District 9 Directing the Halo
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Elysium & Avatar
DOI: 10.32001/sinecine.741686 • Araştırma Makalesi | Research Article BETWEEN GREEN PARADISE AND BLEAK CALAMITY: ELYSIUM & AVATAR Cenk Tan Abstract Literary utopias and dystopias reflect a wide variety of concerns, from class and gender issues to the environment. These works not only reflect current social matters but also provide a glimpse of possible futures and a warning of perils to come. This article analyzes two science fiction films that have been in the spotlight during the last decade: Elysium (Neill Blomkamp, 2013) and Avatar (James Cameron, 2009). The two films depict disparate, dystopian visions of humanity’s future, yet both center on the themes of colonialism and the exploitation of the natural environment and offer ambiguous, open-ended conclusions. Focusing on these themes, this study applies postcolonial ecocriticism to expose the relationship between colonialism and ecocriticism and to show that the subtexts of both films deliver messages about the irrevocable destruction of the natural environment as an unconditional result of colonialism, impressing upon viewers the urgent need to adopt and implement an ecocentric mentality that will lead humanity to a peaceful and sustainable future. Keywords: Elysium, Avatar, Utopian/Dystopian fiction, film studies, postcolonial ecocriticism. Geliş Tarihi | Received: 23.05.2020 • Kabul Tarihi | Accepted: 14.09.2020 30 Eylül 2020 Tarihinde Online Olarak Yayınlanmıştır. Öğr. Gör. Dr., Pamukkale Üniversitesi Yabancı Diller Yüksekokulu ORCID: https://orcid.org/0000-0003-2451-3612 • E-Posta: [email protected] Tan, C. (2020). Between Green Paradise and Bleak Calamity: Elysium & Avatar. sinecine, 11(2), 301-323. YEŞIL CENNETLE KASVETLI FELAKET ARASINDA: ELYSIUM & AVATAR Öz Ütopya/distopya yazını sınıf mücadelesinden, cinsiyet ve çevre sorunlarına kadar sosyal konuları ele almaktadır. -
On His Own Terms
Adobe Premiere Pro CS5 Success Story Sharlto Copley On his own terms Sharlto Copley revisits his District 9 character, Wikus Van De Merwe Sharlto Copley Sharlto Copley shapes his own creative destiny using Adobe® Los Angeles, California www.facebook.com/pages/SHARLTO- Premiere® Pro CS5 software COPLEY/108950282368 www.funnyordie.com/sharlto_copley Sharlto Copley is just as comfortable in front of the camera as he is behind it. He is perhaps best known for appearing as if from nowhere and landing a starring role as the sinister Wikus Van De Merwe in the 2009 Oscar-nominated movie District 9, directed by Neill Blomkamp. He is playing Captain “Howling Mad” Murdock in The A-Team, slated for release in June 2010. He is also a director, writer, producer, and visual effects producer with many films and television programs to his credit. In short, when it comes to filmmaking, Sharlto Copley does it all. From the very beginning of his career, Adobe Premiere Pro software has been his choice for non-linear editing. “I’ve always been a big fan of Adobe Premiere Pro,” says Copley. “It was the first software to break the mold and deliver timeline-based editing. Adobe Premiere Pro transformed the industry and outclassed old-style systems that force you to think about A and B roll and toggle between windows. It was a different school of thought—one that supports the fluid way today’s new filmmaking breed thinks.” “Adobe Premiere Pro CS5 is so incredibly stable—and with native 64-bit support, I found myself sitting there saying ‘Wow’ at its amazing performance.” Sharlto Copley Actor and filmmaker Challenge An Adobe Premiere Pro veteran • Gain more creative control in Copley has used Adobe Premiere Pro for years, but he is more devoted and enthusiastic than ever now filmmaking that he is using Adobe Premiere Pro CS5. -
District 9 – a Little Known Fact About the Faculty of Veterinary Science and the Movie
