-235 BC), silver didrachm, naked horseman, rev. TARAS, Taras riding a dolphin, holding kantharos and trident, AEI and amphora behind, wt. 6.45gms. (Vlasto 904), extremely fine, mint state £200-300 2 Lucania, Herakleia (433-380 BC), silver diobol, hd. of Athena wearing a crested Athenian helmet ornamented with Skylla, rev. Herakles strangling a lion, wt. 1.28gms. (HN. Italy 1379), choice, extremely fine £100-150 3 Lucania, Poseidonia (475-450 BC), silver stater, ΠΟΣΕ, nude Poseidon advancing r. wielding trident with chlamys draped over both arms, rev. ΠOMES, bull stg. r., wt. 8.10gms. (SNG.ANS 654), toned, very fine £200-300 4 Sicily, Gela (465-450 BC), silver litra, bridled horse advancing r., rev. CΕΛΑ, forepart of a male-headed bull r., wt. 0.76gms. (Jenkins 244ff; SNG. ANS 59), toned, extremely fine £100-200 ANCIENT COINS - GREEK COINS 5 6 5 Sicily, Gela (430-425 BC), tetradrachm, quadriga driven by a bearded charioteer, laurel crown in front of the charioteer, rev. CΕΛΑΣ, forepart of a male-headed bull to r., laurel branch to l., wt. 17.30gms. (Jenkins 397; SNG. Ashmolean 1736, same dies); SNG. Copenhagen 266, same dies), struck from worn dies, compact flan, very fine £500-600 6 Sicily, Syracuse (485-478 BC), tetradrachm, struck under Gelon, quadriga driven by a charioteer with Nike flying above crowning the horses, rev. ΣVRAKOΣION, diad. bust of Artemis-Arethusa, with four dolphins around, wt. 17.22gms. (Boehringer 234), about very fine £500-600 7 Sicily, Syracuse (474-450 BC), hd. -
Faberge<0301>
FABERG É COLLECTION Tiles inspired by the works of Carl Fabergé The Golden age of Fabergé The legendary Fabergé Easter eggs were the creation of Carl Fabergé, goldsmith by special appointment to the Imperial Crown of Russia until 1917. The custom of giving these precious gifts began in 1885 when Czar Alexander III presented the fi rst egg to his wife Empress Marie Feodorovna in 1885, an annual tradition continued by his son Nicholas II. Fabergé and his company were commissioned to create ever more sumptuous eggs, intricate jewellery and gifts such as ornamental picture frames and enamelled gold and silver gilt boxes. Front cover: 1912 Tsarevich Egg presented by Nicholas II to Alexandra Feodorovna The Fabergé Collection An inspired tile collection Fabergé learnt his considerable skills from his father and goldsmiths in England, Germany and France. During travels as a young man he forged a fascination with Ancient Greece, Rome, and the Renaissance and Baroque periods. Artistic and architectural elements from these eras greatly infl uenced his work: fl eur de lis, wreaths, crowns and swags are frequently used in his highly embellished objects d’art. Taking inspiration from the beauty of Faberge’s creations, we have now produced the Fabergé Collection of tiles and borders that echo those beautiful and classic elements. The designs, traced in Charcoal Grey on a highly refl ective Colonial White background, are completed with exceptionally fi ne detail, with defi nition unmatched by any tiles we have yet created. Just take a look through a magnifying glass! Add your own individual touch There is also an opportunity for you to personalise the collection by adding your own initials in a beautiful, matching script within a cartouche, to perfectly fi t in a border or fi eld of tiles. -
What Is Money?
What is Money? Why Money At some level, we all know what money is. It's the number attached to our bank accounts and stock portfolios that tells us what we can buy and when we can retire - measured in something like Dollars, Euros, Yen, or Pounds. Well, not quite. Those are currencies, different from money in that they have no "intrinsic value." We'll come back to that. For now we will examine money specifically but many of the considerations for money and currency are the same. In broad academic terms, money (or currency) is something like "a distributed medium that transmits information about value and scarcity over time." It is what gives everything a price, and allows one to price everything in terms of everything else. Historically, money has been gold and silver. To really understand money, though, or why it was historically gold and silver, it is useful to think through the implications of using other things in that role. Let's imagine we're a baker in a world with no money. What immediate problems do we have? Well, we have needs to produce our primary good, bread let's say, but no means to store the value of our labor across time. That is, if we make a loaf of bread, we have to trade it for whatever the person who needs a loaf of bread has to trade. Or, if we need flour, we have to hope that whoever has flour wants some of our day old bread. In short, we are in a bartering system, and each transaction we make carries with it a cost of transaction in that we may not have what our suppliers need, or need what our customers have. -
A Chartalist View of Numismatics (Fundaments and Necessities of the Discipline 30 Years After the Work by Peter Spufford: Money and Its Use in Medieval Europe)
A CHARTALIST VIEW OF NUMISMATICS (FUNDAMENTS AND NECESSITIES OF THE DISCIPLINE 30 YEARS AFTER THE WORK BY PETER SPUFFORD: MONEY AND ITS USE IN MEDIEVAL EUROPE) XAVIER SANAHUJA-ANGUERA SOCIETAT CATALANA D’ESTUDIS NUMISMÀTICS SpaIN Date of receipt: 13th of July, 2016 Final date of acceptance: 7th of November, 2016 ABSTRACT From a chartalist, non-monetarist starting point, the author analyses basic concepts of numismatics and the history of money, auxiliary disciplines of History, focussing on the medieval epoch and indicating its shortcoming in Catalonia and Spain.1 KEYWORDS Chartalism, Coin, Currency, Monetarism, Money, Numismatics. CapitaLIA VERBA Chartalismus, Moneta, Nummus, Monetarismus, Pecunia, Nummismatica. IMAGO TEMPORIS. MEDIUM AEVUM, XI (2017): 53-93 / ISSN 1888-3931 / DOI 10.21001/itma.2017.11.02 53 54 XAVIER SANAHUJA-ANGUERA 1. Definitions and prior considerations in numismatics and currency11 1.1 Numismatics, a scientific discipline Numismatics is the auxiliary discipline of history responsible for the study of currency systems, coins and other examples of official tender over history. Secondly, numismatics also studies those objects that have morphological (medals, getons) or functional (tokens, vouchers) similitudes with money. Because of its character as an auxiliary discipline, numismatics needs to be approached with a scientific method. Coins are historical documents that must be studied and defined with scientific criteria before being used for historical interpretation. With this, I refer to a certain currency produced in a specific year, that circulated until another year, which was worth a certain amount, that people paid for with a mark-up that was so and so, etc. These are indisputable data.