DOCSLIB.ORG

This Is a Proof

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
This Is a Proof ENTERTAINMENT NEWS “'EVERYTHING REGGAE - WHETHER NATIONALLY OR INTERNATIONALLY” CULTURAL NEWS, VIEWS, REVIEWS, INTERVIEWS VOL. 3 ISS. 3 SEPTEMBER 2005 WWW.UNLIMITEDSOUNDSRECORDS.COM FREE? It’s Not What You Can Do For ReggaeXclusive...It’s What ReggaeXclusive Can Do For You! WOW! EMAIL: [email protected] Web: www.caribbeanmusic.ca/reggaex reggaeXclusive -- Web Site: www.caribbeanmusic.ca/reggaex --- Phone: 647-435-0637 -- Email: [email protected] Pg - 2 reggaeXclusive -- Web Site: www.caribbeanmusic.ca/reggaex --- Phone: 647-435-0637 -- Email: [email protected] Pg - 3 What’s Inside ReggaeXclusive’s 11th Issue Casper Wins Award - pg 4 Xclusive Interview with Luciano - pg 5 Julion’s Views; CKLN has moved; TIRMA Winners; ReggaeXclusive Condolences - pg 6 Ascension of Christ & His 2nd Coming; Artist Watch - Rich Kid - pg 7 Publisher: reggaeXclusive Marketing & Sales: Utopia Records - pg 8 Publications Fitz Knight Shadrock Moving Forward - pg 9 647-435-0637 Loraine Gomes Rootsbana Review; Luciano @ the Kool Haus a success - pg 10 All rights reserved. No part of this publication Kaya Band; Dream Band CD Review - pg 11 may be reproduced or transmitted Photographers: in any form without prior permission Halina T. Di-Lallo Eric of Action Promotion; Michelle of Bless the Youths - pg 12 from the Publisher. Sandi Destonis (c) 2005 reggaeXclusive Vinaasha Records; Douglas Boothe - pg 13 Cover Photograph: Courtesy of Luciano Interview continued; Chrome; Humble pop-up - pg 16 Unlimitedsounds Records Editor: Boom Sound; Empress Rule the Night in Review - pg 17 Loraine Gomes Send Photo and ads to: Reggae Dance Spotlight - Baby Boyz Dance Group; Caribbean Dance [email protected] Theatre with Tamla Matthews - pg 18 ( 300 lines Tiff, EPS no “gif” Writers: from the web or Corel Draw). Sangie Davis; Roger B & Prince Everald pop-up; Halina T. Di-Lallo JuLion Calgary ReggaeFest in Review - pg 19 On The Web: Lisa Connors Email: reggaexclusive Galaxie Top 10; CD Reviews; Resi Top 10; Int’l. Top 10; Ms. Irie @rogers.com Reggae Radio Listings - pg 22 www.caribbeanmusic.ca /reggaex DJ Chocolate & Rebel Music; Delroy Sterling & Mix Supreme - pg 23 Contributing Writers: Te’ Za Capleton - Reign of Fire Tour; ReggaeXclusive is published Michelle Ottley Beenie Man in Toronto on Dec. 2, 2005 - pg 24 every quarter. 2005 Issues: March, June, September & Skill Man; Otis I; Troy Treson - pg 25 Layout & Design: December Paul Murton from dbsduplication.com CASPER WINS AWARD! having such a wonderful event alongside a music talent always do things in a & all the love to Lady Luscious competition. Let’s give a big professional manner. I for presenting my award that congratulation to Music sincerely hope everyone can evening. To me, winning this Souljah for taking home the see exactly what I’m speaking award was more than a trophy, Gong Show Award for his big about because dreams do it was beyond music, and for tune “Creeping”. I would like come true, but you have to years, it has been blood, to give lots of blessings to follow them. So please listen sweat & tears. I’ve traveled a everyone who has supported to my words carefully as very rocky road Casper & Donna me through guidance and knowledge. and it has brought the years. Now watch out for my new me to understand Makeda both won Radio hosts sizzling music video “WHEN U that if we come awards at the 1st such as WHINE IT” airing in September together as one, Annual Toronto Delroy on OMNI 1 TV! Directed by the we can bring this International Reggae Sterling of one and only beautiful host Unlimitedsounds is proud industry to the CHIN FM, Royette from Caribbean to announce the Toronto’s next level. Music Awards held King Turbo, Vibrations and produced by International Reggae Music Speaking from my in June 2005. Carrie Alain Arthur of Royalty Award Winner - Casper, for the heart, I know I’m the next Mullings, etc. And all the Productions and Paul Wishart “Top Dancehall Album of the artist here to bring reggae magazines such as: The Beat, of Wishart Entertainment Year” on June 29th, 2005. His music to an international ReggaeXclusive, Splash, Group (416- 904-5029). Get impact interview with the level, to stop racism and Share, Jamaican Star and your original copy of Casper’s gorgeous Karlene Nation, a violence and be a mentor for Jamaican Gleaner. Legendary CD’S, available in veteran of CTV News Channel the youths of today. stores now! HMV; Sam the 8, was aired on the 6:00 news We as people need to stop Record Man; the same evening he took I featured in the last Gong