Lorraine Gilbert CURRICULUM VITAE Associate Professor, University of www.lorrainegilbert.ca

Studies 1987 , , QC, M.F.A. in Photography Studies with Katherine Tweedie, Gabor Szilasi and Tom Gibson 1982 Visual Studies Workshop, Rochester, N.Y. Studies with Nathan Lyons, Keith Smith and Catherine Lord 1980 Apeiron Workshops, Millerton, N.Y. Studies in photography with Peter Schlessinger and Hubert Hohn 1979 University of British Columbia, Vancouver, B.C., Graduate Studies in Forestry, Studies with geneticist Oscar Sziklai 1978 The Banff Centre, Alberta, , Studies in photography with Hubert Hohn. 1978 McGilll University, Montreal, P.Q., B.Sc. (Honors) in Environmental Biology, Macdonald Campus 1975 Champlain Regional CEGEP, DEC in Pure and Applied Sciences, (top 5%)

Solo Exhibitions 2018 Once (Upon) a Forest, Lebreton Flats, Jeanne d’arc courtyard, National Capital Commission, Ottawa, On. 2013 Lorraine Gilbert, Canadian Landscapes/Paysages Canadiens 1988-2013, Centre d'exposition Expression, Ste-Hyacinthe, QC, Co-curated with Marcel Blouin 2012 Flora and Fauna, studies, outdoor exhibition, National Capital Commission, Beaux-Arts Courtyards, Byward Market, Ottawa, . 2010 Once (Upon)a Forest, Carson City Arts Initiative, Nevada, USA, curated by Jon Winet 2006 Shaping the New Forest, Art Gallery, Thunder Bay, Ontario 2006 Flora and Fauna, Karsh-Masson Gallery, Ottawa, Ontario, (self-curated) 2005 Selected Works from The New Forest, Nelson Gallery, University of California at Davis, California, USA, curated by Anne Naldrett 2001 Portraits from the New Forest, Art Gallery, Ottawa, Ontario, curated by R. Evans 2000 La Mission Photographique de Gaspésie, Espace F, Curated bt Gérald Bouillon, Matane, Québec 1996 Shaping the New Forest, The Photo Passage at the Harbourfront Center, , Ontario 1995 Shaping the New Forest, The Visual Studies Workshop Gallery, Rochester, N.Y, U.S.A. 1995 Les Lignes de mon terrain, La Gare, Centre d’art contemporain, l’Annonciation, Québec 1995 Les Lignes de mon terrain, Axe-Néo 7, Hull, Québec 1992 Works from the New Forest, X-10 Gallery, Western Nevada Community College, Carson City, Nevada, USA 1991 Shaping the New Forest, The Whyte Museum, Banff, Alberta 1990 Allowable Cuts, The Or Gallery, Vancouver, British Columbia, curated by Nancy Shaw 1988 The Promised Land, Galerie Bourget, Montreal, Quebec, (graduate thesis exhibition) 1983 Lorraine Gilbert, Université de Moncton, Centre Universitaire, Nouveau Brunswick 1983 Night for Day, The Coburg Gallery, Vancouver, British Columbia, curated by Bill Jeffries 1981 Nightworks, Kitchener-Waterloo Art Gallery, Kitchener, Ontario 1981 La Nuit, Galerie Vu, Quebec, Quebec, curated by Christiane Jobin

Shared Exhibitions (2-3 persons) 2014 Habitat Here, Lorraine Gilbert, Amy Thompson, Frank Shebageget, Central Art Garage, Ottawa, ON, Curated by Danny Hussey 2013 Arbor Vitae, Lorraine Gilbert and Christopher Varady-Szabo, City Hall Art Gallery, Ottawa 2013 Natural Motif, Lorraine Gilbert and Natasha Mazurka, Ottawa Art Gallery 2009 Construction Works, Lorraine Gilbert, Josée Dubeau, Jinny Yu Carleton University Art Gallery, Ottawa, Ontario. Curated by Sandra Dyck 2008 Global Nature, Lorraine Gilbert and Sarah Anne Johnson Canadian Museum of Contemporary Photography Traveling Exhibition Ottawa, Ontario. Curated by Andrea Kunard 2003 Le Champ, Lorraine Gilbert, Marie-Jeanne Musiol and Chantal Dahan Galerie des Grands Bains Douches, Marseille, France. Curated by Annie Molin- Vasseur 2002 An Invested Nature, Lorraine Gilbert, Marlene Creates and Susan McEachern Dalhousie Art Gallery, Halifax, Nova Scotia. Curated by Susan Gibson Garvey 1991 Out of the Northwest, Lorraine Gilbert, Frank Gohlke and Darius Kinsey, The Hartnet Gallery, Rochester, NY. Curated by Roger Mertin 1987 Galerie Optica, Montreal, Quebec (with Stephan Kovaks) 1988 The Magic Image Gallery, Pickering, Ontario (with Raymonde April) 1984 The Surrey Art Gallery, British Columbia, (with Cameron Matheson) 1983 Photo Union Gallery, Hamilton, Ontario, (with Lynne Cohen)

