DOCSLIB.ORG

BY ADAM SLOAN This Release Really Reinforces Their Ocre Funky Beats

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
BY ADAM SLOAN This Release Really Reinforces Their Ocre Funky Beats Timbre Presents EPIC RECORDING ARTISTS Doors 8PM Show 9PM " NIRVANA SPECTA. FRIDAY MARCH 8 UESTS THUS m ) Thursday March 14 A&M Recording Artists D from San Francisco ,u Z\T PUMP Show 10:30pm CiTR k*** JA***U* with special ^ DOORS 8PM SHOW 9:30PM 101.&9 fM /5»»fruN " FRIDAY MARCH 15 COOP guests the %Qi(£ *^1—«•— -o—- Tlu' Fabulous 10 2.7 0MM0D0RE present y STEEL BAND CS7(l Ciraiivillt- Mill with guests Saturday "ftf. B MIASHA TRILOGY MarcMreiTih 16e GW SATURDAY MARCH 23 WITH SPECIAL GUESTS CiTR SATURDAY MARCH 23 101.9 fM presents TOWN REDDHKROSS 6/7 (5fi PUMP with special guests 06ted- FROM MANCHESTER, ENGLAND ^^ f»m W0**\ TUESDAY APRIL 2 HAPPY MONDAYS 0MM0D0RThe Fabulous E •• "• WITH SPECIAL GUESTS C H7() <-..liiv ill. M.ill KREATOR • BLITZSPEER • MORGOTH Sunday April 14 ALL AGES at the New York Theatre Tickets Available At: Zulu, Black Swan, Track, Highlife, Scratch, Razzberry Records (95th & Scott), and Reminiscing Records (across from The Bay at Surrey Place), ^^^S**"8^ outlets or charge by phone 280-4444. Tickets for Culture also available at Barrett Electronics, Caribbean Market, Gerard's Hair Salon, The Patty Shop and Ebony Eyes. MARCH 1991 - ISSUE #98 ROLLINS A Faxinating Discussion 7 SCREAMING TREES ATreemendous Interview? 11 FULL PULL Mikey + Gav, Mud + Monster Trucks 13 MONTREAL JUBILATION CHOIR Sing Halleluiah 15 HANK THE HOBO Nardwuar, Kennedy, the CIA + a Singin' Bum 16 HAPPY MONDAYS ButWilltheRecordCompanyPayfortheCall? 18 MEAT BEAT MANIFESTO Adam Sloan + Jack Dangers Beat Off 18 LONDON SCENE Michael GriggTrades Shots with Popguns 19 FICTION A Brush with Organized Religion by Rob Howatson.. .30 •iWlf.UI AIRHEAD 5 UNDER REVIEW 24 MINIS , 8 7" 25 THEBUOUX ...20 FUTURE RAP 25 SUBTEXT ...21 HELL'S KITCHEN 26 REAL UVE ACTION... ...22 DATEBOOK 27 VANCOUVER SPECIAL.. 23 ON THE DIAL 28 CHARTS 29 ••MAH* STUPID DUMMYHEDS Rob Adamson 5 DANCING ON THE CLOUDS Marc Yuill & Julian Lawrence 26 JUNKFLESH Bryce Rasmussen... on holiday in honour of the holyday Cover artwork by Julian Lawrence, local comickist extraordinaire and co-artl*t of Dancing on tha Clouds. l*]JJH*'H*_CT_q EDITRIX Lisa Marr ART DIRECTOR Robynn Iwata DISCORDERLY ORDERLY Lydia Schymansky EDITORIAL ASSISTANTS Paul Funk, Randy Iwata PRODUCTION Rick Awender, Bill Baker, Dean Doherty, IVI AFRICAN BLEND X ALTERNATIVE Randy Iwata, Robynn Iwata GRAPHICS Rick Awender, Dan Planko WORD PROCESSING Trlcia Festejo PHOTO DEVELOPMENT Lydia o H Schymansky SPINLIST Randy Iwata, Lloyd Uliana ADVERTISING IM FIRE DANCE U BZZRBASH Graf Elsia ADVERTISING PRODUCTION Robynn Iwata LOCAL DISTRIBUTION Mitt Steffich SUBSCRIPTIONS / MAIL DISTRIBU­ TION Lydia Schymansky PROGRAM GUIDE / DATEBOOK / DELIV­ X ERY FRIEND Randy Iwata ACCOUNTS Linda SchoHen TECHNICAL SUPPORT Tad V Sua PUBLISHER Barb Bgood u Discorder Copyright © 1991 by Tha Student Radio Society of the ALTERNATIVE • IVLANDNIT! University of British Columbia. All rights reserved. Discorder is that magazine from CiTR 101.9 fM, and Is printed monthly in Canada on paper manufactured in Canada. Discorder prints what it wants to, w DIRECT FROM U.K. GO-GO DANCERS including the CITR On The Dial program guide and the CiTR SpinList JK playlist charts. Circulation is 17,500 copies distributed free to over E & SHOOTER-SHOCK 230 locations. 