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District 9 – a Little Known Fact About the Faculty of Veterinary Science and the Movie
District 9 – A little known fact about the Faculty of Veterinary Science and the movie By CvB Posted on 28 August 2009 Image: D-9.com District 9, the new film by the renowned film producer and Oscar-winning director, Peter Jackson, who was responsible for the production and special effects of movies such as King Kong and Lord of the Rings, is released on the big screen by Ster Kinekor today. Not many people know that some of the scenes for the movie were filmed at the Faculty of Veterinary Science of the University of Pretoria in December 2008. The filming involved one of its Anatomy halls that was converted in a sci-fi biomedical laboratory with, among other things, a space-technology sliding door, and the Anatomy museum, while some equipment from the Onderstepoort Veterinary Academic Hospital (OVAH) and the Biomedical Research Centre were also utilized. A pulsating atmosphere existed on the set in the week during which actors, crew-members and technical personnel spent time on the campus while life-like 7-feet aliens were ‘hanging around’. The movie not only features some South African settings but is mainly set in Johannesburg as the city that is being invaded by aliens from space. As we all know, South African born Neill Blomkamp, who was also present on the set during filming at the campus, was the Director while fellow South African, Sharlto Copley, plays the lead role. According to the preliminary reviews by critics this promises to be an excellent movie with amazing special effects that were executed to perfection. -
Fall 2020 Letter from the Editor
FALL 2020 LETTER FROM THE EDITOR Welcome, Greetings, Salutations and yI'el! Welcome to the Fall 2020 issue of the Ticonderoga newsletter. This issue finds the intrepid crew of the Ticonderoga once again boldly moving where only the foolish dare...among Dragons! Not only that, but we are going to explore our adventures among those whom we love to meet, who frequently bring dragons to life...the actors, authors, and artists that we've met and gotten their autographs!! This has been an unusual year with the world health issues having made it difficult to get out and enjoy conventions, films, or most any of the large gatherings that we all love so much. So this edition is going to help us live with our memories and share the times that we have had in the past meeting our celebrity crushes, while we look forward to the times in the near future where we will build new memories. “Lockhart'll sign anything if it stands still long enough!” — J.K. Rowling , Chamber of Secrets Some autographs are rather easy to obtain because the “autographee” seems to be at every event ever planned, while others fall under the “holy grail” category due to the rarity of encounters. For those who collect them, the reward is worth the chase in either case. So enjoy these stories of chasing dragons and autographs, stay safe and we'll all meet up on the other side! “Star Trek' says that it has not all happened, it has not all been discovered, that tomorrow can be as challenging and adventurous as any time man has ever lived.” —Gene Roddenberry As always.. -
INEMA INTERNATIONAL Students, Faculty, Staff and the Community Are Invited • ADMISSION IS FREE • Donations Welcome 7:30 P.M
