PERFORMING ARTS – Understanding Hip Hop

Total Page:16

File Type:pdf, Size:1020Kb

PERFORMING ARTS – Understanding Hip Hop SCHOOL VISITS PRE AND POST VISIT PACKAGE PERFORMING ARTS – Understanding Hip Hop TEACHER GUIDE: PROGRAM DETAILS: Thank you for choosing to visit Harbourfront Centre! Harbourfront Centre is an innovative, non-profit cultural Grades: 4 to 12 organization which provides internationally renowned Curriculum Links: programming in the arts, culture, education and recreation, all The Arts – Dance (Grades 4-8): Creating and within a collection of distinctive venues in the heart of Presenting – apply the creative process to composition of Toronto's downtown waterfront. Our School Visits programs movement sequences and short dance pieces, using the are rooted in the inquiry-based learning model, and elements of dance to communicate feelings and ideas accommodate for a number of exceptionalities. The Arts – Dance (Grades 9-12): Creating, Presenting and Performing – combine the WHAT TO EXPECT FROM YOUR DAY? elements of dance in a variety of ways in composing When you arrive at Harbourfront Centre, you will be greeted individual and ensemble dance creations by one of our Educators. Payment will be taken care of by Foundations – demonstrate an understanding of the social our Registrar (if you are onsite) or our Educator (if you are and cultural origins and development of dance forms, offsite) during the morning of your visit. Your class will then including their influence on each other and society receive a brief introduction to Harbourfront Centre. Your Social Studies , 2013 (1-6): program will begin shortly thereafter. Heritage and Identity Canadian and World Studies, 2015 (11-12): Cultural Characteristics and Identity ACTIVATION (Pre Visit Ideas) Key Inquiry Question: How can the elements of hip hop be a tool for self 1) Introduce the topic of hip hop through the use of a mind expression? map . Place the word ‘hip hop’ in the centre of a page, and have students generate as many ideas, connections, examples or images that come to mind. EXTENTION (Post Visit Ideas) 2) Have students complete a KWL chart (see link in the 1) Have your students revisit their KWL charts and Additional Links to Learning section for a template). In complete the Learned column. See if any pieces of this chart, students should complete what they Know information that they shared in the K or W columns about hip hop, and what they Want to know before proved to be inaccurate. attending Harbourfront Centre. 2) Have your students perform in a ‘dance battle’ . 3) Have students complete a research assignment on a Work with your students to consider where to host the different Canadian Hip Hop performer. Work with battle, what resources would be required to run the students to develop the format (fact sheet, oral battle and what (if any) additional time would be presentation, collage, etc) and criteria for the research necessary to rehearse. assignment. Select from the list below, or have students suggest other artists to research themselves. 3) Have your students complete a reflection exercise • Devon on their experiences with the Understanding Hip Hop • Dream Warriors program. This could take any number of forms, and • Ghetto Concepts could provide cross-curricular support to your literacy • Ground Control block. • Kardinal Offishall • K-cut 4) Have students complete a research project on an • Kish aspect of hip hop culture as discussed in class. • K-Os These include break dancing, beatboxing, DJing, • Luther Brown graffiti, krumping, Emcee, tutting, and so on. The • Main Source format and criteria for the project can vary by ability. • Measestro Fresh Wes • Michie Mee • Organized Rhyme ADDITIONAL LINKS TO LEARNING • Rascalz (Harbourfront Centre School Visits does not assume responsibility for • Shebang content on the resources listed below. Please confirm the content is appropriate for your class and school community before using these • Sir Scratch suggested resources in your classroom) • Swollen Members • Tre Armstrong 1) KWL Chart http://eworkshop.on.ca/edu/pdf/Mod37_graph_KWL.pdf 4) If you have access to a media lab and/or ability to project video, show clips of various artists from the list above. PERFORMING ARTS – DANCE ONSITE ASSESSMENT TOOL Student Name: Date: Criteria Level 1 Level 2 Level 3 Level 4 Interaction responds responds never able to rarely able to occasionally to frequently to in respond to direct respond to direct questions; questions; questions; never questions; rarely occasionally routinely Group volunteers point of volunteers point of volunteers point of volunteers point of view view Discussion view view student does student does not student listens student listens not listen when listen when others when others Listening when others others talk, and talk, and talk, and often talk, and always follows few of the sometimes follows follows the Skills follows instructor’s instructor’s the instructor’s instructor’s directions directions. directions directions applies all (or applies few of the applies some of pplies most of a almost all) of the Use of skills, concepts the skills, the skills, skills, concepts and techniques concepts and concepts and and techniques Techniques taught. techniques taught. techniques taught. taught. student student never student rarely student willingly enthusiastically participates participates and participates and participates and Participation willingly and acts occasionally acts acts appropriately always acts inappropriately inappropriately appropriately Comments .
