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CoNTENTS NEW TITLES NEW chILDREN & TEEN TITLES Public Betrayal, Justice Denied ..........................................3 50 Things to see With a Telescope .................................14 Oil and World Politics ........................................................4 My River .........................................................................16 The Big Stall ......................................................................5 Worthy of Love ..............................................................17 Poor No More ...................................................................6 Righting Canada’s Wrongs: Africville............................... 18 Mining Country .................................................................7 Empty Net ..................................................................... 20 Oil’s Deep State (new edition) ...........................................8 Called Up .......................................................................21 Beyond Shelters ................................................................9 Tough Call .....................................................................22 The Age of Increasing Inequality (previously announced) 10 Breaking Through ..........................................................23 Getting to Zero (previously announced) ..........................11 Push Back ......................................................................24 The Creative City of Saint John 1867-1967 ......................12 Cold Grab ......................................................................25 -
Fiction ISBN 978-1-55152-725-3 $17.95 Canada | $15.95 USA Arsenal Pulp Press
“You’re gonna need a rock and a whole lotta medicine” Whitehead is a mantra that Jonny Appleseed, a young Two-Spirit/Indigiqueer and NDN glitter princess, Joshua Joshua repeats to himself in this vivid and utterly compelling debut novel by Joshua Whitehead. Off the rez and trying to find ways to live, love, and survive in the big city, Jonny has one week before he must return to his home—and his former life—to attend the funeral of his stepfather. The seven days that follow are like a fevered dream: stories of love, trauma, sex, kinship, ambition, and heartbreaking recollections of his beloved kokum (grandmother). Jonny’s life is a series of breakages, appendages, and linkages—and as he goes through the motions of preparing to return home, he learns how to put together the pieces of his life. JONNY APPLESEED HIGHLIGHTS Jonny Appleseed is a unique, shattering vision of Indigenous life, full of grit, glitter, and dreams. “Joshua Whitehead redefines what queer Indigenous writing can be in his powerful debut novel. Jonny Appleseed transcends genres of writing to blend the sacred and the sexual into a vital expression of Indigenous desire and love. Reading it is a coming home to bodies, stories, and experiences of queer Indigenous life that has never been so richly and honestly shown before. This book is an honour song to every queer NDN body who has ever lived and it will transform the universe with its beauty and magic.” FROM THE BACKLIST —Gwen Benaway, author of Passage “If we’re lucky, we’ll find one or two books in a lifetime that change the language of story, that manage to illuminate new curves in the flat vessels of old letters and words. -
Songs of Soldiers
SONGS OF SOLDIERS DECOLONIZING POLITICAL MEMORY THROUGH POETRY AND SONG by Juliane Okot Bitek BFA, University of British Columbia, 1995 MA, University of British Columbia, 2009 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Interdisciplinary Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) November 2019 © Juliane Okot Bitek, 2019 ii The following individuals certify that they have read, and recommend to the Faculty of Graduate and Postdoctoral Studies for acceptance, the dissertation entitled: Songs of Soldiers: Decolonizing Political Memory Through Poetry And Song submitted by Juliane Okot Bitek in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Interdisciplinary Studies Examining Committee: Prof. Pilar Riaño-Alcalá, (Social Justice) Co-supervisor Prof. Erin Baines, (Public Policy, Global Affairs) Co-supervisor Prof. Ashok Mathur, (graduate Studies) OCAD University, Toronto Supervisory Committee Member Prof. Denise Ferreira da Silva (Social Justice) University Examiner Prof. Phanuel Antwi (English) University Examiner iii Abstract In January 1979, a ship ferrying armed Ugandan exiles and members of the Tanzanian army sank on Lake Victoria. Up to three hundred people are believed to have died on that ship, at least one hundred and eleven of them Ugandan. There is no commemoration or social memory of the account. This event is uncanny, incomplete and yet is an insistent memory of the 1978-79 Liberation war, during which the ship sank. From interviews with Ugandan war veterans, and in the tradition of the Luo-speaking Acholi people of Uganda, I present wer, song or poetry, an already existing form of resistance and reclamation, as a decolonizing project. -