Group Exhibitions

2019 On Location: Human Intervention in the Landscape, Carleton University Art Gallery, (with Stephen Livick, John Pfahl, May 21 to August 25, 2019, Ottawa, ON 2018 Site Unseen, Vancouver Art Gallery, Curated by Emmy Lee Wall, (with Thomas Ruff, Rodney Graham, Mark Lewis, Laura Dutton, Martin Elder and Diana Thater), June 16 to September 9, 2018

2018 Canadiana, Selections from the Artbank Collection, SPAO Gallery, Curated by Johanna Mizgala, (with Angela Grauerholz, Denis Farley, Edward Burtynsky), May 11 to July 1, Ottawa, ON. 2018 The Extended Moment, Fifty years of Collecting Photographs, National Gallery of Canada, Curated by Ann Thomas, May 4 to September 16, Ottawa, 2018. (This exhibition will also be presented at The Morgan Library & Museum in New York City, from February 15 to May 26, 2019). 2017 Photography in Canada, 1960-2000. The Canadian Photography Institute, National Gallery of Canada, Curated by Andrea Kunard, March 31 to September 4, Ottawa, 2017, 2016 It’s All Happenings So Fast, Canadian Centre for Architecture, Curated by Mirko Zardini and Louise Désy, Montréal, QC, November 16 to April 9, 2017 2016 Elles Photographes, MBAM, curated by Diane Charbonneau, September 21 to February 2016 2016 Présences: Exposition-parcours dans les rues du Vieux-Hull, Gatineau, QC, September 15 to December 2016 2015 Pictured Windows, Storefront photographs from the past 100 years, Equinox Gallery, Curated by Andy Sylvester, Vancouver, BC, March 28 to May 2, 2015 2014 Flora & Fauna: 400 Years of Artists inspired by Nature, Travelling Exhibition , Edmonton; February 28 to June 8. Surrey Art Gallery, Surrey, BC, ; September 20 to January 8, 2015 2014 Samuel Roy-Bois: Not a new world, just an old trick, Carleton University Art Gallery, curated by Melanie O’Brian and co-produced with SFU Galleries and Oakville Galleries, (work from Le Patrimoine series) 2014 Flora & Fauna: 400 Years of Artists inspired by Nature, Travelling Exhibition Art Gallery of Alberta, Edmonton; February 28 to June 8, 2014 Surrey Art Gallery, Surrey, BC; September 20 to January 8, 2015 2012 The Tree, from the Sublime to the Social, Travelling Exhibition The McMichael Canadian Art Collection, Kleineburg, ON; January 28 to April 22, 2012 2012 Local Flora, SAW Gallery, Ottawa, ON, Curated by Stefan St-Laurent 2012 Flora & Fauna: 400 Years of Artists inspired by Nature, National Gallery of Canada, Ottawa, ON, Curated by Ann Thomas and Andrea Kunard, Travelling exhibition. 2012 An Embarrassment of Riches, The Collection in Focus, Carleton University Art Gallery, Ottawa, ON, Curated by Sandra Dyck and Diana Neimeroff 2011 The Tree, from the Sublime to the Social, Travelling Exhibition The Reach Gallery Museum, Abbotsford, BC; June 16 to October 9, 2011 2011 Trentième anniversaire, VU, centre de diffusion et de production de la photographie, Curated by Alexis Desgagné 2011 Domestic Lives, Surrey Art Gallery, Curated by Jordan Strom 2011 After Robert Adams, Vancouver Art Gallery, Vancouver, BC, Curated by Grant Arnold 2010 Visions of British Columbia: A Landscape Manual, Vancouver Art Gallery, Curated by Bruce Grenville 2009 Home/land & Security: Cartography project #3, University of Waterloo Art Gallery. Curated by Jeffrey M. Thomas 2008 The Tree, from the Sublime to the Social, The Vancouver Art Gallery, Vancouver, BC. curated by Daina Augaitis 2008 Evidence, Ottawa Art Gallery, Ottawa, ON. Curated by Emily Falvey 2008 Festival Photographique de Nantes, diaporama, Nantes, France 2008 Photopolis, city-wide photography festival, Anna Leonowens Gallery, Halifax, Nova Scotia 2008 Watershed, School of Photographic Arts Ottawa, FestivalX, Ottawa, ON 2007 Roy Arden Selects from the Collection, Vancouver Art Gallery, Vancouver, British Columbia. Curated by Roy Arden. 2007 Aperture, Ottawa City Hall Art Gallery, in conjunction with FestivalX, Ottawa, Ontario 2006 Le Sujet Construit, Axe Néo 7, Gatineau, Québec. Curated by Marion Bordier. 