DEPARTMENT of ENGLISH NEWSLETTER Fall 2015

Total Page:16

File Type:pdf, Size:1020Kb

DEPARTMENT of ENGLISH NEWSLETTER Fall 2015 DEPARTMENT OF ENGLISH NEWSLETTER Fall 2015 Standing-room only at the celebration of 150 years of Dalhousie’s Department of English. TRADITIONS AND COLLECTIVE TALENTS: THE DEPARTMENT OF ENGLISH AT 150 Table of Contents Introduction 1 Dalhousie’s Department of English turns 150 years ourselves looking both 1878 Convocation young this year! The theme of this installment of our backward and forward, to Address 3 newsletter, “Traditions and Collective Talents,” is echo Utopian writer therefore less homage to T. S. Eliot’s famous essay Edward Bellamy, as we 1869 English Exam 5 than a celebration of our department’s history and its celebrate our Recent Events 6 future. I’m not usually one to quote Eliot at length, sesquicentennial and make but his meditation on tradition seems appropriate to plans for our immediate Creative Writing 7 this event. He writes, “if the only form of tradition, of and more distant futures. Wayzgoose 8 handing down, consisted in following the ways of the The main celebration of immediate generation before us in a … timid 2015-16 Speakers Series 9 our anniversary took place adherence to its successes, ‘tradition’ should positively during Dalhousie’s Special Anniversary Essay, be discouraged.” by Sharon Hamilton 10 homecoming. Faculty Eliot’s intent is debatable, but his essay seems to insist members, alumni, Contributors 20 both on a very limited notion of the literary canon, administrators, and and on the necessity of a narrowly aesthetic or current undergraduate and formalist critical approach to poetry (both of which, it graduate students gathered turns out, somehow led to an appreciation of poetry a at the university faculty club for an afternoon of lot like Eliot’s own—odd coincidence, that). But, still, performances and conversations that gestured to the the sentiment of this one line echoes in the past only to set the stage for the future. department’s hallways these days. We’ve found 2 The ceremonies were officiated by Dr. Melissa Furrow, Diepeveen announced that the department was who quizzed a few faculty members using an exam establishing a bursary for Indigenous and Black from 1869 (see page 5). Drs. Bruce Greenfield and Canadian students, to be funded through continuing Leonard Diepeveen were granted passing—but not donations by department members. stellar—marks on a few questions, while yours truly From the reflection on the department’s earliest days, attempted to skip the test altogether. we then turned to a more This cruel examination was followed by two readings nuanced remembrance of our that showed both the continuing traditions of the many traditions. Our new department and those that have hopefully been colleague, Shauntay Grant (right; relegated to the past, as well as some gestures to a see page 7), performed a better future. Both readings were of material written musical spoken word piece, by James DeMille, arguably the first English professor “Back In The Day,” that at Dalhousie, and a noted writer (and the person who explored nostalgia in all its many wrote the exam). The first consisted of Dr. William complexities. This moment Barker reading a portion of a convocation speech signaled the celebration’s delivered by DeMille in 1878 (below; see pages 3-4 for movement from tradition to the a selection from the address). future, when we turned to the announcement of the winners of our student contest on “Evolving English”: winners included Mady Gillespie, Jade Nauss, and Courtney Sharpe. Congratulations all! (You can read more about the prizes and the event in the Dalhousie Gazette.) While the celebration of our 150th year may come at another moment when we echo DeMille’s fears regarding the general support for the humanities both within and outside of our university, it is refreshing to In this address, we see many of the traditions that see how we are moving forward, and how both the continue in the Department of English today: a department and English studies as a whole are recognition of the intersections between the constantly developing, in large part due to our many humanities and the natural sciences; an insistence on critical appraisals of the past. the importance of literary and cultural analysis to the development of an engaged citizenry; and, of course, a This issue of the newsletter attempts to further those lament for the lack of financial support offered to the discussions by looking to the department’s collective department and the university as a whole. The second strength, built on the foundation of our individual and was a more jarring reading: a poem by DeMille that he group accomplishments. Below, you’ll learn about the intended, one suspects, to invoke humour by twisting successes