12 month subscriptions are $15 in Canada, $15 (US) EURO-BEAT X EVERY l-fOUR to the states, and $24 elsewhere. Please make cheques or money orders payable to Discorder Magazine. "The sickness Is in all of us. "• everybody. Deadline for ads and submissions is the 15th of the month. We want your stuff—send it our way, and if we like it, we'll Doors Open use it; if not, we'll lose it 9pm - 2am Mon - Sat CiTR 101.9 fM is 1800 watts of neurotic bliss from UBC to Langley, Squamish, and points beyond. We're also on all major cable systems in the Lower Mainland except Shaw in White Rock. Office hours for Party Line 682-8550 CiTR, Mobile Sound, and Discorder are M-F, 10-4. Call CiTR DJ line Zon 9 822-CITR, our offices « 822-3017, our news + sports 9 222- 2487, fax us c/o CiTR ® 822-6093, or write Discorder, #233-6138 #7 ALEXANDER GASTOWN SUB Boulevard, Vancouver, BC, CANADA V6T 2A5 MARCH 1991 3 COCTEAU TWINS SPECIAL GUESTS GALAXIE 500 ORPHEUM THEATRE FRIDAY, MARCH 22 9:00 PM TICKETS AVAILABLE AT ALL jssa@___» OUTLETS, TRACK Jfljjjjj| AND ZULU RECORDS, OR CHARGE BY PHONE «* >-$___________£_ 280-4444Onn-AAAA. (00 A PERRYSCOPE PRODUCTION somewhat difficult to adjust to the WHAT THE LORD, THE LORD YOU SLAY ME realization that this group of proud ALMIGHTY SAYS: blue bloods have been photographed () MY PEOPLE WHO LIVE: Hey Airhcad(0. in a very unflattering manner. Our IN /ION- Did ya' catch knowledge of traditional portraiture DO NOT 8E AFRAID OF the SLAYER gig at docs not include many bassists with THE ASSYRIANS, the Forum? I did and double chins. It i here that my WHO BEAT YOU WITH A I paid S27 to sec'em, knowledge ot­ ROD loo (my mistake). the story bc- AND LIFT UP A CLUH Shitty thing was that AGAINST YOU, Ihadwon2lickctson AS EGYPT DID CiTR's own "IW VERY SOON MY ANGER crchord" radio show. AGAINST YOU WELL END Banger host Mr. Yo- AND MY WRATH WILL BE shida asked yours DIRECTED LO THEIR OB­ truly • "skill-lcsling- STRUCTION. quesiion," and I re­ Tankhog accepted this Peers Noble sponded wilh a cor­ image. Somehow Whistler managed Burnaby rect answer. A buddy to slander a conventional image of and I travelled in from musicianship withixit being exiled And who says Discorder doesn't the suburbs on theday for it. Whistler has constructed ihc serve the interests of tlie religious of ihc show to pick photograph so lhat the truth of the freaks population? up the tickets, and image is seen by the viewer as some­ guess what?! No thing laughable, but the irony lies in tickets!! "I just gave them all away" the fact that this was not the inten­ ATTENTION JUNKIES tion of the sitters. Our thoughts and spewed some snob­ bish chick who really feelings are manipulated by Whis­ Dear Airhead: looked like she tler who photographs Tankhog An open letter lo "Bryce- THAT'S SIC! ALL LETTERS PRINTED AS RECIEVED. looking into a camera. This is not a couldn't have cared caricature of idle wealth as we might Okay.maybc this is World War . I | . this NMN ON DOA Rob Wright at first think, but a historically accu­ III, and maybe the Cradle of Civili­ wasn't "TANKHOG NOMEANSNO rate rendering of a group of people zation will also be ils grave. The al the Town Pump" Dear Airhead, who obviously trusted their photog­ question is, if wc must go, how arc tickets (no offense, I read with considerable rapher's skill. Whistler manages lo we going logo? Whining and snivel­ guys) this was 27 amusement the comments and anec­ HOW MANY POLISH PEOPLE stamp his photograph twice. Once as ling, sarcastic and snide, or wilh dollar SLAYER, ihc dotes that went into your tribute of DOES IT TAKE TO WRITE A a photographer of Tankhog and once some kind of grace and dignity? Per­ godso'thrash [sic)!! GET DOA, but I think a couple of facets LETTER TO AIRHEAD? as an artist concerned with sonally, I don't see anything