South-North Griots Summit Program of Activities
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Telling Our Stories Our Way
Telling Our Stories Our Way A guide to good Canadian materials for women learning to read Telling Our Stories Our Way A guide to good Canadian materials for women learning to read Prepared by the CCLOW Literacy Materials for Women Project Working Group Canadian Congress for Learning Opportunities for Women © 1990 Canadian Congress for Learning Opportunities for Women, 47 Main Street, Toronto, Ontario, M4E 2V6 Canadian Cataloguing in Publication Data Main entry under title: Telling our stories our way: a guide to good Canadian materials for women learning to read ISBN 0-921283-08-3 1. Readers for new literates - Book reviews. 2. Readers for new literates- Bibliography. 3. Women - Books and reading. 4. Canadian literature (English) - Women authors - Books reviews.* 5. Canadian literature (English) - Women authors - Bibliography.* 6. Women - Canada - Book reviews. 7. Women - Canada - Bibliography. I. CCLOW Literacy Materials for Women Working Group. Z1039.N47T45 1990 016.4286'2 C90-095336-5 Co-ordinating editor: Linda Sheppard Cover illustration: Trudy Binder Cover design: Higdon/Ormsby Design Associates Inside design and layout: Wise Women Publishing/Debbie Wise Harris Copy editing and proof reading: Sharon Rosenberg CCLOW acknowledges and thanks the Ontario Ministry of Citizenship and Culture, and the National Literacy Secretariat, Secretary of State, Canada for their financial contributions towards the production of this guide. The views expressed in this guide do not necessarily reflect those of the funders. ISBN 0-921283-08-3 ACKNOWLEDGMENTS CCLOW thanks the members of the project working group for their creative and thoughtful work in putting together this guide. Volunteer members of the group were Evelyn Battell, Elaine Gaber-Katz, Betty Ann Lloyd, and Vivian Stollmeyer. -
Make It Right Foundation
5/12/12 Voodoo Music Experience Rehage Entertainment Tapped as Producers of “A Night to Make It Right” Benefit For Brad Pitt’s Make It Right Foundation Rehage Entertainment (RE:), one of the nation’s leading independent live events company and creator of New Orleans’ acclaimed Voodoo Experience, will once again join forces with Brad Pitt’s Make It Right Foundation by producing “A Night to Make It Right” fundraiser. The Saturday, March 10 New Orleans benefit gala will raise vital funds for the completion of 150 environmentally friendly homes in the city’s Lower Ninth Ward. In 2007, REHAGE ENTERTAINMENT produced The Pink House Project with Pitt and production designer Stefan Beese, a collaboration which resulted in a D&AD Yellow Pencil Award for Best Environmental Design/Installation. While working on the project, Beese fell in love with New Orleans and has since moved his family there where he and REHAGE ENTERTAINMENT founder and New Orleans native Stephen Rehage started the award-winning RE:BE Design firm. “A Night to Make It Right”, presented by Hyatt Regency New Orleans, will include political leaders, philanthropists, artists and entertainers. Ellen DeGeneres will host the event, which features a dinner celebrating the finest culinary traditions of New Orleans and performances by Rihanna, Sheryl Crow and local critically acclaimed artists The Preservation Hall Jazz Band, Irvin Mayfield and Soul Rebels. The after party, hosted by comedian Aziz Anzari, will feature performances by Kanye West, Seal and others. “A Night to Make It Right” marks the latest event for the New Orleans/New York/Los Angeles-based REHAGE ENTERTAINMENT. -
Essencefest Sponsored By: Essence '08 Highlighted by New Stage, Familiar Acts Published: Tuesday, July 08, 2008, 5:00 AM Updated: Thursday, April 09, 2009, 8:03 PM