of our students, faculty, and alumni in the settler-Canadians’ tongues in a rhyming rehearsal of English and the Creative Writing programs. We end both extant and reworked or fictional Indigenous with a special essay written by Sharon Hamilton for place names. When transformed into a contemporary this newsletter. In it, she explores two generations of reading, it becomes, one hopes, a call for a recognition Dalhousie graduates, recalling the best of our past 150 of the need for reconciliation and respect. This call years and invoking the hopes for our next. was echoed at the conclusion of the event when Len —Jason Haslam 3 JAMES DEMILLE, 1878 CONVOCATION ADDRESS James DeMill (also spelled DeMille) began his career at itself. … In some quarters the character and aim of Dalhousie in the fall of 1865 as Professor of Rhetoric and our College are not apprehended. History. It is from his instruction in rhetoric that the Department of English takes its foundation. On November 13, What is Dalhousie College, really? I have sometimes 1878, Professor DeMill addressed the Convocation of suspected that this misapprehension of our character Dalhousie College. At this event, at 3 o’clock precisely, the is after all due to its many-sidedness, for if on the one students having taken their seats, in came Chancellor Hill and hand people find it difficult to understand what we are, Vice Chancellor Stairs of the University of Halifax, His on the other hand they may perhaps find it equally Honour Lieutenant Governor Archibald, the Principal of the difficult to understand what we are not. College, and Hon. Sir William Young, Chief Justice. After a At the present day, the question regarding [our] prayer from the Principal, the Very Reverend Ross, Professor education is somewhat perplexing; although formerly DeMill read the inaugural address. He spoke for 55 minutes. it was easy enough, for it answered itself. … [But Professor William Barker, who read this speech to the times have changed.] Never in the history of the world department at our 150th birthday party, managed to get the has there been anything more triumphant than the speech down to 5 minutes, though there were about 55 people at march of natural science into the domain of human the event (approximately the size of Dalhousie back in 1878 – knowledge. It has opened up the unknown; it has a year before it staved off financial ruin thanks to donations brought in its train inventions and discoveries without from George Munro). number. What follows is the much reduced and somewhat modified [We have therefore reached a crossroads] – of the old version of DeMill’s address; the full address is available online learning and the new learning. on DalSpace, in the Dalhousie Gazette of 23 November and 7 December, 1878 (it was spread over two issues because it The advocates of the old learning contend that it was too long to fit in one). The portion of the excerpt read by concerns the higher use, rather than the lower utility. Dr. Barker appears below. If you tell them that the first question of every man is – how shall I get a living? they reply that man cannot Mr Chairman, Ladies and Gentlemen, live by bread alone. … Our old learning cannot help The present session has opened under encouraging you to grow rich. There is no money in it. But we circumstances. Since the last convocation, various claim that it will make your life (once granted that changes have been made which we hope will add to bread and butter) broader, deeper. the efficiency of the College. The department of In a liberal education there are two great ends – first, Physics has been enlarged by the establishment of a discipline, and second, culture. Those who advocate regular course of study, looking toward a degree in the old learning uphold the study of mathematics not Science, which shall be relatively as valuable as a because it is good for calculations in trade, in degree in Arts. navigation, in engineering, but for its own good; … I In the cities of Europe and America the presence of a study Greek, says an advocate of the old learning, University is a mark of distinction, regarded by its because it is not of particular utility. possessors with gratified pride, and by their But the advocates of the new learning prize utility. The neighbours with a certain respectful envy. In Halifax, immense importance of the physical sciences cannot however, the existence of this University is not a thing be exaggerated. over which the city is in the habit of greatly feliciting 4 [Must we then make a choice between the old learning Let me end with this question. What are the benefits of and the new?] Can we not recognize the good that is a liberal education? It is beneficial in two ways, first to in each? A true education may be given in more ways the individual, and second to the nation.