being scared, stand up for our WWW.UNLIMITEDSOUNDS.CO home the award! Show on August 6th, 2005 for right and for what we believe M; WWW.INDIEPOOL.COM; “Stop the Violence” Day put on in to break all types of WWW.PURETRACKS.COM. “It was a night to by Jackie Dickson from New boundaries in this industry. For concert bookings contact: remember, my heart felt like it Era Design. She is always Because Love will end all war Unlimitedsounds Publicist/PR brought everyone together as bringing the community and it starts with you! And - Sandi Destonis at 647-998- one like it should be. It together and I’m always proud believing that you can do it, 5807 or email her at: couldn’t happen without this to be part of that. The night means you will do it, so stay sandi.unlimitedsounds@roger truly talented loving was entertaining, with a focused, inspired and s.com community, so big up ROC for beautiful modeling show determined. Remember to reggaeXclusive -- Web Site: www.caribbeanmusic.ca/reggaex --- Phone: 647-435-0637 -- Email: [email protected] Pg - 4 REGGAEXCLUSIVE’S INTERVIEW physical presence. Why is Another aspect of it is that LUCIANO: In every that? many of the youngsters have organization there is a group, a LUCIANO: I think the left the tradition of the body of people who deal with energy comes with a lifestyle elders.and I think this is one of things. Like when we are going and a livity. Over the years of the main problems we face in on the road we have a road tradition. You know, energy the music fraternity. Many of manager who makes sure that continues to build and every the youths coming up don’t the equipment is right, we human being has this recognize the hard work of the have the right settings, potential. Once you continue pioneers and those who have current and everything for to walk within a certain path, laid the foundation for us. staging. You have the tour dwell in the light, stay away They go off into their own guide who makes sure we LUCIANO - from the dark, that light will feelings and intuition. Right have the right bus, the right always be shining somehow. now we have to pay the price hotel and all that and then you Bearer Of The Light You will be illuminated and as as a matter of fact because have the tour manager who By Strictly Roots you get better and even more the kind of songs coming out deals with payments and all steadfast in the tradition, the of the dancehall scenario now those things and you have SR: Greetings Luciano light becomes brighter. It’s like are really disturbing the minds accountants. The personal Luciano: Blessed love SR an aura. The aura of a person and meditation of the manager makes sure that all can be seen and you can feel youngsters. We as people, we the affairs of the artists are SR: I’m sure that a lot of that the person is connected are the light unto the people. taken care of like problems people have asked you about to the divine essence of the We are the inspiration for the back home or a gig coming up the name “Luciano”, where it spirit within. There is a great generations and if we lose that and all that. You have booking comes from and what it means spirit within everyone of us light, then darkness will take agents too. Now the musicians so I am asking that one more and the more we get the people. So that is and the singers, our duty is to time. connected to that spirit, the definitely what is happening keep the spiritual bond with LUCIANO: That name was more we can emanate the because these youths, the almighty and the people. given to me by Mr. Omaris. You spirit. You can see reflections especially the dancehall acts, I Now and again, the artist know, my previous producer. I of the spirit within I and I. don’t see many of them as might get involved in monetary met with him at Blue Mountain messengers or as transactions especially if the Records. So I wanna give SR: Most definitely. In missionaries. I see the music manager is not there or the thanks for that. But after terms of Reggae Music, I know as a mission. So no matter road manager is out. You becoming more and more this music to be music for the what happens, at the end of might have to come in and involved in the music and the upliftment of people. What is the day, whether we make intervene. Sometimes certain tradition of I and I, I realized your view in terms of what is money or not we are going to decisions have to be made. that a name is very important happening in Reggae music send out positive vibes. Like before a gig, sometimes so I investigated the meaning right now in Jamaica and Whether the gig is paid or for the promoter might not make of the name.
