Untitled Will Be out in Di Near Near Future Tracks on the Matisyahu Album, I Did Something with Like Inna Week Time

Total Page:16

File Type:pdf, Size:1020Kb

Untitled Will Be out in Di Near Near Future Tracks on the Matisyahu Album, I Did Something with Like Inna Week Time BACKAYARD DEEM TEaM Chief Editor Amilcar Lewis Creative/Art Director Noel-Andrew Bennett Managing Editor Madeleine Moulton (US) Production Managers Clayton James (US) Noel Sutherland Contributing Editors Jim Sewastynowicz (US) Phillip Lobban 3G Editor Matt Sarrel Designer/Photo Advisor Andre Morgan (JA) Fashion Editor Cheridah Ashley (JA) Assistant Fashion Editor Serchen Morris Stylist Judy Bennett Florida Correspondents Sanjay Scott Leroy Whilby, Noel Sutherland Contributing Photographers Tone, Andre Morgan, Pam Fraser Contributing Writers MusicPhill, Headline Entertainment, Jim Sewastynowicz, Matt Sarrel Caribbean Ad Sales Audrey Lewis US Ad Sales EL US Promotions Anna Sumilat Madsol-Desar Distribution Novelty Manufacturing OJ36 Records, LMH Ltd. PR Director Audrey Lewis (JA) Online Sean Bennett (Webmaster) [email protected] [email protected] JAMAICA 9C, 67 Constant Spring Rd. Kingston 10, Jamaica W.I. (876)384-4078;(876)364-1398;fax(876)960-6445 email: [email protected] UNITED STATES Brooklyn, NY, 11236, USA e-mail: [email protected] YEAH I SAID IT LOST AND FOUND It seems that every time our country makes one positive step forward, we take a million negative steps backward (and for a country with about three million people living in it, that's a lot of steps we are all taking). International media and the millions of eyes around the world don't care if it's just that one bad apple. We are all being judged by the actions of a handful of individuals, whether it's the politician trying to hide his/her indiscretions, to the hustler that harasses the visitors to our shores. It all affects our future. How do we go from owning, and celebrating our country, people and culture, to destroying our land we love, then murdering and robbing these same people that make us proud? Whenever someone works hard to better themselves or situation, there is always some one lurking in the shadows at your gate in a corolla - who wants to see you fail! Why is that? How did we get to this place? We have lost so many artistes to senseless 'crab in a barrel' violence. In 1976 we almost lost Bob Marley -- rumored to be for political reasons. In 1987 we did lose arguably one of the greatest musicians next to Bob, Mr. Peter Tosh - a three-man gang demanding his hard earned money, and when the demands were not met shot him twice in the head. The list goes on; Nitty Gritty - shot in Brooklyn, New York, Pan Head - shot after leaving a dance in Spanish Town, Daddygon - shot at a bar, which later turned out to be a supposed case of mistaken identity, and if the deaths of our natives were not enough, South African reggae-musician Lucky Dube, was gunned down in what appeared to be an attempted hijacking, in Rosettenville, south of Johannesburg. Now O'Neil Edwards from Voicemail, shot several times while entering his home. What is the common thread with all these senseless deaths? Reggae is one. Being famous seems to be the other. Here's an idea, let's ban music all-together, live under oppressive military militia and have equal wages for everyone who wants to work, have the mischievous, thieves and killers punished by immediate death or limb-loss. That regime seems to work in other places, maybe it will work here since we have nothing else to lose. - EL ONE 10 1 DROP ¨ PLUGS & RELEASES PRODUCER S GUIDE ' 7 EDITION IRISH MOSS 5 DrinkDrink 3 5. Akai MPC500 Midi Production System 3. MPC 2000 XL Flash USB Drives - Make beats! That's all you want to do. As 1 Introducing the worlds first USB flash you already know, there are a plethora of memory drive shaped like the Akai MPC options out there, from step sequencers 1. Beats by Dr. Dre - For the true guerilla 2000XL, one of Hip Hop’s most classic to drum machines to computer-based producer at-heart, he or she knows you drum machines / samplers. This is the programs. All you need is an MPC. 7. Neumann U87 Microphone - Welcome Manage can make music, anytime, anywhere -- long time favorite Sampler of producers The MPC Midi production system has to the big leagues boy and girls. 