Sign in 70 Search Register for free Greater New ° 5-day | Hurricane Orleans Center Brought to NEWS BUSINESS SPORTS H.S. SPORTS ENTERTAINMENT LIVING y ou by : JOBS AUTOS REAL ESTATE RENTALS CLASSIFIEDS OBITUARIES FIND N SAVE LOCAL BUSINESSES Top Jazz Fest: A-to-Z music 2012 spring dining Today's Top Stories Stories reviews guide Home > Keith Spera > Essencefest Sponsored By: Essence '08 highlighted by new stage, familiar acts Published: Tuesday, July 08, 2008, 5:00 AM Updated: Thursday, April 09, 2009, 8:03 PM By Maria C. Montoya, The Times-Picayune Follow Recommend Sign Up to see what your friends recommend. 22 Share Tweet 0 Email Print 0 A dazzling stage worthy of Times Square announced the Essence Music Festival's new era Friday in the Superdome. Gone were the old Essence logo, curtain and gauzy decor, replaced by flashing vertical and horizontal LED screens and local DJ Soul Sister spinning old-school vinyl between acts. The main stage face-lift was the most obvious change More Keith Spera instituted by the new regime at Essence Communications led by president Michelle Ebanks and a new festival producer, Most Comments Most Recent Rehage Entertainment. Elsewhere, Essence felt very much like Keith Spera stories with the most Essence, from the rainbow hue of fabrics worn by the sharply comments in the last 7 days. dressed crowd to the smell of deep-fried soul food in the superlounges. Michael Democker/ The Notes from Essence '08: Times-Picayune One highlight of the Essence Music Festival's revamped main stage was Rap is infinitely more compelling onstage when it involves local DJ Soul Sister spinning old-school a live band. -
LORIMER - CAT - F18.Pdf
CoNTENTS NEW TITLES NEW chILDREN & TEEN TITLES Public Betrayal, Justice Denied ..........................................3 50 Things to see With a Telescope .................................14 Oil and World Politics ........................................................4 My River .........................................................................16 The Big Stall ......................................................................5 Worthy of Love ..............................................................17 Poor No More ...................................................................6 Righting Canada’s Wrongs: Africville............................... 18 Mining Country .................................................................7 Empty Net ..................................................................... 20 Oil’s Deep State (new edition) ...........................................8 Called Up .......................................................................21 Beyond Shelters ................................................................9 Tough Call .....................................................................22 The Age of Increasing Inequality (previously announced) 10 Breaking Through ..........................................................23 Getting to Zero (previously announced) ..........................11 Push Back ......................................................................24 The Creative City of Saint John 1867-1967 ......................12 Cold Grab ......................................................................25 -
Jae Blaze CREATIVE DIRECTOR/CHOREOGRAPHER
Jae Blaze CREATIVE DIRECTOR/CHOREOGRAPHER ____________________________________________________________________________________________________ AWARDS/NOMINATIONS MTV Hip Hop Video - Black Eyed Peas “My Humps” MTV Best New Artist in a Vide - Sean Paul “Get Busy” (Nominee) TELEVISION/FILM King Of The Dancehall (Creative Director) Dir. Nick Cannon American Girl: Saige Paints The Sky Dir. Vince Marcello/Martin Chase Prod. American Girl: Alberta Dir. Vince Marcello Sparkle (Co-Chor.) Dir. Salim Akil En Vogue: An En Vogue Christmas Dir. Brian K. Roberts/Lifetime Tonight SHow w Gwen Stefani (Co-Chor.) NBC The X Factor (Associate Chor.) FOX Cheetah Girls 3: One World (Co-Chor.) Dir. Paul Hoen/Disney Channel Make It Happen (Co-Chor.) Dir. Darren Grant New York Minute Dir. D. Gorgon American Music Awards w/ Fergie (Artistic Director) ABC/Dick Clark Productions Divas Celebrate Soul (Co-Chor.) VH1 So You Think You Can Dance Canada Season 1-4 CTV Teen Choice Awards w/ Will.I.Am FOX American Idol w/ Jordin Sparks FOX American Idol w/ Will.I.Am FOX Superbowl XLV Halftime Show w/ Black Eyed Peas (Co-Chor.) FOX/NFL Soul Train Awards BET Idol Gives Back w/ Black Eyed Peas (Co-Chor.) FOX Grammy Awards w/ Black Eyed Peas (Co-Chor.) CBS / AEG Ehrlich Ventures NFL Thanksgiving Motown Tribute (Co-Chor.) CBS/NFL American Music Awards w/ Black Eyed Peas (Co-Chor.) ABC/Dick Clark Productions BET Hip Hop Awards (Co-Chor.) BET NFL Kickoff Concert w/ Black Eyed Peas (Co-Chor.) NFL Oprah w/ Black Eyed Peas (Co-Chor.) ABC/Harpo Teen Choice Awards w/ Black Eyed Peas -