Recommended publications
  • The Cord Weekly
    / Laurier musicians Pierre Berton rock out at Wilf's visits Laurier Page Page THE , 2 CORD WEEKLY * Wednesday November 21, 2001 *Laurier's Official Student Newspaper • Volume 42 • Issue 15 2 News 6 Opinion 10 International 12 Feature 14 Entertainment 17 Sports 20 Student Life 22 Business 23 Classifieds More growing concerns "The reputation of Laurier has has also adversely affected WLU's She went on to say that many Students' Union requests an been tainted," said David public image, most notably in last more people accepted the offers of Wellhauser, Executive Vice week's Maclean's magazine univer- admission than in past years, a immediate freeze on current President of University Affairs. sity rankings. development that WLU was unable "Over-enrollment has had a nega- "WLU sent out too many offers to anticipate. The increase in enrollment levels tive effect on all students. It's irre- of admission," said Wellhauser. "It acceptances was most noticeable sponsible, and has to stop." was an irresponsible mistake that from students for whom Laurier MartinKuebler regarding the unexpected growth The Students' Union pointed should have been caught." was not a first choice. of Laurier's student body in recent to a number of reasons that have However, Undergraduate In order to properly address The issue of responsible growth at years. Of particular concern was contributed to over-crowding. Admissions Manager Gail Forsyth the growth situation, WLUSU pro- Laurier has not been given the what the Union called a "miscalcu- Among them are inadequate said the increased enrollment posed that current enrollment lev- "proper attention or recognition," lation in the admissions formula," provincial funding for universities experienced in 2001 was unfore- els be frozen immediately until stu- and the WLU Students' Union resulting in the surplus of 962 stu- and the deviation from the seeable, and was not as a result of dent concerns are addressed.
    [Show full text]
  • Rascalz Global Warning Mp3, Flac, Wma
    Rascalz Global Warning mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Global Warning Country: Canada Released: 1999 Style: Conscious MP3 version RAR size: 1716 mb FLAC version RAR size: 1991 mb WMA version RAR size: 1343 mb Rating: 4.8 Votes: 792 Other Formats: AHX ASF FLAC DTS AC3 VQF TTA Tracklist Hide Credits The Global Warning 1 Producer – Kemo High Noon 2 Producer – Misfit Priceless 3 Vocals – Esthero Can't Relate 4 Featuring – Juju , Psycho LesProducer – Psycho Les 5 Gametime Population Control 6 Producer – Bobby Brass Gerangco*, Jay-Rome, LLC Top Of The World 7 Featuring – Barrington Levy, K-OSProducer – Kemo, Red 1 Gunnfinga 8 Featuring – Kardinal OffishallProducer – Kemo For The Rhyme 9 Producer – Misfit As It Is 10 Featuring – ChoclairProducer – Kemo, Misfit Fallen 11 Featuring – K-OSGuitar – Russell KlyneKeyboards – Chris GestrinProducer – K-OS C-IV 12 Producer – Kemo Where You At 13 Featuring – KRS-OneProducer – KRS-One Area 51 14 Producer – Misfit On The Run 15 Producer – Alchemist Témoin 16 4:44 Featuring – Muzion Bordaline 17 Featuring – Consice*, Sazon* 18 Lab Rat Produce Sharpshooter (Best Of The Best) 19 Featuring – Bret "The Hitman" HartGuitar – Russell Klyne Blessings 20 Producer – Red 1 Companies, etc. Record Company – Vik Recordings – 74321-67227-4 Distributed By – BMG Music Canada Barcode and Other Identifiers Barcode: 743216722747 Other versions Category Artist Title (Format) Label Category Country Year BMG, Subword, Figure 74321 83538 Global Warning (CD, 74321 83538 Rascalz IV Entertainment, Vik
    [Show full text]
  • Swollen Members the Predator
    The Predator Swollen Members When the shit goes down you better be ready (When the shit goes down) I turn He-Man to She-Rra, Battlecat to Cringer West Coast Avenger, Mad Child's a ninja Fist of the North Star, I'm going hard Lions flying out my mouth like a throwing star Tough luck, nunchucks for these dumb fucks Young dukes jump up, they get fucked up I can levitate (why?) I'm a featherweight (nah) I'm a heavyweight, hope to get to Heaven's gate But not yet (watch it) I'm a freakin savage Running all around and I am busy wreaking havoc Funny when I rap it sounds like I'm committing murder But have to ask the question, "How come I ain't getting further? " I'm a fucking lunatic, I can be a moody bitch Great white shark eating rappers like you're tuna fish Kill em I annihilate, villain with an iron blade Fuck when I rock I am hot