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THE DANCEHALL BIBLIOGRAPHY

This Bibliography is an on-going work in progress. Do advise us of any errors or omissions by sending an email to [email protected].

If you have any recent publications do send them in to [email protected] so we can update our records.

Help us to spread information and knowledge about dancehall!

Thank You The Dancehall Archive and Research Initiative [email protected]

BOOKS

Bateman, Christopher and Al Fingers (Eds.). In Fine Style: The Dancehall Art of Wilfred Limonious. London: One Love Books, 2016.

Cooper, Carolyn. Sound Clash: Jamaican Dancehall Culture at Large. New York and England: Palgrave MacMillan, 2004.

Galvin, Anne M. Sounds of the Citizens: Dancehall and Community in Jamaica. Nashville: Vanderbilt University Press, 2014.

Hippolyte, Idara. Jamaica Dancehall and Postmodernism. Oxford: Oxford University Press, 2001.

Hope, Donna P. Man Vibes: Masculinities in the Jamaican Dancehall. Kingston: Ian Randle Publishers, 2010.

Hope, Donna P. Inna di Dancehall: Popular Culture and the Politics of Identity in Jamaica. Kingston, Jamaica: The University of the West Indies Press, 2006.

Immanuel-I, Java. Reggae Sunsplash: 1978-1998. Coolshade Media and Entertainment, May 2007.

Kroubo Dagnini, Jérémie. Vibrations jamaïcaines. L'Histoire des musiques populaires jamaïcaines au XXe siècle. Rosières-en-Haye : Camion Blanc, 2011 (French language).

Kroubo Dagnini, Jérémie and Doumerc, Eric. DJs & Toasters jamaïcains : 1970-1979. Histoire, thématiques et symboles. Rosières-en-Haye : Camion Blanc, 2015 (French language).

Lesser, Beth. Dancehall: The Rise of Jamaican Dancehall Culture. Soul Jazz Books, 2017. 2

Lesser, Beth. Rub-a-Dub Style: The Roots of Modern Dancehall. Canada: Beth Lesser, 2012.

Lesser, Beth. King Jimmys. Toronto, Ontario: ECW Press, 2002.

Joseph, Owen. Jamaican Dancehall: Misconceptions and Pedagogical Advantages. Bloomingdale, Indiana: Booktango, 2012.

Stanley-Niaah, Sonjah. Dancehall: From Slave Ship to Ghetto. Ottawa: Ottawa University Press, 2010.

Sterling, Marvin D. Babylon East: Performing Dancehall, Roots Reggae and Rastafari in Japan. Durham and London: Duke University Press, 2010.

Stolzoff, Norman. Wake the Town and Tell the People: Dancehall Culture in Jamaica. Durham and London: Duke University Press, 2000. Walters, Maxine. Serious Things A Go Happen: Three Decades of Jamaican Dancehall Signs. Los Angeles: Hat & Beard, 2016.

BOOK CHAPTERS

Campbell, Winston C. “The Lyrical Opus of Tommy Lee Sparta: Masculinity, Violence, Sexuality and Conflict” in Hope, Donna P. (Ed.). Reggae from Yaad: Traditional and Emerging Themes in Jamaican Popular Music, Kingston: Ian Randle Publishers, 2015, pp. 184-206.

Cooper, Carolyn. “Sweet and Sour Sauce: Sexual Politics in Jamaican Dancehall Culture” in Sachiyo Morimoto (Ed.). LT1: Gender and Sexuality in Jamaica. Japan: Mighty Mules Bookstore, 2008, pp. 12-31

Cooper, Carolyn. “Slackness hiding from culture: erotic play in the dancehall” in Noises in the Blood: Orality, Gender and the ‘Vulgar’ Body of Jamaican Popular Culture. London & Basingstoke: MacMillan Caribbean, 1993, pp. 136-173.

Dawkins, Nickesha. “She Se Dis, Him Se Dat: Examining Gender-Based Use in Jamaican Dancehall” in Hope, Donna P. (ed.). International Reggae: Current and Future Trends in Jamaican Popular Music. Kingston: Pelican Publishers, 2013, pp. 124-166.

Farquharson, Joseph T. “Faiya-bon: The socio-pragmatics of homophobia in Jamaican (Dancehall) culture”, in Migge, Bettina and Susanne Muhleisen (eds.) Politeness and Face in Caribbean Creoles. Philadelphia: John Benjamins, 2005, pp.

Helber, Patrick. “Between 'Murder Music' and 'Gay Propaganda'. Policing Respectability in the Debate on Homophobic Dancehall” in Hope, Donna P. (ed.). Reggae from Yaad: 3

Traditional and Emerging Themes in Jamaican Popular Music, Kingston: Ian Randle Publishers, 2015, pp. 141-163.

Henriques, Julian F.. 2007. “Situating Sound: The Space and Time of the Dancehall Session”. In: J. Marijke and S. Mieskowski, (eds.) Sonic Interventions. 18 Amsterdam and New York: Rodopi, pp. 287-310.

Hippolyte, Idara. “Killing Talk: Postmodernism and the Popular Violence and Jamaican Dancehall Music” in Michael Bucknor and Alison Donnell (eds.). The Routledge Companion to Anglophone Caribbean Literature: London and New York: Routledge, 2011, pp. 544-553.