2006 Heteropia, Ottawa Art Gallery, Ontario. Curated by Emily Falvey 2006 75 Years of Collecting : Portrait of a Citizen, Vancouver Art Gallery, British Columbia Curated by Grant Arnold 2006 Ottawa Central, New Acquisitions to the City of Ottawa’s Fine Art Collection, Karsh-Masson gallery, Ottawa 2006 75 Years of Collecting : Portrait of a Citizen, Vancouver Art Gallery, British Columbia Curated by Grant Arnold 2005 Hot Mush and the Cold North, Ottawa Art Gallery, Ottawa, Ontario, curated by Emily Falvey 2005 Empreintes, Museum of Contemporary Canadian Photography, Ottawa, Ontario. Curated by Andrea Kunard. 2005 Imagine un Musée, Centre d’art Contemporain des Laurentides, St-Jérome, Quebec. Curated by Andrée Matte. 2005 Le Patrimoine, Patrick Mikhail Gallery, Ottawa, Ontario 2004 The Shadow of Production, Vancouver Art Gallery, British Columbia. Curated by Grant Arnold 2004 Face to Face, Surrey Art Gallery, Surrey, British Columbia 2002 Roundabout, York Quay Gallery, Contact 2002, Toronto, Ontario 2002 Champ Libre, Centre d’art Contemporain des Laurentides, St-Jérôme, Québec. 2002 Collections in Context, Ottawa Art Gallery, Ottawa, Ontario. Curated by Renée Baert 2002 Sans Traces, Université du Québec à Trois Rivières 2001 FieldWork/Sur le terrain, Studio XX, Montréal, Québec. http://www.givideo.org/ 2000 Drawing with Light, The Canadian Museum of Contemporary Photography, Ottawa; Centre national d’exposition, Jonquière, Québec; Art gallery of Nova Scotia, Halifax, Nova Scotia. 1999 FieldWork/Sur le terrain, G.I.V. web site, from the series: Periphery-Chronicles.1999 Hivernages, Centre d’art Contemporain des Laurentides, St-Jérome, Québec, Straumur International Art Center, Reykjavik, Iceland, Université du Québec à Trois Rivières. 1999 The Photography Lesson, Harbourfront Center, Contact Photo Festival, Toronto. 1999 Reflections of the Artist, National Gallery of Canada, Ottawa. 1998 Before the Land, Behind the Camera, Galerie d’art de Sudbury, Ontario; Tom Thomson Memorial Art Gallery, Owen Sound, Ontario, The Illingworth Kerr Art Gallery, Alberta College of Art, Calgary, Alberta. 1997 Dirty Work, Deleon White Gallery, Toronto, Ontario. 1997 En Cause: Brancusi, Axe Néo -7. Hull, Québec. 1996 The Fish in the Water are Thirsty, The Ottawa Art Gallery, Ottawa, Ontario. 1996 Before the Land, Behind the Camera, Owens Art Gallery, Mount Allison University, Sackville, NB. 1995 Before the Land, Behind the Camera, Canadian Museum of Contemporary Photography, Ottawa, Ontario. 1994 Fallen Timber, The Tacoma Art Museum, Tacoma, Washington, USA. 1994 Great Whale Artists Project, Kulturen Centrum Pianofabriek, Brussels, Belgium. 1994 Art/Work/Art in the Industrial workplace, Karsh-Masson Gallery, City Hall, Ottawa, Ontario 1993 The Horizon is a Line, Gallery 44, Toronto, Ontario, curated by April Hickox. 1993 The Great Whale Artists Project, circulating exhibition: University of Vermont Art Gallery, Burlington, Vermont; Maison de la Culture Plateau Mont Royal, Montreal, Quebec; Open Haven Museum, Amsterdam; Association of Independant Artists, NYC, NY. 1992 Rephotographing the Land, Dalhousie Art Gallery, Halifax, Nova Scotia, Curated by Susan Gibson Garvey 1990 Arbora Versa, The Contemporary Art Gallery, Vancouver, British Columbia, curated by Bill jeffries. 1991 The Landscape- 8 Canadian Photographers, McMichael Canadian Art Collection, Kleinburg, Ontario. 1990 The Northwestern Landscape, Marylhearst, Oregon, U.S.A. 1985 Polaroid Deux, Galerie Axe Néo-7, Hull, Quebec, curated by Diane Génier. 1982 New Canadian Photography, The Canadian Center of Photography, Toronto, Ontario, curated by Jayce Salloum. 1980 Environments, NFB Stills Division, Ottawa, Ontario, Curated by Pierre Dessureault. 1979 The Alberta Selection, Edmonton House, Edmonton, Alberta, Curated by Douglas Clark.

