Insert East Coast Logo

Total Page:16

File Type:pdf, Size:1020Kb

Insert East Coast Logo THERE’S A NEW MO’ IN TOWN! Wednesday November 24: First it was Mr. T, now Mr. E is standing up for men’s rights to sport a Mohawk! The newly crowned Mr England, Vaughan Bailey, has joined forces with The A-Team and celebrity groomer Jason Shankey to ensure November is the month of the Mohawk! Thanks to all-action hardman BA Baracus in The A-Team and a whole host of manly celebrities, from Jared Leto to David Beckham, more and more British men are getting Mo’d up, as ‘the Hawk’ makes its mark as one of the styles for 2011. First sported by Mr T in the original A-Team series, it has taken Mr. England to re-launch the funky cut, inspired by the new film version of The A-Team. Bailey, who was crowned Mr England in September, went from Hobo to Hunk, having been plucked from a life on the streets to be crowned Mr. England, and cites BA Baracus as one of his inspirations. Now he is fronting the campaign with celebrity groomer Jason Shankey, who is offering free Mohawks to anyone feeling manly enough to ask for a ‘BA’ on Friday 26 November. All those who take up the offer will also be rewarded with £5 off the A-Team on Blu-ray when it is released on Monday 29th November. Shankey, whose Fulham salon sees some of London’s coolest celebrities through its doors in London’s most happening district, has seen a huge rise in the demand for Mohawks this year. “The Mohawk is one of those iconic hair cuts that keeps coming back and I have noticed a massive resurgence particularly in the last few months with clients asking for a number of variations of the style,” says Shankey. “I’d go as far as to say that it is currently one of our most popular cuts for guys under the age of 25! The A-Team and BA have certainly had a huge influence on this as well as the likes of David Beckham and Orlando Bloom who continually revert back to the look. The hairstyle is sharp, short and decidedly masculine which is why it is such a top trend especially with our sporting heroes!” Mr England cites how BA Baracus was his personal inspiration: “As a teenager growing up I went through some tough times, but The A-Team was the ultimate escapism and BA has always been an inspiration for his all-action, no nonsense attitude and cool image, which has been brought to the 21st Century in the new film.” “As a Mr. World and Manhunt International candidate I have to be at the forefront of fashion, and I’m pleased to be leading the way with a Mohawk!” Mr England himself will be personally styled by Jason Shankey at his Fulham salon at 10am on Wednesday 24 November and both are available for interviews/photos during and after the cut. Media are also invited to take part in the day of the Mohawk and adopt the style courtesy of Jason Shankey himself, who is available for personal grooming sessions and interviews from 24-26 November. Get a cut above with THE A-TEAM when it is released on Blu-ray Triple Play and DVD on 29 November. Notes to Editors JASON SHANKEY MALE GROOMING & LIFESTYLE CLUB – LOOK THE PART! Jason Shankey, Irish born entrepreneur, hairdresser and grooming expert is delighted to introduce Jason Shankey London in Jerdan Place, Fulham. Jason Shankey London is the first of its kind, a new generation gentlemen’s club offering a full range of premium styling, grooming and lifestyle services exclusively for men. With the original Jason Shankey Club opening in Belfast in 1997 he currently enjoys a growing reputation as one of the UK’s finest male grooming businesses. A former finalist in the UK male grooming salon of the year awards Jason Shankey is committed to establishing a growing presence on the High St in select locations throughout the UK. MONEY-OFF Men who take up the offer from Jason Shankey’s and get a free Mohawk on Friday 26th November will receive a code in-salon that will qualify them for £5 off the A-Team on Blu-ray on Monday 29th November. This offer is only redeemable on Play.com. THE A-TEAM BLU-RAY/DVD Buckle up for an adrenaline-fueled thrill ride starring Liam Neeson (Taken), Bradley Cooper (The Hangover), Quinton “Rampage” Jackson (UFC Star), and Sharlto Copley (District 9). Convicted by a military court for a crime they didn’t commit, a daring team of former Special Forces soldiers must utilize their unique talents to break out of prison and tackle their toughest mission yet. It’s going to take guts, split-second timing and an arsenal of explosive weapons...this is a job for The A-Team! THE A-TEAM Blu-ray Special Features: • Explosive Extended Cut • Movie Theatrical Version • The Devil is in the Details: Inside the Action with Joe Carnahan • Never-before-seen Deleted Scenes • Gag Reel • A-Team Theme Mash-Up Montage • Plan of Attack • Character Chronicles o Liam Neeson o Bradley Cooper o Rampage Jackson o Sharlto Copley o Jessica Biel • Visual Effects Commentary with Visual Effects Supervisor James E. Price • Digital Copy “How To” • BD-Live Extras o What’s New o Live Lookup THE A-TEAM DVD Special Features: • Explosive Extended Cut • Movie Theatrical Version • Feature Audio Commentary with Joe Carnahan • A-Team Theme Mash-Up Montage For further press information, please contact: Leigh Debbage, Jackie Lamaj or Gillian Littler at Premier PR T: 0207 292 6445 / 020 7292 7384 / 020 7292 7353 E: [email protected] / [email protected] / [email protected] For Jason Shankey, please contact : Lulu Bradfield-Stowell or Duncan Purves at Premier PR T: 0207 292 6440/ 0207 292 7374 E: [email protected] / [email protected] -ENDS- .