Hope, Donna P. “From the Stage to the Grave: Exploring Celebrity Funerals in Dancehall Culture”, in Hume, Yanique and Kamugisha, Aaron (Eds). Caribbean Popular Culture: Power, Politics And Performance. Kingston, Ian Randle Publishers, 2016, pp.249-260. (Article first published in Journal of Cultural Studies, 2010).

Hope, Donna P. and White, Livingston A. “Your Name A Mention: Media Coverage of Clashes/Feuds in Jamaican Popular Music 1970-2010” in Hope, Donna P. (ed.). Reggae From Yaad: Traditional and Emerging Themes in Popular Music. Kingston: Ian Randle Publishers, 2015, pp. 102-137.

Hope, Donna P. “Dancehall, Violence and Jamaican Youth: An Empirical Synopsis” in International Reggae: Current and Future Trends in Popular Music, Ed. Donna P. Hope. Kingston: Pelican Publishers, 2013, pp. 30-67.

Hope, Donna P. “Chi Chi Man fi Get Sladi: Homophobia as Alternative Masculinity in Dancehall Culture”. Sachiyo Morimoto (Ed.) ‘LT1’: Gender and Sexuality in Jamaica, Japan: Mighty Mules, November 2008, pp. 32-57.

Hope, Donna P. “Love Punaany Bad: Negotiating Misogynistic Masculinity in Dancehall Culture”. In Annie Paul (Ed.) Caribbean Culture: Soundings on Kamau Braithwaite, Kingston: University of the West Indies Press, July 2007, pp. 367-380.

Makawambeni, Blessings. “Zimbabwe Dancehall Music as Site of Resistance” in Onyebadi, Uche (Ed). Music as a Platform for Political Communication. US: ICI Global, 2017. pp. 238- 256.

McFarlane, Shelly-Ann. “Towards an Exploration of Earl ‘Biggy’ Turner and the New Reggae/Dancehall Fashion Aesthetic” in Alissa de Witt-Paul and & Mira Crouch (Eds.) Fashion Forward. Oxford, UK, Inter-Disciplinary Press, 2011, pp. 393-407

Nelson, Camille. “Colonial Optics: Dancehall and Legal Imperatives Against the ‘Unnatural’” in Martha Albertson Fineman, Michael Thomson (Eds). Exploring Masculinities: Feminist Legal Theory Reflections. London & New York: Routledge, 2013. pp. 55-80. Noble, Denise. “Ragga Music: Dis/Respecting Black Women and Dis/Reputable Sexualities”, in Hesse, Barnor (Ed.). Un/Settled Multiculturalisms: Diasporas, Entanglement, Transruptions. London: Zed Books, 2001, pp. 148-169. 4

Perkins, Anna Kasafi. “Good, Goodas, Gyal: Deconstructing the Virtuous Woman in Dancehall” in Hope, Donna P. (Ed.). Reggae from Yaad: Traditional and Emerging Themes in Jamaican Popular Music, Kingston: Ian Randle Publishers, 2015, pp. 164-183.

Shapiro, Sherry B. “Dance Inna Dancehall: Roots of Jamaica's Popular Dance Expressions” in Shapiro, Sherry B. Dance in a World of Change: Reflections on Globalization and Cultural Difference. Champaign, Ill: Human Kinetics, 2008, pp.. 41-63.

Skelton, Tracey. “Ghetto Girls/Urban Music Jamaican ragga music and female performance” in Rosa Ainley (Ed). New Frontier of Space, Bodies and Gender. London: Routledge, 2001, pp. 142-156.

Stanley-Niaah, Sonjah. “Making Space: Reading Limbo in Dancehall Performance and Spatiality” in Naana Jane Opoku-Agyemang, Paul E. Lovejoy, and David D. Trotman (Eds.) Africa and Trans-Atlantic Memories: Literary and Aesthetic Manifestations of Diaspora and History. Trenton, NJ: Africa World Press, 2008. Stanley-Niaah, Sonjah and Hope, Donna P. “The Body and Dancehall Performance” in Brian Meeks (Ed.) Culture, Politics, Race and Diaspora: The Thought of Stuart Hall, London: Lawrence & Wishart, 2007, pp. 218-248.

Tomlinson, Lisa. “Reggae, Hip hop and Dancehall: Resistance and African Canadian Youth Culture. In Donna P. Hope (Ed.) International Reggae: Current and Future Trend in Popular Music, Kingston, London: Pelican Books, 2013.

Tomlinson, Lisa. “The Black Diaspora North of the Border: Women, Music and Caribbean Culture in Toronto”. In Ifeona Fulani (Ed.) Archipelagos of Sound: Transnational Caribbeanities: Women and Music, Kingston, Jamaica: University of West Indies Press, 2012, pp. 219-235.

Walker, Christopher. A. “Dance Inna Dancehall”: Roots of Jamaica’s Popular Expressions” in Sherry B. Shapiro (Ed). Dance in a World of Change: Reflections on Globalization and Cultural Difference. Raleigh North Carolina: Human Kinetics, 2008, pp. 41-70.