Load more

Recommended publications
  • Issue 29 | Aug 2017 |
    AN INDEPENDENT, FREE MONTHLY GUIDE TO MUSIC, ART, THEATRE, COMEDY, LITERATURE & FILM IN STROUD. ISSUE 29 | AUG 2017 | WWW.GOODONPAPER.INFO GOOD 2017 ON PAPER SPECIAL ISSUE #29 INSIDE: STROUD STROUD GOOD FRINGE BLOCK ON PAPER PREVIEW PARTY STAGE + Joe Magee: The Process | Stroud Fringe Choir | Index Projects: Corridor Burning House Books | Comedy At The Fringe Cover image: Ardyn by Adam Hinks (Original image by Tammy Lynn Photography) Lynn Tammy image by Hinks (Original Adam by image: Ardyn Cover #29 | AUG 2017 EDITOR Advertising/Editorial/Listings: EDITOR’S Alex Hobbis [email protected] DESIGNER Artwork and Design NOTE Adam Hinks [email protected] ONLINE FACEBOOK TWITTER goodonpaper.info /GoodOnPaperStroud @GoodOnPaper_ WELCOME TO THE TWENTY NINTH ISSUE OF GOOD ON PAPER – YOUR FREE MONTHLY GUIDE TO MUSIC CONCERTS, ART EXHIBITIONS, THEATRE PRINTED BY: PRODUCTIONS, COMEDY SHOWS, FILM SCREENINGS AND LITERATURE Tewkesbury Printing Company EVENTS IN STROUD... The fringe returns! And with it our annual Stroud Fringe Special providing a defi nitive guide to the 21st edition of the festival. SPONSORED BY: The team behind the fringe have worked tirelessly throughout the year to bring you another packed programme of events featuring live music, comedy, art, literature, street entertainment and much much more over the course of the last weekend in August. CO-WORKING STUDIO As well as the Bank Gardens, Canal and Cornhill stages the hugely popular Stroud Block Party also returns with a brand new venue, Good On Paper will be taking stroudbrewery.co.uk
    [Show full text]
  • Ken Boothe Mr. Rock Steady Mp3, Flac, Wma
    Ken Boothe Mr. Rock Steady mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae Album: Mr. Rock Steady Country: Jamaica MP3 version RAR size: 1464 mb FLAC version RAR size: 1518 mb WMA version RAR size: 1268 mb Rating: 4.1 Votes: 631 Other Formats: DTS MOD AU TTA MIDI MP4 AAC Tracklist A1 Puppet On A String A2 I Don't Want To See You Cry A3 Don't Cry Little Girl A4 Let The Water Dry A5 My Heart Is Gone A6 Feel Good B1 The Girl I Left Behind B2 Home, Home Home B3 This Is Rock Steady B4 Give Me Back My Heart B5 Mustang Sally B6 Give Me The Right Companies, etc. Printed By – Art Craft Notes Silkscreen Print by Art Craft Other versions Category Artist Title (Format) Label Category Country Year Ken Mr Rock Steady SOL 9001 Studio One SOL 9001 UK 1967 Boothe (LP) Ken Mr Rock Steady SOCD 1112 Studio One SOCD 1112 US Unknown Boothe (CD) Studio SOLP-1112, Ken Mr Rock Steady SOLP-1112, One, Jamaica Unknown SOOLP-1112 Boothe (LP, Album, RP) SOOLP-1112 Studio One Ken Mr. Rocksteady 112 Studio One 112 Jamaica Unknown Boothe (LP, RE) Ken Mr Rock Steady SOCD 1112 Studio One SOCD 1112 US Unknown Boothe (CD) Related Music albums to Mr. Rock Steady by Ken Boothe Ken Boothe - Ken Boothe / Delroy Wilson - I Am A Fool / Riding For A Fall Ken Boothe - I Don't Want To See You Cry Ken Boothe / Roland Alphonso - Puppet On A String / Look Away-Ska Ken Boothe / Ska-Ta-Lites - Puppet On A String / Willow Weep Ken Booth / Ska-lites - Puppet On A String / Willow Weep Ken Boothe - When I Fall In Love Dennis Alcapone & Ken Boothe / Sound Demention - Home Version / Babylon Rock.