Recommended publications
  • On His Own Terms
    Adobe Premiere Pro CS5 Success Story Sharlto Copley On his own terms Sharlto Copley revisits his District 9 character, Wikus Van De Merwe Sharlto Copley Sharlto Copley shapes his own creative destiny using Adobe® Los Angeles, California www.facebook.com/pages/SHARLTO- Premiere® Pro CS5 software COPLEY/108950282368 www.funnyordie.com/sharlto_copley Sharlto Copley is just as comfortable in front of the camera as he is behind it. He is perhaps best known for appearing as if from nowhere and landing a starring role as the sinister Wikus Van De Merwe in the 2009 Oscar-nominated movie District 9, directed by Neill Blomkamp. He is playing Captain “Howling Mad” Murdock in The A-Team, slated for release in June 2010. He is also a director, writer, producer, and visual effects producer with many films and television programs to his credit. In short, when it comes to filmmaking, Sharlto Copley does it all. From the very beginning of his career, Adobe Premiere Pro software has been his choice for non-linear editing. “I’ve always been a big fan of Adobe Premiere Pro,” says Copley. “It was the first software to break the mold and deliver timeline-based editing. Adobe Premiere Pro transformed the industry and outclassed old-style systems that force you to think about A and B roll and toggle between windows. It was a different school of thought—one that supports the fluid way today’s new filmmaking breed thinks.” “Adobe Premiere Pro CS5 is so incredibly stable—and with native 64-bit support, I found myself sitting there saying ‘Wow’ at its amazing performance.” Sharlto Copley Actor and filmmaker Challenge An Adobe Premiere Pro veteran • Gain more creative control in Copley has used Adobe Premiere Pro for years, but he is more devoted and enthusiastic than ever now filmmaking that he is using Adobe Premiere Pro CS5.
    [Show full text]
  • District 9 – a Little Known Fact About the Faculty of Veterinary Science and the Movie
    District 9 – A little known fact about the Faculty of Veterinary Science and the movie By CvB Posted on 28 August 2009 Image: D-9.com District 9, the new film by the renowned film producer and Oscar-winning director, Peter Jackson, who was responsible for the production and special effects of movies such as King Kong and Lord of the Rings, is released on the big screen by Ster Kinekor today. Not many people know that some of the scenes for the movie were filmed at the Faculty of Veterinary Science of the University of Pretoria in December 2008. The filming involved one of its Anatomy halls that was converted in a sci-fi biomedical laboratory with, among other things, a space-technology sliding door, and the Anatomy museum, while some equipment from the Onderstepoort Veterinary Academic Hospital (OVAH) and the Biomedical Research Centre were also utilized. A pulsating atmosphere existed on the set in the week during which actors, crew-members and technical personnel spent time on the campus while life-like 7-feet aliens were ‘hanging around’. The movie not only features some South African settings but is mainly set in Johannesburg as the city that is being invaded by aliens from space. As we all know, South African born Neill Blomkamp, who was also present on the set during filming at the campus, was the Director while fellow South African, Sharlto Copley, plays the lead role. According to the preliminary reviews by critics this promises to be an excellent movie with amazing special effects that were executed to perfection.