MURRAY STATE UNIVERSITY • Fall 2017 INEMA INTERNATIONAL Students, faculty, staff and the community are invited • ADMISSION IS FREE • Donations Welcome 7:30 p.m. Thursday, Friday and Saturday evenings • Curris Center Theater AUG. 24-25- 26 • AUSTRALIA/UK, 2016 OCTOBER 5-6-7 LION FALL BREAK - NO FILM Dir. By Garth Davis With Dev Patel, Rooney Mara, David Wenham, Nicole Kidman. English/Hindi/Bengali. PG-13, 118 mins. OCT. 12-13- 14 • CHINA/FRANCE, 2002 Lion is an incredible story based on the non-fiction book A Long Way Home BALZAC AND THE LITTLE CHINESE SEAMSTRESS by Saroo Bierley, screen play by Luke Davis. Saroo is a 5 year old who ekes Dir. Dai Sijie With Zhou Xun (周迅), Liu Ye (劉燁), a living on the streets with his brother. One day they are separated, little Saroo gets lost and survives many challenges before being adopted by Chen Kun (陳坤). an Australian couple. 25 years later, the adult Saroo - played by Dev Patel Mandarin w/English subtitles. N.R, 111 mins. (Slumdog Millionaire) - tries to find his birth mother from Google Earth Based on the director’s semi-autobiographical novel Balzac and the Little pictures and faint memories. (theguardian.com). Chinese Seamstress (2000), this acclaimed “coming of age” film is set during China’s cultural revolution. Two young university students are sent to a mountain village for a Maoist re-education to purge them of their decadent Western education. Thanks to their skills in music and the AUG. 1 SEPT. 1 - 2 • USA, 2009 discovery of a cache of forbidden French books, they awaken the imagi- AMREEKA nation of a young seamstress to a world beyond her beautiful, yet remote Dir. -
Insert East Coast Logo
THERE’S A NEW MO’ IN TOWN! Wednesday November 24: First it was Mr. T, now Mr. E is standing up for men’s rights to sport a Mohawk! The newly crowned Mr England, Vaughan Bailey, has joined forces with The A-Team and celebrity groomer Jason Shankey to ensure November is the month of the Mohawk! Thanks to all-action hardman BA Baracus in The A-Team and a whole host of manly celebrities, from Jared Leto to David Beckham, more and more British men are getting Mo’d up, as ‘the Hawk’ makes its mark as one of the styles for 2011. First sported by Mr T in the original A-Team series, it has taken Mr. England to re-launch the funky cut, inspired by the new film version of The A-Team. Bailey, who was crowned Mr England in September, went from Hobo to Hunk, having been plucked from a life on the streets to be crowned Mr. England, and cites BA Baracus as one of his inspirations. Now he is fronting the campaign with celebrity groomer Jason Shankey, who is offering free Mohawks to anyone feeling manly enough to ask for a ‘BA’ on Friday 26 November. All those who take up the offer will also be rewarded with £5 off the A-Team on Blu-ray when it is released on Monday 29th November. Shankey, whose Fulham salon sees some of London’s coolest celebrities through its doors in London’s most happening district, has seen a huge rise in the demand for Mohawks this year. -
Diana Cilliers
DIANA CILLIERS COSTUME DESIGNER www.dianacilliers.com Tertiary Education: Bachelor of Arts Degree 1977 in Costume Design, Drama, History of Art ,Psychology – University of Pretoria *Registered for a MAFA Master of Fine Arts Michaelis School of Art – University of Cape Town –in 2014/2015 subject was entitled ‘The Emotional Language of Clothing in Africa and the Diaspora’ I did not complete this MAFA due to external work pressure and lack of time to be a ‘full time’ student. I am continuing to work on this thesis. My Supervisor at Michaelis was Andrew Lampbrecht. Awards: 2017:SAFTA Nomination 2017 Best Costume Design on a Feature Film for ‘Sheperds and Butchers’ 2016:Primetime Emmy Nomination – Outstanding Costume Design for a Period/Fantasy Series, Limited Series or Movie (Roots) Night 1 with Ruth Carter and others 2015 Robert Award Nomination Best Costume Design (Arets kostumier) The Salvation (2014) 2015 SAFTA Nomination Best Costume Design ‘Faan se Trein’ with Leonie Roberts 2014 SAFTA (South African Film and Television Academy) Award for Best Costume Design for ‘Mandela Long Walk to Freedom) with Ruy Filipe 2013 Primetime Emmy Nomination for Outstanding Costume Design for a Movie,Miniseries or Special for HBO’s ‘The Girl’ with Melissa Moritz 2013 Womens International Television and Film Showcase Award for Outstanding Costume Design 2011 SAFTA Nomination for Best Costume Design for movie ‘Themba’ 2007 SAFTA Award Best Costume Design for ‘Colour of Freedom’ (Goodbye Bafana) 2004 Award Nomination (Canada) for Best Costume Design Gemini for award winning series ‘Human Cargo’ Known for :Roots, Mandela Long Walk to Freedom, District 9, Chronicle, The Giver, America the Story of US,The Girl After completin g her degree in Costume/Set Design at the University of Pretoria, Diana started out her career with three years in Theatre- CAPAB and PACT- Working on various operas, ballets and dramas. -