JOURNAL ARTICLES

Alleyne, Mike. “Inside out: Dancehall and the “Re-Cooperation” of Meaning” in Small Axe, No. 21 (Vol. 10, No. 3), 2006, pp. 150–160.

Appel, Hannah. “Dancehall, Hip-Hop and Musical Cross-Currents” in Glendora Review: African Quarterly on the Arts. (Vol . No.3/4), 2004, pp .71–79.

Bakare-Yusuf, Bibi. “Clashing interpretations in Jamaican Dancehall culture” in Small Axe, No. 21 (Vol. 10, No. 3), 2006, pp. 161–173.

Bakare-Yusuf, Bibi. “Fabricating identities: Survival and the imagination in Jamaican Dancehall Culture “in Fashion Theory, Vol. 10, Iss. 3, 2003, pp. 1-10. 5

Bremner, Natalia. “Keepin' it real?: Engaging with language politics in Réunion through the juxtaposition of English and Réunionese Kreol in dancehall music” in Journal of Romance Studies (Vol. 15 No. 1) Spring 2015, pp.111-130.

Brown, Jarrett. “Masculinity and Dancehall” in Caribbean Quarterly, Volume 45 No. 1, March 1999, pp. 1-16.

Cooper, Carolyn. “At the crossroads – looking for meaning in Jamaican Dancehall culture: a reply” in Small Axe, No. 21 (Vol. 10, No. 3) October 2006: pp. 193–204.

Cooper, Carolyn. “Lady saw cuts loose: Female fertility rituals in the dancehall” in Jamaica Journal Vol. 27, Nos. 2 & 3, 2004, pp. 13–19.

Cooper, Carolyn. “Punany powah” in Black Media Journal No. 2 (Spring 2000): pp. 50– 52.

Crawford, Alexay D. “The Effects of Dancehall Genre on Adolescent Sexual and Violent Behaviour in Jamaica: A Public Health Concern” in the North American Journal of Health Sciences, Vol. 2, No. 3, March 2010, pp. 143-145.

Dawkins, Nickesha. “Gender – based Vowel Use in Jamaican Dancehall Lyrics”. in Sargasso, I, 2009, pp. 95-114.

Delgado de Torres, Lena. Swagga: Fashion, Kinaesthetics, and Gender in Dancehall and Hip Hop in Journal of Black Masculinity: The Philosophical Underpinnings of Gender Identity, Vol. 1, No. 3, Summer 2011.

Ellis, Nadia. “Out and Bad: Toward a Queer Performance Hermeneutic in Jamaican Dancehall” in Small Axe Vol. 15:2 (35), 2011, pp. 7-23.

Fagon, Raquel. “Slackness: The Antithesis of Culture and its Place in Dancehall Music” in Quadrivium: A Journal of Multidisciplinary Scholarship (Vol. 1 No.1), Spring 2009, pp. 1-6.

Flynn, Karen. “Moving Dancehall Off the Island: Female Sexuality and Club Culture in Toronto” in Caribbean Review of Gender Studies. (8) 2014, pp. 183-208.

Frank, Kevin. “Female Agency and Oppression in Caribbean Bacchanalian Culture: Soca, Carnival and Dancehall, in Women’s Studies Quarterly, Vol. 35, No. 1/2 - The Sexual Body, Spring-Summer, 2007, pp.127-190.

Gutzmore, Cecil. “Casting the First Stone!: Policing of Homo/Sexuality in Jamaican Popular Culture. Interventions: International Journal of Postcolonial Studies Special Issue on Jamaican Popular Culture co-edited by Carolyn Cooper and Alison Donnell 6 (1), 2004, PP. 118-134 6

Helber, Patrick. “Ah My Brownin’ Dat”: A Visual Discourse Analysis of the Performance of Vybz Kartel’s Masculinity in the Cartoons of the Jamaica Observer” in Caribbean Quarterly: A Journal of Caribbean Culture, Vol. 58, Nos. 2 & 3, June-September, 2012, pp.116-128.

Hippolyte, Idara. “Collapsing the 'Oral-Literary' Continuum: Jamaican Dancehall and Anglophone Caribbean Literary Culture” in International Journal of Postcolonial Studies (Vol. 6, No. 1), 2004, pp. 82-100.

Hope, Donna P. “Exploring Narratives of Contested Gender Identities in Jamaican Dancehall” in a/b: Auto/Biography Studies, “Auto/Biography Across the Americas”, Issue 30.1, Spring 2015, pp. 107-129.

Hope, Donna P. “Gimme di Weed: Popular Music Constructions of Jamaican Identity” in Revista Brasilera do Caribe, Vol. 13, No. 26, January/June 2013.

Hope, Donna P. “Pon di Borderline: Exploring Constructions of Jamaican Masculinity in Dancehall and Roots Theatre” in Journal of West Indian Literature, Vol. 21, Nos. 1 & 2, November 2012/April 2013, pp. 105-128.

Hope, Donna P. “Dancehall: Origins, History, Future.” In Groundings, Issue 26, July 2011, pp. 7-28. 20pp.

Hope, Donna P. "From Browning to Cake Soap: Popular Debates on Skin Bleaching in the Jamaican Dancehall." The Journal of Pan African Studies, Volume 4, No. 4, June 2011, pp. 164-193 - Special Issue: Skin Bleaching and Global White Supremacy. 30pp.