    [Show full text]
  • INEMA INTERNATIONAL Students, Faculty, Staff and the Community Are Invited • ADMISSION IS FREE • Donations Welcome 7:30 P.M
    MURRAY STATE UNIVERSITY • Fall 2017 INEMA INTERNATIONAL Students, faculty, staff and the community are invited • ADMISSION IS FREE • Donations Welcome 7:30 p.m. Thursday, Friday and Saturday evenings • Curris Center Theater AUG. 24-25- 26 • AUSTRALIA/UK, 2016 OCTOBER 5-6-7 LION FALL BREAK - NO FILM Dir. By Garth Davis With Dev Patel, Rooney Mara, David Wenham, Nicole Kidman. English/Hindi/Bengali. PG-13, 118 mins. OCT. 12-13- 14 • CHINA/FRANCE, 2002 Lion is an incredible story based on the non-fiction book A Long Way Home BALZAC AND THE LITTLE CHINESE SEAMSTRESS by Saroo Bierley, screen play by Luke Davis. Saroo is a 5 year old who ekes Dir. Dai Sijie With Zhou Xun (周迅), Liu Ye (劉燁), a living on the streets with his brother. One day they are separated, little Saroo gets lost and survives many challenges before being adopted by Chen Kun (陳坤). an Australian couple. 25 years later, the adult Saroo - played by Dev Patel Mandarin w/English subtitles. N.R, 111 mins. (Slumdog Millionaire) - tries to find his birth mother from Google Earth Based on the director’s semi-autobiographical novel Balzac and the Little pictures and faint memories. (theguardian.com). Chinese Seamstress (2000), this acclaimed “coming of age” film is set during China’s cultural revolution. Two young university students are sent to a mountain village for a Maoist re-education to purge them of their decadent Western education. Thanks to their skills in music and the AUG. 1 SEPT. 1 - 2 • USA, 2009 discovery of a cache of forbidden French books, they awaken the imagi- AMREEKA nation of a young seamstress to a world beyond her beautiful, yet remote Dir.
    [Show full text]
  • Diana Cilliers
    DIANA CILLIERS COSTUME DESIGNER www.dianacilliers.com Tertiary Education: Bachelor of Arts Degree 1977 in Costume Design, Drama, History of Art ,Psychology – University of Pretoria *Registered for a MAFA Master of Fine Arts Michaelis School of Art – University of Cape Town –in 2014/2015 subject was entitled ‘The Emotional Language of Clothing in Africa and the Diaspora’ I did not complete this MAFA due to external work pressure and lack of time to be a ‘full time’ student. I am continuing to work on this thesis. My Supervisor at Michaelis was Andrew Lampbrecht. Awards: 2017:SAFTA Nomination 2017 Best Costume Design on a Feature Film for ‘Sheperds and Butchers’ 2016:Primetime Emmy Nomination – Outstanding Costume Design for a Period/Fantasy Series, Limited Series or Movie (Roots) Night 1 with Ruth Carter and others 2015 Robert Award Nomination Best Costume Design (Arets kostumier) The Salvation (2014) 2015 SAFTA Nomination Best Costume Design ‘Faan se Trein’ with Leonie Roberts 2014 SAFTA (South African Film and Television Academy) Award for Best Costume Design for ‘Mandela Long Walk to Freedom) with Ruy Filipe 2013 Primetime Emmy Nomination for Outstanding Costume Design for a Movie,Miniseries or Special for HBO’s ‘The Girl’ with Melissa Moritz 2013 Womens International Television and Film Showcase Award for Outstanding Costume Design 2011 SAFTA Nomination for Best Costume Design for movie ‘Themba’ 2007 SAFTA Award Best Costume Design for ‘Colour of Freedom’ (Goodbye Bafana) 2004 Award Nomination (Canada) for Best Costume Design Gemini for award winning series ‘Human Cargo’ Known for :Roots, Mandela Long Walk to Freedom, District 9, Chronicle, The Giver, America the Story of US,The Girl After completin g her degree in Costume/Set Design at the University of Pretoria, Diana started out her career with three years in Theatre- CAPAB and PACT- Working on various operas, ballets and dramas.