Christianish-BOOK.Pdf
What people are saying about … Christianish “No one blends self-deprecating hilarity and spiritual profundity like Mark Steele. Christianish is everything we’ve come to love about his writing: It’s entertaining, it’s challenging, and it’s completely devoid of cheese.” Jason Boyett, author of Pocket Guide to the Afterlife “Mark Steele is no Jeremiah. It’s a good thing, because we’d have to kill him. Funny, incisive, and wise, Steele calls us (along with himself) to account for all our fakery and get on with the serious business of (gulp) living like Jesus.” Patton Dodd, deputy editor of PurposeDriven. com and author of My Faith So Far: A Story of Conversion and Confusion “Look out! Mark Steele is in the temple and he’s flippin’ tables! Mark always has something funny to say about Christianity, but this book is as convicting as it is hilarious. He continues to use his comedy as a metal detector that finds ‘the real stuff’ under the rubble. In between references to Boss Hogg and Cannonball Run 2, you might actually reexamine your whole approach to following Jesus.” Cory Edwards, writer and director of Hoodwinked Christianish-int-F.indd 1 5/29/09 1:03:04 PM “Sometimes when I’m feeling depressed and lonely I like to imag- ine Mark Steele is my best friend, and we are walking through a grassy meadow in the warm sunshine. As the butterflies float by and bunnies bound ahead of us, Mark cheers me up by offering gentle wisdom and hilarious life stories about his journey on this earth. -
Images © 2009 Tristar Pictures, Inc. All Rights Reserved
All images © 2009 TriStar Pictures, Inc. All Rights Reserved. © 2009 TriStar Pictures, Inc. All Rights Reserved. © 2009 TriStar Pictures, Inc. All Rights Reserved. 4 Blomkamp Selects Image Engine SHAWN WALSH 8 Neill Blomkamp Talks District 9 Visual Effects Executive Producer Phone: 604.874.5634 Mobile: 604.377.4144 12 DISTRICT 9 - FXGUIDE [email protected] IMAGE ENGINE 18 Visual Effects Presentation 15 West 5th Avenue Vancouver, British Columbia Canada, V5Y 1H4 23 About Image Engine Phone: 1.604.874.5634 Fax: 1.604.708.8433 24 District 9 Awards Nominations www.image-engine.com “I want to sincerely thank and praise everyone at Image Engine for what you created. From a management and scheduling perspective Image Engine dealt with all the hurdles “District 9” threw at us brilliantly. In terms of the aliens in particular I think Image Engine has done absolutely top tier brilliant work that far exceeded my expectations! Please thank the artists and everyone involved for slaving over my film and coming through in such a huge way”. -Neill Blomkamp All images © 2009 TriStar Pictures, Inc. All Rights Reserved. Blomkamp Selects Image Engine as Lead Visual Effects Vendor on “District 9” Image Engine has completed 311 visual effects shots for “District 9”, the “District 9,” says Stewart “is a cumulative result of Image Engine’s feature film debut from director Neill Blomkamp. investment in a film pipeline and the efforts of the supervisors on the crew, many of whom are Canadians that have longstanding international Image Engine’s workload focused the studio’s efforts on creating 100% experience, returning to work in Canada on a high-end feature.” Ultimately, digital aliens that populate an area of Soweto, South Africa known as the creature build grew to feature some 50 or more discrete aliens. -
From District Six to District 9
