1 THE DANCEHALL BIBLIOGRAPHY This Bibliography is an on-going work in progress. Do advise us of any errors or omissions by sending an email to [email protected]. If you have any recent publications do send them in to [email protected] so we can update our records. Help us to spread information and knowledge about dancehall! Thank You The Dancehall Archive and Research Initiative [email protected] BOOKS Bateman, Christopher and Al Fingers (Eds.). In Fine Style: The Dancehall Art of Wilfred Limonious. London: One Love Books, 2016. Cooper, Carolyn. Sound Clash: Jamaican Dancehall Culture at Large. New York and England: Palgrave MacMillan, 2004. Galvin, Anne M. Sounds of the Citizens: Dancehall and Community in Jamaica. Nashville: Vanderbilt University Press, 2014. Hippolyte, Idara. Jamaica Dancehall and Postmodernism. Oxford: Oxford University Press, 2001. Hope, Donna P. Man Vibes: Masculinities in the Jamaican Dancehall. Kingston: Ian Randle Publishers, 2010. Hope, Donna P. Inna di Dancehall: Popular Culture and the Politics of Identity in Jamaica. Kingston, Jamaica: The University of the West Indies Press, 2006. Immanuel-I, Java. Reggae Sunsplash: 1978-1998. Coolshade Media and Entertainment, May 2007. Kroubo Dagnini, Jérémie. Vibrations jamaïcaines. L'Histoire des musiques populaires jamaïcaines au XXe siècle. Rosières-en-Haye : Camion Blanc, 2011 (French language). Kroubo Dagnini, Jérémie and Doumerc, Eric. DJs & Toasters jamaïcains : 1970-1979. Histoire, thématiques et symboles. Rosières-en-Haye : Camion Blanc, 2015 (French language). Lesser, Beth. Dancehall: The Rise of Jamaican Dancehall Culture. Soul Jazz Books, 2017. 2 Lesser, Beth. Rub-a-Dub Style: The Roots of Modern Dancehall. Canada: Beth Lesser, 2012. Lesser, Beth. King Jimmys. Toronto, Ontario: ECW Press, 2002. Joseph, Owen. Jamaican Dancehall: Misconceptions and Pedagogical Advantages. Bloomingdale, Indiana: Booktango, 2012. Stanley-Niaah, Sonjah. Dancehall: From Slave Ship to Ghetto. Ottawa: Ottawa University Press, 2010. Sterling, Marvin D. Babylon East: Performing Dancehall, Roots Reggae and Rastafari in Japan. Durham and London: Duke University Press, 2010. Stolzoff, Norman. Wake the Town and Tell the People: Dancehall Culture in Jamaica. Durham and London: Duke University Press, 2000. Walters, Maxine. Serious Things A Go Happen: Three Decades of Jamaican Dancehall Signs. Los Angeles: Hat & Beard, 2016. BOOK CHAPTERS Campbell, Winston C. “The Lyrical Opus of Tommy Lee Sparta: Masculinity, Violence, Sexuality and Conflict” in Hope, Donna P. (Ed.). Reggae from Yaad: Traditional and Emerging Themes in Jamaican Popular Music, Kingston: Ian Randle Publishers, 2015, pp. 184-206. Cooper, Carolyn. “Sweet and Sour Sauce: Sexual Politics in Jamaican Dancehall Culture” in Sachiyo Morimoto (Ed.). LT1: Gender and Sexuality in Jamaica. Japan: Mighty Mules Bookstore, 2008, pp. 12-31 Cooper, Carolyn. “Slackness hiding from culture: erotic play in the dancehall” in Noises in the Blood: Orality, Gender and the ‘Vulgar’ Body of Jamaican Popular Culture. London & Basingstoke: MacMillan Caribbean, 1993, pp. 136-173. Dawkins, Nickesha. “She Se Dis, Him Se Dat: Examining Gender-Based Use in