10. Blackberry Bold 9700 - For all of you that haven’t held the new Blackberry Bold and you won't be able to carry your studio such as Dr. Dre, Pete Rock, Just Blaze, Lil been around since the dawn of Hip-Hop In celebration of their Anniversary (Bold 2) in your hands, you’re lucky we have. If you were looking forward to those finger Jon and more! Akai’s powerhouse drum and sample-based music. The MPC, or Neumann introduced a special limited sound monitors, tucked away in your hugging buttons and ample backside and leather back on the new Bold? Well, you’ll just Di Work! bag-pack. Legendary producer and artiste machine has been immortalized as a 4 GB Music Production Center, brilliantly edition U87 Anniversary Mic Set in Dr. Dre, teamed up with audio peripheral USB flash memory drive. Every nuance of combines real-time audio sampling, the aspecial brilliant Nickle finish. The set have to settle for two out of three. Though the new Bold is faster, has more memory and giant Monster Cable to release a sound- the Akai MPC 2000XL has been captured ease of drum machine programming, and comes complete with the higher screen resolution, It also comes equipped with a highly responsive trackpad, junkie's dream headphone. It's like if in extreme detail! These unique devices the sophistication of a multi-track studio U87 Microphone, Shockmount, on-board flash memory of 256MB, plus Micro SD port for expandable memory, and a 3.2 Patti Labelle and Luther Vandross had a are perfect for Hip-Hop beat makers, in a one-stop groove shop. And for Windscreen, Bag and a special gift box. mega pixel camera for video recording and higher res pictures for those life moments. producers, and enthusiast on the go. This producers on the go, the Akai MPC500 is The Neumann U87 is probably the best love-child, we would expect the offspring The Bold 9700 should hit stores by November in the U.S. but should be available early to have some serious singing pipes. is the only portable data storage solution the most portable MPC ever made. known and most widely used Neumann next year. But If you’re like me and prefer all three, especially the ample backside, then That's no exception here. Check them out that screams “Hip Hop”. Via: zzsounds.com studio microphone. It is equipped with a if you have a spare $400 laying around in via: mpc2000xflashdrive.com large dual-diaphragm capsule with three you may be interested in the new Blackberry Tour (Tour 2) code named Essex, the couch somewhere. directional patterns: omnidirectional, c coming soon. ardioid and figure-8. These are selectable with a switch below the head grille. A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion. Furthermore, the low frequency response can be reduced to compensate for proximity effect. Price: 3,429.00 Available Flavours 6 via: zzsounds.com 4 • peanut 6. Sure SM57 Microphone - Can there be 8 4. Audi Grand Piano - Live instruments are a better snare drum microphone? Perfect • vanilla super-critical to delivering superb sound for hundreds of uses in the pro or home • oats 2 quality (there is yet to be a digital recording studio the Sure Sm57 is a 2. Bebot - Robot Synth - Unless you have synthesiser to reproduce that). But we are classic and is ideal out on the road for live been living as an ubber naturist or have sure no one saw that coming from recording too. Maybe this is the one mic just alienated yourself from technology, German automotive manufacturer, Audi. that you would choose if you could only 8. Yamaha NP30 Portable Grand Piano - there is this device they call iPhone -- or The Audi Design Studio Team in have one as it's so versatile - and cheap! You want to learn the piano, right? You as some like to call it the jesus phone. Munich, decided to turn its attention to the need a keyboard that lets you get right to the music, not some complicated More recently the iPad was released most beloved musical instrument since The SM57 is a cardiod (unidirectional) 12 (no relation) - which is like a big iPhone. the voice-box -- the Grand Piano. dynamic microphone with a contoured "composer" or "workstation" where you For these devices there are these “Generous surface areas ensure formal frequency response of 40 to 15,000 Hz, have to read the manual just to turn it on. 11 12. Louis Sneakers - So we all know that life clarity; there are no decorative perfect for clean reproduction of vocals The Yamaha NP30 Portable Grand is unfair, the world is in a financial mini-softwares that work on them called 11. Bolt Browser - For you Blackberry users applications, the edges and lines are and instruments. But the SM57 is most Digital Piano offers great sound, great depression, and that Santa Claus isn’t real. apps. Normalware is one of the who thought you could browse the internet sharply drawn, the joints logically renowned in the music industry as the feel, and a great price, without all the But French luxury shoemaker Christian developers of these apps. and they have freely and watch video during your lunch released a digital synthesiser app. called positioned.