FILM AS TEXT AS FILM From District Six to District 9 APARTHEID, SPECTACLE AND THE REAL eill Blomkamp’s 2009 science South Africa’s segregated past: District Six fiction blockbuster captivated was an area outside of Cape Town that the audiences around the world, government declared ‘white only’ in the 1960s, garnering four Academy Award forcing the removal of over 60,000 non-white Nnominations including Best Picture. While residents from their homes. By employing genres like horror, science fiction and action elements of documentary filmmaking to tell are undeniably popular with viewers, these its tale, District 9 acknowledges from within sorts of films are rarely considered ‘serious’ its own diegesis that the boundaries between enough for Oscar consideration. So what made fiction and the real can be powerfully and District 9 – a film about aliens and spaceships meaningfully blurred. – so different? Its spectacular effects and 61 ISSUE familiar science fiction story about an extra- District 9 is not the only film that employs the terrestrial invasion make it pleasurable to structures and iconographies of a particular SCREEN EDUCATION watch, but by focusing on humanity’s xenopho- genre to make a political statement. Night bic treatment of the aliens in contemporary of the Living Dead (George A. Romero, 1968) Johannesburg, District 9 also functions as a is a zombie movie that makes a powerful powerful allegory for the very real traumas comment on the North American civil rights that faced South Africa, the film’s country of movement that rocked the country during the ALEXANDRA production, during and after apartheid. -
Filmski Diskurs U Videoigrama – Modaliteti Vizualnog Izlaganja Novih Medija
Filozofski fakultet Ilija Barišić FILMSKI DISKURS U VIDEOIGRAMA – MODALITETI VIZUALNOG IZLAGANJA NOVIH MEDIJA DOKTORSKI RAD Mentori: dr. sc. Katarina Peović Vuković dr. sc. Nikica Gilić Zagreb, 2017. Faculty of Humanities and Social Sciences Ilija Barišić FILM DISCOURSE IN VIDEOGAMES – NEW MEDIA MODALITIES OF VISUAL PRESENTATION DOCTORAL THESIS Supervisors: Katarina Peović Vuković, Ph.D. Nikica Gilić, Ph.D. Zagreb, 2017. Informacije o mentorima Katarina Peović Vuković docentica je na Odsjeku za kulturalne studije Filozofskog fakulteta u Rijeci. Magistrirala je i doktorirala na Odsjeku za komparativnu književnost Filozofskog fakulteta u Zagrebu. Priredila je zbornik tekstova američkog teoretičara Hakima Beya Privremene autonomne zone i drugi tekstovi (Naklada Jesenski i Turk, Zagreb, 2003). Godine 2012. objavljuje studiju Mediji i kultura. Ideologija medija nakon decentralizacije (Jesenski i Turk, Zagreb). Godine 2016. objavljuje studiju Marx u digitalnom dobu. Dijalektički materijalizam na vratima tehnologije (Durieux, Zagreb). Radove publicira u časopisima Crisis & Critique, Badiou Studies, Stasis, Književna smotra, Trípodos i Synthesis Philosophica. Od 1998. do danas suradnica je književno-teorijskog časopisa Libra Libera. Nikica Gilić diplomirao je 1997. studij komparativne književnosti i engleskog jezika i književnosti na Filozofskom fakultetu u Zagrebu, upisavši potom poslijediplomski studij književnosti, a od 1998. radi na Odsjeku za komparativnu književnost. Magistrirao je 2003. temom “Filmološki aspekti naratologije”, a doktorirao 2005. s temom “Filmska genologija i tipologija filmskog izlaganja” (u oba rada mentor mu je bio profesor Ante Peterlić). Predaje kolegije iz teorije i povijesti filma na Odsjeku za komparativnu književnost i na Akademiji dramske umjetnosti. Održao je gostujuća predavanja na Humboldtovom sveučilištu u Berlinu i sveučilištima u Regensburgu i Konstanzu (Njemačka), potom u Grazu (Austrija) te na Sveučilištu T. -
Accepted Version (PDF 581Kb)
This may be the author’s version of a work that was submitted/accepted for publication in the following source: Brott, Simone (2011) Violent urbanism is us. In Moulis, A & Van Der Plaat, D (Eds.) AUDIENCE: Proceedings of the XXVIIIth International Conference of the Society of Architectural Histori- ans, Australia and New Zealand. Society of Architectural Historians, Australia and New Zealand, Australia, pp. 1-20. This file was downloaded from: https://eprints.qut.edu.au/48148/ c Copyright 2011 [Please consult the author] This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. Violent Urbanism is Us Simone Brott There is no need to fear or hope, but only to look for new weapons. -