watch a fire blaze Welcome to the freak fest, Mad Child's a monster First do a concert then do an encore Mad got the game on lock like a door handle War angel, black cape with an orange candle now I've gone commando Running through the streets with the gun of Rambo Knife on my belt that could cut your scalp Quit drugs now I'm back you go fuck yourself Tattooed up top to bottom sleeves Never fall again like autumn leaves Dark like the Legend of Sleepy Hollow I'm the big bad wolf, you are sheep that follow Crawl into bed, take a power nap Eat your kids in a nightie and a shower cap All these little piggies run when the shit goes down Cause I'm here to blow your motherfucking brick house down Nasty North American,
    [Show full text]
  • Debate Overnight Radio Play for Sale to Labels
    $6.99 (U.S.), S8.99 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), Y2,500 (JAPAN) w Hot.' á 3 -DIGIT 908 z ILI..i6..J..IiIII...L..LoIEIO I IIL.I[I BL240f04 APR06 A04 B0105 ¡aient MONTY GREENLY 3740 ELM AVE # A LONG EEACH CA 93807 -3402 J31i1 Begins On Page 15 www.billboard.com THE INTERN TIONAL AUTHORITY ON MUSIC, VIDE AND DIGITAL ENTERTAINMENT 110TH YEAR JUNE 19, 2004 HOT SPOTS Spin Buys Spark New Debate Overnight Radio Play For Sale To Labels Latin S BY BRIAN GARRITY 11 Bank On Lt ar Anthony 50 Cent protégé Lloyd Banks Offers ans His First Controversy surrounding burns up the charts with "On overnight airplay at radio is Fire, "the lead single from his Spanis Pop Album nothing new for the G- Unit /Interscope solo set. recording industry. But the BY LEILA COB' current flap over tracks played late at night in label -sponsored fí It is tim of c-ìange for Marc "spin programs" presents a new Anthony. twist on past grievances. Just a few years ago, labels were Last year h: changed management complaining bitterly that radio by signing wi Tommy Mottola after programmers were relegating l6 a longstandi g association with new singles to the overnight Bigram Zayas Anthony's brother. hours. Now many labels are Last -nont , he changed his tour shelling out thousands of dollars dates. Origin Hy slated to kick off in per week to have songs played between midnight and 6 a.m. June, the o ing has been resched- 32 Waylon Gains As first tipped on billboard.biz uled for Nov: mbeG Waylon Payne promotes his and in Billboard sister publica- Last week, e reportedly married Jen- tion Airplay Monitor's June 11 upcoming album, "The Drifter," nifer Lopez.
    [Show full text]
  • Radio Essentials 2012
    Artist Song Series Issue Track 44 When Your Heart Stops BeatingHitz Radio Issue 81 14 112 Dance With Me Hitz Radio Issue 19 12 112 Peaches & Cream Hitz Radio Issue 13 11 311 Don't Tread On Me Hitz Radio Issue 64 8 311 Love Song Hitz Radio Issue 48 5 - Happy Birthday To You Radio Essential IssueSeries 40 Disc 40 21 - Wedding Processional Radio Essential IssueSeries 40 Disc 40 22 - Wedding Recessional Radio Essential IssueSeries 40 Disc 40 23 10 Years Beautiful Hitz Radio Issue 99 6 10 Years Burnout Modern Rock RadioJul-18 10 10 Years Wasteland Hitz Radio Issue 68 4 10,000 Maniacs Because The Night Radio Essential IssueSeries 44 Disc 44 4 1975, The Chocolate Modern Rock RadioDec-13 12 1975, The Girls Mainstream RadioNov-14 8 1975, The Give Yourself A Try Modern Rock RadioSep-18 20 1975, The Love It If We Made It Modern Rock RadioJan-19 16 1975, The Love Me Modern Rock RadioJan-16 10 1975, The Sex Modern Rock RadioMar-14 18 1975, The Somebody Else Modern Rock RadioOct-16 21 1975, The The City Modern Rock RadioFeb-14 12 1975, The The Sound Modern Rock RadioJun-16 10 2 Pac Feat. Dr. Dre California Love Radio Essential IssueSeries 22 Disc 22 4 2 Pistols She Got It Hitz Radio Issue 96 16 2 Unlimited Get Ready For This Radio Essential IssueSeries 23 Disc 23 3 2 Unlimited Twilight Zone Radio Essential IssueSeries 22 Disc 22 16 21 Savage Feat. J. Cole a lot Mainstream RadioMay-19 11 3 Deep Can't Get Over You Hitz Radio Issue 16 6 3 Doors Down Away From The Sun Hitz Radio Issue 46 6 3 Doors Down Be Like That Hitz Radio Issue 16 2 3 Doors Down Behind Those Eyes Hitz Radio Issue 62 16 3 Doors Down Duck And Run Hitz Radio Issue 12 15 3 Doors Down Here Without You Hitz Radio Issue 41 14 3 Doors Down In The Dark Modern Rock RadioMar-16 10 3 Doors Down It's Not My Time Hitz Radio Issue 95 3 3 Doors Down Kryptonite Hitz Radio Issue 3 9 3 Doors Down Let Me Go Hitz Radio Issue 57 15 3 Doors Down One Light Modern Rock RadioJan-13 6 3 Doors Down When I'm Gone Hitz Radio Issue 31 2 3 Doors Down Feat.