Recommended publications
  • Neue Ware Mail-Order Katalog Einzelhandel 07-05 #1
    IRIE RECORDS GMBH IRIE RECORDS GMBH BANKVERBINDUNGEN: EINZELHANDEL NEUHEITEN-KATALOG NR. 172 RINSCHEWEG 26 IRIE RECORDS GMBH (CD/LP/10"&12"/7") D-48159 MÜNSTER KONTO NR. 31360-469, BLZ 440 100 46 (VOM 25.06.2005 BIS 12.07.2005) GERMANY POSTBANK NL DORTMUND TEL. 0251-45106 KONTO NR. 35 60 55, BLZ 400 501 50 SCHUTZGEBÜHR: 0,50 EUR (+ PORTO) FAX. 0251-42675 SPARKASSE MÜNSTERLAND OST EMAIL: [email protected] HOMEPAGE: www.irie-records.de GESCHÄFTSFÜHRER: K.E. WEISS/SITZ: MÜNSTER/HRB 3638 ______________________________________________________________________________________________________________ IRIE RECORDS GMBH: DISTRIBUTION - WHOLESALE - RETAIL - MAIL ORDER - SHOP - YOUR SPECIALIST IN REGGAE & SKA -------------------------------------------------------------------------------------------------------------- GESCHÄFTSZEITEN: MONTAG/DIENSTAG/MITTWOCH/DONNERSTAG/FREITAG 13 – 19 UHR; SAMSTAG 12 – 16 UHR ______________________________________________________________________________________________________________ CD CD CD CD CD CD CD CD CD CD CD CD IRIE RECORDS GMBH NEW RELEASE-CATALOGUE 07/2005 #1 SEITE 2 *** CDs *** ASWAD............................. COOL SUMMER REGGAE............ JJ............. (GBR) (--/02). 12.99EUR AUTOMAT alias MODIFIE............. ECOUTE PROLONGEE (6 TR.EP-CD). SOUND AROUND... (FRA) (04/04). 13.99EUR EPCD ANTHONY B (feat. RAS SHILOH/JAH CURE)............................ BLACK STAR (+ 2 BONUS)........ GREENSLEEVES/MA (GBR) (05/05). 16.99EUR DENNIS BOVELL..................... DUB DEM SILLY (VOL.1)......... ARAWAK INTERNAT
    [Show full text]
  • Media and Advertising Information Why Advertise on Bigup Radio? Ranked in the Top 50,000 of All Sites According to Amazon’S Alexa Service
    Media and Advertising Information Why Advertise on BigUp Radio? Ranked in the top 50,000 of all sites according to Amazon’s Alexa service Audience 16-34 year-old trend-setters and early adopters of new products. Our visitors purchase an average of $40–$50 each time they buy music on bigupradio.com and more than 30% of those consumers are repeat customers. Typical Traffic More than 1,000,000 unique page views per month Audience & Traffic 1.5 million tune-ins to the BigUp Radio stations Site Quick Facts Over 75,000 pod-cast downloads each month of BigUp Radio shows Our Stations Exclusive DJ Shows A Strong Image in the Industry Our Media Player BigUp Radio is in touch with the biggest artists on the scene as well as the Advertising Opportunities hottest upcoming new artists. Our A/R Dept listens to every CD that comes in selecting the very best tracks for airplay on our 7 stations. Among artists that Supporting Artists’ Rights have been on BigUp Radio for interviews and special guest appearances are: Rate Card Beenie Man Tanya Stephens Anthony B Contact Information: Lil Jon I Wayne TOK Kyle Russell Buju Banton Gyptian Luciano (617) 771.5119 Bushman Collie Buddz Tami Chynn [email protected] Cutty Ranks Mr. Vegas Delly Ranx Damian Marley Kevin Lyttle Gentleman Richie Spice Yami Bolo Sasha Da’Ville Twinkle Brothers Matisyahu Ziggi Freddie McGregor Jr. Reid Worldwide Reggae Music Available to anyone with an Internet connection. 7 Reggae Internet Radio Stations Dancehall, Roots, Dub, Ska, Lovers Rock, Soca and Reggaeton.