Recommended publications
  • LORIMER - CAT - F18.Pdf
    CoNTENTS NEW TITLES NEW chILDREN & TEEN TITLES Public Betrayal, Justice Denied ..........................................3 50 Things to see With a Telescope .................................14 Oil and World Politics ........................................................4 My River .........................................................................16 The Big Stall ......................................................................5 Worthy of Love ..............................................................17 Poor No More ...................................................................6 Righting Canada’s Wrongs: Africville............................... 18 Mining Country .................................................................7 Empty Net ..................................................................... 20 Oil’s Deep State (new edition) ...........................................8 Called Up .......................................................................21 Beyond Shelters ................................................................9 Tough Call .....................................................................22 The Age of Increasing Inequality (previously announced) 10 Breaking Through ..........................................................23 Getting to Zero (previously announced) ..........................11 Push Back ......................................................................24 The Creative City of Saint John 1867-1967 ......................12 Cold Grab ......................................................................25
    [Show full text]
  • Web of Performance: an Ensemble Workbook
    Web of Performance An Ensemble Workbook Edited by Monica Prendergast & Will Weigler UVic Theatre 2018 Web of Performance book.qxp_Web of Performance 2018 book 2018-06-04 6:13 PM Page 3 Web of Performance An Ensemble Workbook Edited by Monica Prendergast & Will Weigler UVic Theatre 2018 Web of Performance book.qxp_Web of Performance 2018 book 2018-06-04 6:13 PM Page 4 Copyright © 2018 by Monica Prendergast, Will Weigler, Robert Birch, This book is released under a Creative Commons Attribution 4.0 Trudy Pauluth-Penner, Sandra Chamberlain-Snider, Kathy Bishop, International (CC BY-NC-SA 4.0) license, except as excluded in the Colleen Clement List of Images. This means that you are free to copy, display, perform, and modify this book, as long as you distribute any Published in Canada by University of Victoria modified work on the same terms. If anyone wants to distribute Victoria, BC V8P 5C2 modified works under other terms you must contact [email protected] [email protected] for permission first. Under this license, anyone who distributes or modifies this book, in whole or in part, should properly attribute Cover image: “Spider Web” by sethink on pixabay.com, CC0. the book as follows: Book design by Rayola Creative Prendergast, M, & Weigler, W. (Eds). Web of performance: An Printed and bound by University of Victoria on 100% post-consumer ensemble workbook. Victoria, BC: University of Victoria. This book is content recycled paper published by the University of Victoria under a CC BY-NC-SA 4. 0 International license. For questions about this book, please contact the Copyright and Scholarly Communications Office, University of Victoria Libraries at [email protected] Download this book for free at: http://dspace.library.uvic.ca/handle/1828/3857 Library and Archives Canada Cataloguing in Publication Web of performance : an ensemble workbook / edited by Monica Prendergast & Will Weigler.
    [Show full text]
  • SPRING 2020 CATALOGUE Recent Accolades
    SPRING 2020 CATALOGUE Recent Accolades Winner of The Finalist, Gourmand Shortlisted for the Winner of the Coast: Best of International Lunenburg Bound International Halifax, Silver Culinary Awards Books (LLB) Sports Heritage Award Literary Awards Awards Shortlisted for Winner of Prefectural Shortlisted for Longlisted for Geoffrey Bilson Prize (Japan) the Chocolate International and Hackmatack Lily, Victoria Book Dublin Literary Award Awards Prize, and Geoffrey and nominated for 4 Bilson Awards other awards Shortlisted for the Shortlisted for the Shortlisted for the Rocky Mountain, First Nation Yellow Cedar Award Hackmatack, and Communities READ and Winner of the Alice Kitts Memorial Indigenous Moonbeam Award Awards Literature Award Catalogue front cover illustration courtesy of Briana Corr Scott from The Book of Selkie: A Paper Doll Book (page 15). Catalogue inside front cover illustration courtesy of Chrissie Park-MacNeil from So Imagine Me (page 18). NEW NON-FICTION One Good Reason A Memoir of Addiction and Recovery, Music and Love Séan McCann with Andrea Aragon A powerful memoir from the founder of Great Big Sea, exploring his alcoholism, childhood abuse, and fight to save his marriage, family, and himself In this deeply personal memoir, co-written with wife Andrea Aragon, singer-songwriter and renowned mental health, addiction, and recovery advocate Séan McCann leaves no stone unturned. Detailing, in powerful and lyrical prose, a childhood in Newfoundland indoctrinated in strict Catholic faith, the creation of the wildly successful Great Big Sea, his courtship and early marriage with Aragon, and the battle with alcoholism that nearly cost him everything, McCann offers readers a love story, a memoir of addiction and recovery, of young love and a strained marriage, of reaching international fame and rock bottom.