    [Show full text]
  • Dennis Brown ARTIST: Dennis Brown TITLE: The
    DATE March 27, 2003 e TO Vartan/Um Creative Services/Meire Murakami FROM Beth Stempel EXTENSION 5-6323 SUBJECT Dennis Brown COPIES Alice Bestler; Althea Ffrench; Amy Gardner; Andy McKaie; Andy Street; Anthony Hayes; Barry Korkin; Bill Levenson; Bob Croucher; Brian Alley; Bridgette Marasigan; Bruce Resnikoff; Calvin Smith; Carol Hendricks; Caroline Fisher; Cecilia Lopez; Charlie Katz; Cliff Feiman; Dana Licata; Dana Smart; Dawn Reynolds; [email protected]; Elliot Kendall; Elyssa Perez; Frank Dattoma; Frank Perez; Fumiko Wakabayashi; Giancarlo Sciama; Guillevermo Vega; Harry Weinger; Helena Riordan; Jane Komarov; Jason Pastori; Jeffrey Glixman; Jerry Stine; Jessica Connor; Jim Dobbe; JoAnn Frederick; Joe Black; John Gruhler; Jyl Forgey; Karen Sherlock; Kelly Martinez; Kerri Sullivan; Kim Henck; Kristen Burke; Laura Weigand; Lee Lodyga; Leonard Kunicki; Lori Froeling; Lorie Slater; Maggie Agard; Marcie Turner; Margaret Goldfarb; Mark Glithero; Mark Loewinger; Martin Wada; Melanie Crowe; Michael Kachko; Michelle Debique; Nancy Jangaard; Norma Wilder; Olly Lester; Patte Medina; Paul Reidy; Pete Hill; Ramon Galbert; Randy Williams; Robin Kirby; Ryan Gamsby; Ryan Null; Sarah Norris; Scott Ravine; Shelin Wing; Silvia Montello; Simon Edwards; Stacy Darrow; Stan Roche; Steve Heldt; Sujata Murthy; Todd Douglas; Todd Nakamine; Tracey Hoskin; Wendy Bolger; Wendy Tinder; Werner Wiens ARTIST: Dennis Brown TITLE: The Complete A&M Years CD #: B0000348-02 UPC #: 6 069 493 683-2 CD Logo: A&M Records & Chronicles Attached please find all necessary liner notes and credits for this package. Beth Dennis Brown – Complete A&M Years B0000348-02 1 12/01/19 11:49 AM Dennis Brown The Complete A&M Years (CD Booklet) Original liner notes from The Prophet Rides Again This album is dedicated to the Prophet Gad (Dr.
    [Show full text]
  • The A-Z of Brent's Black Music History
    THE A-Z OF BRENT’S BLACK MUSIC HISTORY BASED ON KWAKU’S ‘BRENT BLACK MUSIC HISTORY PROJECT’ 2007 (BTWSC) CONTENTS 4 # is for... 6 A is for... 10 B is for... 14 C is for... 22 D is for... 29 E is for... 31 F is for... 34 G is for... 37 H is for... 39 I is for... 41 J is for... 45 K is for... 48 L is for... 53 M is for... 59 N is for... 61 O is for... 64 P is for... 68 R is for... 72 S is for... 78 T is for... 83 U is for... 85 V is for... 87 W is for... 89 Z is for... BRENT2020.CO.UK 2 THE A-Z OF BRENT’S BLACK MUSIC HISTORY This A-Z is largely a republishing of Kwaku’s research for the ‘Brent Black Music History Project’ published by BTWSC in 2007. Kwaku’s work is a testament to Brent’s contribution to the evolution of British black music and the commercial infrastructure to support it. His research contained separate sections on labels, shops, artists, radio stations and sound systems. In this version we have amalgamated these into a single ‘encyclopedia’ and added entries that cover the period between 2007-2020. The process of gathering Brent’s musical heritage is an ongoing task - there are many incomplete entries and gaps. If you would like to add to, or alter, an entry please send an email to [email protected] 3 4 4 HERO An influential group made up of Dego and Mark Mac, who act as the creative force; Gus Lawrence and Ian Bardouille take care of business.