    [Show full text]
  • Read Or Download
    afrique.q 7/15/02 12:36 PM Page 2 The tree of life that is reggae music in all its forms is deeply spreading its roots back into Afri- ca, idealized, championed and longed for in so many reggae anthems. African dancehall artists may very well represent the most exciting (and least- r e c o g n i z e d ) m o vement happening in dancehall today. Africa is so huge, culturally rich and diverse that it is difficult to generalize about the musical happenings. Yet a recent musical sampling of the continent shows that dancehall is begin- ning to emerge as a powerful African musical form in its own right. FromFrom thethe MotherlandMotherland....Danc....Danc By Lisa Poliak daara-j Coming primarily out of West Africa, artists such as Gambia’s Rebellion D’Recaller, Dancehall Masters and Senegal’s Daara-J, Pee GAMBIA Froiss and V.I.B. are creating their own sounds growing from a fertile musical and cultural Gambia is Africa’s cross-pollination that blends elements of hip- dancehall hot spot. hop, reggae and African rhythms such as Out of Gambia, Rebel- Senegalese mbalax, for instance. Most of lion D’Recaller and these artists have not yet spread their wings Dancehall Masters are on the international scene, especially in the creating music that is U.S., but all have the musical and lyrical skills less rap-influenced to explode globally. Chanting down Babylon, than what is coming these African artists are inspired by their out of Senegal. In Jamaican predecessors while making music Gambia, they’re basi- that is uniquely their own, praising Jah, Allah cally heavier on the and historical spiritual leaders.
    [Show full text]
  • Driving to One Percent: Call Analysis/Answering Machine Detection
    Driving to One Percent: Call Analysis/Answering Machine Detection Table of Contents Introduction ........................................................................................................................ 3 Call Analysis: More Than Just Answering Machine Detection ............................................ 4 Hardware Versus Software-based Dialers .......................................................................... 4 In Summary ......................................................................................................................... 7 Copyright © 2013-2014 Interactive Intelligence, Inc. All rights reserved. Brand, product, and service names referred to in this document are the trademarks or registered trademarks of their respective companies. Interactive Intelligence, Inc. 7601 Interactive Way Indianapolis, Indiana 46278 Telephone 800.267.1364 www.ININ.com Rev. 06/13, version 2 © 2013-2014 Interactive Intelligence, Inc. 2 Driving to One Percent: Call Analysis/Answering Machine Detection Introduction Small changes, big results. Everyone from the Red Cross Foundation, to Oprah, to self-improvement guides tout it. And this approach/philosophy pops-up in numerous aspects of our lives — from slight changes we can make in our lifestyle and diet to improve our overall health, to small donations we make that support larger causes. In this series, we view this phenomenon from a business perspective and how seemingly minor additions, deletions, or shifts can reap substantive results. The first topic in our “Driving
    [Show full text]
  • Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984
    University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-18-2007 Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984 Caree Banton University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Banton, Caree, "Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984" (2007). University of New Orleans Theses and Dissertations. 508. https://scholarworks.uno.edu/td/508 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974 – 1984 A Thesis Submitted to the Graduate Faculty of the University of New Orleans In partial fulfillment of the Requirements for the degree of Master of Arts In History By Caree Ann-Marie Banton B.A. Grambling State University 2005 B.P.A Grambling State University 2005 May 2007 Acknowledgement I would like to thank all the people that facilitated the completion of this work.