Hope, Donna P. “From the Stage to the Grave: Exploring Celebrity Funerals in Dancehall Culture” in International Journal of Cultural Studies, Volume 13, No. 3, May 2010, pp. 254- 270.

Hope, Donna P. “Fashion Ova Style: Contemporary Notions of Skin Bleaching in Dancehall Culture”, in JENdA: A Journal of Culture and African Women’s Studies, Volume 14, 2009, Special Issue on Skin Lightening, edited by Yaba Amgborale Blay, 29 pp. (published online April 2010).

Hope, Donna P. “I Came to Take My Place: Contemporary Discourses of Rastafari in Jamaican Dancehall” in Revista Brasileira Do Caribe, Volume 9, No. 18, January-June 2009, pp. 401-423.

Hope, Donna P. “From Boom Bye Bye to Chi Chi Man: Exploring Homophobia in Jamaican Dancehall, Culture”, in Journal of the University College of the Cayman Islands (JUCCI), Volume 3, Issue 3, August 2009, pp. 99-121.

Hope, Donna P. “Gangstaz, Disciplez and Doiley Boyz” in Jamaica Journal, Vol. 32, Nos. 1-2. July 2009, pp. 108-112.

Hope, Donna P. “Passa Passa: Interrogating Cultural Hybridities in Jamaican Dancehall”, in Small Axe: A Caribbean Journal of Criticism, No. 21, October 2006, pp.119-133. 7

Hope, Donna P. “Dons and Shottas: Performing Violent Masculinity in Dancehall Culture” in Social and Economic Studies, Popular Culture, Vol. 55:1 & 2, March & June 2006, pp. 115-131.

Hope, Donna P. Ninja Man, the Lyrical Don: Embodying Violent Masculinity in Jamaican Dancehall Culture. Discourses in Dance, Volume 2, Issue 2, 2004, pp. 27-43. Hope, Donna P. “The British Link Up Crew – Consumption Masquerading as Masculinity in the Dancehall”. Interventions: International Journal of Postcolonial Studies Special Issue on Jamaican Popular Culture co-edited by Carolyn Cooper and Alison Donnell 6.1: April, 2004, pp. 101-117.

Järvenpää, Tuomas. “Jumping Nyahbinghi Youths: Local Articulations of Roots Reggae Music in a Rastafarian Dancehall in Cape Town” in Suomen Antropologi: Journal of the Finnish Anthropological Society, Vol. 40, No. 1, 2015.

Manuel, P. and Wayne Marshall. “The Riddim Method: Aesthetics, Practice, and Ownership in Jamaican Dancehall”.in Popular Music, Vol. 25:3, pp. 447–470, 2006.

McKoy-Torres, Sabia. “Love Dem Bad: Embodied Experience, Self-Adoration and Eroticism in Dancehall” in Transforming Anthropology, Vol. 25, No. 2, 2017, pp. 185-200.

Monteiro, Celeina. “Screening Subjects: Transnational Dancehall Culture in a Social Media Age”, in Congress on Research in Dance Conference Proceedings, 2016, pp. 272-278

Nelson, Camille A. “Lyrical Assault: Dancehall vs. the Cultural Imperialism of the North- West”, in Southern California Interdisciplinary Law Journal, Vol. 17, 2008, pp. 231-278.

Newell, Melanie. “Diving into Context: Using metaphor as an analytical lens for Researching Jamaican Dancehall Culture”, in DevISSues 12.1, April 2010.

Niaah, Jalani and Sonjah Stanley-Niaah. “ACE of the Dancehall Space: A Preliminary Look at U-Roy’s Version and Subversion in Sound”, in Social and Economic Studies, Vol. 55:1 & 2, March & June, 2006, pp.167-189.

Nixon, Angelique V. “Blackness, Resistance and Consciousness in Dancehall Culture” in Black Renaissance/Renaissance Noire (Vol. 9, No) 2009, pp. 190-199.

Noble, Denise. Postcolonial Criticism, Transnational Identifications and the Hegemonies of Dancehall's Academic and Popular Performativities” in Feminist Review Vol. 90, Iss. 1, pp. 106-127.

Olsen, Barbara; Gould, Stephen. “Revelations of cultural consumer lovemaps in Jamaican dancehall lyrics: An ethnomusicological ethnography” in Consumption Markets and Culture (Vol. 11. No. 4), 12/1008, pp. 229-256.

Pinnock, Agostinho. “A Ghetto Education is Basic”: (Jamaican) Dancehall Masculinities as Counter-Culture in Journal of Pan-African Studies, Vol. 1. No. 9, August, 2007.

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Ramstedt, Kim. “Sound System Performances and the Localization of Dancehall in Finland”, in IASPM@Journal (Journal of the International Association for the Study of Popular Music), Vol. 4, No. 1, 2014, pp. 42-55.

Ryman, Cheryl. “Bouyaka (Boo-Ya’h-kah): A Salute to Dancehall”, in Discourses in Dance, Vol. 2, Iss. 2, 2004, pp. 5-8. Saunders, Patricia J. “Is not Everything Good to Eat, Good to Talk: Sexual Economy and Dancehall Music in the Global Marketplace” in Small Axe, No. 13, March, 2003, pp. 95-115 Shaw, Andrea. “ ‘Big fat fish’: The hypersexualization of the fat female body in calypso and dancehall” in Anthurium: A Caribbean Studies Journal, 3(2), 2005. Retrieved from http://anthurium.miami.edu/volume_3/issue_2/shawbigfatfish.htm.