wrong YOUR SHIT TOGETHER!! revealing his particu- of their career still need to be pointed wilh helping old ladies across the Aahh, that's better. OK? Plus, ifyou win tickets lo a r vision of the out. One is the fact lhal no band ever Hello Airhead! street. When the flash comes, I'd show, make sure you know wheth­ truth. played as many benefits or was as My name rather be doing lhal lhan hiding in SUBURBAN (effing) er you have lo COME TO THE consistently supportive of the' scene' is Peter. I come Robynn I wa- the dark all dressing in black, com­ DEATH STATION lo claim them, or if your it came out of as DOA. They were from Torun, ta's "Werner plaining aboul what a lousy world P.S. The show wasn't loo hot. TES­ name will be AT THE DOOR of always incredibly generous and sup- Man" is an­ this is TAMENT (openers) were beyond the venue. Oh yeah: bring ID portiveof theotherbands as well. At other ex­ Life may be short but there's horrid. Got any TANKHOG tick­ 4.Treat your prize nicely.Hey, it has DOA shows opening acts always got ago I read ample of a ets??! feelings too! paid fairly and were treated with aboul your kind of de­ respect (unless, of course, they over­ Radio. In this bunking of You love to win prizes. We love to And finally, sometimes mean people stayed their welcome on stage at article I read We tried to find Bryce lo gel his give 'em. But please, kids, follow swindle prizes lhal don'l belong lo which point Joey would pull their lhat you are pub­ portraiture. If comments but he was hiding in Ihe these E-Z suggestions and we'll all them, but they always pay dearly for chains without compunction and haul lishing a magazine this is a reclining dark all dressed in black. be happy: il later (heh, heh). them off like gaffed salmon). We about your pro- ^mW frank, ildoesnotlook I.Pick up your prize during OF­ should know, having often been on gramms. With my friends ^mLW like any I have seen be­ FICE HOURS: Monday lo Fri­ the receiving end of their..
Load more

Recommended publications
  • Grunge Is Dead Is an Oral History in the Tradition of Please Kill Me, the Seminal History of Punk
    THE ORAL SEATTLE ROCK MUSIC HISTORY OF GREG PRATO WEAVING TOGETHER THE DEFINITIVE STORY OF THE SEATTLE MUSIC SCENE IN THE WORDS OF THE PEOPLE WHO WERE THERE, GRUNGE IS DEAD IS AN ORAL HISTORY IN THE TRADITION OF PLEASE KILL ME, THE SEMINAL HISTORY OF PUNK. WITH THE INSIGHT OF MORE THAN 130 OF GRUNGE’S BIGGEST NAMES, GREG PRATO PRESENTS THE ULTIMATE INSIDER’S GUIDE TO A SOUND THAT CHANGED MUSIC FOREVER. THE GRUNGE MOVEMENT MAY HAVE THRIVED FOR ONLY A FEW YEARS, BUT IT SPAWNED SOME OF THE GREATEST ROCK BANDS OF ALL TIME: PEARL JAM, NIRVANA, ALICE IN CHAINS, AND SOUNDGARDEN. GRUNGE IS DEAD FEATURES THE FIRST-EVER INTERVIEW IN WHICH PEARL JAM’S EDDIE VEDDER WAS WILLING TO DISCUSS THE GROUP’S HISTORY IN GREAT DETAIL; ALICE IN CHAINS’ BAND MEMBERS AND LAYNE STALEY’S MOM ON STALEY’S DRUG ADDICTION AND DEATH; INSIGHTS INTO THE RIOT GRRRL MOVEMENT AND OFT-OVERLOOKED BUT HIGHLY INFLUENTIAL SEATTLE BANDS LIKE MOTHER LOVE BONE, THE MELVINS, SCREAMING TREES, AND MUDHONEY; AND MUCH MORE. GRUNGE IS DEAD DIGS DEEP, STARTING IN THE EARLY ’60S, TO EXPLAIN THE CHAIN OF EVENTS THAT GAVE WAY TO THE MUSIC. THE END RESULT IS A BOOK THAT INCLUDES A WEALTH OF PREVIOUSLY UNTOLD STORIES AND FRESH INSIGHT FOR THE LONGTIME FAN, AS WELL AS THE ESSENTIALS AND HIGHLIGHTS FOR THE NEWCOMER — THE WHOLE UNCENSORED TRUTH — IN ONE COMPREHENSIVE VOLUME. GREG PRATO IS A LONG ISLAND, NEW YORK-BASED WRITER, WHO REGULARLY WRITES FOR ALL MUSIC GUIDE, BILLBOARD.COM, ROLLING STONE.COM, RECORD COLLECTOR MAGAZINE, AND CLASSIC ROCK MAGAZINE.