Lai CV April 24 2018 Ucalg For
THE UNIVERSITY OF CALGARY Curriculum Vitae Date: April 2018 1. SURNAME: Lai FIRST NAME: Larissa MIDDLE NAME(S): -- 2. DEPARTMENT/SCHOOL: English 3. FACULTY: Arts 4. PRESENT RANK: Associate Professor/ CRC II SINCE: 2014 5. POST-SECONDARY EDUCATION University or Institution Degree Subject Area Dates University of Calgary PhD English 2001 - 2006 University of East Anglia MA Creative Writing 2000 - 2001 University of British Columbia BA (Hon.) Sociology 1985 - 1990 Title of Dissertation and Name of Supervisor Dissertation: The “I” of the Storm: Practice, Subjectivity and Time Zones in Asian Canadian Writing Supervisor: Dr. Aruna Srivastava 6. EMPLOYMENT RECORD (a) University, Company or Organization Rank or Title Dates University of Calgary, Department of English Associate Professor/ CRC 2014-present II in Creative Writing University of British Columbia, Department of English Associate Professor 2014-2016 (on leave) University of British Columbia, Department of English Assistant Professor 2007-2014 University of British Columbia, Department of English SSHRC Postdoctoral 2006-2007 Fellow Simon Fraser University, Department of English Writer-in-Residence 2006 University of Calgary, Department of English Instructor 2005 University of Calgary, Department of Communications Instructor 2004 Clarion West, Science Fiction Writers’ Workshop Instructor 2004 University of Calgary, Department of Communications Teaching Assistant 2002-2004 University of Calgary, Department of English Teaching Assistant 2001-2002 Writers for Change, Asian Canadian Writers’ -
Download Download
Transmotion Vol 6, No 2 (2020) Sweatlodge in the Apocalypse: An Interview with Smokii Sumac JAMES MACKAY *Please view the html version of this piece in order to watch the recording of the original interview. James Mackay: I wanted to start by asking about the images on the front cover of your book, you are enough. They’re very striking, and seem to say a lot about you and your relationship to the land. How did you come to the design and how did you come to choose those particular images? Smokii Sumac: I love this question! I don't get to talk about it a lot. I was really lucky to be working with an Indigenous press, Kegedonce (https://kegedonce.com), who gave me the freedom to choose. And when I started thinking about what I wanted to share, I was thinking about first of all, where I'm from. The lands there in those photos are my many different homes, places that I'm connected to. A lot of the book is about finding home. So there's Peterborough, Ontario, where I was living. One of them is just the moon. There are the mountains from home where I live in Ktunaxa territory. And there's also Blackfeet territory where I do ceremony. Then I put myself out there. I think there's sort of this insecurity around selfies sometimes that can happen because there's sort of a stigma around them – at least, the Kim Kardashian kind of selfie mode. And yet it means something else for our Indigenous women specifically. -
Web of Performance: an Ensemble Workbook
Web of Performance An Ensemble Workbook Edited by Monica Prendergast & Will Weigler UVic Theatre 2018 Web of Performance book.qxp_Web of Performance 2018 book 2018-06-04 6:13 PM Page 3 Web of Performance An Ensemble Workbook Edited by Monica Prendergast & Will Weigler UVic Theatre 2018 Web of Performance book.qxp_Web of Performance 2018 book 2018-06-04 6:13 PM Page 4 Copyright © 2018 by Monica Prendergast, Will Weigler, Robert Birch, This book is released under a Creative Commons Attribution 4.0 Trudy Pauluth-Penner, Sandra Chamberlain-Snider, Kathy Bishop, International (CC BY-NC-SA 4.0) license, except as excluded in the Colleen Clement List of Images. This means that you are free to copy, display, perform, and modify this book, as long as you distribute any Published in Canada by University of Victoria modified work on the same terms. If anyone wants to distribute Victoria, BC V8P 5C2 modified works under other terms you must contact [email protected] [email protected] for permission first. Under this license, anyone who distributes or modifies this book, in whole or in part, should properly attribute Cover image: “Spider Web” by sethink on pixabay.com, CC0. the book as follows: Book design by Rayola Creative Prendergast, M, & Weigler, W. (Eds). Web of performance: An Printed and bound by University of Victoria on 100% post-consumer ensemble workbook. Victoria, BC: University of Victoria. This book is content recycled paper published by the University of Victoria under a CC BY-NC-SA 4. 0 International license. For questions about this book, please contact the Copyright and Scholarly Communications Office, University of Victoria Libraries at [email protected] Download this book for free at: http://dspace.library.uvic.ca/handle/1828/3857 Library and Archives Canada Cataloguing in Publication Web of performance : an ensemble workbook / edited by Monica Prendergast & Will Weigler. -
The Capilano Review Do Not Cause Damage to the Walls, Doors, Or Windows