Skjelbo, Johannes. F. “Jamaican Dancehall Censored: Music, Homophobia and the Black Body in the Postcolonial World” in Danish Musicology Online, Special Edition, 2015, pp.131-153. Online at: http://danishmusicologyonline.dk/arkiv/arkiv_dmo/dmo_saernummer_2015/dmo_saernumme r_2015_musikcensur_07.pdf

Stanley-Niaah,Sonjah. “Negotiating A Common Transnational Space: Mapping Performance in Jamaican Dancehall and South African Kwaito” in Cultural Studies, Vol. 23, 2009, Iss. 5-6, pp.756-774. Stanley-Niaah, Sonjah. “A Common Space: Dancehall, Kwaito and the Mapping of New World Music and Performance” in The World of Music, Vol. 50, No. 2, Kwaito, 2008, pp. 30- 50. Stanley-Niaah, Sonjah. “Performance Geographies from Slave Ship to Ghetto” in Space and Culture, Vol. 11, Iss. 4, May 2008, pp.343-360. Stanley-Niaah, Sonjah. “Slackness Personified, Historicized and Delegitimized” in Small Axe, Vol. 10:3, Jan. 2006, pp.174-185. Stanley-Niaah, Sonjah. “Kingston’s Dancehall Spaces” in Jamaica Journal, Vol. 29, No. 3, 2006, pp. 14-21. Stanley-Niaah, Sonjah. “‘Dis Slackness Ting’: A Dichotomizing Master Narrative in Jamaican Dancehall” in Caribbean Quarterly Vol. 51 Nos. 3 & 4, Sept.-Dec. 2005, pp. 55- 76. Stanley-Niaah, Sonjah. “Kingston’s Dancehall: A Story of Space and Celebration” in Space and Culture, Vol. 7, No. 1, 2004, pp. 102-118. Stanley-Niaah, Sonjah. “A Common Genealogy: Dancehall, Limbo and the Sacred Performance Space” in Discourses in Dance,Vol.2, No. 1, 2004, pp. 9-26. Stanley-Niaah, Sonjah. “Making Space: Kingston’s Dancehall Culture and its Philosophy of ‘Boundarylessness’ ” in African Identities, Vol. 2, No. 2, Jan. 2004, pp.117-132. Stewart, Kingsley. “So Wha, Mi Nuh Fi Live To?”: Interpreting Violence in Jamaica Through the Dancehall Culture”, IDEAZ, Vol. 1 No. 1: University of the West Indies, Mona, May 2002, pp. 17-28. 9

Sterling, Marvin D. The Symbolic Constitution of Japanese Dancehall. Social and Economic Studies: Special Issue on Popular Culture 55(1&2):2006, pp. 1-24. Stolzoff, Norman C, ‘Murderation: The question of violence in the sound system dance’ in Social and Economic Studies, Vol. 47, No. 1, Reggae Studies, March, 1998, pp. 55-64. Wright, Beth-Sarah. “Speaking the Unspeakable: Politics of the Vagina in Dancehall Docu- Videos” in Discourses in Dance, Volume 2, Issue 2, 2004, pp. 45-59. Zorodzai, Dube. “Dancehall music and urban identities in Zimbabwe – A constructive postmodern perspective” in HTS Teologiese Studies / Theological Studies (Vol 72 No. 4) 2016, pp. 1-6.

MAGAZINE AND NEWSPAPER ARTICLES

Boyne, Ian. ”Red Stripe hits negative dancehall” in The Jamaica Gleaner, April 13, 2008. Online at: http://old.jamaica-gleaner.com/gleaner/20080413/focus/focus2.html.

Brown, Harley. “Rihanna Was Making Tropical House Before Justin Bieber – It’s Called Dancehall” in Spin Magazine, January 27, 2016.

Campbell, Curtis. “DanceJa Launches Dance Skool in the City” in the Sunday Gleaner, Sunday March 24, 2013.

Campbell, Howard. “Merging the Markets - Dancehall Artiste Looks to Make Impact Here and Abroad”, in The Jamaica Gleaner, April 30, 2011 – Online at: https://jamaicagleaner.com/gleaner/20110403/ent/ent8.html

Campbell, Howard. “Sting Turns 30: From Bottles, Fashion and Clashes”, in the Sunday Observer, October 13, 2013 – Online at: http://www.jamaicaobserver.com/entertainment/Sting-turns-30_15238249 . Cooke, Mel. “Yellow Pages cover reflects dancehall’s business influence” in The Jamaica Gleaner, December 22, 2016. Online at: http://jamaica- gleaner.com/article/entertainment/20161222/yellow-pages-cover-reflects-dancehalls- business-influence.

Cooke, Mel. “Reggae/Dancehall Popularity in Japan Rooted in Similarity” in The Jamaica Gleaner, July 27, 2010. Online at: http://jamaica- gleaner.com/gleaner/20100727/ent/ent3.html

Cooke, Mel. “Corporate Jamaica hypocritical in dancehall support” in The Jamaica Gleaner, November 28, 2010 – Online at: http://jamaica- gleaner.com/gleaner/20101128/letters/letters2.html.

