Performing Diaspora 2013 BIOGRAPHIES
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CBC-TV Toronto Heading Backwards on Cancon Mandate Review Needed to Put CBC Back on Track
FOR IMMEDIATE RELEASE 29 June, 2006 CBC-TV Toronto heading backwards on Cancon Mandate review needed to put CBC back on track Toronto – The current senior management of CBC has turned back the clock almost 15 years when it comes to presenting Canadian programs during prime time on CBC- TV in Toronto, according to new research about what’s on TV released today by the broadcast watchdog group Friends of Canadian Broadcasting. “This is further evidence that the current management of the CBC is adrift with no vision. It’s time for Canadians to have their say through a CBC mandate review the government of Canada should launch quickly,” Friends spokesperson Ian Morrison said. A “Canadianization strategy” adopted by previous CBC management teams resulted in a steady increase in the presentation of Canadian programs during prime time on CBC-TV between 1990 and 2000. “CBC-TV’s success at shedding foreign programs from its prime time schedule through the 1990’s has been almost completely undone by President Rabinovitch and his senior management at CBC,” said Friends spokesperson Ian Morrison. According to Friends’ research, CBC-TV’s Toronto prime time schedule in the Spring of 2006 featured 4.5 hours of foreign programs every week during prime time, compared to 5.5 hours in 1990. CBC-TV Toronto prime time broadcast of foreign programs during Spring 6 k 5 Rabinovitch Years 4 3 2 Hours per wee per Hours 1 0 1990 2000 2002 2004 2006 “These data are consistent with the recent decision by CBC management to bump The National from its usual time slot on Tuesday nights this summer to make way for a simulcast American reality show,” Morrison said. -
Radio Essentials 2012
Artist Song Series Issue Track 44 When Your Heart Stops BeatingHitz Radio Issue 81 14 112 Dance With Me Hitz Radio Issue 19 12 112 Peaches & Cream Hitz Radio Issue 13 11 311 Don't Tread On Me Hitz Radio Issue 64 8 311 Love Song Hitz Radio Issue 48 5 - Happy Birthday To You Radio Essential IssueSeries 40 Disc 40 21 - Wedding Processional Radio Essential IssueSeries 40 Disc 40 22 - Wedding Recessional Radio Essential IssueSeries 40 Disc 40 23 10 Years Beautiful Hitz Radio Issue 99 6 10 Years Burnout Modern Rock RadioJul-18 10 10 Years Wasteland Hitz Radio Issue 68 4 10,000 Maniacs Because The Night Radio Essential IssueSeries 44 Disc 44 4 1975, The Chocolate Modern Rock RadioDec-13 12 1975, The Girls Mainstream RadioNov-14 8 1975, The Give Yourself A Try Modern Rock RadioSep-18 20 1975, The Love It If We Made It Modern Rock RadioJan-19 16 1975, The Love Me Modern Rock RadioJan-16 10 1975, The Sex Modern Rock RadioMar-14 18 1975, The Somebody Else Modern Rock RadioOct-16 21 1975, The The City Modern Rock RadioFeb-14 12 1975, The The Sound Modern Rock RadioJun-16 10 2 Pac Feat. Dr. Dre California Love Radio Essential IssueSeries 22 Disc 22 4 2 Pistols She Got It Hitz Radio Issue 96 16 2 Unlimited Get Ready For This Radio Essential IssueSeries 23 Disc 23 3 2 Unlimited Twilight Zone Radio Essential IssueSeries 22 Disc 22 16 21 Savage Feat. J. Cole a lot Mainstream RadioMay-19 11 3 Deep Can't Get Over You Hitz Radio Issue 16 6 3 Doors Down Away From The Sun Hitz Radio Issue 46 6 3 Doors Down Be Like That Hitz Radio Issue 16 2 3 Doors Down Behind Those Eyes Hitz Radio Issue 62 16 3 Doors Down Duck And Run Hitz Radio Issue 12 15 3 Doors Down Here Without You Hitz Radio Issue 41 14 3 Doors Down In The Dark Modern Rock RadioMar-16 10 3 Doors Down It's Not My Time Hitz Radio Issue 95 3 3 Doors Down Kryptonite Hitz Radio Issue 3 9 3 Doors Down Let Me Go Hitz Radio Issue 57 15 3 Doors Down One Light Modern Rock RadioJan-13 6 3 Doors Down When I'm Gone Hitz Radio Issue 31 2 3 Doors Down Feat. -
A History of Hip Hop in Halifax: 1985 - 1998
HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998 by Michael McGuire Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia August 2011 © Copyright by Michael McGuire, 2011 DALHOUSIE UNIVERSITY DEPARTMENT OF HISTORY The undersigned hereby certify that they have read and recommend to the Faculty of Graduate Studies for acceptance a thesis entitled “HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998” by Michael McGuire in partial fulfilment of the requirements for the degree of Master of Arts. Dated: August 18, 2011 Supervisor: _________________________________ Readers: _________________________________ _________________________________ ii DALHOUSIE UNIVERSITY DATE: August 18, 2011 AUTHOR: Michael McGuire TITLE: How the East Coast Rocks: A History Of Hip Hop In Halifax: 1985 - 1998 DEPARTMENT OR SCHOOL: Department of History DEGREE: MA CONVOCATION: October YEAR: 2011 Permission is herewith granted to Dalhousie University to circulate and to have copied for non-commercial purposes, at its discretion, the above title upon the request of individuals or institutions. I understand that my thesis will be electronically available to the public. The author reserves other publication rights, and neither the thesis nor extensive extracts from it may be printed or otherwise reproduced without the author’s written permission. The author attests that permission has been obtained for the use of any copyrighted material appearing in the -
Worldradiohistory.Com › Archive-Billboard › 90S › 1990 › BB
IN THIS ISSUE # t% * ***-x*;: *3- DIGIT 908 006817973 4401 9013 MAR92QGZ PolyGram Has `Fine' MONJTY GREENLY APT A Future In U.S., Says 3740 ELM LONG BEACH CA 90807 Label's Global Chief PAGE 6 Simmons Links Rush Labels With Columbia PAGE 6 R THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT March 31, 1990/$4.50 (U.S.), $5.50 (CAN.), £3.50 (U.K.) Newest Sell -Thru Megahit Pubs, Writers On Lyric Sidelines A `Honey' In Sales, Rentals Trade Groups Won't Fight Labeling Bills vol- BY EARL PAIGE disers because it's a family movie. BY BILL HOLLAND feels the industry needs to take We also see it promising as a gift Tennessee Stickering Bill Appears untary self-regulation more serious- LOS ANGELES -The Buena Vista item." WASHINGTON, D.C. -The leading To Have Fizzled Out ... See Page 5 ly. Home Video release "Honey, I Video buyer Gail Reed at 54 -store associations of music publishers and "NMPA has no position on this as Shrunk The Kids," the last of three Spec's Music in Miami says, "Every songwriters have decided not to join ers and writers, have joined the re- yet," Murphy says. "While no one is for a moment there shouldn't closely watched early -1990 sell - piece rented." In terms of sales, the music industry fight against the cently formed Coalition Against Lyr- saying through blockbusters, jumped out though, she says the Disney comedy passage of state record-labeling bills ics Legislation. be First Amendment protection, free of the box with solid showings in is running "100 pieces" behind at this time. -
PERFORMING ARTS – Understanding Hip Hop
SCHOOL VISITS PRE AND POST VISIT PACKAGE PERFORMING ARTS – Understanding Hip Hop TEACHER GUIDE: PROGRAM DETAILS: Thank you for choosing to visit Harbourfront Centre! Harbourfront Centre is an innovative, non-profit cultural Grades: 4 to 12 organization which provides internationally renowned Curriculum Links: programming in the arts, culture, education and recreation, all The Arts – Dance (Grades 4-8): Creating and within a collection of distinctive venues in the heart of Presenting – apply the creative process to composition of Toronto's downtown waterfront. Our School Visits programs movement sequences and short dance pieces, using the are rooted in the inquiry-based learning model, and elements of dance to communicate feelings and ideas accommodate for a number of exceptionalities. The Arts – Dance (Grades 9-12): Creating, Presenting and Performing – combine the WHAT TO EXPECT FROM YOUR DAY? elements of dance in a variety of ways in composing When you arrive at Harbourfront Centre, you will be greeted individual and ensemble dance creations by one of our Educators. Payment will be taken care of by Foundations – demonstrate an understanding of the social our Registrar (if you are onsite) or our Educator (if you are and cultural origins and development of dance forms, offsite) during the morning of your visit. Your class will then including their influence on each other and society receive a brief introduction to Harbourfront Centre. Your Social Studies , 2013 (1-6): program will begin shortly thereafter. Heritage and Identity Canadian and World Studies, 2015 (11-12): Cultural Characteristics and Identity ACTIVATION (Pre Visit Ideas) Key Inquiry Question: How can the elements of hip hop be a tool for self 1) Introduce the topic of hip hop through the use of a mind expression? map . -
