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CV Photo/Ciel Variable, Montreal, No
A N G E L A G R A U E R H O L Z Recognition and Awards (Visual Arts) 2018 Honorary Doctorate Emily Carr University of Art + Design, Vancouver 2017 150 Years of Photography / Canada 150 Commemorative Collection, 2017 Canada Post, Ottawa 2015 Recipient of the Scotiabank Photography Award, Toronto 2014 Recipient of the Governor General Award in Visual and Media Arts, Canada Council for the Arts, Ottawa 2013 Shortlisted for the Scotiabank Photography Award, Toronto 2006 Awarded the Prix Paul-Émile Borduas, Government of Quebec, Quebec Solo exhibitions 2019 The Empty S(h)elf – First iteration, Artexte, Montreal The Book is the Book, installation at the Madras Literary Society (library), 2019 Chennai Photo Biennale, Chennai Angela Grauerholz: Écrins, écrans, McIntosh Gallery, Western University, London, ON 2018 Scotiabank Contact Festival / Olga Korper Gallery, Toronto Art 45, Montréal 2016 Angela Grauerholz (Scotiabank Photography Award), Ryerson Image Centre, Toronto Angela Grauerholz/Écrins, écrans, Canadian Cultural Centre/Centre culturel canadien, Paris 2014 Olga Korper Gallery, Toronto 2012 Art 45, Montreal 2011 Olga Korper Gallery, Toronto Angela Grauerholz: The inexhaustible image…épuiser l’image, University of Toronto Art Centre (UTAC), Toronto 2010 Angela Grauerholz: The inexhaustible image…épuiser l’image, National Gallery of Canada/Musée des beaux-arts du Canada, Canadian Museum of Contemporary Photography/Musée canadien de la photographie contemporaine (CMCP), Ottawa (book/catalogue) McMaster Museum of Art, McMaster University, -
MANGAARD C.V 2019 (6Pg)
ANNETTE MANGAARD Film/Video/Installation/Photography Born: Lille Værløse, Denmark. Canadian Citizen Education: MFA, Gold Medal Award, OCAD University 2017 BIO Annette Mangaard is a Danish born Canadian media artist and filmmaker who has recently completed her Masters in Interdisciplinary Art, Media and Design. Her installation work has been shown around the world including: the Armoury Gallery, Olympic Site in Sydney Australia; Pearson International Airport, Toronto; South-on Sea, Liverpool and Manchester, UK; Universidad Nacional de Río Negro, Patagonia, Argentina; and Whitefish Lake, First Nations, Ontario. Mangaard has completed more then 16 films in more than a decade as an independent filmmaker. Her feature length experimental documentary on photographer Suzy Lake and the history of feminism screened as part of the INTRODUCING SUZY LAKE exhibition October 2014 through March 2015 at the Art Gallery of Ontario. Mangaard was nominated for a Gemini for Best Director of a Documentary for her one hour documentary, GENERAL IDEA: ART, AIDS, AND THE FIN DE SIECLE about the celebrated Canadian artists collective which premiered at Hot Doc’s in Toronto then went on to garner accolades around the world. Mangaard’s one hour documentary KINNGAIT: RIDING LIGHT INTO THE WORLD, about the changing face of the Inuit artists of Cape Dorset premiered at the Art Gallery of Ontario and was invited to Australia for a special screening celebrating Canada Day with the Canadian High Commission. Mangaard’s body of work was presented as a retrospective at the Palais de Glace, Buenos Aires, Argentina in 2009 and at the PAFID, Patagonia, Argentina in 2013. In 1990 Mangaard was invited to present solo screenings of her films at the Pacific Cinematheque in Vancouver, Canada and in 1991 at the Kino Arsenal Cinematheque in Berlin, West Germany. -
ANNE RAMSDEN Born/Née Kingston, Ontario. Habite Et Travaille À/Lives and Works in Montréal. Solo Exhi