The Capilano Review Do not cause damage to the walls, doors, or windows. — Chelene Knight Editor Fenn Stewart Managing Editor Matea Kulić Editorial Assistant Dylan Godwin Designer Anahita Jamali Rad Contributing Editors Clint Burnham, Roger Farr, Aisha Sasha John, Andrew Klobucar, Natalie Knight, Erín Moure, Lisa Robertson, Christine Stewart, Liz Howard Founding Editor Pierre Coupey Interns Tanis Gibbons and Crystal Henderson The Capilano Review is published by the Capilano Review Contemporary Arts Society. Canadian subscription rates for one year are $25, $20 for students, $60 for institutions. Rates plus S&H. Address correspondence to The Capilano Review, 102-281 Industrial Avenue, Vancouver, BC V6A 2P2. Subscribe online at www.thecapilanoreview.com/subscribe. For submission guidelines, visit www.thecapilanoreview.com/submit. The Capilano Review does not accept hard-copy submissions or submissions sent by email. Copyright remains the property of the author or artist. No portion of this publication may be reproduced without the permission of the author or artist. The Capilano Review gratefully acknowledges the financial assistance of the Province of British Columbia, the British Columbia Arts Council, and the Canada Council for the Arts. We acknowledge the financial support of the Government of Canada through the Canada Periodical Fund of the Department of Canadian Heritage. The Capilano Review is a member of Magazines Canada, the Magazine Association of BC, and the BC Alliance for Arts and Culture (Vancouver). Publications mail agreement -
SPRING 2020 CATALOGUE Recent Accolades
SPRING 2020 CATALOGUE Recent Accolades Winner of The Finalist, Gourmand Shortlisted for the Winner of the Coast: Best of International Lunenburg Bound International Halifax, Silver Culinary Awards Books (LLB) Sports Heritage Award Literary Awards Awards Shortlisted for Winner of Prefectural Shortlisted for Longlisted for Geoffrey Bilson Prize (Japan) the Chocolate International and Hackmatack Lily, Victoria Book Dublin Literary Award Awards Prize, and Geoffrey and nominated for 4 Bilson Awards other awards Shortlisted for the Shortlisted for the Shortlisted for the Rocky Mountain, First Nation Yellow Cedar Award Hackmatack, and Communities READ and Winner of the Alice Kitts Memorial Indigenous Moonbeam Award Awards Literature Award Catalogue front cover illustration courtesy of Briana Corr Scott from The Book of Selkie: A Paper Doll Book (page 15). Catalogue inside front cover illustration courtesy of Chrissie Park-MacNeil from So Imagine Me (page 18). NEW NON-FICTION One Good Reason A Memoir of Addiction and Recovery, Music and Love Séan McCann with Andrea Aragon A powerful memoir from the founder of Great Big Sea, exploring his alcoholism, childhood abuse, and fight to save his marriage, family, and himself In this deeply personal memoir, co-written with wife Andrea Aragon, singer-songwriter and renowned mental health, addiction, and recovery advocate Séan McCann leaves no stone unturned. Detailing, in powerful and lyrical prose, a childhood in Newfoundland indoctrinated in strict Catholic faith, the creation of the wildly successful Great Big Sea, his courtship and early marriage with Aragon, and the battle with alcoholism that nearly cost him everything, McCann offers readers a love story, a memoir of addiction and recovery, of young love and a strained marriage, of reaching international fame and rock bottom. -
The Sovereign Erotic
The Sovereign Erotic 42ND AMERICAN INDIAN WORKSHOP 12TH-17TH JULY, 2021 EUROPEAN UNIVERSITY CYPRUS Organiser: James Mackay A note on the conference format In the last two years, many of us have become far more accustomed to online conferences than we were before. The pandemic has pushed even major national and international scholarly associations into meeting on Zoom, at the same time as scholars have been forced without warning into teaching using distance learning technologies. While recognizing that this has been an unwelcome change for many, I believe that this week’s conference (just as with last year’s AIW) shows that there are more things to be gained than lost in the move online. Most importantly, we’ve reduced the CO2 cost of this conference. An international conference inevitably involves flights from all over the world, and it’s no longer justifiable to assuage our consciences by paying for (often highly suspicious) carbon offset programs. Destroying the atmosphere to go somewhere to talk about Indigenous issues seems particularly hypocritical, and when the research suggests that a move online can reduce the carbon footprint of these events by around 90% the question of how to make online work becomes particularly urgent. Cyprus, the host country for this year’s AIW, is a climate change hotspot where temperatures are predicted to rise by much more than the global average unless world carbon emissions are reduced to zero, so this is a matter of particular urgency here. The change also helps to democratize academia. Online conferences allow for delegates to attend from all over the world, including graduate students and independent scholars who do not have funding for international travel. -