    [Show full text]
  • 71 Reggae Festival Guide 2006
    71 71 ❤ ❤ Reggae Festival Guide 2006 Reggae Festival Guide 2006 Reggae Festival Guide 2006 RED, GOLD & GREEN MMEMORIESE M O R I E S Compiled by Wendy Russell Alton Ellis next started a group together: ALTON ELLIS AND THE There are reggae artists I treasure, with songs I FLAMES. The others had their careers too and I later started my play every radio show, no matter that the CD is no own group called WINSTON JARRETT AND THE RIGHTEOUS longer current. One such artist is roots man, WINSTON FLAMES. JARRETT and the RIGHTEOUS FLAMES, so I searched him out to fi nd what might be his own fond memory: We just had our history lesson! Can you imagine I grew up in Mortimer Planno, one of Rastafari’s most prominent Kingston, Jamaica elders, living just down the street? What about this in the government next memory - another likkle lesson from agent and houses there. manager, COPELAND FORBES: The streets are My memory of numbered First SUGAR MINOTT is Street and so on, from 1993 when I to Thirteenth Street. did a tour, REGGAE I lived on Fourth, SUPERFEST ‘93, ALTON ELLIS lived which had Sugar on 5th Street. He Minott, JUNIOR REID was much older and MUTABARUKA than me, maybe along with the 22. We were all DEAN FRASER-led good neighbors, 809 BAND. We did like a family so to six shows in East speak. MORTIMER Germany which PLANNO lived was the fi rst time Kaati on Fifth too and since the Berlin Wall Alton Ellis all the Rasta they came down, that an come from north, authentic reggae Sugar Minott south, east and west for the nyabinghi there.
    [Show full text]
  • Telephone Line Interface FT 635 UELE
    Telephone Line Interface FT 635 UELE Kompetent für Elektroniksysteme Table of Contents Connection possibilities 3 Connection examples 4 Carrier detection 5 Transmitter control 5 Transmitter follow-up time 6 Transmission time limit 6 Transmitter lead-up time 6 In- and outputs 7 Inputs 7 Outputs 8 Digital output control 8 AF-signals (telephone to radio) 9 AFsignals (radio to telephone) 9 AF-signaling pathways 9 DTMF 9 Tone Sequence Encoder and Decoder 10 Dial-up - Telephone -> Radio 13 Direct Dialing by DTMF - Telephone -> Radio 13 Automatic Connection - Telephone -> Radio 13 Automatic Call Forwarding with Direct Call - Tel -> Radio 14 Night Mode - Telephone -> Radio 14 Direct Dialing with DTMF - Radio -> Telephone 14 Radio -> Telephone 14 Direct Dialing with tone sequence - Radio -> Telephone 15 Speed Dail - Radio -> Telephone 15 Speed Dial Memory 16 Call Monitoring 16 Operating Mode 17 Voice Announcement (Option) 18 Example for the configuration 19 Call progress tone detection 20 T11-55 22 EEPROM register layout 23 Register in TIM (Telefon Interface Modul) 28 DTMF Geber, Auswerter 29 Installation TIM (Telephone Interface Module) 32 Connector pinout 33 RS232-Connection cable 35 Service program and setting 35 Ordering information 38 Technical data 38 General Safety Instructions 39 Revision remarks 40 - 2 - ft635ule_eng (21.06.2012) - 3 - ft635ule _eng(21.06.2012) Kompetent für Elektroniksysteme Kompetent für Elektroniksysteme FT635 Telephone Line Interface The FT635 telephone line interface (UELE) consists of a CPU card of Europe with an attached TIM (telephone interface module). There are 3 different housings available. The standard version is a flange aluminum housing. There also is a 19“ plug-in unit and a special version in the FT635 system housing.The version in the system housing has a connector which is pin-compatible to FT633UELE to the two-way radio.In the standard version only the most important connectors are available as sockets on the front.
    [Show full text]
  • Interview with Donovan Germain 25 Years Penthouse Records
    Interview with Donovan Germain 25 Years Penthouse Records 02/19/2014 by Angus Taylor Jamaican super-producer Donovan Germain recently celebrated 25 years of his Penthouse label with the two-disc compilation Penthouse 25 on VP Records. But Germain’s contribution to reggae and dancehall actually spans closer to four decades since his beginnings at a record shop in New York. The word “Germane” means relevant or pertinent – something Donovan has tried to remain through his whole career - and certainly every reply in this discussion with Angus Taylor was on point. He was particularly on the money about the Reggae Grammy, saying what has long needed to be said when perennial complaining about the Grammy has become as comfortable and predictable as the awards themselves. How did you come to migrate to the USA in early 70s? My mother migrated earlier and I came and joined her in the States. I guess in the sixties it was for economic reasons. There weren’t as many jobs in Jamaica as there are today so people migrated to greener pastures. I had no choice. I was a foolish child, my mum wanted me to come so I had to come! What was New York like for reggae then? Very little reggae was being played in New York. Truth be told Ken Williams was a person who was very instrumental in the outbreak of the music in New York. Certain radio stations would play the music in the grave yard hours of the night. You could hear the music at half past one, two o’clock.