District 9 – A little known fact about the Faculty of Veterinary Science and the movie By CvB Posted on 28 August 2009 Image: D-9.com District 9, the new film by the renowned film producer and Oscar-winning director, Peter Jackson, who was responsible for the production and special effects of movies such as King Kong and Lord of the Rings, is released on the big screen by Ster Kinekor today. Not many people know that some of the scenes for the movie were filmed at the Faculty of Veterinary Science of the University of Pretoria in December 2008. The filming involved one of its Anatomy halls that was converted in a sci-fi biomedical laboratory with, among other things, a space-technology sliding door, and the Anatomy museum, while some equipment from the Onderstepoort Veterinary Academic Hospital (OVAH) and the Biomedical Research Centre were also utilized. A pulsating atmosphere existed on the set in the week during which actors, crew-members and technical personnel spent time on the campus while life-like 7-feet aliens were ‘hanging around’. The movie not only features some South African settings but is mainly set in Johannesburg as the city that is being invaded by aliens from space. As we all know, South African born Neill Blomkamp, who was also present on the set during filming at the campus, was the Director while fellow South African, Sharlto Copley, plays the lead role. According to the preliminary reviews by critics this promises to be an excellent movie with amazing special effects that were executed to perfection. -
Ground Into Sky: the Topology of Interstellar
The Avery Review Fred scharmen – Ground into Sky: The Topology of Interstellar Christopher Nolan’s Interstellar was nominated for five Oscars. The Citation: Fred Scharmen, “Ground Into Sky: The Topology of Interstellar,” in The Avery Review, no. 6 movie won the Oscar for Best Visual Effects, many of which were created with (March 2015), http://averyreview.com/issues/6/ analog camera techniques. It has been controversial for its use of emotional ground-into-sky. themes, and its scientific accuracy. The physics in the film is either shockingly sloppy, or accurate enough to generate new peer-reviewed research, depend- ing on which review you read. [1] [2] But the best and most curious thing about [1] Phil Plait, “Interstellar Science: What the movie gets wrong and really wrong about black Interstellar is its topology. holes, relativity, plot, and dialogue,” Slate, http:// Again and again, in different ways, we see the ground lifting up to www.slate.com/articles/health_and_science/ space_20/2014/11/interstellar_science_review_ become the sky. The first appearance of this effect is early in the movie—the the_movie_s_black_holes_wormholes_relativity.html, horizon-obliterating dust storms that sweep across the American Midwest. accessed February 24, 2015. Cooper (the main character) and his family are at a baseball game when a dust [2]: Adam Rogers, “Wrinkles in Spacetime: The Warped Astrophysics of Interstellar,” Wired, http:// storm rises, looming like a growing mountain. Drought and blight have killed the www.wired.com/2014/10/astrophysics-interstellar- plant life that binds the soil, the near-future world of the movie has become a black-hole/, accessed February 24, 2015. -
Cannes Booklet
“I will take The Ring,” he said, “though i do not know the way.” --J.R.R. Tolkien,THE LORD OF THE RINGS INTRODUCTION TO THE LORD OF THE RINGS ማ4 ሞ TAKING ON TOLKIEN:PETER JACKSON BRINGS THE FANTASY TO LIFE ማ6 ሞ MANY CULTURES OF THE RING:THE CAST AND CHARACTERS ማ9 ሞ IMAGINING MIDDLE–EARTH:THE DESIGN ማ14 ሞ WETA GETS TO WORK ማ17 ሞ MIDDLE–EARTH DOWN UNDER:NEW ZEALAND ማ19 ሞ FROM HOBBITS TO ELVES:THE COSTUMES AND MAKE-UP ማ21 ሞ BREAKING DIGITAL GROUND:SPECIAL EFFECTS ማ23 ሞ INTO THE RING’S EVIL:STUNTS AND ACTION ማ24 ሞ THE CAST OF CHARACTERS ማ25 ሞ THE FILMMAKERS ማ29 ሞ One ring to rule them all. One ring to find them. One ring to bring them all And in the darkness bind them. For decades, four decades the words above have for cinema technology to I NTRODUCTION ignited imaginations and shaped reach the necessary level of the dreams of more then 100 million sophistication to bring them to life. readers around the globe. They were Such a vast project would require no first read in 1954, when J.R.R. Tolkien’s less than a visionary to mastermind it. The Fellowship of the Ring, the first volume in That visionary is Peter Jackson, who has his towering three-part epic, The Lord of the embarked upon an unprecedented feat to make Rings, was published. ¶ Tolkien’s work was to have three motion pictures simultaneously in order to a profound effect on generations of readers, defining capture Tolkien’s soaring epic in its entirety. -