    [Show full text]
  • United Reggae Magazine #7
    MAGAZINE #14 - December 2011 INTERVIEW Ken Boothe Derajah Susan Cadogan I-Taweh Dax Lion King Spinna Records Tribute to Fattis Burrell - One Love Sound Festival - Jamaica Round Up C-Sharp Album Launch - Frankie Paul and Cocoa Tea in Paris King Jammy’s Dynasty - Reggae Grammy 2012 United Reggae Magazine #14 - December 2011 Want to read United Reggae as a paper magazine? Now you can... In addition to the latest United Reggae news, views and videos online each month you can now enjoy a SUMMARY free pdf version packed with most of United Reggae content from the last month. 1/ NEWS EDITORIAL by Erik Magni 2/ INTERVIEWS • Bob Harding from King Spinna Records 10 • I-Taweh 13 • Derajah 18 • Ken Boothe 22 • Dax Lion 24 • Susan Cadogan 26 3/ REVIEWS • Derajah - Paris Is Burning 29 • Dub Vision - Counter Attack 30 • Dial M For Murder - In Dub Style 31 • Gregory Isaacs - African Museum + Tads Collection Volume II 32 • The Album Cover Art of Studio One Records 33 Reggae lives on • Ashley - Land Of Dub 34 • Jimmy Cliff - Sacred Fire 35 • Return of the Rub-A-Dub Style 36 This year it has been five years since the inception of United Reggae. Our aim • Boom One Sound System - Japanese Translations In Dub 37 in 2007 was to promote reggae music and reggae culture. And this still stands. 4/ REPORTS During this period lots of things have happened – both in the world of reg- • Jamaica Round Up: November 2011 38 gae music and for United Reggae. Today United Reggae is one of the leading • C-Sharp Album Launch 40 global reggae magazines, and we’re covering our beloved music from the four • Ernest Ranglin and The Sidewalk Doctors at London’s Jazz Cafe 41 corners of the world – from Kingston to Sidney, from Warsaw to New York.
    [Show full text]
  • A History of Hip Hop in Halifax: 1985 - 1998
    HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998 by Michael McGuire Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia August 2011 © Copyright by Michael McGuire, 2011 DALHOUSIE UNIVERSITY DEPARTMENT OF HISTORY The undersigned hereby certify that they have read and recommend to the Faculty of Graduate Studies for acceptance a thesis entitled “HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998” by Michael McGuire in partial fulfilment of the requirements for the degree of Master of Arts. Dated: August 18, 2011 Supervisor: _________________________________ Readers: _________________________________ _________________________________ ii DALHOUSIE UNIVERSITY DATE: August 18, 2011 AUTHOR: Michael McGuire TITLE: How the East Coast Rocks: A History Of Hip Hop In Halifax: 1985 - 1998 DEPARTMENT OR SCHOOL: Department of History DEGREE: MA CONVOCATION: October YEAR: 2011 Permission is herewith granted to Dalhousie University to circulate and to have copied for non-commercial purposes, at its discretion, the above title upon the request of individuals or institutions. I understand that my thesis will be electronically available to the public. The author reserves other publication rights, and neither the thesis nor extensive extracts from it may be printed or otherwise reproduced without the author’s written permission. The author attests that permission has been obtained for the use of any copyrighted material appearing in the
    [Show full text]
  • Worldradiohistory.Com › Archive-Billboard › 90S › 1990 › BB
    IN THIS ISSUE # t% * ***-x*;: *3- DIGIT 908 006817973 4401 9013 MAR92QGZ PolyGram Has `Fine' MONJTY GREENLY APT A Future In U.S., Says 3740 ELM LONG BEACH CA 90807 Label's Global Chief PAGE 6 Simmons Links Rush Labels With Columbia PAGE 6 R THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT March 31, 1990/$4.50 (U.S.), $5.50 (CAN.), £3.50 (U.K.) Newest Sell -Thru Megahit Pubs, Writers On Lyric Sidelines A `Honey' In Sales, Rentals Trade Groups Won't Fight Labeling Bills vol- BY EARL PAIGE disers because it's a family movie. BY BILL HOLLAND feels the industry needs to take We also see it promising as a gift Tennessee Stickering Bill Appears untary self-regulation more serious- LOS ANGELES -The Buena Vista item." WASHINGTON, D.C. -The leading To Have Fizzled Out ... See Page 5 ly. Home Video release "Honey, I Video buyer Gail Reed at 54 -store associations of music publishers and "NMPA has no position on this as Shrunk The Kids," the last of three Spec's Music in Miami says, "Every songwriters have decided not to join ers and writers, have joined the re- yet," Murphy says. "While no one is for a moment there shouldn't closely watched early -1990 sell - piece rented." In terms of sales, the music industry fight against the cently formed Coalition Against Lyr- saying through blockbusters, jumped out though, she says the Disney comedy passage of state record-labeling bills ics Legislation. be First Amendment protection, free of the box with solid showings in is running "100 pieces" behind at this time.