1 ANNE RAMSDEN Born/née Kingston, Ontario. Habite et travaille à/lives and works in Montréal. www.anneramsden.com Solo Exhibitions/Expositions individuelles 2016 Metal Objects, La Vitrine, Montréal. 2010 La Collection et le quotidien, Galerie SBC, Montréal. 2007 La Collection et le quotidien, Musée de Rimouski, Qc. 2005 Anastylosis: Photographs, Leo Kamen Gallery, Toronto. 2004 Telling Objects, Vestlandske Kunstindustrimuseum, Bergen, Norvège. 2004 Anastylose : photographies, Galerie Art Mûr, Montréal. 2002 Anastylosis : Inventory, Southern Alberta Art Gallery, Lethbridge. 2001 Winter Garden, Swamp ward Window Project, Kingston, On. 2001-2002 Expose, 8 installations-vitrine, Artexte, Montréal. 2000 Anastylose : un inventaire, Galerie de l’Université du Québec à Montréal. 2000 Anastylose : un inventaire, Centre culturel de l’Univ. de Sherbrooke. 1999 Anastylosis : Childhood, Catriona Jeffries Gallery, Vancouver. 1998 Patina, Musée de Rimouski, Rimouski, Québec. 1997 Possession, Catriona Jeffries Gallery, Vancouver. 1996 Galerie Samuel Lallouz, Montreal. 1994 Residence, Oakville Galleries, Oakville, Ont. 1992 Blind Spots, Front Gallery, Vancouver. 1990 Urban Geography, Mendel Art Gallery, Saskatoon. 1990 Urban Geography, UBC Fine Arts Gallery, Vancouver. 1990 Relations, Galerie Dazibao, Montréal. 1988 Relations, Artspeak Gallery, Vancouver. Group Exhibitions/Expositions de groupe 2017 The hold: Studies in the contemporary collection, Agnes Etherington Art Centre, Kingston. 2016 Stare, Vancouver Art Gallery. 2016 L'état des choses, Musée de Rimouski, Rimouski. 2015 Melancholy Bay, Belkin Art Gallery, Vancouver. 2015 Through a Window, Simon Fraser University Galleries, Vancouver. 2015 Sous-exposées, Galerie d'art Stewart Hall, Montréal. 2014 Hibernus, John B. Aird Gallery, Toronto. 2014 Selective Memory: Artists in the Archive, Glucksman Gallery, Cork, Ireland. 2014 Porcelain: Breaking Tradition, Division Gallery, Arsenale, Toronto. -
Download Artist's CV
Robert Polidori 1951 Born in Montreal, Canada 1980 State University of New York, Buffalo, NY, M.A., Film 2020 Guggenheim Fellowship 2008 Liliane Bettencourt Prix de la Photographie for Parcours Muséologique Revisité 2006-07 Deutscher Fotobuchpreis for After the Flood 2000 Alfred Eisenstadt Award for Magazine Photography, Architecture 1999 Alfred Eisenstadt Award for Magazine Photography, Architecture 1998-2006 Staff photographer, New Yorker Magazine 1998 World Press Award for Art Solo Exhibitions: 2019 Robert Polidori: Fra Angelico / Opus Operantis, Flowers Gallery, London, United Kingdom 2018 Robert Polidori: Devotion Abandoned, Studio Trisorio, Naples, Italy Robert Polidori: Fra Angelico / Opus Operantis, Paul Kasmin Gallery, New York, NY 2016 Robert Polidori: Ecophilia / Chronostasis, Paul Kasmin Gallery, New York, NY Robert Polidori: 1986-2016 Remembering Chernobyl, Galerie Karsten Greve, Paris, France 2015 Robert Polidori, Camera Work, Berlin, Germany Robert Polidori, Exteriors and Interiors, Galerie Karsten Greve, Köln, Germany Robert Polidori, Versailles, Edwynn Houk Gallery, Zurich, Germany 2014 Robert Polidori, Spuren der Zeit, Museum Bad Arolsen, Bad Arolsen, Germany Versailles, The Memories of Walls, Fontana Gallery, Amsterdam, The Netherlands Robert Polidori, Selected Works, Erie Art Museum, Erie, Pennsylvania, PA 2013 Robert Polidori, Versailles, Mary Boone Gallery, New York City, NY Rose Paintings, Kunstgarten, Graz Robert Polidori, La Mémoire des Murs, Galerie Karsten Greve, Paris, France Robert Polidori, Selected Works, -
DAVIS CV 2021 Copy 2
CHRISTINE DAVIS Born 1962, Vancouver EDUCATION 1980-1984 Bachelor of Fine Art York University, Toronto, Canada 1984-1987 College International de Philosophie, Paris SOLO EXHIBITIONS 2019 A different transparency for each thing touched, The J Spot, Toronto 2019 The Language of Flowers, Red Hook Open Studios, Free Assembly, Brooklyn 2018 Fotopsychodiagnostik, Olga Korper Gallery, Toronto 2013 World Without Sun, White Night, Melbourne, Australia 2012 World Without Sun, Scotiabank Nuit Blanche, Projection Installation, Toronto ON 2010 As if his throat opened into the void of stars, Olga Korper Gallery, Toronto ON 2009 Christine Davis, Musée d’Art Contemporain, Montréal QC 2008 Lens, Canadian Clay and Glass Gallery, Waterloo, ON 2006 Drink Me, Olga Korper Gallery, Toronto, ON Gravity and Grace: Slide Projections of Christine Davis, 1991 - 2003 Kitchener-Waterloo Art Gallery, Kitchener, ON 2005 Drink Me, Presentation House Gallery, Vancouver, BC 2004 Olga Korper Gallery, Toronto, ON Canadian Museum of Contemporary Photography, Ottawa, ON 2003 Tlön, Musée des Beaux-Arts de Montréal, QC 2000 Christine Davis: Pluck, The Power Plant, Toronto, ON Olga Korper Gallery, Toronto, ON 1999 Galeria Helga de Alvear, Madrid, Spain 1998 Olga Korper Gallery, Toronto, ON 1996 Galeria Helga de Alvear, Madrid, Spain Galeria Palma Dotze, Vilafranca, Spain 1995 Olga Korper Gallery, Toronto, ON Perspectives, Art Gallery of Ontario, Toronto, ON Winnipeg Art Gallery, Winnipeg, MB !1 1994 Mackenzie Art Gallery, Regina, SK Indianapolis Museum of Art, Indianapolis, USA -