“The Mic Is My Piece”: Canadian Rap, the Gendered “Cool Pose,” and Music Industry Racialization and Regulation Francesca D’Amico
Document generated on 09/26/2021 3:33 p.m. Journal of the Canadian Historical Association Revue de la Société historique du Canada “The Mic Is My Piece”: Canadian Rap, the Gendered “Cool Pose,” and Music Industry Racialization and Regulation Francesca D’Amico Volume 26, Number 1, 2015 Article abstract Over the course of the 1980s and 1990s, Black Canadian Rap artists, many of URI: https://id.erudit.org/iderudit/1037204ar whom are the children of Caribbean-born immigrants to Canada, employed the DOI: https://doi.org/10.7202/1037204ar hyper-racialized and hyper-gendered “Cool Pose” as oppositional politics to intervene in a conversation about citizenship, space, and anti-blackness. See table of contents Drawing from local and trans-local imaginings and practices, Black Canadian rappers created counter-narratives intended to confront their own sense of exclusion from a nation that has consistently imagined itself as White and Publisher(s) rendered the Black presence hyper-(in)visible. Despite a nationwide policy of sameness (multiculturalism), Black Canadian musicians have used Rap as a The Canadian Historical Association / La Société historique du Canada discursive and dialogical space to disrupt the project of Black Canadian erasure from the national imagination. These efforts provided Black youth with the ISSN critically important platform to critique the limitations of multiculturalism, write Black Canadian stories into the larger framework of the nation state, and 0847-4478 (print) remind audiences of the deeply masculinized and racialized nature of 1712-6274 (digital) Canadian iconography. And yet, even as they engaged in these oppositional politics, rappers have consistently encountered exclusionary practices at the Explore this journal hands of the state that have made it increasingly difficult to sustain a Black music infrastructure and spotlight Canadian Rap’s political and cultural intervention. -
Multiculturalism and the De-Politicization of Blackness in Canada: the Case of Flow 93.5 Fm
MULTICULTURALISM AND THE DE-POLITICIZATION OF BLACKNESS IN CANADA: THE CASE OF FLOW 93.5 FM by Kisrene McKenzie A thesis submitted in conformity with the requirements for the degree of Master of Arts Department of Sociology and Equity Studies in Education Ontario Institute for Studies in Education of the University of Toronto © Copyright by Kisrene McKenzie 2009 MULTICULTURALISM AND THE DE-POLITICIZATION OF BLACKNESS IN CANADA: THE CASE OF FLOW 93.5 FM Master of Arts 2009 Kisrene McKenzie Department of Sociology and Equity Studies in Education University of Toronto Abstract This thesis presents a case study of Canada‟s first Black owned radio station, FLOW 93.5 FM, to demonstrate how official multiculturalism, in its formulation and implementation, negates Canada‟s history of slavery and racial inequality. As a response to diversity, multiculturalism shifts the focus away from racial inequality to cultural difference. Consequently, Black self-determination is unauthorized. By investigating FLOW‟s radio license applications, programming and advertisements, this thesis reveals just how the vision of a Black focus radio station dissolved in order to fit the practical and ideological framework of multiculturalism so that Blackness could be easily commodified. This thesis concludes that FLOW is not a Black radio station but instead is a multicultural radio station – one that specifically markets a de-politicized Blackness. As a result, multiculturalism poses serious consequences for imagining and engaging with Blackness as a politics that may address the needs of Black communities in Canada. ii ACKNOWLEDGEMENTS I extend my deepest gratitude to my thesis supervisor, Dr. Sherene Razack, for her guidance, constant support, encouragement and initial interest in my thesis topic. -
This Is a Proof