    [Show full text]
  • 2011-11-25 1. När Det Är Spelning På Nuclear Nation Brukar Det Komma
    Nuclear Nation Quiz - 2011-11-25 1. När det är spelning på Nuclear Nation brukar det komma mycket folk. Det gör det ibland även annars och då kan det bli långa köer som ringlar sig runt Linköping. Under tidigt 2000-tal kunde NN- besökare vid ett festtillfälle slippa kötristeseen och gå direkt in på festen förutsatt att de uppfyllde ett krav. Vad skulle två NN-besökare göra för att få gå före i kön? A: Bära likadana kläder B: Kunna texten till Headhunter utantill och sjunga den tvåstämmigt C: Vara fastkedjade i varandra 2. Ni befinner er just nu på synthquiz med den anrika synthföreningen Nuclear Nation, men det var inte helt självklart att vi skulle heta just så. Vilket annat namn fanns som förslag? A: Eclipse B: Solaris C: SUN 3. Apoptygma Berzerk gjorde 98 en spelning i Leipzig från vilken i alla fall en liten del kom med på skivan APBL98. Trots att bandet körde på som hårdast med en Depeche-cover som folk verkade uppskatta, så fick spelningen ett snöpligt slut. Men vad hände? A: Det utbröt en mindre en brand i ljudteknikerbåset pga. underdimensionerade elkablar. B: Spelningen råkade äga rum samma kväll som kraftverket Holzkohle fallerade, vilket ledde till Leipzigs hittills största elavbrott. C: Trots att Apoptygma ville köra en låt till, så stängde polisen ner konserten i förtid. 4. En inställd spelning är också en spelning brukar man säga och ett band som skulle ha spelat på NN för ett antal år sedan, men som tyvärr fick ställa in p.g.a. sjukdom var... ja, vilket band då? A: Covenant B: VNV Nation C: Tyskarna från Lund 5: Ett band som dock har spelat på NN är LOWE.
    [Show full text]
  • Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984
    University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-18-2007 Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984 Caree Banton University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Banton, Caree, "Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984" (2007). University of New Orleans Theses and Dissertations. 508. https://scholarworks.uno.edu/td/508 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974 – 1984 A Thesis Submitted to the Graduate Faculty of the University of New Orleans In partial fulfillment of the Requirements for the degree of Master of Arts In History By Caree Ann-Marie Banton B.A. Grambling State University 2005 B.P.A Grambling State University 2005 May 2007 Acknowledgement I would like to thank all the people that facilitated the completion of this work.
    [Show full text]
  • September 1996 • That Magazine from Citr 101.9 Fm • Free
    September 1996 • That Magazine From CiTR 101.9 Fm • Free Ar0i~+j(^<y-AAArJb\,. The Local Music Issue Also Featuring: The Tonics Sawaigi Taiko The Molestics BNU Under the Volcano Public Dreams Society PLUS: The 1996 Local Music Directory! CALL ANSWER. FOR MESSAGES THAT ARE MXJXJm /0FLAKEY ROOMMATE PROOF. No more trying to decode messages will alleviate the frustration of roommates scribbled on the back of Cheese Puff taking your messages. Call Answer does bags. Because Call Answer from BC TEL 60 DAYS FREE not, however, alleviate the frustration takes clear, concise messages when of trying to get you're away from home. Or on the line. roommates to And when you sign up for new telephone scrub their own BCTEL service, you get two months free. Which 1-800-422-9966 tile mildew. 