New Feminine Spaces of Representational Inquiry: the Works of Nina Levitt and Angela Grauerholz
NEW FEMININE SPACES OF REPRESENTATIONAL INQUIRY: THE WORKS OF NINA LEVITT AND ANGELA GRAUERHOLZ Andromachi Gagas How do we translate conceptual-language-based art digitally while retaining its original relational function, or how do we situate a public intervention and social redress in virtual space dynamically rather than as inert photographic documentation, are issues we are trying to envision in these digital and virtual forms of exhibitions. I believe that this ambivalence of space is a notion that is a reflection of the postmodernist period in which the artists of the CCCA were producing the artworks displayed on their respective pages. Postmodernism was a questioning of our knowledge system and the “incredulity towards meta-narrative” such as was stated by Jean- Francois Lyotard in the 1979 publication of The Postmodern Condition: A Report on Knowledge.1 The striking down of the master narrative allowed for the petits recits of individual singular experience. And this expansion in the space of experience produced artworks that dwelt in a multi-dimensional space that re-enacted an idea or a memory, or produced artworks that directly disrupted the structures of authority of the totalizing narrative of the order of knowledge. Artists Nina Levitt (b. 1955) and Angela Grauerholz (b. 1952) address these spatial issues of experience and their works intervene and come to create new spaces where the rift in the master narrative can be widened even further. These artists, through their works, create new feminine spaces of representational inquiry. Levitt has created a new feminine space by abducting the white walls of a gallery and rendering them alive and actively engaged in the discourse of female representation. -
FIVE PAINTERS in OTTAWA: the GOVERNANCE of Exhl BIT1 ONARY SPACES
FIVE PAINTERS IN OTTAWA: THE GOVERNANCE OF EXHl BIT1 ONARY SPACES KRYS VERRALL A thesis submitted to the Faculty of Graduate Studies in partial fulfillment of the requirements for the degree of Master of Arts Graduate Programme in Interdisciplinary Studies York University North York, Ontario May 1999 National Library Bibliothèque nationale I*m of Canada du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395, rue Wellington Ottawa ON Kl A ON4 OttawaON K1A ON4 Canada Canada Your Ne Voire relérsnce Our lVe Noire reldrenu, The author has granted a non- L'auteur a accordé une licence non exciusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sel1 reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. Five Painters in Ottawa: the Governance of Exhibitionary Spaces by Krys Ven-all a thesis submitted to the Faculty of Graduate Studies of York University in partial fulfillment of the requirements for the degree of M ASTER OF ARTS Permission has been granted to the LIBRARY OF YORK UNIVERSIlY to lend or seIl copies of this thesis, to the NATIONAL LIBRARY OF CANADA to microfilm this thesis and to lend or seIl copies of the film, and to UNIVERSITY MICROFILMS to publish an abstract of this thesis. -
Between Memory and Document: the Archival Turn in Contemporary Art UNTITLED N.º 6