    [Show full text]
  • Images © 2009 Tristar Pictures, Inc. All Rights Reserved
    All images © 2009 TriStar Pictures, Inc. All Rights Reserved. © 2009 TriStar Pictures, Inc. All Rights Reserved. © 2009 TriStar Pictures, Inc. All Rights Reserved. 4 Blomkamp Selects Image Engine SHAWN WALSH 8 Neill Blomkamp Talks District 9 Visual Effects Executive Producer Phone: 604.874.5634 Mobile: 604.377.4144 12 DISTRICT 9 - FXGUIDE [email protected] IMAGE ENGINE 18 Visual Effects Presentation 15 West 5th Avenue Vancouver, British Columbia Canada, V5Y 1H4 23 About Image Engine Phone: 1.604.874.5634 Fax: 1.604.708.8433 24 District 9 Awards Nominations www.image-engine.com “I want to sincerely thank and praise everyone at Image Engine for what you created. From a management and scheduling perspective Image Engine dealt with all the hurdles “District 9” threw at us brilliantly. In terms of the aliens in particular I think Image Engine has done absolutely top tier brilliant work that far exceeded my expectations! Please thank the artists and everyone involved for slaving over my film and coming through in such a huge way”. -Neill Blomkamp All images © 2009 TriStar Pictures, Inc. All Rights Reserved. Blomkamp Selects Image Engine as Lead Visual Effects Vendor on “District 9” Image Engine has completed 311 visual effects shots for “District 9”, the “District 9,” says Stewart “is a cumulative result of Image Engine’s feature film debut from director Neill Blomkamp. investment in a film pipeline and the efforts of the supervisors on the crew, many of whom are Canadians that have longstanding international Image Engine’s workload focused the studio’s efforts on creating 100% experience, returning to work in Canada on a high-end feature.” Ultimately, digital aliens that populate an area of Soweto, South Africa known as the creature build grew to feature some 50 or more discrete aliens.
    [Show full text]
  • From District Six to District 9
    FILM AS TEXT AS FILM From District Six to District 9 APARTHEID, SPECTACLE AND THE REAL eill Blomkamp’s 2009 science South Africa’s segregated past: District Six fiction blockbuster captivated was an area outside of Cape Town that the audiences around the world, government declared ‘white only’ in the 1960s, garnering four Academy Award forcing the removal of over 60,000 non-white Nnominations including Best Picture. While residents from their homes. By employing genres like horror, science fiction and action elements of documentary filmmaking to tell are undeniably popular with viewers, these its tale, District 9 acknowledges from within sorts of films are rarely considered ‘serious’ its own diegesis that the boundaries between enough for Oscar consideration. So what made fiction and the real can be powerfully and District 9 – a film about aliens and spaceships meaningfully blurred. – so different? Its spectacular effects and 61 ISSUE familiar science fiction story about an extra- District 9 is not the only film that employs the terrestrial invasion make it pleasurable to structures and iconographies of a particular SCREEN EDUCATION watch, but by focusing on humanity’s xenopho- genre to make a political statement. Night bic treatment of the aliens in contemporary of the Living Dead (George A. Romero, 1968) Johannesburg, District 9 also functions as a is a zombie movie that makes a powerful powerful allegory for the very real traumas comment on the North American civil rights that faced South Africa, the film’s country of movement that rocked the country during the ALEXANDRA production, during and after apartheid.
    [Show full text]
  • Filmski Diskurs U Videoigrama – Modaliteti Vizualnog Izlaganja Novih Medija