'Offer applies telephor restriction THURSDAY, 5th THE TONICS UBC STUDENTS APPRECIATION NIGHT SAWAGI TAIKO STRANGE UNION, HEE-HAW, BNU & CUSTER'S LAST BAND STAND THE MOLESTICS FRIDAY, 6th PUBLIC DREAMS | THE SPIRIT MERCHANTS (AUSTRALIA'S} JEFF LANG MECCA NORMAL UNDER THE VOLCANO SATURDAY, 7th RAY CONDO •Si THE RICOCHETS with SURFDUSTERS editrix VANCOUVER SPBQAL miko hoffman THURSDAY, 12th art director BASSUNES ken paul COWSHEAD CHRONICLES INDEPENDENCE DAV 3 ad rep VELVETS CHRISTIAN COMICS CONTENTION, WITH QUEAZY, kevin pendergraft IMAGINEERS, & JAR production manager INTERVIEW HELL barb yamazaki SEVEN INCH FRIDAY 13th graphic design/layout BETWEEN THE LINES JAZZBERRY RAIN/1 atomos, ken paul, scratch, UNDER REVIEW suki smith, barb y SATURDAY, 14th production REAL LIVE ACTION MUSCLE BITCHES frank?, miko gh, megan ClTRjSflARTS PUNCHED UNCONSCIOUS, BRUNDLE FLY mallett, tristan, barby photography/illustrations OjrfTHE DIAL barb, cat, paul clarke, JEPTEMBER DATEBOOK ><&&^ FRI, SAT, 20th & 21st adam monahan, suki smith, Folk Funk'en Hemp Bash! marlene yuen Noah's Great Rainbow, Cozy Bones, 10ft contributors Henry, Silicone Souls, Peal, Mya Eaxell, Side barbara a, britt a, andrea & Shows, and more! Info: 730-1808 amber dawn, elvira b, YES^I^EY ARE FRO^'VANCOUVER.
    [Show full text]
  • Mahogany Rush, Seattle Center Coliseum
    CONCERTS 1) KISS w/ Cheap Trick, Seattle Center Coliseum, 8/12/77, $8.00 2) Aerosmith w/ Mahogany Rush, Seattle Center Coliseum,, 4/19/78, $8.50 3) Angel w/ The Godz, Paramount NW, 5/14/78, $5.00 4) Blue Oyster Cult w/ UFO & British Lions, Hec Edmondson Pavilion, 8/22/78, $8.00 5) Black Sabbath w/ Van Halen, Seattle Center Arena, 9/23/78, $7.50 6) 10CC w/ Reggie Knighton, Paramount NW, 10/22/78, $3.50 7) Rush w/ Pat Travers, Seattle Center Coliseum, 11/7/78, $8.00 8) Queen, Seattle Center Coliseum, 12/12/78, $8.00 9) Heart w/ Head East & Rail, Seattle Center Coliseum, 12/31/78, $10.50 10) Alice Cooper w/ The Babys, Seattle Center Coliseum, 4/3/79, $9.00 11) Jethro Tull w/ UK, Seattle Center Coliseum, 4/10/79, $9.50 12) Supertramp, Seattle Center Coliseum, 4/18/79, $9.00 13) Yes, Seattle Center Coliseum, 5/8/79, $10.50 14) Bad Company w/ Carillo, Seattle Center Coliseum, 5/30/79, $9.00 15) Triumph w/ Ronnie Lee Band (local), Paramount NW, 6/2/79, $6.50 16) New England w/ Bighorn (local), Paramount NW, 6/9/79, $3.00 17) Kansas w/ La Roux, Seattle Center Coliseum, 6/12/79, $9.00 18) Cheap Trick w/ Prism, Hec Edmondson Pavilion, 8/2/79, $8.50 19) The Kinks w/ The Heaters (local), Paramount NW, 8/29/79, $8.50 20) The Cars w/ Nick Gilder, Hec Edmondson Pavilion, 9/21/79, $9.00 21) Judas Priest w/ Point Blank, Seattle Center Coliseum, 10/17/79, Free – KZOK giveaway 22) The Dishrags w/ The Look & The Macs Band (local), Masonic Temple, 11/15/79, $4.00 23) KISS w/ The Rockets, Seattle Center Coliseum, 11/21/79, $10.25 24) Styx w/ The Babys, Seattle
    [Show full text]
  • WXYC Brings You Gems from the Treasure of UNC's Southern
    IN/AUDIBLE LETTER FROM THE EDITOR a publication of N/AUDIBLE is the irregular newsletter of WXYC – your favorite Chapel Hill radio WXYC 89.3 FM station that broadcasts 24 hours a day, seven days a week out of the Student Union on the UNC campus. The last time this publication came out in 2002, WXYC was CB 5210 Carolina Union Icelebrating its 25th year of existence as the student-run radio station at the University of Chapel Hill, NC 27599 North Carolina at Chapel Hill. This year we celebrate another big event – our tenth anni- USA versary as the first radio station in the world to simulcast our signal over the Internet. As we celebrate this exciting event and reflect on the ingenuity of a few gifted people who took (919) 962-7768 local radio to the next level and beyond Chapel Hill, we can wonder request line: (919) 962-8989 if the future of radio is no longer in the stereo of our living rooms but on the World Wide Web. http://www.wxyc.org As always, new technology brings change that is both exciting [email protected] and scary. Local radio stations and the dedicated DJs and staffs who operate them are an integral part of vibrant local music communities, like the one we are lucky to have here in the Chapel Hill-Carrboro Staff NICOLE BOGAS area. With the proliferation of music services like XM satellite radio Editor-in-Chief and Live-365 Internet radio servers, it sometimes seems like the future EDITOR-IN-CHIEF: Nicole Bogas of local radio is doomed.