ENTERTAINMENT NEWS “'EVERYTHING REGGAE - WHETHER NATIONALLY OR INTERNATIONALLY” CULTURAL NEWS, VIEWS, REVIEWS, INTERVIEWS VOL. 3 ISS. 3 SEPTEMBER 2005 WWW.UNLIMITEDSOUNDSRECORDS.COM FREE? It’s Not What You Can Do For ReggaeXclusive...It’s What ReggaeXclusive Can Do For You! WOW! EMAIL: [email protected] Web: www.caribbeanmusic.ca/reggaex reggaeXclusive -- Web Site: www.caribbeanmusic.ca/reggaex --- Phone: 647-435-0637 -- Email: [email protected] Pg - 2 reggaeXclusive -- Web Site: www.caribbeanmusic.ca/reggaex --- Phone: 647-435-0637 -- Email: [email protected] Pg - 3 What’s Inside ReggaeXclusive’s 11th Issue Casper Wins Award - pg 4 Xclusive Interview with Luciano - pg 5 Julion’s Views; CKLN has moved; TIRMA Winners; ReggaeXclusive Condolences - pg 6 Ascension of Christ & His 2nd Coming; Artist Watch - Rich Kid - pg 7 Publisher: reggaeXclusive Marketing & Sales: Utopia Records - pg 8 Publications Fitz Knight Shadrock Moving Forward - pg 9 647-435-0637 Loraine Gomes Rootsbana Review; Luciano @ the Kool Haus a success - pg 10 All rights reserved. No part of this publication Kaya Band; Dream Band CD Review - pg 11 may be reproduced or transmitted Photographers: in any form without prior permission Halina T. Di-Lallo Eric of Action Promotion; Michelle of Bless the Youths - pg 12 from the Publisher. Sandi Destonis (c) 2005 reggaeXclusive Vinaasha Records; Douglas Boothe - pg 13 Cover Photograph: Courtesy of Luciano Interview continued; Chrome; Humble pop-up - pg 16 Unlimitedsounds Records Editor: Boom Sound; Empress Rule the Night in Review - pg 17 Loraine Gomes Send Photo and ads to: Reggae Dance Spotlight - Baby Boyz Dance Group; Caribbean Dance [email protected] Theatre with Tamla Matthews - pg 18 ( 300 lines Tiff, EPS no “gif” Writers: from the web or Corel Draw). -
Sonic Modernities of Our Present By
Remixing Relationality: ‘Other/ed’ Sonic Modernities of our Present by Mark V. Campbell A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Sociology and Equity Studies Ontario Institute for Studies in Education University of Toronto © Copyright by Mark V. Campbell 2010 Remixing Relationality: ‘Other/ed’ Sonic Modernities of our Present Doctor of Philosophy 2010 Mark V. Campbell Sociology and Equity Studies University of Toronto Abstract Far from simply playing music, the turntable has, in recent decades, been transformed into a musical instrument. Those that play these new instruments, called Turntablists, alter existing sounds to produce new sonic arrangements, exceeding the assumed use value of the turntable. The turntable’s transformation from record player to instrument captures one of the ways in which Afrosonic sound making activities refuse to conform to existing paradigms of music making in the western world. Throughout the African diaspora, it has been the musics from various regions and nations that continually capture the attention of the world’s music connoisseurs. This dissertation examines the ways in which careful consideration of the sonic innovations in Afrodiasporic cultures produce alternative paradigms through which we might analyze contemporary life. The following chapters interrogate turntablism, remix culture and hip hop music as subtexts that elaborate a foundational narrative of Afrodiasporic life. These subtexts are used as tools to examine the various ethnoscapes of Black Canadian life, official multiculturalism and notions of home within the African diaspora in Canada. The dominant narrative of the African diaspora explored in this work, housed within the sonic, elaborates a relational conception of freedom and modernity born out of the ii particularities of Afrodiasporic life in the west. -
Canadian TV Drama by Catherine Murray, Roger De La Garde and Claude Martin1
By Catherine Murray, Roger de la Garde and Claude Martin 1 Star Wars: Canadian TV Drama By Catherine Murray, Roger de la Garde and Claude Martin1 The Audio-Visual Landscape Canadian broadcasting folklore has it that French language broadcasting is a success, English language broadcasting a failure. The blame for that failure is laid on the geographic and cultural proximity to the United States that leads to hyper-commercial star wars with the tv entertainment machine south of the border. Conclusions about situational victories or routs are drawn from overall viewing trends, which show that francophones spend the majority (some 76%) of their viewing time with indigenous programs and the majority (some 72%) of English viewers’ time is spent with American entertainment. This report argues that the “cultural proximity” principle cannot explain the relative health of Quebec dramatic broadcasting or