    [Show full text]
  • Complete Band and Panel Listings Inside!
    THE STROKES FOUR TET NEW MUSIC REPORT ESSENTIAL October 15, 2001 www.cmj.com DILATED PEOPLES LE TIGRE CMJ MUSIC MARATHON ’01 OFFICIALGUIDE FEATURING PERFORMANCES BY: Bis•Clem Snide•Clinic•Firewater•Girls Against Boys•Jonathan Richman•Karl Denson•Karsh Kale•L.A. Symphony•Laura Cantrell•Mink Lungs• Murder City Devils•Peaches•Rustic Overtones•X-ecutioners and hundreds more! GUEST SPEAKER: Billy Martin (Medeski Martin And Wood) COMPLETE D PANEL PANELISTS INCLUDE: BAND AN Lee Ranaldo/Sonic Youth•Gigi•DJ EvilDee/Beatminerz• GS INSIDE! DJ Zeph•Rebecca Rankin/VH-1•Scott Hardkiss/God Within LISTIN ININ STORESSTORES TUESDAY,TUESDAY, SEPTEMBERSEPTEMBER 4.4. SYSTEM OF A DOWN AND SLIPKNOT CO-HEADLINING “THE PLEDGE OF ALLEGIANCE TOUR” BEGINNING SEPTEMBER 14, 2001 SEE WEBSITE FOR DETAILS CONTACT: STEVE THEO COLUMBIA RECORDS 212-833-7329 [email protected] PRODUCED BY RICK RUBIN AND DARON MALAKIAN CO-PRODUCED BY SERJ TANKIAN MANAGEMENT: VELVET HAMMER MANAGEMENT, DAVID BENVENISTE "COLUMBIA" AND W REG. U.S. PAT. & TM. OFF. MARCA REGISTRADA./Ꭿ 2001 SONY MUSIC ENTERTAINMENT INC./ Ꭿ 2001 THE AMERICAN RECORDING COMPANY, LLC. WWW.SYSTEMOFADOWN.COM 10/15/2001 Issue 735 • Vol 69 • No 5 CMJ MUSIC MARATHON 2001 39 Festival Guide Thousands of music professionals, artists and fans converge on New York City every year for CMJ Music Marathon to celebrate today's music and chart its future. In addition to keynote speaker Billy Martin and an exhibition area with a live performance stage, the event features dozens of panels covering topics affecting all corners of the music industry. Here’s our complete guide to all the convention’s featured events, including College Day, listings of panels by 24 topic, day and nighttime performances, guest speakers, exhibitors, Filmfest screenings, hotel and subway maps, venue listings, band descriptions — everything you need to make the most of your time in the Big Apple.