    [Show full text]
  • Variations #6
    Curatorial > VARIATIONS VARIATIONS #6 With this section, RWM continues a line of programmes devoted to exploring the complex map of sound art from The Library different points of view organised in curatorial series. We encounter the establishment of sound libraries, collections explicitly curated 'Variation' is the formal term for a musical composition based for further use: sound objects presented as authorless, unfinished ingredients. on a previous musical work, and many of those traditional Though some libraries contain newly commissioned generic sounds, specifically methods (changing the key, meter, rhythm, harmonies or designed for maximum flexibility, the most widely used sounds are often sourced tempi of a piece) are used in much the same manner today from commercial recordings, freed from their original context to propagate across by sampling musicians. But the practice of sampling is more dozens to hundreds of songs. From presets for digital samplers to data CD-ROMs than a simple modernization or expansion of the number of to hip-hop battle records, sounds increasingly detach from their sources, used options available to those who seek their inspiration in the less as references to any original moment, and more as objects in a continuous refinement of previous composition. The history of this music public domain. traces nearly as far back as the advent of recording, and its As hip-hop undergoes a conservative retrenchment in the wake of the early emergence and development mirrors the increasingly self- nineties sampling lawsuits, a widening variety of composers and groups expand conscious relationship of society to its experience of music. the practice of appropriative audio collage as a formal discipline.
    [Show full text]
  • Multi-Cultural. Dinner" Feast Prez: Search Firm Gauges'baruch
    ::- ~.--.-.;::::-:-u•._,. _._ ., ,... ~---:---__---,-- --,.--, ---------- - --, '- ... ' . ' ,. ........ .. , - . ,. -Barueh:-Graduate.. -.'. .:~. Alumni give career advice to Baruch Students.· Story· pg.17 VOL. 74, NUMBER 8 www.scsu.baruch.cuny.edu DECEM·HER 9, 1998 Multi-Cultural. Dinner" Feast Prez: Search Firm Gauges'Baruch. Opinion By Bryan Fleck Representatives from Isaacson­ Miller, a national search firm based in -Boston and San Francisco, has been hired by the Presidential Search Committee, chaired by Kathleen M. Pesile, to search for candidates for a permanent presi­ dent at Baruch College. The open forum on December 7 was held in order for the search firm to field questions and get the pulse of the Baruch community. Interim president Lois Cronholm is _not a candidate, as it is against CUNY regulations for an interim --------- president to become a full-time pres- ident. The search firm will gather the initial candidates, who will be . further screened by the Presidential " Search Committee, but the final choice lies with the CUNY Board of Trustees.' According to David Bellshow, an ......-.. ~.. Isaacson-Miller representative, the '"J'", average search takes approximately ; six months. Among the search firm's experience in the field of education ----~- - ..... -._......... *- -_. - -- -- _._- ...... -_40_. '_"__ - _~ - f __•••-. __..... _ •• ~. _• in NY are Columbia University and ... --- -. ~ . --. .. - -. -~ -.. New York University. In ~additi6n,, , New plan calls'for total re'structuririg the search fum also works with GovernDlents small and large foundations and cor­ ofStudent porations. By Bryan Fleck at large, would be selected from any The purpose ofthe open forum was In an attempt to strengthen undergraduate candidate. for the representatives of Isaacson­ .