    Filozofski fakultet Ilija Barišić FILMSKI DISKURS U VIDEOIGRAMA – MODALITETI VIZUALNOG IZLAGANJA NOVIH MEDIJA DOKTORSKI RAD Mentori: dr. sc. Katarina Peović Vuković dr. sc. Nikica Gilić Zagreb, 2017. Faculty of Humanities and Social Sciences Ilija Barišić FILM DISCOURSE IN VIDEOGAMES – NEW MEDIA MODALITIES OF VISUAL PRESENTATION DOCTORAL THESIS Supervisors: Katarina Peović Vuković, Ph.D. Nikica Gilić, Ph.D. Zagreb, 2017. Informacije o mentorima Katarina Peović Vuković docentica je na Odsjeku za kulturalne studije Filozofskog fakulteta u Rijeci. Magistrirala je i doktorirala na Odsjeku za komparativnu književnost Filozofskog fakulteta u Zagrebu. Priredila je zbornik tekstova američkog teoretičara Hakima Beya Privremene autonomne zone i drugi tekstovi (Naklada Jesenski i Turk, Zagreb, 2003). Godine 2012. objavljuje studiju Mediji i kultura. Ideologija medija nakon decentralizacije (Jesenski i Turk, Zagreb). Godine 2016. objavljuje studiju Marx u digitalnom dobu. Dijalektički materijalizam na vratima tehnologije (Durieux, Zagreb). Radove publicira u časopisima Crisis & Critique, Badiou Studies, Stasis, Književna smotra, Trípodos i Synthesis Philosophica. Od 1998. do danas suradnica je književno-teorijskog časopisa Libra Libera. Nikica Gilić diplomirao je 1997. studij komparativne književnosti i engleskog jezika i književnosti na Filozofskom fakultetu u Zagrebu, upisavši potom poslijediplomski studij književnosti, a od 1998. radi na Odsjeku za komparativnu književnost. Magistrirao je 2003. temom “Filmološki aspekti naratologije”, a doktorirao 2005. s temom “Filmska genologija i tipologija filmskog izlaganja” (u oba rada mentor mu je bio profesor Ante Peterlić). Predaje kolegije iz teorije i povijesti filma na Odsjeku za komparativnu književnost i na Akademiji dramske umjetnosti. Održao je gostujuća predavanja na Humboldtovom sveučilištu u Berlinu i sveučilištima u Regensburgu i Konstanzu (Njemačka), potom u Grazu (Austrija) te na Sveučilištu T.
    [Show full text]
  • Accepted Version (PDF 581Kb)
    This may be the author’s version of a work that was submitted/accepted for publication in the following source: Brott, Simone (2011) Violent urbanism is us. In Moulis, A & Van Der Plaat, D (Eds.) AUDIENCE: Proceedings of the XXVIIIth International Conference of the Society of Architectural Histori- ans, Australia and New Zealand. Society of Architectural Historians, Australia and New Zealand, Australia, pp. 1-20. This file was downloaded from: https://eprints.qut.edu.au/48148/ c Copyright 2011 [Please consult the author] This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. Violent Urbanism is Us Simone Brott There is no need to fear or hope, but only to look for new weapons.
    [Show full text]
  • Film Reviews – June 2011
    Scope: An Online Journal of Film and Television Studies Issue 20 June 2011 Film Reviews – June 2011 Table of Contents Shadows of Progress: Documentary Film in Post-war Britain (1951-1977) A Review by Dai Vaughan ...................................................................... 2 Bonnie and Clyde A Review by Ian Murphy ........................................................................ 6 Cracks Tell-Tale Robin Hood The A-Team A Review by Laurence Raw .................................................................. 15 The Karate Kid (1984) The Karate Kid (2010) A review by Rachel Mizsei Ward ........................................................... 22 1 Film Reviews Shadows of Progress: Documentary Film in Post-war Britain (1951-1977) Dir: Various, BFI, 2010 A Review by Dai Vaughan, Independent Scholar, London, UK Two years ago the BFI issued a box set of four DVDs comprising a selection of British documentaries from 1930 to 1950 under the title Land of Promise. This has now been followed with a matching set, covering the period 1951 to 1977, called Shadows of Progress. The titles seem to parallel each other, even to the initial P for their abstract nouns, until we notice that the word 'of' has subtly reversed its meaning. It is the land that has promise, but progress that has shadows. This sense of reversal, of the decline of documentary at least in its Griersonian incarnation, seems to have governed the selection of material offered here, which is predominantly sponsored and predominantly shot on 35mm. Certainly few of these 32 films are inspirational in the way that even such a modest item as Night Shift, in the former set, managed to be (and remains). This is partly a reflection of the loss of the socialist conviction which had animated documentaries of the '30s and of the patriotic unity of the war years which, disappointingly, failed to project itself into the Attlee era after 1945.