RIDING MPP CANDIDATE PARTY Ajax Joe Dickson Liberal Stephen
RIDING MPP CANDIDATE PARTY Ajax Joe Dickson Liberal Stephen Leahy Green Rod Phillips PC Monique Hughes NDP Algoma—Manitoulin Charles Fox Liberal Justin Tilson Green Jib Turner PC Michael Mantha NDP Aurora - Oak Ridges - Richmond Hill Naheed Yaqubian Liberal Stephanie Nicole Duncan Green Michael Parsa PC Katrina Sale NDP Barrie-Innisfil Bonnie North Green Pekka Reinio NDP Andrea Khanjin PC Ann Hoggarth Liberal Barrie-Springwater-Oro-Medonte Keenan Aylwin Green Jeff Kerk Liberal Doug Downey PC Dan Janssen NDP Bay of Quinte Robert Quaiff Liberal Mark Daye Green Todd Smith PC Joanne Belanger NDP Beaches—East York Rima Berns-McGown NDP Arthur Potts Liberal Debra Scott Green Sarah Mallo PC Brampton Centre Safdar Hussain Liberal Laila Zarrabi Yan Green Harjit Jaswal PC Sara Singh NDP Brampton East Dr. Parminder Singh Liberal Raquel Fronte Green Sudeep Verma PC Gurratan Singh NDP Brampton North Harinder Malhi Liberal Pauline Thornham Green Ripudaman Dhillon PC Kevin Yarde NDP Brampton South Sukhwant Thethi Liberal Lindsay Falt Green Prabmeet Sarkaria PC Paramjit Gill NDP Brampton West Vic Dhillon Liberal Julie Guillemet-Ackerman Green Amarjot Sandhu PC Jagroop Singh NDP Brantford - Brant Ruby Toor Liberal Ken Burns Green Will Bouma PC Alex Felsky NDP Bruce—Grey—Owen Sound Elizabeth Marshall Trillium Francesca Dobbyn Liberal Don Marshall Green Karen Gventer NDP Bill Walker PC Burlington Jane McKenna PC Eleanor McMahon Liberal Andrew Drummond NDP Vince Fiorito Green Cambridge Kathryn McGarry Liberal Michele Braniff Green Belinda Karahalios PC Marjorie -
Web of Performance: an Ensemble Workbook
Web of Performance An Ensemble Workbook Edited by Monica Prendergast & Will Weigler UVic Theatre 2018 Web of Performance book.qxp_Web of Performance 2018 book 2018-06-04 6:13 PM Page 3 Web of Performance An Ensemble Workbook Edited by Monica Prendergast & Will Weigler UVic Theatre 2018 Web of Performance book.qxp_Web of Performance 2018 book 2018-06-04 6:13 PM Page 4 Copyright © 2018 by Monica Prendergast, Will Weigler, Robert Birch, This book is released under a Creative Commons Attribution 4.0 Trudy Pauluth-Penner, Sandra Chamberlain-Snider, Kathy Bishop, International (CC BY-NC-SA 4.0) license, except as excluded in the Colleen Clement List of Images. This means that you are free to copy, display, perform, and modify this book, as long as you distribute any Published in Canada by University of Victoria modified work on the same terms. If anyone wants to distribute Victoria, BC V8P 5C2 modified works under other terms you must contact [email protected] [email protected] for permission first. Under this license, anyone who distributes or modifies this book, in whole or in part, should properly attribute Cover image: “Spider Web” by sethink on pixabay.com, CC0. the book as follows: Book design by Rayola Creative Prendergast, M, & Weigler, W. (Eds). Web of performance: An Printed and bound by University of Victoria on 100% post-consumer ensemble workbook. Victoria, BC: University of Victoria. This book is content recycled paper published by the University of Victoria under a CC BY-NC-SA 4. 0 International license. For questions about this book, please contact the Copyright and Scholarly Communications Office, University of Victoria Libraries at [email protected] Download this book for free at: http://dspace.library.uvic.ca/handle/1828/3857 Library and Archives Canada Cataloguing in Publication Web of performance : an ensemble workbook / edited by Monica Prendergast & Will Weigler. -
SPRING 2020 CATALOGUE Recent Accolades