Honours and awards 2014 The 2012 Ontario Arts Council 2010 Center for University Teaching, University of Ottawa, (to design bilingual teaching resources for photography and media) 2009 Canadian Funds for Innovation (CFI), (for University research infrastructure) 2006 Elected to the Royal Canadian Academy of the Arts 2005 City of Ottawa Artist Grant 2003 City of Ottawa, the inaugural Yousuf and Malak Karsh Award 2003 The Canada Council, A-Grant 2002 City of Ottawa Artist Grant 2000 Regional Municipality of Ottawa-Carleton: Visual Arts 1998 Applied Arts Magazine Award, for Canadian Geographic 1994 Ottawa Public Art Program 1994 The Canada Council, video 1993 Daïmôn production center, Hull, Q.C., Video production grant 1989 Ontario Arts Council: photography and video (1989,2012) 1987 Conseil des arts et des lettres du Quebec, Arts visuels 1984 Concordia University Graduate Fellowship, Montreal 1981 The Canada Council, photography and visual arts (1982,1985,1988,1990,1994,2003,2014) 1979 The British Columbia Cultural Fund 1979 Banff Centre Scholarship 1975 McGill Graduate Scholarship

Collections (new acquisitions) 2016 Le Musée des beaux-arts de Montréal, Montréal, QC 2013 The Agnes Etherington Art Gallery, Queens University, Kingston, ON Beaverbrook Art Gallery, Fredericton, NB 2013 The Ottawa Art Gallery, Ottawa, ON 2012 The National Gallery of Canada, The City of Ottawa Public Art Collection

Previous acquisitions The National Gallery of Canada, Photographs Collection, Polaroid Europe, International Collection, Amsterdam, The Canada Council Art Bank, Ottawa, The Visual Studies Workshop, Rochester, N.Y., The Winnipeg Art Gallery, The Canadian Museum of Contemporary Photography, The Carleton University Art Gallery, The Dalhousie Art Gallery, The National Archives of Canada, Minister of Foreign Affairs and International Trade, The City of Ottawa Public Art Collection, The Ottawa Art Gallery, The Vancouver Art Gallery,