Jamaican Dancehall” in Hope, Donna P. (ed.). International Reggae: Current and Future Trends in Jamaican Popular Music. Kingston: Pelican Publishers, 2013, pp. 124-166. Farquharson, Joseph T. “Faiya-bon: The socio-pragmatics of homophobia in Jamaican (Dancehall) culture”, in Migge, Bettina and Susanne Muhleisen (eds.) Politeness and Face in Caribbean Creoles. Philadelphia: John Benjamins, 2005, pp. Helber, Patrick. “Between 'Murder Music' and 'Gay Propaganda'. Policing Respectability in the Debate on Homophobic Dancehall” in Hope, Donna P. (ed.). Reggae from Yaad: 3 Traditional and Emerging Themes in Jamaican Popular Music, Kingston: Ian Randle Publishers, 2015, pp. 141-163. Henriques, Julian F.. 2007. “Situating Sound: The Space and Time of the Dancehall Session”. In: J. Marijke and S. Mieskowski, (eds.) Sonic Interventions. 18 Amsterdam and New York: Rodopi, pp. 287-310. Hippolyte, Idara. “Killing Talk: Postmodernism and the Popular Violence and Jamaican Dancehall Music” in Michael Bucknor and Alison Donnell (eds.). The Routledge Companion to Anglophone Caribbean Literature: London and New York: Routledge, 2011, pp. 544-553. Hope, Donna P. “From the Stage to the Grave: Exploring Celebrity Funerals in Dancehall Culture”, in Hume, Yanique and Kamugisha, Aaron (Eds). Caribbean Popular Culture: Power, Politics And Performance. Kingston, Ian Randle Publishers, 2016, pp.249-260. (Article first published in Journal of Cultural Studies, 2010). Hope, Donna P. and White, Livingston A. “Your Name A Mention: Media Coverage of Clashes/Feuds in Jamaican Popular Music 1970-2010” in Hope, Donna P. (ed.). Reggae From Yaad: Traditional and Emerging Themes in Popular Music. Kingston: Ian Randle Publishers, 2015, pp. 102-137. Hope, Donna P. “Dancehall, Violence and Jamaican Youth: An Empirical Synopsis” in International Reggae: Current and Future Trends in Popular Music, Ed. Donna P. Hope. Kingston: Pelican Publishers, 2013, pp. 30-67. Hope, Donna P. “Chi Chi Man fi Get Sladi: Homophobia as Alternative Masculinity in Dancehall Culture”. Sachiyo Morimoto (Ed.) ‘LT1’: Gender and Sexuality in Jamaica, Japan: Mighty Mules, November 2008, pp. 32-57. Hope, Donna P. “Love Punaany Bad: Negotiating Misogynistic Masculinity in Dancehall Culture”. In Annie Paul (Ed.) Caribbean Culture: Soundings on Kamau Braithwaite, Kingston: University of the West Indies Press, July 2007, pp. 367-380. Makawambeni, Blessings. “Zimbabwe Dancehall Music as Site of Resistance” in Onyebadi, Uche (Ed). Music as a Platform for Political Communication. US: ICI Global, 2017. pp. 238- 256. McFarlane, Shelly-Ann. “Towards an Exploration of Earl ‘Biggy’ Turner and the New Reggae/Dancehall Fashion Aesthetic” in Alissa de Witt-Paul and & Mira Crouch (Eds.) Fashion Forward. Oxford, UK, Inter-Disciplinary Press, 2011, pp. 393-407 Nelson, Camille. “Colonial Optics: Dancehall and Legal Imperatives Against the ‘Unnatural’” in Martha Albertson Fineman, Michael Thomson (Eds). Exploring Masculinities: Feminist Legal Theory Reflections. London & New York: Routledge, 2013. pp. 55-80. Noble, Denise. “Ragga Music: Dis/Respecting Black Women and Dis/Reputable Sexualities”, in Hesse, Barnor (Ed.). Un/Settled Multiculturalisms: Diasporas, Entanglement, Transruptions. London: Zed Books, 2001, pp. 148-169. 