Film Reviews – June 2011
Scope: An Online Journal of Film and Television Studies Issue 20 June 2011 Film Reviews – June 2011 Table of Contents Shadows of Progress: Documentary Film in Post-war Britain (1951-1977) A Review by Dai Vaughan ...................................................................... 2 Bonnie and Clyde A Review by Ian Murphy ........................................................................ 6 Cracks Tell-Tale Robin Hood The A-Team A Review by Laurence Raw .................................................................. 15 The Karate Kid (1984) The Karate Kid (2010) A review by Rachel Mizsei Ward ........................................................... 22 1 Film Reviews Shadows of Progress: Documentary Film in Post-war Britain (1951-1977) Dir: Various, BFI, 2010 A Review by Dai Vaughan, Independent Scholar, London, UK Two years ago the BFI issued a box set of four DVDs comprising a selection of British documentaries from 1930 to 1950 under the title Land of Promise. This has now been followed with a matching set, covering the period 1951 to 1977, called Shadows of Progress. The titles seem to parallel each other, even to the initial P for their abstract nouns, until we notice that the word 'of' has subtly reversed its meaning. It is the land that has promise, but progress that has shadows. This sense of reversal, of the decline of documentary at least in its Griersonian incarnation, seems to have governed the selection of material offered here, which is predominantly sponsored and predominantly shot on 35mm. Certainly few of these 32 films are inspirational in the way that even such a modest item as Night Shift, in the former set, managed to be (and remains). This is partly a reflection of the loss of the socialist conviction which had animated documentaries of the '30s and of the patriotic unity of the war years which, disappointingly, failed to project itself into the Attlee era after 1945. -
Attorney/Correspondence Information
Trademark Trial and Appeal Board Electronic Filing System. https://estta.uspto.gov ESTTA Tracking number: ESTTA1144997 Filing date: 07/07/2021 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Notice of Opposition Notice is hereby given that the following party opposes registration of the indicated application. Opposer Information Name Twentieth Century Fox Film Corporation Granted to Date 07/07/2021 of previous ex- tension Address 10201 WEST PICO BOULEVARD LOS ANGELES, CA 90035 UNITED STATES Attorney informa- JASON M. JOYAL tion KELLY IP, LLP 1300 19TH STREET, NW, SUITE 300 WASHINGTON, DC 20036 UNITED STATES Primary Email: [email protected] Secondary Email(s): [email protected], [email protected], lit- [email protected] No phone number provided. Docket Number Applicant Information Application No. 90184889 Publication date 03/09/2021 Opposition Filing 07/07/2021 Opposition Peri- 07/07/2021 Date od Ends Applicant Trent E Bush 425 TERRACE AVE. BOULDER, CO 80304 UNITED STATES Goods/Services Affected by Opposition Class 025. First Use: 0 First Use In Commerce: 0 All goods and services in the class are opposed, namely: Anoraks; Baseball caps; Belts; Denim pants; Down jackets; Footwear for men; Footwear for women; Gloves for apparel; Hats; Headwear; Hiking boots; Rainwear; Running shoes; Shoes; Short trousers; Shorts; Ski gloves; Ski wear; Snow- board gloves; Snowboard jackets; Snowboard trousers; Sports jackets; Sports bras; Sweat pants; Sweat shirts; Sweatpants; Sweatshirts; T-shirts; Under garments; Underclothing; Underwear; Wind resistant jackets; Wind-jackets; Woollen socks Grounds for Opposition Priority and likelihood of confusion Trademark Act Section 2(d) Marks Cited by Opposer as Basis for Opposition U.S.