Special Projects, Commissions, Residencies, Panels, Guest Lectures 2018 (panel discussion and portfolio review), Parfocal Lens: Challenging Canadiana, at SPAO Gallery, Ottawa, with Angela Grauerholz and Denis Farley, moderated by Johanna Mizgala. June 16 and 17, 2018. 2017 (Double Panel Session), “The importance and influence of The Banff Center on creative photographic practice in Canada and Internationally”. Chair and organizer of two panel sessions. Presenters: Hubert Hohn, Lorne Falk, Andrea Kunard, Jayce Salloum, Richard Baillargeon, Sarah Fuller: University Art Association of Canada (UAAC), The Banff Centre, Alberta, October 12-15, 2017 2017 (artists talk), The Dark Edge of a Clear-cut, at the Canadian Centre for Architecture, Montreal, for the exhibition: It’s All Happening So Fast. February 4, 2017. 2015 (symposium) Lynne Cohen, Her Life and Legacy, Panel dicussions with Diana Neimeroff, Ann Thomas, Phyllis Lambert, Ben Gianni and Aaron Guravich, Co- produced with the University of Ottawa Visual Arts Department. 2015 (artists talk) at the Faculty of Visual Art and Material Practice, Emily Carr University, January 26th, 2015. 2014 (portfolio reviews) Belgo Building, Montreal, invited by Jessica Auer. 2014 (panel) The State of the Photograph: A Panel Discussion with Patrick Mikhail, Michael Tardioli and Jamie Kronick, moderated by Toni Martins, The School of Photographic Arts Ottawa. 2013 (artists talk) Arbor Vitae, with Christopher Varady-Szabo, City Hall Art Gallery, 2013 (artists talk) Natural Motif, with Natasha Mazurka, Ottawa Art Gallery, 2012 (curating) Glitch POP, Anyse Ducharme, for FestivalX 2012, with catalogue, text by Justin Wonnacott, Gallery 115, Visual Arts Department, University of Ottawa. 2012 (panel) FestivalX, Round table panel moderated by Randy Innes, St. Brigid's Art Centre, Ottawa, Ontario 2012 (artists talk) Flora & Fauna, with Robert Bourdeau, National Gallery of Canada, Ottawa 2012 (panel) Photography in the Capital: A Panel Discussion with Lorraine Gilbert, Michael Schreier, and Justin Wonnacott, Carleton University Art Gallery 2010 (guest lecture) True North / Art+Environment, Carson City Arts Initiative and the Carson City Library Auditorium, and Sierra Nevada College, Incline, Lake Tahoe, Nevada, USA 2010 (guest lecture) Un patrimoine, une canadienne, Canadian Studies, University of Ottawa, 2008 (guest lecture) L’arbre et ses politiques, in conjunction with the exhibition Deep Roots, Curated by Catherine Sinclair, The Ottawa Art Gallery 2007 (guest lecture) The Photograph: Between Document and Art, Documentary media lecture series, Ryerson University, Toronto, Ontario 2004 (live webcast), one hour interview, National Gallery of Canada, Cybermuse website, http://cybermuse.gallery.ca/cybermuse/youth/dwl/index_e.jsp 2005 (conference) Panel member and moderator: Hot Mush and the Cold North, Ottawa Art Gallery, Ottawa, Ontario 2003 (exhibit and residency) Galerie des Grands Bains Douches à Marseille, France, with Marie-Jeanne Musiol and Chantal Dahan. Curator: Annie Molin Vasseur 2002 (film about the artist) Lorraine Gilbert, de l’analogue au numérique, 20 minutes, produced for the series Photos for ArtTV and Radio Canada. 2001 (residency and collaboration) FieldWork, a collaborative web project with Æ Giselle Trudel and Stéphane Claude, produced during a Boréal Art/Nature residency. 2001 (commission and publication) Gallery 101’s (Artist run center) 20-year anniversary commemorative publication; one of four artists invited to contribute artwork to Bearings, Four Photographic Essays, Curator: François Dion, Gallery 101, Ottawa, 2000 (conference) CARFAC Visual Arts Symposium in Regina, Saskatchewan. Presentation: Collaboration within and between visual arts organizations 1999 (exhibition) Invitation to present the work of three of my best students for the exhibit: The Photography Lesson, Contact 1999 festival, at the Harbourfront Center, Toronto, Ontario. 1998 (commission and exhibition) La Mission photographique de Gaspésie; a commission to photograph and produce an exhibition on the subject of fishermen in the Gaspésie of Quebec. Exhibition: August 2000, Espace f, Matane, Québec. Curator: Gérald Bouillon 1997 (conference) Panel member at the conference: Utopia/Dystopia, Landscape in the New Millenium, organized by the Floating Gallery and the Winnipeg Art Gallery, Winnipeg, Manitoba. Other panelists: Mark Kingwell and Timothy Druckery 1994 (public art) Public Art Project, City of Ottawa. Conception and production of eight 40"X40" photographic panels for the main entrance hall of the new Ottawa Municipal Works building. Theme: ‘Workers personalize institutional space’. 1993 (collective project) The Great Whale Artists Project, in Wapmagustui, Québec. Organized by Kevin Kelley and Doug Buis. First ‘art/nature’ project, on the theme of the Hydro Quebec’s development of the Great Whale River. 1991 (Two residencies) The Banff Centre, summer residencies in 1991 and 1992