A Rhetorical Analysis of Dystopian Film and the Occupy Movement Justin J
James Madison University JMU Scholarly Commons Masters Theses The Graduate School Spring 2015 Occupy the future: A rhetorical analysis of dystopian film and the Occupy movement Justin J. Grandinetti James Madison University Follow this and additional works at: https://commons.lib.jmu.edu/master201019 Part of the American Film Studies Commons, American Popular Culture Commons, Digital Humanities Commons, Other Film and Media Studies Commons, Other Languages, Societies, and Cultures Commons, Rhetoric Commons, and the Visual Studies Commons Recommended Citation Grandinetti, Justin J., "Occupy the future: A rhetorical analysis of dystopian film and the Occupy movement" (2015). Masters Theses. 43. https://commons.lib.jmu.edu/master201019/43 This Thesis is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Masters Theses by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. Occupy the Future: A Rhetorical Analysis of Dystopian Film and the Occupy Movement Justin Grandinetti A thesis submitted to the Graduate Faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements for the degree of Master of Arts Writing, Rhetoric, and Technical Communication May 2015 Dedication Page This thesis is dedicated to the world’s revolutionaries and all the individuals working to make the planet a better place for future generations. ii Acknowledgements I’d like to thank a number of people for their assistance and support with this thesis project. First, a heartfelt thank you to my thesis chair, Dr. Jim Zimmerman, for always being there to make suggestions about my drafts, talk about ideas, and keep me on schedule. -
St. Francis Desales TIL NOON TODAY! Everyone Annual St
UN Fabulous Finds Await St. Francis DeSales TIL NOON TODAY! Everyone Annual St. Francis DeSales Welcome! RUMMAGE SALE Catholic Church 345 Grand Avenue • Lebanon ONE DOLLAR LC RECORD SATURDAY AUGUST 24, 2019 VOL 2 ISSUE 23 LACLEDE COUNTY RECORD Local man drowns while ÀVKLQJDWULYHU KIRK PEARCE [email protected] A Lebanon man drowned while fishing at 12:55 p.m. Tuesday, a mile up the river from the Hull Ford Access on the Osage Fork of the Gasconade River. According to the Mis- souri State Highway Patrol, Benny G. Wilson, 62, was fishing from an elevated location, /&5SKRWR6WHYH6PLWK slipped and fell into U.S. Senator Roy Blunt, center, speaks at Lebanon’s Floyd W. Jones Airport Thursday surrounded by Ozarks Technical Community approximately 10 feet of *VSSLNLVMÄJPHSZ)S\U[[V\YLK[OLUL^6;*(]PH[PVUJSHZZMHJPSP[PLZH[[OLHPYWVY[ water and drowned. He was pronounced dead the scene by Laclede County Coroner Steve Murrell. Blunt tours OTC Aviation class 7KLVZDV7URRS,·V second drowning for STEVE SMITH Act was extended and they often dis- “We need to get more information to the month of August [email protected] cussed the shortage of aviation profes- people earlier about where jobs are and and the third for 2019. sionals, including pilots. try to connect people, even in high school, U.S. Senator Roy Blunt stopped by the “We need to think of new and innova- to something you’d like to do as early as Lebanon Airport Thursday to view the WLYHZD\VWRÀOOWKDWVKRUWDJHµKHVDLG´,W you can so you don’t have a lot of time OTC Lebanon Center Flight School. -
A Level Film Studies Candidate Style Answers