    [Show full text]
  • ENDINO's EARTHWORM “UNEARTHED” Liner Notes
    ENDINO'S EARTHWORM “UNEARTHED” Liner Notes BANDCAMP EXCLUSIVE: Released November 6, 2020 COMPLETE REMIX/RESTORATION of my semi-obscure 2nd solo record from 1992, intended as a follow-up and continuation of Angle Of Attack (1989), plus a half-hour's worth of bonus tracks from the same creative period, 1985-1996. With hindsight I later realized Jim Blanchard's cover art was better than the music, because my engineering and original mixes were not great. But this has now been remedied! Restoring this was quite a journey. I even had Jim update the cover art, because it's kind of a new record now. I hope you enjoy it. Recorded by Jack Endino at Studio Endino, Reciprocal Recording, Hanzsek Audio, Private Radio, and the Crocodile. Remixed and mastered 2020 by JE. -- Guitar & Vocs: Jack Endino, except on "Edge Of Unease" the guitar is Greg Gilmore. -- Drums: Barrett Martin, Greg Gilmore, "Matt C", Jack. -- Bass: Rob Skinner, Pat Pedersen, Daniel House, Jack. -- Misc percussion: Barrett, Greg, Jack. -- Cover art: Jim Blanchard (1992 orig, updated 2020). THE SONGS 01 How Much Time REMIX -- Recorded by Jack and Rich Hinklin (that's him saying "you're rolling") on 1-inch 16-track at Reciprocal, Dec 1989. Remixed 2020. This is drummer Barrett Martin's earliest released performance! He joined Skin Yard right after we did this session (also songs 2, 3 and 5). Jack - Guitar/vocals, Barrett Martin - drums, Rob Skinner - bass. Written by Jack (BMI). 02 Talk Yourself Blind REMIX -- Recorded by Jack and Rich Hinklin on 1-inch 16- track at Reciprocal, Dec 1989.
    [Show full text]
  • Newslist Drone Records 31. January 2009
    DR-90: NOISE DREAMS MACHINA - IN / OUT (Spain; great electro- acoustic drones of high complexity ) DR-91: MOLJEBKA PVLSE - lvde dings (Sweden; mesmerizing magneto-drones from Swedens drone-star, so dense and impervious) DR-92: XABEC - Feuerstern (Germany; long planned, finally out: two wonderful new tracks by the prolific german artist, comes in cardboard-box with golden print / lettering!) DR-93: OVRO - Horizontal / Vertical (Finland; intense subconscious landscapes & surrealistic schizophrenia-drones by this female Finnish artist, the "wondergirl" of Finnish exp. music) DR-94: ARTEFACTUM - Sub Rosa (Poland; alchemistic beauty- drones, a record fill with sonic magic) DR-95: INFANT CYCLE - Secret Hidden Message (Canada; long-time active Canadian project with intelligently made hypnotic drone-circles) MUSIC for the INNER SECOND EDITIONS (price € 6.00) EXPANSION, EC-STASIS, ELEVATION ! DR-10: TAM QUAM TABULA RASA - Cotidie morimur (Italy; outerworlds brain-wave-music, monotonous and hypnotizing loops & Dear Droners! rhythms) This NEWSLIST offers you a SELECTION of our mailorder programme, DR-29: AMON – Aura (Italy; haunting & shimmering magique as with a clear focus on droney, atmospheric, ambient music. With this list coming from an ancient culture) you have the chance to know more about the highlights & interesting DR-34: TARKATAK - Skärva / Oroa (Germany; atmospheric drones newcomers. It's our wish to support this special kind of electronic and with a special touch from this newcomer from North-Germany) experimental music, as we think its much more than "just music", the DR-39: DUAL – Klanik / 4 tH (U.K.; mighty guitar drones & massive "Drone"-genre is a way to work with your own mind, perception, and sub bass undertones that evoke feelings of total transcendence and (un)-consciousness-processes.