    [Show full text]
  • Children's Literature & Childhood Studies, 23Rd Biennial Congress In
    Contents Welcome from the IRSCL President...............................2 Welcome from the 2017 Convenors...............................3 Program Schedule.........................................................4 Saturday, July 29......................................................................................4 Sunday, July 30........................................................................................5 Monday, July 31........................................................................................6 Monday Afternoon Excursions . ................................................................6 Tuesday, August 1....................................................................................8 Wednesday, August 2................................................................................9 Concurrent Papers - SESSION 1 . ...........................................................10 Concurrent Papers - SESSION 2 . .........................................................12 Concurrent Papers - SESSION 3 . .........................................................14 Concurrent Papers - SESSION 4 . .........................................................16 Concurrent Papers - SESSION 5 . .........................................................18 Concurrent Papers - SESSION 6 . .........................................................20 Concurrent Papers - SESSION 7 . .........................................................22 Useful Information......................................................24 Maps.....................................................................................................24
    [Show full text]
  • DÉPARTEMENT DES LETTRES ET COMMUNICATIONS Faculté Des
    DÉPARTEMENT DES LETTRES ET COMMUNICATIONS Faculté des lettres et sciences humaines Université de Sherbrooke VISAGES DU SLAM AU QUÉBEC HISTOIRE ET ACTUALISATIONS D'UN MOUVEMENT POÉTIQUE ET SOCIAL EN ÉMERGENCE par SOPHIE JEUKENS Bachelière ès arts (études littéraires et culturelles) Mémoire présenté en vue d'obtenir LA MAÎTRISE ÈS ARTS (ÉTUDES FRANÇAISES) Sherbrooke Janvier 2011 J. li'o i Library and Archives Bibliothèque et Canada Archives Canada Published Héritage Direction du Branch Patrimoine de l'édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-88900-8 Our file Notre référence ISBN: 978-0-494-88900-8 NOTICE: AVIS: The author has granted a non- L'auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l'Internet, prêter, télécommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distrbute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriété du droit d'auteur ownership and moral rights in this et des droits moraux qui protégé cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • SPEAK up OTTAWA! the Canadian Festival of Spoken Word Returns to the Capital
    Contact: Jessica Ruano |CFSW 2010 Ottawa The Canadian Festival of Spoken Word 613 286 9373| [email protected] for more information: www.cfsw.ca SPEAK UP OTTAWA! The Canadian Festival of Spoken Word returns to the capital The Canadian Festival of Spoken Word (CFSW 2010 Ottawa www.cfsw.ca) returns to the capital for the first time since its inception in 2004 with the largest slam-focused spoken word event in Canadian history. From October 12 to 16, 2010, Ottawa will be treated to a wide-ranging display of Canadian slam poetry and spoken word featuring over 100 of the best spoken word poets from 15 communities across Canada. Capital Slam: John Akpata, PrufRock, Chris Tse, OpenSecret, Brandon Wint Over the course of five nights, 18 teams participate in highly competitive poetry slams that will determine this year‟s Canadian Slam Champions. Home of the defending champions, Ottawa has two teams – Capital Slam and Urban Legends – attempting to keep the title in the capital this year. CFSW 2010 Ottawa features some of the biggest names in spoken word, most notably Dwayne Morgan with Toronto‟s Up From the Roots, Truth Is... with the Burlington Slam, RC Weslowski from Vancouver, El Jones from Halifax, and John Akpata on Ottawa‟s Capital Slam team. CFSW 2010 Ottawa opens with a Francophone Showcase featuring Outaouais poet Marjolaine Beauchamp and closes with performances by the festival‟s Poets of Honour Anthony Bansfield a.k.a. Truth Is... „the nth digri‟ and Shauntay Grant. Contact: Jessica Ruano |CFSW 2010 Ottawa The Canadian Festival of Spoken Word 613 286 9373| [email protected] for more information: www.cfsw.ca CFSW 2010 Ottawa‟s Daytime Programming is entirely FREE! Poets and poetry enthusiasts are welcome to attend workshops and panel discussions on poetry writing, spoken word in schools, and connecting with other arts organizations.
    [Show full text]
  • Festival Program a C
    FESTIVAL PROGRAM A C . W S F C Discover CFSW 2019 The theme 'Discovery' speaks to 'The Story Within Us.'. Through programming selections, the festival invites patrons and artists alike to explore their lives and personal stories with a fresh perspective, shedding light on intricacies, uniqueness, and seemingly undiscovered elements. The theme Discovery will also engage with 'the curious' by presenting a wide range of spoken word forms. CFSW is most known for the highly stylistic spoken word poetry that is common in poetry slam competitions. This edition will highlight spoken word in its various expressions including, but not limited to, storytelling, comedy, theatre and lyric. The Land We're Gathered On Guelph is located on the ancestral lands of the Attawandaron people and the treaty lands and territory of the Mississaugas of the Credit First Nation and Dish With One Spoon territory. We acknowledge our neighbours, the Haudenosaunee and the Indigenous peoples of many different nations that live in Guelph. As we embark, celebrate and enjoy the art form of spoken word at CFSW we invite you to hear the festival in the context of colonialism, with consideration for the stories that are absent and the need for reconciliation with Indigenous nations and people. Thank You To Our Funders! Accessibility Legend For detailed venue accessibility information, please visit cfsw.ca/about/accessibility. For general information and a breakdown by event, please refer to the accessibility legend below. 1.Barrier-free entry 2.Barrier-free stage access 3.Physically accessible bathroom 4.Gender neutral bathrooms 5.All ages 6.Dry/sober event Sunday, October 13 CFSW Meet & Greet 6:30pm @ Sip Club Join poets, artists, organizers and volunteers to celebrate the start of the 16th annual Canadian Festival of Spoken Word! A: 1/3/4/5 By donation Last Chance Slam 8pm @ Sip Club Not on a competing slam team this year? This is your LAST CHANCE to join a team for the 2019 National Poetry Slam Tournament at CFSW! Top four slam poets make the Wild Card Team and compete in the official competition.