Cooke, Mel. “STORY OF THE SONG - Gender jibes on 'Bigger Boss'” in the Sunday Gleaner, Sunday August 23, 2009 – Online at: http://mobile.jamaica- gleaner.com/20090823/ent/ent5.php

Cooke, Mel. “Clash Without Dash at Sting 25” in the Jamaica Gleaner, December 9, 2008. 10

Gardner, Laura. “Slackorality” in Dancehall Culture: Oral Sex Gets a Licking – 08/17/04. Expanded from article ‘Slackorality’ published in Beat Magazine, Aug/Sep 2004, Vol. 23, No. 4.

Grizzle, Shereita. “Flourgon could run things - Lawyer says deejay has grounds to sue Miley Cyrus” in the Jamaica Star, March 15, 2018. Online at: http://jamaica- star.com/article/entertainment/20180315/flourgon-could-run-things-lawyer-says-deejay-has- grounds-sue-miley.

Hansen, Erin. “Video Light: How Jamaica’s Women Find Sexual Empowerment in Dancehall” in FADER. August 29, 2014 – Online at: http://www.thefader.com/2014/08/29/female-sexuality-and-dancehall.

Henry, D. “Sting Bans Sizzla, D’Angel – Stinging Criticisms Come from Organisers” in the Jamaica Gleaner, January 1, 2014. Online at: http://jamaica- gleaner.com/gleaner/20140101/ent/ent1.html

Hope, Donna P. “Isaiah Laing: 30 Years of Sting and Beyond” in Buzz: Caribbean Lifestyle Magazine, Vol. 7, #1, Dec. 2013, pp. 74-76.

Hope, Donna P. – “The Dancehall Story: Exploring Male Homosexuality” in Rockstone and Bootheel Catalog. Connecticut: Real Artways, June 2011. Pp. 38-43.

Hope, Donna P. “Passa Passa: Dancehall and the Don” in Kingston Harbour: Development Transects, Urban Design Studio/Vanessa Keith (ed.), Columbia University Press, 2011, pp. 50-53.

Hope, Donna P. Dancehall Sell Off! in Buzz Caribbean Lifestyle Magazine, Vol. 2 # 9 November-December 2006, pp. 36-37.

Hope, Donna P. Clash – Gays vs. dancehall. Part 2. The Daily Gleaner, Wednesday, October 6, 2004 - http://www.jamaica-gleaner.com/gleaner/20041006/lead/lead6.html.

Hope, Donna P. Clash – Gays vs. dancehall. Part 1. The Daily Gleaner, Tuesday October 5, 2004 - http://www.jamaica-gleaner.com/gleaner/20041005/ent/ent3.html & http://www.jamaicagleaner.com/gleaner/20041005/ent/ent4.html.

Hope, Donna P. Sting 2003 – Performing Violence and Social Commentary, The Sunday Gleaner, January 4, 2004, pp. A10-A11 - http://www.jamaica- gleaner.com/gleaner/20040104/cleisure/cleisure5.html.

Hope, Donna P. Love for ‘Mama’ in the Dancehall, The Sunday Gleaner, February 10, 2002, pp. 1E & 3E - http://www.jamaica-gleaner.com/gleaner/20020210/ent/ent2.html.

Hope, Donna P. Courting and Conquering the Feared P_____y”, The Sunday Gleaner, February 3, 2002, p. 5E. http://www.jamaica-gleaner.com/gleaner/20020203/ent/ent3.html.

Hope, Donna P. Origins of Black Bedroom Conflict, The Sunday Gleaner, January 27, 2002, pp. 1E &3E.http://www.jamaica-gleaner.com/gleaner/20020127/ent/ent3.html. 11

Jennings, Tom. “Dancehall Dreams” in Variant. Vol. 2, No. 20, Summer 2004, pp. 9-13.

Johnson, Jovan. “Phone book backlash- Church lobby forces Yellow Pages to find alternative scene for directory cover” in The Jamaica Gleaner, December 1, 2016. Online at: http://jamaica-gleaner.com/article/lead-stories/20161201/phone-book-backlash-church-lobby- forces-yellow-pages-find-alternative

Johnson, Richard. “Missing that Sting” in the Jamaica Observer, December 27, 2016. Online at: http://www.jamaicaobserver.com/entertainment/Missing-that-Sting_84904

Johnson, Richard. “Clashes are back at Sting”, in the Jamaica Observer, December 2, 2011. Online at: http://www.jamaicaobserver.com/entertainment/Clashes-are-back-at- Sting_10300916

Katz, David. “How X-Rated Lyrics and Digital Beats Delivered Dancehall to the Masses”, in Cuepoint (via Medium) online, February 10, 2015. Online at: https://medium.com/cuepoint/how-x-rated-lyrics-and-digital-beats-delivered-dancehall-to- the-masses-f6728ad0034f

Lalah, R. and Grindley, L. “Dancehall Putting Youth “Pon di Edge” in The Jamaica Gleaner, June 2, 2008 – Online at: http://old.jamaica- gleaner.com/gleaner/20080602/lead/lead4.html

Lewis. Emma. “Dancehall directory? A new yellow pages cover stirs controversy in Jamaica in Global Voices (Americas), December 3, 2016. Online at: https://globalvoices.org/2016/12/03/dancehall-directory-a-new-yellow-pages-cover-stirs- controversy-in-jamaica/

Lyew, S. “Yeah Yeah Wednesdays already a hit” in the Jamaica Star, January 27, 2018. Lucy McKeon. “Swagger & Pomp: Jamaica’s Dancehall Style” in New York Review Daily, October 17, 2017—Online at: http://www.nybooks.com/daily/2017/10/24/swagger-pomp- jamaicas-dancehall-style.