SCHOLARLY AND PROFESSIONAL SERVICE (summary since 1995) 2017-2020 Chair of the Visual Arts Department, University of Ottawa 2017 Collaboration with the City of Ottawa, Karsh-Masson Gallery, for the Exhibition: Continuum. One of seven laureates of the Karsh Award for Photography who each selected an emerging artist from the region. Among other donations, the production and design of the exhibition catalogue. 2016 Member of Art Acquisitions Committee, University of Ottawa 2015-2016 Interim Chair of the Visual Arts Department, University of Ottawa 2015 External Reviewer for the Postsecondary Education Quality Assessment Board of Ontario, to review the Photography Program at OCAD University 2011-2014 Chair of Graduate Studies Program, Visual Arts Department, University of Ottawa July 2012 Member of the jury for the Ontario Arts Council grant adjudication for established artists. Sep 2012 Glitch POP, Anyse Ducharme, exhibition curated for FestivalX 2012, with catalogue, text by Justin Wonnacott, Gallery 115, Visual Arts Department, University of Ottawa. 2011 Membre externe du commité d'évaluation des professeurs, à l'École des arts visuels et médiatiques, UQAM. 2010 Member of Executive committee of La Filature, umbrella organization for Axe-Néo -7, Daimon, Artist studios and residencies 2009 External Reviewer for the Postsecondary Education Quality Assessment Board of Ontario, to review the Bachelor of Applied Arts (Photography) at Sheridan College. 2005-present Vice-President of the Executive Committee at Daimon, Photography and Video Production Center, Gatineau, Québec 2007-2009 Consultant on the executive committee for FestivalX, Ottawa Photography Festival 2004-2005 Member of the Executive Committee at SAW Gallery, Ottawa, Ontario 1995-2008 On the editorial, programming and executive committees of Boréal Art Nature, a fully funded artist-run center hosted on my land in the Laurentian Mountains of Québec. Mandate: the multidisciplinary exploration of relationships between contemporary art and nature.