    [Show full text]
  • Department of English's Fall 2015 Newsletter
    DEPARTMENT OF ENGLISH NEWSLETTER Fall 2015 Standing-room only at the celebration of 150 years of Dalhousie’s Department of English. TRADITIONS AND COLLECTIVE TALENTS: THE DEPARTMENT OF ENGLISH AT 150 Table of Contents Introduction 1 Dalhousie’s Department of English turns 150 years ourselves looking both 1878 Convocation young this year! The theme of this installment of our backward and forward, to Address 3 newsletter, “Traditions and Collective Talents,” is echo Utopian writer therefore less homage to T. S. Eliot’s famous essay Edward Bellamy, as we 1869 English Exam 5 than a celebration of our department’s history and its celebrate our Recent Events 6 future. I’m not usually one to quote Eliot at length, sesquicentennial and make but his meditation on tradition seems appropriate to plans for our immediate Creative Writing 7 this event. He writes, “if the only form of tradition, of and more distant futures. Wayzgoose 8 handing down, consisted in following the ways of the The main celebration of immediate generation before us in a … timid 2015-16 Speakers Series 9 our anniversary took place adherence to its successes, ‘tradition’ should positively during Dalhousie’s Special Anniversary Essay, be discouraged.” by Sharon Hamilton 10 homecoming. Faculty Eliot’s intent is debatable, but his essay seems to insist members, alumni, Contributors 20 both on a very limited notion of the literary canon, administrators, and and on the necessity of a narrowly aesthetic or current undergraduate and formalist critical approach to poetry (both of which, it graduate students gathered turns out, somehow led to an appreciation of poetry a at the university faculty club for an afternoon of lot like Eliot’s own—odd coincidence, that).
    [Show full text]
  • LPG Litdistco Catalogue Fall 2021
    Dear Booksellers, Librarians, and Friends of the LPG, Thank you for your on-going support of Canadian independent literature and the publishers that make up the Literary Press Group. We’re looking forward to getting together again to celebrate books as a community. Here are a few updates about our Sales Collective as we head into the second half of 2021: • We are pleased to have long-time LPG member, DC Books, join the LPG Sales Collective. We are also welcoming new member, Renaissance Press of Gatineau, QC, as of June 1, 2021. • Please note that Insomniac Press is no longer represented through the LPG’s Sales Collective. • Please note that no Fall titles were announced for Bluemoon Publishers, DC Books or Stonehouse Publishing. Happy Reading, Tan Light Sales Manager ___________________ The Literary Press Group of Canada 234 Eglinton Ave. E, Suite 401 Toronto, ON M4P 1K5 e: [email protected] p: 416.483.1321 x4 1 LPG Sales Collective Fall 2021 LitDistCo Clients Table of Contents 4 Beach Blonde by John Reynolds 5 Frame by Frame: An Animator's Journey by Co Hoedeman 6 Miraculous Sickness by ky Perraun 7 Coming to Canada by Starkie Mak 8 Gibbous Moon by Dennis Cooley, Michael Matthews 9 Green Parrots in my Garden: Poems from the Arab Middle East by Jane Ross 10 Papillons sur le toit de ma patrie by Sanaz Safari, Alice Anugraham 11 Beyond the Terrazzo Veranda by Morra Norman 12 Breaking Words: Literary Confessions by George Melnyk 13 You have been Referred: My Life in Applied Anthropology by Michael Robinson 14 Enormous Hill, The by Judd Palmer,
    [Show full text]
  • Professionally Speaking March 2018
    MARCH 2018 THE MAGAZINE OF THE ONTARIO COLLEGE OF TEACHERS R O F E S S I O P N E I S H T I F N O Y O E R U R U T H U A F N E D H S T Vote in the College Council election p. 39 FLIP FOR MORE for Ontario Teachers B. K. Could not have found a J. P. G. better price for my new Nissan. I saved thousands Countless times I’ve been able without hassle. Love my to save with Venngo, including a new Rogue! trip through the mountains with a N. K. rental car, hotel and meal where I Just had an saved on every one! Even got an incredible upgrade on the car. adventure and a fantastic stay at the Fairmont! Love these Perks! Thanks Venngo! S. R. I just saved $509 dollars on my Goodlife membership. Thanks. Take advantage of Nissan’s special pricing available to Ontario Teachers on top of Save up to 25% plus enjoy Special member preferred rate. current in-market offers on select models. a free weekend day. Only $399 for 1 full year. Save 15% off rate of the day, Upgrade and $50 Dining Credit. Minimum 2 night stay. Track + share your savings for a chance 5 ballots each time you track what you’ve saved to win a $5,000 G Adventures travel 1 ballot each time you #SaveWithVenngo experience + great monthly prizes. showing perks near: You've saved: 9:41 AM 100% work search for Ontario Teachers 50 km $2392 $2213 Category : Dining & Food Exclusive savings.