    [Show full text]
  • Jive Communications May Not Support Some Features Discussed in This Document
    PLEASE READ This user manual is from the manufacturer — Jive Communications may not support some features discussed in this document. Please see our online documentation or contact us for a complete list of supported features. Thanks for choosing Jive! 4RDQÕ,@MT@K SNOM 820 MANUAL V.8 COPYRIGHT, TRADEMARKS, GPL, LEGAL DISCLAIMERS COPYRIGHT, TRADEMARKS, GPL, LEGAL DISCLAIMERS © snom technology AG 2008 All Rights Reserved. snom, the names of snom products, and snom logos are trademarks owned by snom technology AG. All other product names and names of enterprises are the property of their respective owners. snom technology AG reserves the right to revise and change this document at any time, without being obliged to announce such revisions or changes beforehand or after the fact. Texts, images, and illustrations and their arrangement in this document are subject to the protection of copyrights and other legal rights worldwide. Their use, reproduction, and transmittal to third parties without express written permission may result in legal proceedings in the criminal courts as well as civil courts. When this document is made available on snom’s web page, snom tech- nology AG gives its permission to download and print copies of its content for the intended purpose of using it as a manual. No parts of this document may be altered, modified or used for commercial purposes without the express written consent of snom technology AG. Although due care has been taken in the compilation and presentation of the information in this document, the data upon which it is based may have changed in the meantime.
    [Show full text]
  • Dennis Brown ARTIST: Dennis Brown TITLE: The
    DATE March 27, 2003 e TO Vartan/Um Creative Services/Meire Murakami FROM Beth Stempel EXTENSION 5-6323 SUBJECT Dennis Brown COPIES Alice Bestler; Althea Ffrench; Amy Gardner; Andy McKaie; Andy Street; Anthony Hayes; Barry Korkin; Bill Levenson; Bob Croucher; Brian Alley; Bridgette Marasigan; Bruce Resnikoff; Calvin Smith; Carol Hendricks; Caroline Fisher; Cecilia Lopez; Charlie Katz; Cliff Feiman; Dana Licata; Dana Smart; Dawn Reynolds; [email protected]; Elliot Kendall; Elyssa Perez; Frank Dattoma; Frank Perez; Fumiko Wakabayashi; Giancarlo Sciama; Guillevermo Vega; Harry Weinger; Helena Riordan; Jane Komarov; Jason Pastori; Jeffrey Glixman; Jerry Stine; Jessica Connor; Jim Dobbe; JoAnn Frederick; Joe Black; John Gruhler; Jyl Forgey; Karen Sherlock; Kelly Martinez; Kerri Sullivan; Kim Henck; Kristen Burke; Laura Weigand; Lee Lodyga; Leonard Kunicki; Lori Froeling; Lorie Slater; Maggie Agard; Marcie Turner; Margaret Goldfarb; Mark Glithero; Mark Loewinger; Martin Wada; Melanie Crowe; Michael Kachko; Michelle Debique; Nancy Jangaard; Norma Wilder; Olly Lester; Patte Medina; Paul Reidy; Pete Hill; Ramon Galbert; Randy Williams; Robin Kirby; Ryan Gamsby; Ryan Null; Sarah Norris; Scott Ravine; Shelin Wing; Silvia Montello; Simon Edwards; Stacy Darrow; Stan Roche; Steve Heldt; Sujata Murthy; Todd Douglas; Todd Nakamine; Tracey Hoskin; Wendy Bolger; Wendy Tinder; Werner Wiens ARTIST: Dennis Brown TITLE: The Complete A&M Years CD #: B0000348-02 UPC #: 6 069 493 683-2 CD Logo: A&M Records & Chronicles Attached please find all necessary liner notes and credits for this package. Beth Dennis Brown – Complete A&M Years B0000348-02 1 12/01/19 11:49 AM Dennis Brown The Complete A&M Years (CD Booklet) Original liner notes from The Prophet Rides Again This album is dedicated to the Prophet Gad (Dr.