Selected Publications and reviews • “The Extended Moment”, Exhibition catalogue and essay by Anne Thomas and John McElhone, 333 pages, National Gallery of Canada and CPI (Canadian Photography Institute), 2018. • “We’ll all become stories”, Exhibition catalogue and essays by Rebecca Basciano, Jim Burant, Michelle Gewurtz, Catherine Sinclair, 331 pages, The Ottawa Art Gallery, 2018 • Canadian Landscapes/Paysages Canadiens, 1988-2013, Exhibition catalogue and monograph, with essays by Marcel Blouin, Lary Timewell Bremner and Peter Culley, published by Expression, Centre d’exposition de Saint-Hyacinthe, 2017. • Photography in Canada: 1960-2000, Exhibition Catalogue, by Andrea Kunard, published by Canadian Photography Institute, Ottawa, 2017. • Paysages canadiens, par Sylvain Campeau, Critique d’exposition dans Ciel Variable, No.97, printemps 2014 • Arbor vitae, Exhibition catalogue, Essay by Jean-Yves Vignault, City Hall Art Gallery, Ottawa, ON, 2013 • Natural Motif, Exhibition catalogue, Essay by Catherine Sinclair, Ottawa Art gallery, 2013 • Imaging Settlement and Displacement; At Home in Ka-na-ta, by Brenda Lafleur, PHD dissertation, 2012, (subject of Chapter 6, Clearcutting a Home, pg.211-259) • Flora&Fauna, Exhibition review, http://www.akimbo.ca/akimblog/?id=535, May 22, 2012, by Andrew Wright. • “La nature est dans l'art, l'art est dans la nature”, Exhibition review, La Presse, June 16, 2012, by Jocelyne Lepage • “La nature mur à mur”, Exhibition review, Le Droit, May 11, 2012, by Daphné Lemelin • Once (Upon) a Forest - Lorraine Gilbert Peter Culley, Essay for the Capital City Arts Initiative exhibition of the same name, Carson City, Nevada, Oct.1, 2010 to January 15, 2011. • Planting the Nation: Tree-planting Art and the Endurance of Canadian Nationalism, Michael Ekers and Michael Farnan, Space and Culture 2010;13;95, www.sagepublications.com. • Construction Work, Exhibition catalogue, Essay by Petra Halkes, Carleton University Art Gallery, 2010 • A Review of the Exhibition Construction Work: Lorraine Gilbert, Josée Dubeau, Jinny Yu, • Drain Magazine, www.drainmag.com, by Dr. Edith-Anne Pageot. 2009 • Incompletion and Disturbance: Construction Work at CUAG, Exhibition review, The Leveller, Ottawa, Vol 1, no 2, March 2-15, 2009, page 14, by Randy Innes. • Construction Work: Renovation Spirits, Exhibition Review, Canadian Art Online, www.canadianart.ca/online/reviews/2009/03/05/construction-work/ March 5, by Emily Falvey • The Tree: From the Sublime to the Social. Exhibition Catalogue. Essay by Emmy Lee, Vancouver Art Gallery, February 2-April 20, 2008. • A Show of Arboreal Alchemy, Exhibition review of The Tree: From the Sublime to the Social, at the Vancouver Art Gallery. The Vancouver Sun, by Robin Laurence, February, 2008 • Photographie au Québec, View Photography Magazine #8, published in Belgium. Essay by Georges Vercheval, p. 6-13, 2007 • Through the Eyes of Arden, Exhibition review, The Georgia Straight, http://www.straight.com/article114413/through-the-eyes-of-arden, Artists Choice at The Vancouver Art Gallery, by Robin Laurence, October 18, 2007 • Sans Traces, Catalogue, essay by Margrét Elísabet Ólafsdótir, published by Boréal Art/Nature, 2002. • Collections in Context, Document for the exhibition, essay by Rene Baert. 2002. • An Invested Nature, Document for the exhibition, Dalhousie Art Gallery, Halifax, Nova Scotia. 2002. • Portraits from the New Forest, Catalogue for the exhibition, Carleton University Art Gallery, Essay: Robert Evans, 2001. • FieldWork, Catalogue of the residency, Essay by Justin Wonnacott, published by Boréal Art/Nature, 2001. • Bearings, Four Photographic Essays, Curator: François Dion, Gallery 101, Ottawa, 2001. • The Globe and Mail, review of Relections of the Artist, National Gallery of Canada, Oct. 1999. • La tête des eaux, Catalogue, Art/Nature project , published by Boréal Art/Nature, 1998. • Le Musée Virtuel, Vox Populi, (CDrom of photography from Québec), Montreal, Québec, 1998. • Now Magazine, Review by Nathalie-Roze Fischer, Toronto, August 1996. • Vie des Arts, Article by Marie-Jeanne Musiol, Montreal, Spring 1994. • Semiotext(e) Canada, published by Semiotext, N.Y.C., 1994. • The Horizon is a Line, catalogue, Gallery 44, Toronto, Ontario. • Rephotographing the Land, catalogue, Dalhousie Art Gallery, Halifax,N.S., essay by Susan Gibson Garvey, 1992. • Out of the Northwest, exhibition catalogue with interviews, Hartnett Gallery, University of Rochester, N.Y., 1991. • Canadian Art, Jan.1991, (photograph) Toronto, Ontario. • Arbora Versa, catalogue for exhibition, Contemporary Art Gallery, Vancouver, essay by Lary Bremner and Bill Jeffries, 1990 • Views, Review of The Landscape, Eight Canadian Photographers, by Jane Perdue. Toronto Photographers Workshop, Nov. 1990. • The Landscape - Eight Canadian Photographers, catalogue for the exhibition by David Barbour, The McMichael Canadian Art Collection. 1990. • Contemporary Canadian Photography, National Film Board Ottawa,Ontario, Hurtig, 1984. • Vanguard, Summer 1983, Review by Bob Sherrin, Vancouver, B.C. • Parachute, New Canadian Photography, review by Jeanne Randolph, Montreal. 1982. • Image Nation, New Canadian Photograhy, Toronto, Ontario, 1982.

CV Revised August 2019