    [Show full text]
  • Reggae As Subaltern Knowledge: Representations of Christopher Columbus As a Construction of Alternative Historical Memory
    UCLA Mester Title Reggae as Subaltern Knowledge: Representations of Christopher Columbus as a Construction of Alternative Historical Memory Permalink https://escholarship.org/uc/item/7dg4f998 Journal Mester, 45(1) ISSN 0160-2764 Author Arbino, Daniel Publication Date 2017 DOI 10.5070/M3451029494 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Daniel Arbino Reggae as Subaltern Knowledge: Representations of Christopher Columbus as a Construction of Alternative Historical Memory Daniel Arbino University of Texas at Austin Birth of a music and a nation A casual reggae listener might consider the music to be upbeat and carefree, preaching messages of “getting together and feeling alright” and “not worrying about a thing, cause every little thing gonna be alright.”1 Such happy-go-lucky lyrics contribute to reggae’s interna- tional retail success, and they are used in ad campaigns to promote Jamaican tourism.2 However, in contrast to the aforementioned lyrics, reggae artists typically fused politics, spirituality, identity, and folk music to create highly discursive lyrics. Particularly during the era of newly independent Jamaica in the 1960s and 1970s, these complex lyrics reflected and forged a new society through media outlets such as the radio, dancehall parties, and deejay battles. The rise of reggae coincided with the construction of a new Jamaican society: reggae grew as a genre in Kingston’s urban shan- tytowns during the late 1960s, and the musical form responded to Jamaica’s independence from Great Britain in 1962. Reggae is influ- enced by other genres such as mento (a traditional Jamaican folk music that migrated with many from the country to the city), ska, rhythm and blues, and jazz.
    [Show full text]
  • PERFORMING ARTS – Understanding Hip Hop
    SCHOOL VISITS PRE AND POST VISIT PACKAGE PERFORMING ARTS – Understanding Hip Hop TEACHER GUIDE: PROGRAM DETAILS: Thank you for choosing to visit Harbourfront Centre! Harbourfront Centre is an innovative, non-profit cultural Grades: 4 to 12 organization which provides internationally renowned Curriculum Links: programming in the arts, culture, education and recreation, all The Arts – Dance (Grades 4-8): Creating and within a collection of distinctive venues in the heart of Presenting – apply the creative process to composition of Toronto's downtown waterfront. Our School Visits programs movement sequences and short dance pieces, using the are rooted in the inquiry-based learning model, and elements of dance to communicate feelings and ideas accommodate for a number of exceptionalities. The Arts – Dance (Grades 9-12): Creating, Presenting and Performing – combine the WHAT TO EXPECT FROM YOUR DAY? elements of dance in a variety of ways in composing When you arrive at Harbourfront Centre, you will be greeted individual and ensemble dance creations by one of our Educators. Payment will be taken care of by Foundations – demonstrate an understanding of the social our Registrar (if you are onsite) or our Educator (if you are and cultural origins and development of dance forms, offsite) during the morning of your visit. Your class will then including their influence on each other and society receive a brief introduction to Harbourfront Centre. Your Social Studies , 2013 (1-6): program will begin shortly thereafter. Heritage and Identity Canadian and World Studies, 2015 (11-12): Cultural Characteristics and Identity ACTIVATION (Pre Visit Ideas) Key Inquiry Question: How can the elements of hip hop be a tool for self 1) Introduce the topic of hip hop through the use of a mind expression? map .