/ Ruth Rosengarten Between Memory and Document: The Archival Turn in Contemporary Art UNTITLED N.º 6 Between Memory and Document: The Archival Turn in Contemporary Art Author Ruth Rosengarten Artistic Director Pedro Lapa Editorial Coordination Clara Távora Vilar Nuno Ferreira de Carvalho Graphic Design R2 All rights reserved. © of the text: Ruth Rosengarten,2012 © of the images: the artists, SPA and Fundação de Arte Moderna e Contemporânea – Colecção Berardo, 2012. Digital book. 1st edition: May, 2012 ISBN 978-989-8239-34-1 Museu Coleção Berardo Praça do Império. 1449-003 Lisboa. Portugal + 351 213 612 878 [email protected] Contents Foreword Prologue The Photograph and the Archive: Theory in Practice The Archive and the Photograph The Archival Turn The Archival Turn: Specimen Cases from the Berardo Collection The Mobile Archive: The Artist as Travelling Salesman The Archive of Anonymous Structures A Metonymic Relic and Objects of Attention Closely Lavished The Archive of Intimate and Historical Knowledge Selected Works from the Berardo Collection Marcel Duchamp Vito Acconci Helena Almeida Bernd e Hilla Becher Christian Boltanski Anselm Kiefer Hiroshi Sugimoto Tracy Moffat Daniel Blaufuks There is a story told about the war criminal Ratko Mladic, who spent months shelling Sarajevo from the surrounding hills. Once he noticed an acquaintance’s house in the next target. The general telephoned his acquaintance and informed him that he was giving him five minutes to collect his ‘albums’, because he had decided to blow the house up. When he said ‘albums’, the murderer meant the albums of family photographs. The general, who had been destroying the city for months, knew precisely how to annihilate memory. -
Angela Grauerholz
Angela Grauerholz BIOGRAPHY Born in Hamburg, Germany, in 1952, Angela Grauerholz has lived and worked in Montreal since 1976. A graduate of the Kunstschule Alsterdamm, Hamburg, in graphic design, she studied literature and linguistics at the University of Hamburg and holds a Master’s degree in Fine Arts (photography) from Concordia University, Montreal. In 1980, she was a co-founder of ARTEXTE, centre d’information en art contemporain, still today an important archive for Canadian art, where she worked until 1986. Simultaneously, until the late 1980s, she was very active as a graphic designer specializing in catalogue and book design. Since 1988, she has been teaching at the École de design, Université du Québec à Montréal, where she was the director of the Centre de Design from 2008 to 2012. Having influenced and taught many generations of graphic designers in Quebec, she has received numerous awards for her design work, such as the Award of Excellence (Best of Best) from the American Federation of Arts, New York, for the book Lisette Model, published by the National Gallery of Canada in 1990, and has worked for many distinguished artists and art institutions across Canada. In 2006, Grauerholz was awarded Quebec’s Prix Paul-Émile-Borduas for her accomplishments in the arts. In 2014 she received the Canada Council’s Governor General Award in Visual and Media Arts, followed by the Scotiabank Photography Award in 2015. Grauerholz’s photographic work has been exhibited and collected nationally and internationally. She has participated in many inter- national events of distinction, including the Biennale of Sydney, Aus- tralia (1990), documenta IX, Kassel, Germany (1992), and the Carnegie International, Pittsburgh, USA (1995). -
History of Art Libraries in Canada (2006, Rev. 2012)
History of Art Libraries in Canada Histoire des bibliothèques d’art au Canada www.arliscanada.ca/hal Sponsored by / Commandité par: ESSAYS IN THE HISTORY OF ART LIBRARIANSHIP IN CANADA National Gallery of Canada Library and Archives Musée des beaux-arts du Canada Bibliothèque et Archives ESSAIS SUR L’HISTOIRE DE LA BIBLIOTHÉCONOMIE D’ART AU CANADA ARLIS/NA ESSAYS IN THE HISTORY OF ART LIBRARIANSHIP IN CANADA ESSAIS SUR L’HISTOIRE DE LA BIBLIOTHÉCONOMIE D’ART AU CANADA Table of Contents Table des matières Introduction Reflections Through the Looking Glass: Murray Waddington The Story of the Fine Arts Library at the Uni- versity of British Columbia Introduction Diana Cooper, Peggy McBride Murray Waddington Traduit par Denise Loiselle A Library for Artists: The Early Years of The Banff Centre Library ARLIS/Canada: James Rout The First Ten Years Jonathan Franklin The Whyte Museum of the Canadian Rockies Bob Foley ARLIS/Canada : les dix premières années The Alberta College of Art + Design: Jonathan Franklin Luke Lindoe Library Traduit par