Qualification Accredited A LEVEL Candidate Style Answers FILM STUDIES H410 For first teaching in 2017 H410/02 Critical approaches to film Version 1 www.ocr.org.uk/filmstudies A Level Film Studies Candidate Style Answers Contents Introduction 3 Section A Question 2: Level 5 answer 4 Commentary 6 Section A Question 2: Level 3 answer 7 Commentary 7 Section B Question 4: Level 5 answer 8 Commentary 10 Section B Question 4: Level 3 answer 11 Commentary 11 Section C Question 5: Level 5 answer 12 Commentary 14 Section C Question 5: Level 3 answer 15 Commentary 16 Section C Question 7: Level 5 answer 17 Commentary 19 Section C Question 7: Level 3 answer 20 Commentary 21 Section C Question 10: Level 5 answer 22 Commentary 24 Section C Question 10: Level 3 answer 25 Commentary 25 2 © OCR 2018 A Level Film Studies Candidate Style Answers Introduction Please note that this resource is provided for advice and guidance only and does not in any way constitute an indication of grade boundaries or endorsed answers. Whilst a senior examiner has provided a possible level for each Assessment Objective when marking these answers, in a live series the mark a response would get depends on the whole process of standardisation, which considers the big picture of the year’s scripts. Therefore the level awarded here should be considered to be only an estimation of what would be awarded. How levels and marks correspond to grade boundaries depends on the Awarding process that happens after all/most of the scripts are marked and depends on a number of factors, including candidate performance across the board. -
INEMA INTERNATIONAL Students, Faculty, Staff and the Community Are Invited • ADMISSION IS FREE • Donations Welcome 7:30 P.M
MURRAY STATE UNIVERSITY • Fall 2017 INEMA INTERNATIONAL Students, faculty, staff and the community are invited • ADMISSION IS FREE • Donations Welcome 7:30 p.m. Thursday, Friday and Saturday evenings • Curris Center Theater AUG. 24-25- 26 • AUSTRALIA/UK, 2016 OCTOBER 5-6-7 LION FALL BREAK - NO FILM Dir. By Garth Davis With Dev Patel, Rooney Mara, David Wenham, Nicole Kidman. English/Hindi/Bengali. PG-13, 118 mins. OCT. 12-13- 14 • CHINA/FRANCE, 2002 Lion is an incredible story based on the non-fiction book A Long Way Home BALZAC AND THE LITTLE CHINESE SEAMSTRESS by Saroo Bierley, screen play by Luke Davis. Saroo is a 5 year old who ekes Dir. Dai Sijie With Zhou Xun (周迅), Liu Ye (劉燁), a living on the streets with his brother. One day they are separated, little Saroo gets lost and survives many challenges before being adopted by Chen Kun (陳坤). an Australian couple. 25 years later, the adult Saroo - played by Dev Patel Mandarin w/English subtitles. N.R, 111 mins. (Slumdog Millionaire) - tries to find his birth mother from Google Earth Based on the director’s semi-autobiographical novel Balzac and the Little pictures and faint memories. (theguardian.com). Chinese Seamstress (2000), this acclaimed “coming of age” film is set during China’s cultural revolution. Two young university students are sent to a mountain village for a Maoist re-education to purge them of their decadent Western education. Thanks to their skills in music and the AUG. 1 SEPT. 1 - 2 • USA, 2009 discovery of a cache of forbidden French books, they awaken the imagi- AMREEKA nation of a young seamstress to a world beyond her beautiful, yet remote Dir. -
THE EXTRA-TERRESTRIAL and DISTRICT 9 a Thes
WHEN YOU CAN’T “PHONE HOME”: SUBVERSIVE POLITICS OF THE FOREIGN OTHER IN E.T.: THE EXTRA-TERRESTRIAL AND DISTRICT 9 A Thesis By SAMANTHA GENE HARVEY Submitted to the Graduate School at Appalachian State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2017 Department of English WHEN YOU CAN’T “PHONE HOME”: SUBVERSIVE POLITICS OF THE FOREIGN OTHER IN E.T.: THE EXTRA-TERRESTRIAL AND DISTRICT 9 A Thesis by SAMANTHA GENE HARVEY MAY 2017 APPROVED BY: Başak Çandar, Ph.D. Chairperson, Thesis Committee Germán Campos-Muñoz, Ph.D. Member, Thesis Committee Kyle Stevens, Ph.D. Member, Thesis Committee Carl Eby, Ph.D. Chairperson, Department of English Max C. Poole, Ph.D. Dean, Cratis D. Williams School of Graduate Studies Copyright by Samantha Gene Harvey 2017 All Rights Reserved