SPRING 2020 CATALOGUE Recent Accolades Winner of The Finalist, Gourmand Shortlisted for the Winner of the Coast: Best of International Lunenburg Bound International Halifax, Silver Culinary Awards Books (LLB) Sports Heritage Award Literary Awards Awards Shortlisted for Winner of Prefectural Shortlisted for Longlisted for Geoffrey Bilson Prize (Japan) the Chocolate International and Hackmatack Lily, Victoria Book Dublin Literary Award Awards Prize, and Geoffrey and nominated for 4 Bilson Awards other awards Shortlisted for the Shortlisted for the Shortlisted for the Rocky Mountain, First Nation Yellow Cedar Award Hackmatack, and Communities READ and Winner of the Alice Kitts Memorial Indigenous Moonbeam Award Awards Literature Award Catalogue front cover illustration courtesy of Briana Corr Scott from The Book of Selkie: A Paper Doll Book (page 15). Catalogue inside front cover illustration courtesy of Chrissie Park-MacNeil from So Imagine Me (page 18). NEW NON-FICTION One Good Reason A Memoir of Addiction and Recovery, Music and Love Séan McCann with Andrea Aragon A powerful memoir from the founder of Great Big Sea, exploring his alcoholism, childhood abuse, and fight to save his marriage, family, and himself In this deeply personal memoir, co-written with wife Andrea Aragon, singer-songwriter and renowned mental health, addiction, and recovery advocate Séan McCann leaves no stone unturned. Detailing, in powerful and lyrical prose, a childhood in Newfoundland indoctrinated in strict Catholic faith, the creation of the wildly successful Great Big Sea, his courtship and early marriage with Aragon, and the battle with alcoholism that nearly cost him everything, McCann offers readers a love story, a memoir of addiction and recovery, of young love and a strained marriage, of reaching international fame and rock bottom. -
RIDING MPP CANDIDATE PARTY E-MAIL ADDRESS Ajax Joe
RIDING MPP CANDIDATE PARTY E-MAIL ADDRESS Ajax Joe Dickson Liberal [email protected] Stephen Leahy Green [email protected] Rod Phillips PC Monique Hughes NDP [email protected] Algoma—Manitoulin Charles Fox Liberal Justin Tilson Green [email protected] Jib Turner PC Michael Mantha NDP [email protected] Aurora - Oak Ridges - Richmond Hill Naheed Yaqubian Liberal [email protected] Stephanie Nicole Duncan Green [email protected] Michael Parsa PC Katrina Sale NDP [email protected] Barrie-Innisfil Bonnie North Green [email protected] Pekka Reinio NDP [email protected] Andrea Khanjin PC [email protected] Ann Hoggarth Liberal [email protected] Barrie-Springwater-Oro-Medonte Keenan Aylwin Green [email protected] Jeff Kerk Liberal [email protected] Doug Downey PC Dan Janssen NDP [email protected] Bay of Quinte Robert Quaiff Liberal [email protected] Mark Daye Green [email protected] Todd Smith PC [email protected] Joanne Belanger NDP [email protected] Beaches—East York Rima Berns-McGown NDP [email protected] Arthur Potts Liberal [email protected] Debra Scott Green [email protected] Sarah Mallo PC [email protected] Brampton Centre Safdar Hussain Liberal [email protected] Laila Zarrabi Yan Green [email protected] Harjit Jaswal PC [email protected] Sara Singh NDP [email protected] Brampton East Dr. Parminder Singh Liberal [email protected] Raquel Fronte Green [email protected] Sudeep Verma PC Gurratan -
Downloaded from Brill.Com09/30/2021 12:12:19AM Via Free Access 106 the AFRICAN-JAMAICAN AESTHETIC and Social Transformation
4 — Gendering Dub Culture Across Diaspora — Jamaican Female Dub Poets in Canada and England FRO-CARIBBEAN WOMEN DUB POETS have long incorporated feminist aesthetics into their work, thereby bringing a unique per- A spective to dub culture. Not surprisingly, then, and following in the tradition of Una Marson and Louise Bennett, the Jamaican Canadian dub poets Afua Cooper, Ahdri Zhina Mandiela, and Lillian Allen all employ an African- Jamaican aesthetic to articulate the social conditions of black women in Africa and the diaspora and to call for opposition to patriarchal systems of oppression and black male dominance in the private sphere. This feminist discourse in dub poetry is particularly highlighted in Canada because Allen, Cooper, and Man- diela have been so instrumental to dub culture in that country. While I focus primarily on these three artists