DEPARTMENT of ENGLISH NEWSLETTER Fall 2015
DEPARTMENT OF ENGLISH NEWSLETTER Fall 2015 Standing-room only at the celebration of 150 years of Dalhousie’s Department of English. TRADITIONS AND COLLECTIVE TALENTS: THE DEPARTMENT OF ENGLISH AT 150 Table of Contents Introduction 1 Dalhousie’s Department of English turns 150 years ourselves looking both 1878 Convocation young this year! The theme of this installment of our backward and forward, to Address 3 newsletter, “Traditions and Collective Talents,” is echo Utopian writer therefore less homage to T. S. Eliot’s famous essay Edward Bellamy, as we 1869 English Exam 5 than a celebration of our department’s history and its celebrate our Recent Events 6 future. I’m not usually one to quote Eliot at length, sesquicentennial and make but his meditation on tradition seems appropriate to plans for our immediate Creative Writing 7 this event. He writes, “if the only form of tradition, of and more distant futures. Wayzgoose 8 handing down, consisted in following the ways of the The main celebration of immediate generation before us in a … timid 2015-16 Speakers Series 9 our anniversary took place adherence to its successes, ‘tradition’ should positively during Dalhousie’s Special Anniversary Essay, be discouraged.” by Sharon Hamilton 10 homecoming. Faculty Eliot’s intent is debatable, but his essay seems to insist members, alumni, Contributors 20 both on a very limited notion of the literary canon, administrators, and and on the necessity of a narrowly aesthetic or current undergraduate and formalist critical approach to poetry (both of which, it graduate students gathered turns out, somehow led to an appreciation of poetry a at the university faculty club for an afternoon of lot like Eliot’s own—odd coincidence, that). -
Ep. 105 | Reading Trans Women
Ep. 105 | Reading Trans Women [00:00:11] Kendra Hello, I'm Kendra Winchester, here with Jaclyn Masters. And this is Reading Women, a podcast inviting you to reclaim the bookshelf and read the world. Today we're talking about books by trans women and femmes. [00:00:23] Jaclyn You can find a complete transcript of this episode on our website, readingwomenpodcast.com. And don't forget to subscribe so you don't miss a single episode. [00:00:33] Kendra Well, Happy Women's History Month, Jaclyn. [00:00:36] Jaclyn Yes, indeed. We're back again for another year celebrating it on the podcast. [00:00:42] Kendra Very excited. And you recently made the relocation back to Australia. And you already have an incredible number of Aussie books that you've shared on your Instagram, on all sorts of things. I've been loving it. [00:00:58] Jaclyn I have. It's been a very rough move, doing an international move during a pandemic, as I'm sure many people have experienced too. But yes, I'm very grateful that Australian publishers have been very kind, sending a lot of books our way to share on the podcast already. [00:01:17] Kendra So everyone definitely check out Jaclyn's Instagram and different things for more Australian lit book recommendations. Also, it is a new month, like we mentioned, so it's also a new Patreon podcast episode. And so this month, I am talking to Evelyn Bradley and Vanessa Bradley. Evelyn was a guest on one of our episodes about Black joy. -
2018 Ivas Pamphlet
the INDIGENOUS LITERARY STUDIES ASSOCIATION Presents the First Annual I N D I G E N O U S VOICES AWARDS GALA 29 May 2018 Oskana kâ-asastêki / Regina, SK Design and production: Rachel Taylor › racheltaylorpublishingservices.wordpress.com Indigenous Voices Awards Board Membership 2017-18: CO-CHAIR: Sam McKegney, ILSA Past President 2016-17 › [email protected] CO-CHAIR: Deanna Reder, ILSA Past President 2017-18 › [email protected] Daniel Heath Justice, ILSA Founding Member › [email protected] Sophie McCall, ILSA Secretary 2016-17 › [email protected] Jesse Archibald-Barber, ILSA President 2017-18 › [email protected] Michelle Coupal, ILSA President-Elect 2017-18 › [email protected] Sarah Henzi, ILSA Secretary 2017-19 › [email protected] Aubrey Hanson, ILSA Treasurer 2016-18 › [email protected] Svetlana Seibel, Early Career Member 2017-19 › [email protected] Jordan Abel, Graduate Representative 2017-18 › [email protected] Special thanks to Deborah Smith and Sarah Hedley for their office support. CONTENTS Welcome! 3 The Indigenous Voices Awards: Background 4 Thank You 5 Letter to an Emerging Indigenous Writer Daniel Heath Justice 6 2018 Jurors 11 2018 Finalists 13 On the Indigenous Voices Awards Sam McKegney 19 Indigenous Voices Inspire a New Association: ILSA Deanna Reder 20 Indigenous Literary Studies Association 21 Book Launches 23 An Invitation to Donate 24 Donors to the Emerging Indigenous Voices Fundraiser 25 WELCOME! e are thrilled to announce the finalists in this year’s competition, celebrating the very best in literary art by emerging Indigenous Wwriters. A jury of renowned Indigenous writers and prominent figures from the Canadian literary world has identified finalists in catego- ries for published and unpublished writing.