    [Show full text]
  • Ev Song Capsules
    THE WEATHERMAN LP – SONG CAPSULES "I KNOW" "Go out on my own, something that I gotta do" It’s never easy to start from scratch. I knew this would be the 1st song on my album when I made it early in the recording process. "If you build it they will come"-Field Of Dreams "MR SLOW FLOW" My first single…I really wasn’t trying to fit in when I made this song. Being fresh off Capitol Records where they were trying to mold Dilated Peoples into Pop hit makers, this is my “Fuck You” record. Real dark, clever wordplay and heavy cuts. Basically the original energy of what people were attracted to me for in the first place. Back to square one. "Party Time, Excellent!" -Wayne Cambell "LETYOURSELFGO" feat THE ALCHEMIST & PHONTE This was supposed to be for The Alchemist & Evidence Album (A&E) coming next year. This is one of Al's best beats to date. (Bold statement) My verse is really about starting all over in life and letting myself go, hence the title was born. I just came off tour with Little Brother and had learned that Phonte could really sing, so we sent him the song hoping he would write a hook of that nature, when we got it back it was completely different than we imagined, but was crazy fresh. "It’s A Keeper" -Fat Bastard, Austin Powers "DOWN IN NEW YORK CITY" This is my version of Notorious B.I.G.'s, "Going Back To Cali" I’m born and raised in L.A.
    [Show full text]
  • A History of Hip Hop in Halifax: 1985 - 1998
    HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998 by Michael McGuire Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia August 2011 © Copyright by Michael McGuire, 2011 DALHOUSIE UNIVERSITY DEPARTMENT OF HISTORY The undersigned hereby certify that they have read and recommend to the Faculty of Graduate Studies for acceptance a thesis entitled “HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998” by Michael McGuire in partial fulfilment of the requirements for the degree of Master of Arts. Dated: August 18, 2011 Supervisor: _________________________________ Readers: _________________________________ _________________________________ ii DALHOUSIE UNIVERSITY DATE: August 18, 2011 AUTHOR: Michael McGuire TITLE: How the East Coast Rocks: A History Of Hip Hop In Halifax: 1985 - 1998 DEPARTMENT OR SCHOOL: Department of History DEGREE: MA CONVOCATION: October YEAR: 2011 Permission is herewith granted to Dalhousie University to circulate and to have copied for non-commercial purposes, at its discretion, the above title upon the request of individuals or institutions. I understand that my thesis will be electronically available to the public. The author reserves other publication rights, and neither the thesis nor extensive extracts from it may be printed or otherwise reproduced without the author’s written permission. The author attests that permission has been obtained for the use of any copyrighted material appearing in the
    [Show full text]
  • Worldradiohistory.Com › Archive-Billboard › 90S › 1990 › BB
    IN THIS ISSUE # t% * ***-x*;: *3- DIGIT 908 006817973 4401 9013 MAR92QGZ PolyGram Has `Fine' MONJTY GREENLY APT A Future In U.S., Says 3740 ELM LONG BEACH CA 90807 Label's Global Chief PAGE 6 Simmons Links Rush Labels With Columbia PAGE 6 R THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT March 31, 1990/$4.50 (U.S.), $5.50 (CAN.), £3.50 (U.K.) Newest Sell -Thru Megahit Pubs, Writers On Lyric Sidelines A `Honey' In Sales, Rentals Trade Groups Won't Fight Labeling Bills vol- BY EARL PAIGE disers because it's a family movie. BY BILL HOLLAND feels the industry needs to take We also see it promising as a gift Tennessee Stickering Bill Appears untary self-regulation more serious- LOS ANGELES -The Buena Vista item." WASHINGTON, D.C. -The leading To Have Fizzled Out ... See Page 5 ly. Home Video release "Honey, I Video buyer Gail Reed at 54 -store associations of music publishers and "NMPA has no position on this as Shrunk The Kids," the last of three Spec's Music in Miami says, "Every songwriters have decided not to join ers and writers, have joined the re- yet," Murphy says. "While no one is for a moment there shouldn't closely watched early -1990 sell - piece rented." In terms of sales, the music industry fight against the cently formed Coalition Against Lyr- saying through blockbusters, jumped out though, she says the Disney comedy passage of state record-labeling bills ics Legislation. be First Amendment protection, free of the box with solid showings in is running "100 pieces" behind at this time.