Morgan-Lindo, Simone. Tommy Lee’s case takes new twist in the Jamaica Observer, October 9, 2016. Online at: http://www.jamaicaobserver.com/entertainment/Tommy-Lee-s-case-takes-new-twist_76666

Morgan, Simone. “No Change For Alkaline” in the Jamaica Observer, October 31, 2014. Online at: http://www.jamaicaobserver.com/entertainment/No-Change-For Alkaline_17844363

Morgan, Simone. “Dancehall Moves to Classroom”, the Sunday Observer, Sunday, September 28, 2014. Morgan, Simone. “Lady Saw crushes Macka, last diva standing at Sting” in the Jamaica Observer, December 27, 2013. Online at: http://www.jamaicaobserver.com/entertainment/Lady-Saw-crushes-Macka--last-diva- standing-at-Sting

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Pitter, Brian. “Give Dancehall the Respect it Deserves, Part II”, in the Jamaica Observer, October 24, 2016. Online at: http://www.jamaicaobserver.com/teenage/Give-dancehall-the- respect-it-deserves--part-II.

Salim, Aliyah. “The Problem with Dancehall Music’s Gender Stereotypes” in Brown Girl Magazine, July 7, 2016. Online at: https://www.browngirlmagazine.com/2016/07/problem- dancehall-musics-gender-stereotypes/

Walters, Basil. “Dancehall Takes Root in Africa” in the Jamaica Observer, December 11, 2011. Online at: http://www.jamaicaobserver.com/entertainment/dancehall-takes-root-in- africa_104405?profile=1116&template=MobileArticle.

Walters, Hasani. “African Dancehall Blows Up - Motherland Artistes Become Big Stars; Jamaicans Continue To Earn Respect On The Continent” in Jamaica Gleaner, August 11, 2013—Online at: http://jamaica-gleaner.com/gleaner/20130811/ent/ent3.html .

Watkins, D. “The Grammys, Dancehall and Pop Culture’s Complex Relationship in The Jamaica Observer, December 10, 2016. Online at: http://www.jamaicaobserver.com/columns/The-Grammys--dancehall-and-pop-culture-s- complex-relationship_82988

Wignall, Mark. “The Power and the Downside of Dancehall Music”, in the Jamaica Observer, March 19, 2014. Online at: http://www.jamaicaobserver.com/columns/The-power- and-the-downside-of-dancehall-music_16309756.

Wilson, Basil. “Reggae, Dancehall and the culture of violence” in Jamaica Observer, December 3, 2017—Online at: http://www.jamaicaobserver.com/news/reggae-dancehall-and- the-clture-of-violence_118636?profile=1096.

Wilson, Basil. “Dancehall Take Root in Africa” in Jamaica Observer, July 11, 2017—Online at: http://www.jamaicaobserver.com/entertainment/dancehall-takes-root-in- africa_104405?profile=1119

BOOK REVIEWS

Blanchon, Karine. “Dancehall: A GeoCultural Construction: A Review of Dancehall: From Slave Ship to Ghetto”, in TOPIA: Canadian Journal of Cultural Studies, Vol. 25, 2011, pp. 272-274.

Bornstein, Avram: “Dancehall Ethnography in Jamaica” A Review of Wake the Town and Tell the People: Dancehall Culture Jamaica in Small Axe, Vol. 5 No. 1, 2001, pp. 183-85.

Charles, C.A.D. “Man vibes and masculine identity in Jamaican music. Review of Donna Hope’s Man Vibes: Masculinities in the Jamaican Dancehall”, in Caribbean Quarterly, 57, 2011, pp 120-122.

Crichlow, Wesley. “A Review of Man Vibes: Masculinities in the Jamaican Dancehall by Donna P. Hope” in Canadian Review of Sociology/Revue Canadienne du Sociologie, Vol. 48:1, 2011, pp. 91-93. 13

Hagerman, Brent. “A Review of Inna di Dancehall: Popular Culture and the Politics of Identity in Jamaica by Donna P. Hope” in Canadian Journal of Latin American and Caribbean Studies, Vol. 32/67, 2007, pp. 228-230.

Hope, Donna P. “A Review of Sounds of the Citizens: Dancehall and Community in Jamaica by Anne M. Galvin” in New West Indian Guide, Volume 91 Issue 1-2, 2017, pp. 181-182.

Hope, Donna P. “A Review of Dancehall: From Slave Ship to Ghetto by Sonjah Stanley Niaah”, in New West Indian Guide, Volume 87 Issue 1-2, 2013, pp. 195-197.