    [Show full text]
  • Free Jsmaica Music Download Free Jsmaica Music Download
    free jsmaica music download Free jsmaica music download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 66ca98686ce9c438 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Free jsmaica music download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 66ca986a8d818498 • Your IP : 188.246.226.140 • Performance & security by Cloudflare.
    [Show full text]
  • BBC Radio International Pop Docs Catalogue Contents
    BBC Radio International Pop Docs Catalogue BBC Radio International brings you innovative music documentaries covering rock, pop, jazz, country, classical and much more. With access to both new and established artists and performers we provide your listeners with a special insight into their favourite artists' lives. Here you will find profiles of new bands, exclusive in-depth interviews with the biggest stars, unique material from the largest music archive in the world, plus original unreleased music and exclusive concert recordings as we celebrate music as a living and developing art form. You can easily search the BBC music documentaries by genre. Take a look through the options available and select from hundreds of hours of content spanning from present day back through the last twenty years. Most programmes are one hour in duration and you can pick and choose any titles that suit your listeners, including selecting individual episodes from a series. The catalogue is updated on a quarterly basis so look out for new and exciting programmes and feel free to get in touch with the team to find out more. All rights are cleared by the BBC and all relevant royalties and payaways will be originated by the BBC. The licensee only reports music to a relevant local collection society. Have a question or want to know more about a specific genre or programme? Contact: Larissa Abid, Ana Bastos or Laura Lawrence for more details. Contents Classic Pop and Rock ...............................................................................................................................................2
    [Show full text]
  • “The Mic Is My Piece”: Canadian Rap, the Gendered “Cool Pose,” and Music Industry Racialization and Regulation Francesca D’Amico
    Document generated on 09/26/2021 3:33 p.m. Journal of the Canadian Historical Association Revue de la Société historique du Canada “The Mic Is My Piece”: Canadian Rap, the Gendered “Cool Pose,” and Music Industry Racialization and Regulation Francesca D’Amico Volume 26, Number 1, 2015 Article abstract Over the course of the 1980s and 1990s, Black Canadian Rap artists, many of URI: https://id.erudit.org/iderudit/1037204ar whom are the children of Caribbean-born immigrants to Canada, employed the DOI: https://doi.org/10.7202/1037204ar hyper-racialized and hyper-gendered “Cool Pose” as oppositional politics to intervene in a conversation about citizenship, space, and anti-blackness. See table of contents Drawing from local and trans-local imaginings and practices, Black Canadian rappers created counter-narratives intended to confront their own sense of exclusion from a nation that has consistently imagined itself as White and Publisher(s) rendered the Black presence hyper-(in)visible. Despite a nationwide policy of sameness (multiculturalism), Black Canadian musicians have used Rap as a The Canadian Historical Association / La Société historique du Canada discursive and dialogical space to disrupt the project of Black Canadian erasure from the national imagination. These efforts provided Black youth with the ISSN critically important platform to critique the limitations of multiculturalism, write Black Canadian stories into the larger framework of the nation state, and 0847-4478 (print) remind audiences of the deeply masculinized and racialized nature of 1712-6274 (digital) Canadian iconography. And yet, even as they engaged in these oppositional politics, rappers have consistently encountered exclusionary practices at the Explore this journal hands of the state that have made it increasingly difficult to sustain a Black music infrastructure and spotlight Canadian Rap’s political and cultural intervention.
    [Show full text]