the relative fragility of English language Canadian tv, which has been much studied by European scholars as a canary in the mine of globalization. Pictures of “success” underplay both the rate of incursion of US programming and the role of social formations, managerial judgement and creative leadership in Quebec in sustaining a viable alternative to US stars despite a small population. The larger size or economies of scale of the English market are not sufficient to win the battle of supply and viewing to big-budget US drama, in part due to structural characteristics. But there has been some repatriation of audiences (albeit to new genres of programming which may be better translated into broadband delivery), triumph of cultural proximity in news, sports and, increasingly, comedy, and some isolated successes in drama, as the data will show. -
Profiling Hip Hop Artistry in Canada
The Northside Research Project Profiling Hip Hop Artistry In Canada Presented to: The Canada Council for the Arts Presented by: Motion Live Entertainment & Saada STYLO November 2006 1 TABLE OF CONTENTS The Mission 3.3.3. ---Research-Research Objectives 444.4... ---Coast-Coast 2 Coast 2006 555.5... STATE OF THE ARTS 777... ---UnUnUnderstandingUn derstanding The Elements: 9.9.9. ---The-The DJ 999.9... ---The-The MC 101010.10 ... ---Th-ThThThee Graf & Visual Artists 111111.11 ... ---The-The Beatbox 131313.13 ... ---Elemental-Elemental Dimensions: The Producer 141414.14 ... ---New-New Media 11151555.... ---Theatre-Theatre 11171777.... ---Edutainme-EdutainmeEdutainmentnt & Community Development 171717.17 ... MAIN THEMES 191919.19 ... --- The Roots and Race Dynamics 212121.21 ... --- Table 1: Top 10 of The Roundtables’ Exploration 222222.22 ... --- Talking Strengths and Challenges 242424.24 ... --- The Survey Says 262626.26 ... --- The Struggling Artists 272727.27 ... --- InfrastrInfrastructure:ucture: Management Models 282828.28 ... APPENDIX 29. --- Regional Profile Listings 303030.30 ... --- Artists’ Statements 343434.34 ... --- Media Takes 373737.37 ... --- Resources 404040.40 ... 2 The Mission “““We must do more to support our artists, to fully recognize their status, to provide high quality training at the initial and professional development levels, to ensure they are fairly compecompensatednsated and to protect and celebrate their creative freedom. I believe that we also need to foster and recognize the new cultural leadership within our communities, whether it comes from individuals or organizations that are particularly creative and innovainnovative.”tive.” 111 ______________________________ In 2004, poet/emcee Wendy “Motion” Brathwaite and freelance journalist Saada Branker were approached by Anthony “Nth Dgri” Bansfield, the then-Equity Coordinator at the Canada Council for the Arts. -
Over 1000 Breakbeat List
Over 1000 Breakbeat List 1. Stop - Wake Up 2. Superman Ivy - Yes Yes Ya'll 3. Superman Ivy - Yes Yes Ya'll (Remix) 4. Superman Ivy - Yes Yes Ya'll (Acapella) 5. Superman Ivy - Yes Yes Ya'll (Instrumental) 6. Tha Alkaholiks - Make Room 7. Thalia - The Mexican (Disco Circus Remix) 8. The 45 King - The 900 Number 9. The Beginning Of The End - Funky Nassau 10. The Meters - Same Old Thing 11. The Poets Of The Rhythm - North Carolina 12. The Ying Yang Technique - LUDI 13. Black Eyed Peas - They Don't Want Music 14. Third World Lover - Kid Koala 15. Ultramagnetic MC'S - One To Grow On 16. Visionaries - Crop Circles 17. Watch Out Now - Beatnuts 18. Yellow Sunshine 19. Yoshida Brothers - Storm 20. Da Boogie Crew - You Boys (Remix) 21. Zion-I & The Grouch - Trains & Planes 22. RJD2 - The Horror 23. Rob Dougan - Clubbed To Death 24. RUN DMC - It's Tricky 25. Safri Duo - Rise (Remix) 26. Sapo - Been Had 27. Scooter - Bboys/Bgirls Rock Tha House 28. Skrip Breaks - Enemy Crush 29. Sorea - Soul In Panic 30. Souls Of Mischief - 93 Till Infinity 31. Southside Rockers - Jump 32. Stetsasonic - Talkin' All That Jazz 33. Stetsasonic - The Hip Hop Band 34. Superman Ivy - Rivers Crew Theme 35. Superman Ivy - Rivers Crew Theme (Instrumental) 36. Superman Ivy - Rivers Crew Theme (Acapella) 37. Superman Ivy - Seoul Futureshock 38. Superman Ivy - The Freshest Ivy 39. Superman Ivy - The Freshest Ivy (Acapella) 40. Superman Ivy - The Freshest Ivy (Instrumental) 41. Mark Ronson Feat. Ghostface Killah, Nate Dogg, Trife - Ooh Wee 42.