    [Show full text]
  • Murdock the Ateam 2010 Full Movie with English Subtitles Hd 1080Pl
    Murdock The A-team 2010 Full Movie With English Subtitles Hd 1080pl 1 / 5 2 / 5 Murdock The A-team 2010 Full Movie With English Subtitles Hd 1080pl 3 / 5 Jessica Biel at an event for The A-Team (2010) Liam Neeson and Joe Carnahan in The A-Team (2010) Bradley Cooper in The A-Team (2010) Jessica ... Frankfurt, Murdock is analyzed by a German doctor (played by Dwight Schultz, the ... and it's a pleasure to see Sharlto Copley having his full on debut in this movie and for .... The book was published in multiple languages including English, consists of 76 ... The Last Airbender (2010) Trailer Mengikuti petualangan Aang, seorang ... The A-Team. ... Download film The Last Airbender sub indo Bluray BRRip BD full HD ukuran ... Looking for some google drive links of GOT in 1080p. avatar the last .... Pages Media TV & Movies TV Season Turkish Series English Subtitles ... The Scorpion team crash land in the first part of a two-part season finale. ... and don't wanna download torrent, you can also do that by clicking the link below. ... Watch full Boku no Hero Academia Season 3 Episode 24 English Subbed full HD online.. Convicted by a military court for a crime they didn't commit, a daring team of ... The A-Team. ‪2010‬. ‪Action/Adventure‬, ‪Comedy‬. ‪1 h 58 min‬. ‪English audio‬ ... Once you select Rent you'll have 14 days to start watching the movie and 24 ... H.M. 'Howlin' Mad' Murdock ... Subtitles. English (CC). More ... 7.04 GB (1080p HD). New Romance Movie 2019 | Young President 2 Fake Bride, Eng Sub | Full ..
    [Show full text]
  • Catching up with BIS Alumni Fall Internship Opportunity Contact
    Since 1996, the Bachelor of Interdisciplinary Studies degree has offered ASU students an opportunity to apply knowledge in new ways to meet the challenges of an ever-changing world. Catching Up with BIS Alumni Inside This Issue Corrine Underwood June/July 2010; volume 2, number 6 By CJ Stewart Catching Up with BIS Alumni Bruce Lee once said: My Continuing Mission Top 10 Influential Summer Blockbusters Be like water making its way through cracks. Do not be assertive, but adjust to the object, and you shall find a way around or through it. If nothing within you Mark Your Calendar! stays rigid, outward things will disclose themselves. Empty your mind. Be form- Summer Movie Release Calendar less, shapeless, like water. If you put water into a cup, it becomes the cup. You put water into a bottle and it becomes the bottle. You put it in a teapot it becomes the teapot. Now, water can flow or it can crash. Be water, my friend. Perhaps no other type of student exemplifies Mr. Lee’s sage advice better than the students BIS student Rebecca Soltis created who transfer out of one degree program and into the original artwork in the Kaleidoscope the interdisciplinary studies program. masthead. Corinne Underwood is one such student. Through a series of unforeseen events, Corinne managed to adapt admirably and approach each challenge in her life as an opportunity, rather than Contact Information a stumbling block—flowing through her academic Bachelor of Interdisciplinary Studies career gracefully rather than accepting that she sls.asu.edu/bis | (480) 965-1970 had come to her end.
    [Show full text]
  • Afrocyberpunk Cinema: the Postcolony Finds Its Own Use for Things the Third Chapter of William Gibson's Neuromancer (1984)
    Afrocyberpunk cinema: the postcolony finds its own use for things The third chapter of William Gibson’s Neuromancer (1984) instructs the reader to imagine ‘the Sprawl, the Boston-Atlanta Metropolitan Axis’ as a map programmed to ‘display frequency of data exchange, every thousand megabytes a single pixel on a very large screen’: Manhattan and Atlanta burn solid white. Then they start to pulse, the rate of traffic threatening to overload your simulation. Your map is about to go nova. Cool it down. Up your scale. Each pixel a million megabytes. At a hundred million mega-bytes per second, you begin to make out certain blocks in midtown Manhattan, outlines of hundred-year-old industrial parks ringing the old core of Atlanta... (57) This image of the acceleration and intensification of the coming era of neo-liberal financialisation and globalisation indicates that power – information and capital – will continue to reside with those who already possess it. In contrast to the dazzling achromatic blaze of the east coast megalopolis, Africa – in the novel and in cyberpunk more generally – remains a dark continent: absent, tenebrous, disconnected; one of ‘the black holes of informational capitalism’ from which ‘statistically speaking, there is no escape from the pain and destruction inflicted on the human condition’ (Castells 167). Cyberpunk might be considered a literature of globalisation, providing ‘a Cook’s tour of the new global waystations’ and ‘a first crude inventory of the new world system’ (Jameson Archaeologies 384, 385), but it nonetheless follows the Anglophone sf norm of neglecting, marginalising and excluding Africa, Africans and Afrodiasporic subjects.
    [Show full text]