Hope, Donna P. “A Review of Wake the Town and Tell the People: Dancehall Culture in Jamaica by Norman Stolzoff”, in ACIJ Research Review No. 5, 2009 (Launched October 2010) pp. 111-117.

Richardson, Elaine. “Sound Clash: Jamaican Dancehall Culture at large.” in Wadabegei: A Journal of the Caribbean and its Diaspora Vol 9, Iss 2 (Spring 2006): 90-100

Stanley-Niaah, Sonjah. “Dancin’ a Jamaica Middle Name: Musical Hegemony in Stolzoff’s Wake the Town and Tell the People, in Proudflesh: New Afrikan Journal of Culture, No. 3, 2004.

Sterling, Marvin. “A Review of Man Vibes: Masculinities in the Jamaican Dancehall by Donna P. Hope”, in Dancecult: Journal of Electronic Dance Music Culture, Vol. 3, No. 1, 2011, pp. 129-134.

DISSSERTATIONS AND THESES

Boenning, Margarita Dancehall Dancing and its Accessibility to the European Streetdance Market. MA Thesis, Interdisciplinary Latin American Studies, Free University of Berlin, Germany, 2017.

Chiola, Enio. The Stop Murder Music Campaign: Cultural Regulation of Jamaican Dancehall Music. Masters Thesis, York University, 2011.

Dawkins, Nickesha T. Gender as a Sociophonetic in Jamaican Dancehall Lyrics. Unpublished PhD Thesis, Department of Language, Linguistics and Philosophy, University of the West Indies, Mona Campus, 2015.

Delgado de Torres, Lena. Swagga: Gender and the Will to Adorn in Jamaican Dancehall. Unpublished PhD Thesis, Department of Sociology, Binghamton University, 2010.

Douglas, Marlon Emmanuel. The Power of Stories: A Communicative Investigation of Dancehall Narratives and Caribbean Culture. Masters Thesis, Boise State University, 2012.

Folkes, Troy. The Politics of Identity: Rastafari within the Dancehall Space. MA Thesis, Cultural Studies, UWI, Mona, 2016.

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Fullerton, Leslie-Ann. Women in Jamaican Dancehall: Rethinking Jamaican Dancehall through a Women-Centered Informal Economy Approach. Master’s Thesis, Department of Social Justice, University of Toronto, 2017.

Harris, Treviene A. Bleaching To Reach: Skin Bleaching as a Performance of Embodied Resistance in Jamaican Dancehall Culture. Masters Thesis. Florida International University, 2014.

Hope, Donna P. Man Vibes, Masculinities in Jamaican Dancehall Culture. PhD Thesis. Cultural Studies. George Mason University, Fairfax, Virginia, 2005.

Hope, Donna P. Inna di Dancehall Dis/Place: Sociocultural Politics of Identity in Jamaica. Masters of Philosophy Thesis. Department of Government, University of the West Indies, Mona Campus, 2001.

Hyman, Randolph-Dalton. Daggering Inna Di Dancehall Kierkegaard’s Conceptualization of Subjectivity and Nietzsche’s Dionysus in Relation to Jamaican Dance. PhD Thesis, Faculty of Education, Simon Fraser University, 2012.

Jensen, Jens Østerholt: Making Sense of the Noise: A Postcolonial Analysis of Dancehall Culture at Home and Abroad. Masters Thesis, Department of English, University of Copenhagen, 2012.

Keefe, Tristram. Yardtapes: History, Identity and Diaspora in a Dancehall Style, Master’s Thesis, Institute for the Study of the Americas, 2010.

Le, Steven. Identity Making in Jamaican Dancehall Culture. Unpublished BA Honors Thesis, Wesleyan University, 2012.

Moore, Carla. Wah Eye Nuh See Heart Nuh Leap: Queer Marronage in Jamaican Dancehall. Masters Thesis. Department of Gender Studies, Queens University, Ontario, 2014.

Newell, Melanie. Dancehall Culture and its World: Synthesising competing discourses and interpretations of Jamaica’s controversial ghetto youth culture. Master’s thesis, Children and Youth Studies, Graduate School of Development Studies, The Hague, 2009.

Small, Judene Antonette. Give Dem di Dance: An Investigation of the Jamaican Culture Through the Music and Dance of the Dancehalls. Unpublished MFA in Dance Thesis. Mills College, Oakland, California. Spring 2012.

Sjövall, Johanna. Dance fi Buss: An Ethnographic Study of Dancehall Dancing in Jamaica. Unpublished Masters Thesis, Department of Social Anthropology, Stockholm University, 2013.

Stanley Niaah, S. Kingston’s dancehall: A story of space and celebration, PhD Thesis, University of the West Indies, Mona Campus, 2004.

Sterling, M. In the shadow of ‘the universal other’: Performative Identifications with Jamaican culture in Japan, PhD Thesis, UCLA, California, 2002. 15

Walker, Aleia D. Art Imitating Life: How Heteronormative Values Shape and Encourage the Censorship of Jamaican Dancehall Music, MA Thesis, Department of Latin American Studies, University of Miami, 2013.

WaagbØ, Janne. Dancehall – A Serious Thing!: Performing Gender in Jamaican Dancehall. Masters Thesis. Department of Social Anthropology, University of Oslo, 2007.