    [Show full text]
  • 1 Nine 7 Days of Lonely 10,000 Maniacs More Than This
    1 NINE 7 DAYS OF LONELY 10,000 MANIACS MORE THAN THIS 10,000 MANIACS BECAUSE THE NIGHT 10,000 MANIACS TROUBLE ME 10,000 MANIACS THESE ARE THE DAYS 100 PROOF AGED IN SOUL SOMEBODY'S BEEN SLEEPING 10CC 10CC 10CC I'M NOT IN LOVE 10CC THE THINGS WE DO FOR LOVE 112 IT'S OVER NOW 112 YOU ALREADY KNOW 112 ONLY YOU 112 DANCE WITH ME 112 CUPID 112 COME SEE ME 112 PEACHES AND CREAM 112 AND LUDACRIS HOT AND WET 112 AND SUPER CAT NA NA NA 12 GAUGE DUNKIE BUTT 1910 FRUIT GUM CO. 1, 2, 3, REDLIGHT 2 CHAINZ AND DRAKE NO LIE 2 CHAINZ AND KENDRICK LAMAR ASAP ROCKY DRAKEFUCKING PROBLEMS 2 LIVE CREW DO WAH DIDDY 2 LIVE CREW ME SO HORNY 2 LIVE CREW WE WANT SOME PUSSY! 2 PAC DEAR MAMA 2 PAC CHANGES 2 PAC THUGZ MANSION 2 PAC HOW DO YOU WANT IT 2 PAC CALIFORNIA LOVE 20 FINGERS SHORT DICK MAN 3 OH 3 AND KATY PERRY STARSTRUKK 30 SECONDS TO MARS THE KILL 311 CREATURES (FOR A WHILE) 311 AMBER 311 YOU WOULDN'T BELIEVE 311 ALL MIXED UP 311 DON'T TREAD ON ME 311 DOWN 311 LOVE SONG 38 SPECIAL CAUGHT UP IN YOU 38 SPECIAL WILD EYED SOUTHERN BOYS 38 SPECIAL ROCKIN' ONTO THE NIGHT 38 SPECIAL HOLD ON LOOSELY 38 SPECIAL IF I'D BEEN THE ONE 3OH3 DON'T TRUST ME 3RD STRIKE NO LIGHT 3T ANYTHING 3T TEASE ME 4 P.M. SUKIYAKI 4 P.M. LAY DOWN YOUR LOVE 4 RUNNER CAIN'S BLOOD 4 RUNNER THAT WAS HIM 5 STAIRSTEPS OOH CHILD 50 CENT HUSTLER'S AMBITION 50 CENT CANDY SHOP 50 CENT PIGGY BANK 50 CENT WHAT UP GANGSTA 50 CENT BEST FRIEND 50 CENT PIMP 50 CENT WANKSTA 50 CENT DISCO INFERNO 50 CENT IN DA CLUB 50 CENT AND EMINEM PATIENTLY WAITING 50 CENT AND MOBB DEEP OUTTA CONTROL 50 CENT AND NATE
    [Show full text]
  • From the Harder They Come to Yardie the Reggae-Ghetto Aesthetics of the Jamaican Urban Crime Film Martens, E
    UvA-DARE (Digital Academic Repository) From The Harder They Come to Yardie The Reggae-Ghetto Aesthetics of the Jamaican Urban Crime Film Martens, E. DOI 10.1080/1369801X.2019.1659160 Publication date 2020 Document Version Final published version Published in Interventions : International Journal of Postcolonial Studies License CC BY-NC-ND Link to publication Citation for published version (APA): Martens, E. (2020). From The Harder They Come to Yardie: The Reggae-Ghetto Aesthetics of the Jamaican Urban Crime Film. Interventions : International Journal of Postcolonial Studies, 20(1), 71-92. https://doi.org/10.1080/1369801X.2019.1659160 General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:24 Sep 2021 FROM THE HARDER THEY COME TO YARDIE The Reggae-Ghetto Aesthetics of the Jamaican Urban Crime Film Emiel Martensa,b aDepartment of Arts and Culture Studies, Erasmus University Rotterdam, Netherlands; bDepartment of Media Studies, University of Amsterdam, Netherlands .................
    [Show full text]