4 Perkins, Anna Kasafi. “Good, Goodas, Gyal: Deconstructing the Virtuous Woman in Dancehall” in Hope, Donna P. (Ed.). Reggae from Yaad: Traditional and Emerging Themes in Jamaican Popular Music, Kingston: Ian Randle Publishers, 2015, pp. 164-183. Shapiro, Sherry B. “Dance Inna Dancehall: Roots of Jamaica's Popular Dance Expressions” in Shapiro, Sherry B. Dance in a World of Change: Reflections on Globalization and Cultural Difference. Champaign, Ill: Human Kinetics, 2008, pp.. 41-63. Skelton, Tracey. “Ghetto Girls/Urban Music Jamaican ragga music and female performance” in Rosa Ainley (Ed). New Frontier of Space, Bodies and Gender. London: Routledge, 2001, pp. 142-156. Stanley-Niaah, Sonjah. “Making Space: Reading Limbo in Dancehall Performance and Spatiality” in Naana Jane Opoku-Agyemang, Paul E. Lovejoy, and David D. Trotman (Eds.) Africa and Trans-Atlantic Memories: Literary and Aesthetic Manifestations of Diaspora and History. Trenton, NJ: Africa World Press, 2008. Stanley-Niaah, Sonjah and Hope, Donna P. “The Body and Dancehall Performance” in Brian Meeks (Ed.) Culture, Politics, Race and Diaspora: The Thought of Stuart Hall, London: Lawrence & Wishart, 2007, pp. 218-248. Tomlinson, Lisa. “Reggae, Hip hop and Dancehall: Resistance and African Canadian Youth Culture. In Donna P. Hope (Ed.) International Reggae: Current and Future Trend in Popular Music, Kingston, London: Pelican Books, 2013. Tomlinson, Lisa. “The Black Diaspora North of the Border: Women, Music and Caribbean Culture in Toronto”. In Ifeona Fulani (Ed.) Archipelagos of Sound: Transnational Caribbeanities: Women and Music, Kingston, Jamaica: University of West Indies Press, 2012, pp. 219-235. Walker, Christopher. A. “Dance Inna Dancehall”: Roots of Jamaica’s Popular Expressions” in Sherry B. Shapiro (Ed). Dance in a World of Change: Reflections on Globalization and Cultural Difference. Raleigh North Carolina: Human Kinetics, 2008, pp. 41-70. JOURNAL ARTICLES Alleyne, Mike. “Inside out: Dancehall and the “Re-Cooperation” of Meaning” in Small Axe, No. 21 (Vol. 10, No. 3), 2006, pp. 150–160. Appel, Hannah. “Dancehall, Hip-Hop and Musical Cross-Currents” in Glendora Review: African Quarterly on the Arts. (Vol . No.3/4), 2004, pp .71–79. Bakare-Yusuf, Bibi. “Clashing interpretations in Jamaican Dancehall culture” in Small Axe, No. 21 (Vol. 10, No. 3), 2006, pp. 161–173. Bakare-Yusuf, Bibi. “Fabricating identities: Survival and the imagination in Jamaican Dancehall Culture “in Fashion Theory, Vol. 10, Iss. 3, 2003, pp. 1-10. 5 Bremner, Natalia. “Keepin' it real?: Engaging with language politics in Réunion through the juxtaposition of English and Réunionese Kreol in dancehall music” in Journal of Romance Studies (Vol. 15 No. 1) Spring 2015, pp.111-130. Brown, Jarrett. “Masculinity and Dancehall” in Caribbean Quarterly, Volume 45 No. 1, March 1999, pp. 1-16. Cooper, Carolyn. “At the crossroads – looking for meaning in Jamaican Dancehall culture: a reply” in Small Axe, No. 21 (Vol. 10, No. 3) October 2006: pp. 193–204. Cooper, Carolyn. “Lady saw cuts loose: Female fertility rituals