in this chapter, I also include some reflections on the work of Jean ‘Binta’ Breeze1 of the UK to provide a comparative analysis of how these writers utilize local Jamaican cultures to articulate black female experience. While this chapter takes up race, class, and gender by female dub poets, this is not to suggest that earlier (as well as current) Jamaican creative writers have not also worked with these themes. However, it is important to note that, historically, dub poetry has been dominated by a male perspective and has focused thematically on race and class issues. This is a result of dub poetry’s strong black-nationalist and pan-Africanist ties as both philosophies have tended to overlook intersections of gender and race in their framing of political 1 Although ‘Binta’ Breeze often distances herself from dub poetry, I include her work because some of her poems clearly experiment with a dub aesthetic. -
Dub Poetry - Culture of Resistance
DUB POETRY - CULTURE OF RESISTANCE Christian Habekost (Mannheim) It was the great Barbadian poet and literary critic Edward Kamau Brathwaite who wrote in his standard work on the development of a “Creole Society” about the emergence of a distinctive Caribbean culture: Whatever we did that was worthwile had to be blessed by Europe. And yet the folk tradition persisted. The drums beat from the blood, the people danced and spoke their un-English English until our artists, seeking at last to paint themselves, to speak themselves, to sing themselves, returned [...] to the roots, to the soil, to the sources.1 It is dub poetry that incorporates not only these elements of folk tradi tion Brathwaite is talking about, but blends several art forms like music, drama, poetry, literature and performance into one to produce a modern expression of pop culture that has achieved international recognition. Developing out of reggae music, which had already gained an interna tional status since Bob Marley & The Wailers had crossed the borders from 1975 on, dub poetry was able to reach an audience all around the world. The poetry took over the cultural values of the music, the revolu tionary spirit and its militant stance towards society and used the well- established channels reggae had already prepared. Yet even though dub poetry emerged when reggae was in fashion internationally, it still man aged to stay out of the vicious circle of artificial fads and promotional interests of the recording industry. Today, after reggae has returned to the ghettos where it once came from, dub poetry still enjoys international success and an increasing au dience in many countries of the world. -
A History of Hip Hop in Halifax: 1985 - 1998
HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998 by Michael McGuire Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia August 2011 © Copyright by Michael McGuire, 2011 DALHOUSIE UNIVERSITY DEPARTMENT OF HISTORY The undersigned hereby certify that they have read and recommend to the Faculty of Graduate Studies for acceptance a thesis entitled “HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998” by Michael McGuire in partial fulfilment of the requirements for the degree of Master of Arts. Dated: August 18, 2011 Supervisor: _________________________________ Readers: _________________________________ _________________________________ ii DALHOUSIE UNIVERSITY DATE: August 18, 2011 AUTHOR: Michael McGuire TITLE: How the East Coast Rocks: A History Of Hip Hop In Halifax: 1985 - 1998 DEPARTMENT OR SCHOOL: Department of History DEGREE: MA CONVOCATION: October YEAR: 2011 Permission is herewith granted to Dalhousie University to circulate and to have copied for non-commercial purposes, at its discretion, the above title upon the request of individuals or institutions. I understand that my thesis will be electronically available to the public. The author reserves other publication rights, and neither the thesis nor extensive extracts from it may be printed or otherwise reproduced without the author’s written permission. The author attests that permission has been obtained for the use of any copyrighted material appearing in the