Denise Loiselle Christine Sammon A History of the Canadian Art Libraries Section The Architecture/Fine Arts Library, Fort Garry (CARLIS) Campus, University of Manitoba Melva J. Dwyer Liv Valmestad Hidden Collections: Held in Trust: The Invisible World of English Canadian Book The National Gallery of Canada Library Illustration and Design and Archives Randall Speller Jo Nordley Beglo L’histoire du livre d’artiste au Québec Pour le compte des Canadiens : Sylvie Alix La Bibliothèque et les Archives du Musée des beaux-arts du Canada A History of the Artist's Book in Québec Jo Nordley Beglo Sylvie Alix Traduit par Denise Loiselle Translated by Mark Dobbie “So Hopefully and Imaginatively Founded”: The Vancouver Art Gallery and the Machinery The CCA Library to 1998 of Happiness Rosemary Haddad Cheryl Siegel Le Centre d’information Artexte : Who Was Who: un mandat, et un parcours, atypiques Biographies of Canadian Art Librarians Danielle Léger Steven C. -
Angela Grauerholz
Angela Grauerholz SOLO EXHIBITIONS 2016 2006 Angela Grauerholz, Scotiabank Photography Award Reading Room for the Working Artist (2003-2004) VOX – Ryerson Image Centre, Toronto Centre de l’image contemporaine, Montreal 2016 2004 Angela Grauerholz: Écrins, écrans Reading Room for the Working Artist (2003-2004) Canadian Cultural Centre/Centre culturel canadien, Olga Korper Gallery, Toronto Paris 2003 2014 Reading Room for the Working Artist (2003-2004) Olga Korper Gallery, Toronto + Privation (2001) Blaffer Gallery, The Art Museum of the University 2012 of Houston, Houston Art 45, Montreal (catalogue) 2011 2002 Olga Korper Gallery, Toronto Privation (2001) Contemporary Art Gallery, Vancouver 2011 Angela Grauerholz: The inexhaustible image... 2001 épuiser l’image Privation University of Toronto Art Centre (UTAC), Toronto Olga Korper Gallery, Toronto 2010 1999 Angela Grauerholz: The inexhaustible image... Sententia I – LXII (1998) épuiser l’image Albright-Knox Art Gallery, Buffalo, N.Y. National Gallery of Canada + Canadian Museum (brochure) of Contemporary Photography (CMCP) / Musée des beaux-arts du Canada + Musée canadien de la 1999 photographie contemporaine, Ottawa Selections from Sententia and Other Works: (book / catalogue) Photographs by Angela Grauerholz Dorsky Gallery, New York 2010 (brochure) Angela Grauerholz McMaster Museum of Art, McMaster University, 1999 Hamilton Sententia I – LXII (1998) The Power Plant Contemporary Art Gallery, Toronto 2009 www.atworkandplay.ca 1999 VOX – Centre de l’image contemporaine, Montreal Olga Korper -
! ! ! ! ! ! Appendix!F:!Cvs! Robert S
! ! ! ! ! ! Appendix!F:!CVs! Robert S. Allison, P. Eng. Associate Professor Department of Electrical Engineering and Computer Science Centre for Vision Research York University Contact Address: 4700 Keele St., Toronto, Ontario, Canada, M3J 1P3 Office: CSB 3051 Tel: +1 416-736-2100 x20192 Fax: +1 416-736-5872 email: [email protected] Degrees Ph.D., York University, Biology, 1998 M.A.Sc., University of Toronto, Electrical and Computer Engineering, 1994 B.A.Sc., University of Waterloo, Computer Engineering, Management Sciences Option, 1991 Employment History 2004 – present Associate Professor, Department of Electrical Engineering and Computer Science, York University, Toronto, Ontario • Graduate Program in Psychology • Graduate Program in Computer Science and Engineering • Neuroscience Graduate Diploma Program • Cognitive Science Program 2001 – 2004 Assistant Professor, Department of Computer Science, York University, Toronto, Ontario • Graduate Program in Psychology • Graduate Program in Computer Science and Engineering • Adjunct Member, Graduate Program in Optometry and Vision Science, University of Waterloo 1998 – 2000 Postdoctoral Fellow, Department of Computer Science, York University, Toronto, Ontario 1994 – 1998 Project Scientist, Human Performance Laboratory, Centre for Research in Earth and Space Technology, Toronto, Ontario (part-time until 1998) 1991 – 1992 Electrical Engineer, Atlantis Aerospace Corp., Brampton, Ontario 1988 – 1990 Hardware Engineer (Co-op Student), Bell Northern Research, Nepean, Ontario 1990 Project Engineer