    [Show full text]
  • Calgary Flying Tricolour
    In Memoriam: Mad Men: Prof. Stephen Gyimah Was it really like that? Flying theTricolour inCalgary SPECIAL INSERT Faculty of Arts and Science newsletter THE MAGAZINE OF QUEEN’S UNIVERSITY, KINGSTON, ONTARIO ISSUE 3, 2012 WWW.ALUMNIREVIEW.QUEENSU.CA Explore the many delights to be found in the wonderful region surrounding Cortona. Enjoy visits to Assisi, Perugia, Montepulciano, Siena, and a full day in Florence. Indulge your senses in the beauty and simplicity of Tuscany! Andiamo! Did you hear? Bob and I are headed to Tuscany next September! We heard that Fabio Colivicchi from the Classics department will be the lecturer from Queen’s so we signed up right away. Why don’t you join us? It’ll be a fabulous tour! Talk to you soon! Margaret Make your Visit www.queensu.ca/alumniyear to become a Tricolour Traveller. , click on learning opportunities , and choose your destination. Italy Haida Gwaii China Katmandu M ACMACHUMACHHU Thailand PICCHU U PPIICCHU CCHU PARIS Russia HollandHolland Venice W ish you were here! Featuring Request your copy of the ,*+- Alumni Travel catalogue today! Call +.0**.,././0-/ (Canada or US) or email [email protected] CONTENTS ISSUE #3, 2012 VOLUME 86, NUMBER 3 SERVING THE QUEEN’S COMMUNITY SINCE 1927 COVER STORY 2 EDITOR’S NOTEBOOK 18 FLYING THE TRICOLOUR IN CALGARY 3 LETTERS TO THE EDITOR 6 FROM THE DESK OF THE PRINCIPAL 9 I N MEMORIAM Prof. Stephen Gyimah CAMPUS SCENES IRC Director Paul Juniper and his colleagues this year are celebrating 75 years of industrial relations studies at Queen’s. Queen’s marKeting & communications 11 The IRC celebrates a proud heritage 12 The doctor is out 17 For the love of art: Prof.
    [Show full text]
  • 2019 Festival Is $15,000
    GROWING ROOM A Feminist Literary Festival March 8 - 17, 2019 Vancouver, BC From Podcasting to Poetry... The University of British Columbia’s creative writing program is Canada’s oldest and most respected. We offer an unprecedented 12 genres of study as well as multiple funding and enrichment opportunities. Study at the BA Minor, BFA, or MFA level. • Work with award-winning faculty. • Entrance and continuing scholarships. • Flexible, part-time low residency MFA. • TA in undergraduate writing courses. • Teach in local high schools. • Edit and manage one of Canada’s oldest literary magazines, PRISM international. • Participate in the Brave New Play Rites theatre festival. www.creativewriting.ubc.ca festival.roommagazine.com // #GrowingRoom2019 Contents Welcome—Growing Room 2019 ............................................................................................ 3 Welcome—Indigenous Brilliance .......................................................................................... 4 Sponsors and Partners ................................................................................................................ 5 Venues ................................................................................................................................................... 6 Accessibility ........................................................................................................................................ 7 Register for Events .......................................................................................................................
    [Show full text]