    [Show full text]
  • “Northern Touch” - the Rascals
    “Northern Touch” - The Rascals [Hook: Kardinal Offishall] Yo... We notorious; ain't nobody can bang with us Rascalz, Checkmate, Kardinal and Thrust Choclair coming down with that Northern touch, yo... Why you people wanna bang with us Ain't nobody can hang with us Rascals, Checkmate, Kardinal and Thrust Choclair coming down with the Northern touch Tiggy touch, biggie baby... [Verse 1: Rascalz] Check the lingo we spread through the atmosphere So distinctive no other style comes near So when you hear you've got to peer over the ledge to get a glance To know who is the man with the talents Flipping my words like my body on the apparatus Sky's the limit so I'm bound to break through the stratus With these rhymes that are classics Forget the fads and the fashions Step in and make on the microphone Aiyo world domination is the base of foundation No time wasting Fire walk we trail blazing Burn to the next destination Flexing on this world exploration Teamed with the best in the nation Yes and who that be Custom design fine rhymes into salary All the way from t-dot to the van city all stars Rude boys freak you like a fantasy Word up... [Interlude: Choclair] Yes from the northwest And the t-dot, o-dizot check [Verse 2: Choclair] I like chillin, Monday Night Raw watching Me and Dan-E-O at the SkyDome when it's in town My peoples know I just be regular So haters start dissin But steady reciting my lyrics All with my dick in they mouth They swallowin Talking bout they need oxygen People need to know Choclair Don't move in no slow-mo Into women like
    [Show full text]
  • Inferring Theme and Decoding Figurative Language in Hip
    Northside Hip Hop Archive Curriculum Resource Guide: English, Grade 10, Academic/Applied (ENG2D/P) – Lesson 3 Lesson Title The Message: Inferring Theme and Decoding Figurative Language in Hip Hop Expectations: Learning Goals Assessment Make inferences about Lyrical Spotlight MEDIA: Interpreting Messages 1.2 interpret media texts, including theme increasingly complex texts, identifying and explaining the overt and Identify and explain Analyze the Bars implied messages they convey metaphor and simile Materials Audio: k-os’ “ELEctrik HeaT - the SeekwiLL” MEDIA: Critical Literacy 1.5 identify the perspectives and/or biases Handout: k-os’ “ELEctrik HeaT - the SeekwiLL” lyrics evident in media texts, including increasingly complex texts, and Highlighters comment on any questions they may raise about beliefs, values, identity Summative Task: Lyrical Spotlight Reflection: Look Back exit slips LCD Projector, Laptop and Internet access READING: Extending Understanding of Texts 1.5 extend understanding of both simple and complex texts by making connections between the ideas in them and personal knowledge, experience, and insights; other texts; and the world around them Analyze the Bars Assessment The teacher briefly reviews the concept of metaphor and simile. The teacher discusses the Opportunities idea of theme as a human understanding that emerges from a text, explaining how song content and style supports this understanding. Students listen to the song “ELEctrik HeaT Assessment - the SeekwiLL” by k-Os (www.nshharchive.ca/curriculum/english.html). They examine a FOR Minds OnMinds written copy of the lyrics in small groups. Using highlighters, they look for metaphors, Learning: Time: 20 similes and rhyme. Each group chooses an example of figurative language and writes it on Group lyrics chart paper/the board for all to read.
    [Show full text]
  • “The Mic Is My Piece”: Canadian Rap, the Gendered “Cool Pose,” and Music Industry Racialization and Regulation Francesca D’Amico
    Document generated on 09/26/2021 3:33 p.m. Journal of the Canadian Historical Association Revue de la Société historique du Canada “The Mic Is My Piece”: Canadian Rap, the Gendered “Cool Pose,” and Music Industry Racialization and Regulation Francesca D’Amico Volume 26, Number 1, 2015 Article abstract Over the course of the 1980s and 1990s, Black Canadian Rap artists, many of URI: https://id.erudit.org/iderudit/1037204ar whom are the children of Caribbean-born immigrants to Canada, employed the DOI: https://doi.org/10.7202/1037204ar hyper-racialized and hyper-gendered “Cool Pose” as oppositional politics to intervene in a conversation about citizenship, space, and anti-blackness. See table of contents Drawing from local and trans-local imaginings and practices, Black Canadian rappers created counter-narratives intended to confront their own sense of exclusion from a nation that has consistently imagined itself as White and Publisher(s) rendered the Black presence hyper-(in)visible. Despite a nationwide policy of sameness (multiculturalism), Black Canadian musicians have used Rap as a The Canadian Historical Association / La Société historique du Canada discursive and dialogical space to disrupt the project of Black Canadian erasure from the national imagination. These efforts provided Black youth with the ISSN critically important platform to critique the limitations of multiculturalism, write Black Canadian stories into the larger framework of the nation state, and 0847-4478 (print) remind audiences of the deeply masculinized and racialized nature of 1712-6274 (digital) Canadian iconography. And yet, even as they engaged in these oppositional politics, rappers have consistently encountered exclusionary practices at the Explore this journal hands of the state that have made it increasingly difficult to sustain a Black music infrastructure and spotlight Canadian Rap’s political and cultural intervention.
    [Show full text]