    [Show full text]
  • 1 Nine 7 Days of Lonely 10,000 Maniacs More Than This
    1 NINE 7 DAYS OF LONELY 10,000 MANIACS MORE THAN THIS 10,000 MANIACS BECAUSE THE NIGHT 10,000 MANIACS TROUBLE ME 10,000 MANIACS THESE ARE THE DAYS 100 PROOF AGED IN SOUL SOMEBODY'S BEEN SLEEPING 10CC 10CC 10CC I'M NOT IN LOVE 10CC THE THINGS WE DO FOR LOVE 112 IT'S OVER NOW 112 YOU ALREADY KNOW 112 ONLY YOU 112 DANCE WITH ME 112 CUPID 112 COME SEE ME 112 PEACHES AND CREAM 112 AND LUDACRIS HOT AND WET 112 AND SUPER CAT NA NA NA 12 GAUGE DUNKIE BUTT 1910 FRUIT GUM CO. 1, 2, 3, REDLIGHT 2 CHAINZ AND DRAKE NO LIE 2 CHAINZ AND KENDRICK LAMAR ASAP ROCKY DRAKEFUCKING PROBLEMS 2 LIVE CREW DO WAH DIDDY 2 LIVE CREW ME SO HORNY 2 LIVE CREW WE WANT SOME PUSSY! 2 PAC DEAR MAMA 2 PAC CHANGES 2 PAC THUGZ MANSION 2 PAC HOW DO YOU WANT IT 2 PAC CALIFORNIA LOVE 20 FINGERS SHORT DICK MAN 3 OH 3 AND KATY PERRY STARSTRUKK 30 SECONDS TO MARS THE KILL 311 CREATURES (FOR A WHILE) 311 AMBER 311 YOU WOULDN'T BELIEVE 311 ALL MIXED UP 311 DON'T TREAD ON ME 311 DOWN 311 LOVE SONG 38 SPECIAL CAUGHT UP IN YOU 38 SPECIAL WILD EYED SOUTHERN BOYS 38 SPECIAL ROCKIN' ONTO THE NIGHT 38 SPECIAL HOLD ON LOOSELY 38 SPECIAL IF I'D BEEN THE ONE 3OH3 DON'T TRUST ME 3RD STRIKE NO LIGHT 3T ANYTHING 3T TEASE ME 4 P.M. SUKIYAKI 4 P.M. LAY DOWN YOUR LOVE 4 RUNNER CAIN'S BLOOD 4 RUNNER THAT WAS HIM 5 STAIRSTEPS OOH CHILD 50 CENT HUSTLER'S AMBITION 50 CENT CANDY SHOP 50 CENT PIGGY BANK 50 CENT WHAT UP GANGSTA 50 CENT BEST FRIEND 50 CENT PIMP 50 CENT WANKSTA 50 CENT DISCO INFERNO 50 CENT IN DA CLUB 50 CENT AND EMINEM PATIENTLY WAITING 50 CENT AND MOBB DEEP OUTTA CONTROL 50 CENT AND NATE
    [Show full text]
  • Capricor Phil Walden
    August 6, 1993 ISSUE #337 $6.95 708 Stokes Road Medford, N J 08055 609-654-7272 609-654-6852 TOP PRIORITY LILLIAN AXE Capricor LILLIAN AXE Phil CRUCIFIED HARD ACT TO FOLLOW Walden BLACKEIS' SWEET SIXTEEN ALTERNATIVE PICK THE OCEAN BLUE SUBLIME HARD HITTEF INSIDE: • FROM OTIS REDDING TO THE ALLMANS AND WIDESPREAD PANIC--PHIL WALDEN HAS SEEN THAT AND MOORE bnins • END OF AN ERA: COX LMA'S TAMPA ROCK LEGEND WYNF WITH CHANGE TO HOT AC SUNNY 95 RUMORED al INFINITY 2ND QUARTER EARNINGS PROMPT 3 FOR 2 SPLIT II RANDY HOCK TO LEAVE MCA FOR DEAL WITH DENNY SOMA CH t.sNe ▪ KUKQ DROPS NEW ROCK FORMAT, WILL SIMUL KIFPD FOR NOW • LISA MICHAELSON IS ELEKTRA'S NEW NACAIAZZ/AAA MGR. • BARNES, BETTS, CURELOP, EDWARDS, HUGHES, JANG, LOGAN, LUCZAK, MCNUTT, OWEN AND MORE MEET FOR CANOE CARNEY 93! dAD B r RISE/UNIDENTIFIED TOP PRIORITY illian Axe, "Crucified", I.R.S. Last year Poetic Justice hit sales figures in excess of 120,000 with corresponding chart success along the way. Lillian Axe has been blessed with the talent to write great Lsongs, work hard, pay their dues, and break into the AOR ranks with solid singles like "True Believer" and "No Mailer What". Psychoschizophrenia will likely take the band to the next level with hard hitting "Crucified" as a first release. Steve's guitar blazes once again as he incorporates his classical training and a terrific edge to the album. Steve takes Axe's sound to a darker, heavier place with results that are already paying oft Early action at WWBZ, WRZK, KZRX, WVCR and WKLO have people like John Edwards at the Blaze admitting, "It has just the right texture for us." KLQ's Dave Wellington adds, "I'm really impressed with the sound of their new stuff" We think you'll agree HARD ACTS TO FOLLO W ishbone, "Unyielding Conditioning", Columbia Fis/ibones forte has always been „ ve performances.
    [Show full text]