Abstract WHEN YOU CAN’T “PHONE HOME”: SUBVERSIVE POLITICS OF THE FOREIGN OTHER IN E.T.: THE EXTRA-TERRESTRIAL AND DISTRICT 9 Samantha Gene Harvey B.A., Virginia Polytechnic Institute and State University M.A., Appalachian State University Chairperson: Başak Çandar, Ph.D. This thesis takes a close look at the ways in which alien representations, especially in films, mirror the ways in which transnational and migrant individuals are viewed and treated by the majority populations of already established nations. By tracing the history of science fiction, the connotations that the genre makes and the ways in which extraterrestrial narratives comment on reality can be evaluated in detail. The subversive politics that are created by such narratives, both intentionally and unwittingly, contributes to the perceptions of the Other that are embraced by the oppressive masses and which perpetuate certain types of treatment. -
00:00:05 Elliott Kalan Host the Movie That Will Make You R
00:00:00 Dan McCoy Host On this episode we discuss—Mortal Engines! 00:00:05 Elliott Kalan Host The movie that will make you realize—cities that roll around on tank treads and harpoon other cities and then eat those cities? Are kinda boring. 00:00:13 Music Music Light, up-tempo, electric guitar with synth instruments. 00:00:40 Dan Host Hey, everyone, and welcome to The Flop House! I’m Dan McCoy. 00:00:43 Stuart Host Oh, hey there, Dan McCoy! I’m Stuart Wellingtown! Wellington 00:00:46 Elliott Host Hey there, Dan McCoy and Stuart Wellingtown! It’s me—Elliott Kalan! And I’m joined today by a very special guest: Brendan, say hi! 00:00:53 Brendan Guest Hi! I’m Brendan Hay! Hay 00:00:53 Elliott Host This is Brendan Hay. Uh, he’s the showrunner of the Netflix Animated Series Harvey Girls Forever. Third season is out now? 00:00:59 Brendan Guest Uh, yes! 00:01:01 Elliott Host And he is also, y’know, a great friend of ours! 00:01:03 Brendan Guest Aww! 00:01:04 Elliott Host He’s been a long-time friend of mine, uh, he was one of my groomsmen, and he has a boatload of stories from when he was the head writer of Star Wars: Detours, a Star Wars animated cartoon that never aired. [Dan laughs.] 00:01:15 Brendan Guest And never will! 00:01:16 Elliott Host We’re not here to talk about that, are we? 00:01:18 Brendan Guest I mean, we can, but I think Mortal Engines is far more fascinating. -
FLM201 Film Genre: Understanding Types of Film (Study Guide)
Course Development Team Head of Programme : Khoo Sim Eng Course Developer(s) : Khoo Sim Eng Technical Writer : Maybel Heng, ETP © 2021 Singapore University of Social Sciences. All rights reserved. No part of this material may be reproduced in any form or by any means without permission in writing from the Educational Technology & Production, Singapore University of Social Sciences. ISBN 978-981-47-6093-5 Educational Technology & Production Singapore University of Social Sciences 463 Clementi Road Singapore 599494 How to cite this Study Guide (MLA): Khoo, Sim Eng. FLM201 Film Genre: Understanding Types of Film (Study Guide). Singapore University of Social Sciences, 2021. Release V1.8 Build S1.0.5, T1.5.21 Table of Contents Table of Contents Course Guide 1. Welcome.................................................................................................................. CG-2 2. Course Description and Aims............................................................................ CG-3 3. Learning Outcomes.............................................................................................. CG-6 4. Learning Material................................................................................................. CG-7 5. Assessment Overview.......................................................................................... CG-8 6. Course Schedule.................................................................................................. CG-10 7. Learning Mode...................................................................................................