DOCSLIB.ORG

Angela Grauerholz

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Angela Grauerholz Angela Grauerholz SOLO EXHIBITIONS 2016 2006 Angela Grauerholz, Scotiabank Photography Award Reading Room for the Working Artist (2003-2004) VOX – Ryerson Image Centre, Toronto Centre de l’image contemporaine, Montreal 2016 2004 Angela Grauerholz: Écrins, écrans Reading Room for the Working Artist (2003-2004) Canadian Cultural Centre/Centre culturel canadien, Olga Korper Gallery, Toronto Paris 2003 2014 Reading Room for the Working Artist (2003-2004) Olga Korper Gallery, Toronto + Privation (2001) Blaffer Gallery, The Art Museum of the University 2012 of Houston, Houston Art 45, Montreal (catalogue) 2011 2002 Olga Korper Gallery, Toronto Privation (2001) Contemporary Art Gallery, Vancouver 2011 Angela Grauerholz: The inexhaustible image... 2001 épuiser l’image Privation University of Toronto Art Centre (UTAC), Toronto Olga Korper Gallery, Toronto 2010 1999 Angela Grauerholz: The inexhaustible image... Sententia I – LXII (1998) épuiser l’image Albright-Knox Art Gallery, Buffalo, N.Y. National Gallery of Canada + Canadian Museum (brochure) of Contemporary Photography (CMCP) / Musée des beaux-arts du Canada + Musée canadien de la 1999 photographie contemporaine, Ottawa Selections from Sententia and Other Works: (book / catalogue) Photographs by Angela Grauerholz Dorsky Gallery, New York 2010 (brochure) Angela Grauerholz McMaster Museum of Art, McMaster University, 1999 Hamilton Sententia I – LXII (1998) The Power Plant Contemporary Art Gallery, Toronto 2009 www.atworkandplay.ca 1999 VOX – Centre de l’image contemporaine, Montreal Olga Korper Gallery, Toronto (launch and exhibition of the web site) 1999 2008 Sententia I – LXII (1998) Reading Room for the Working Artist (2003-2004) Galerie Heidi Reckermann, Cologne Vancouver Public Library, Vancouver (part of the exhibition series Memory Palace, 3 artists in the library / 1998 catalogue) Sententia I – LXII Galerie Franck + Schulte, Berlin 2008 Ladder of Ascent and Descent 1998 Three banners conceived for the Art 45 (Montréal Télégraphe), Montreal Aperture Banners Series Vancouver Public Library, Vancouver 1998 Angela Grauerholz 2008 Galleria Valentina Moncada, Rome Olga Korper Gallery, Toronto (an exhibition organized by the Musée du Québec as part of Orizzonte Québec / catalogue) 2008 Art 45, Montreal angelagrauerholz.com Angela Grauerholz SOLO EXHIBITIONS (CONTINUED) 1997 1993 Stephen Friedman Gallery, London Angela Grauerholz: Secrets, a gothic tale (work in situ), Centre d’art contemporain, 1997 Domaine de Kerguéhennec, Bignan, Brittany Olga Korper Gallery, Toronto (catalogue) 1997 1993 Galerie Francoise Paviot, Paris Galerie Nächst St. Stephan / Rosemarie Schwarzwälder, Vienna 1997 Mackenzie Art Gallery, Regina 1992 Die Documenta Arbeiten 1996 Galerie Franck + Schulte, Berlin Galerie Deux, Tokyo (catalogue) 1992 Galerie Claire Burrus, Paris 1996 Angela Grauerholz (photographies 1990-1995) 1991 Kunsthaus Zug, Zug Angela Grauerholz: Photographies (an exhibition of the Musée d’art contemporain de Montréal, Montreal / Canadian Cultural Centre / Centre culturel travelling exhibition) canadien, Paris 1996 1991 Angela Grauerholz (photographies 1990-1995) Timeframe: Angela Grauerholz – Michèle Waquant Musée des beaux-arts, Dole Presentation House Gallery, Vancouver (an exhibition of the Musée d’art contemporain de Montréal, Montreal / (catalogue) travelling exhibition) 1991 1995 Angela Grauerholz Photographien Angela Grauerholz (photographies 1990-1995) Westfälischer Kunstverein, Münster Oakville Galleries, Oakville (catalogue) (an exhibition of the Musée d’art contemporain de Montréal, Montreal / travelling exhibition / artist’s book) 1990 Angela Grauerholz 1995 Mercer Union, Toronto Angela Grauerholz (photographies 1990-1995) (catalogue) Kunstverein Hannover, Hannover (an exhibition of the Musée d’art contemporain de Montréal, Montreal / travelling exhibition / book of essays) 1995 Angela Grauerholz (photographies 1990-1995) Musée d’art contemporain de Montréal, Montreal (travelling exhibition / book of essays) 1994 Angela Grauerholz: Recent Photographs Galerie Franck + Schulte, Berlin 1993 Angela Grauerholz: Recent Photographs MIT List Visual Arts Center, Cambridge, Mass. (catalogue) angelagrauerholz.com Angela Grauerholz GROUP EXHIBITIONS 2017 2007 Photography in Canada_La photographie au Rereading / Relecture: Raymonde April, Angela Canada 1960-2000 Grauerholz (Reading Room for the Working Artist, Canadian Photography Institute, National Gallery of 2002-2003), Klaus Scherübel Canada/Institut canadien de la photographie, Musée Ottawa Art Gallery / Galerie d’art d’Ottawa, Ottawa des beaux-arts du Canada, Ottawa (catalogue) 2006 Sound and Vision: Photographic and Video Images 2016 in Contemporary Canadian Art / Son et vision : Elles Photographes / She Photographs l’image photographique et vidéographique dans Montreal Museum of Fine Arts, Montreal l’art contemporain Musée des Beaux-Arts de Montréal, Montreal; 2015 Canadian Cultural Centre / Centre culturel canadien, In Order to Join – The Political in a Historical Paris (2007) Moment / Politisch in einem historischen Moment (catalogue) Goethe-Institut / Max Mueller Bhavan + Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (former Prince of 2005 Wales Museum), Mumbai The McIntyre Ranch Project (catalogue) Southern Alberta Art Gallery, Lethbridge; Illingworth Kerr Gallery, Alberta College of Art + Design, Calgary 2014 The Governor General’s Awards in Visual and Media 2005 Arts 2014 / Les Prix du Gouverneur général en arts A Garden of Forking Paths visuels et en arts médiatiques 2014 The Rooms / Provincial Art Gallery (Archives, National Gallery of Canada / Musée des beaux-arts Art Gallery, Museum), St. John’s du Canada, Ottawa (Newfoundland and Labrador) (catalogue) 2013 In Order to Join, The Political in a Historical 2004 Moment / Politisch in einem historischen Moment Faces, Places, Traces: New Acquisitions to the Museum Abteiberg, Mönchengladbach Photographs Collection / Des visages, lieux, traces. (brochure) Nouvelles oeuvres de la collection de photographies National Gallery of Canada / Musée des beaux-arts 2013 du Canada, Ottawa Passion & Panache – Remember Brenda Wallace McIntosh Gallery, London, Ontario 2003 Confluence: Contemporary Canadian Photography / 2013 La photographie canadienne contemporaine Habiter sa couleur Canadian Museum of Contemporary Photography Aires Libres 2013, Montreal (CMCP) / Musée canadien de la photographie contemporaine, Ottawa 2011 (travelling exhibition / catalogue) Rising to the Occasion: The Long 18th Century McMaster Museum of Art (Sherman Gallery), 2003 McMaster University, Hamilton Revealing the Subject / Le sujet révélé (catalogue) Oakville Galleries, Oakville (traveling exhibition / catalogue) 2008 Autour d’Angela Grauerholz, Oeuvres du Fonds 2002 national d’art contemporain de France Biennale de Montréal Musée national des beaux-arts du Québec, Quebec Centre international d’art contemporain (part of the exhibition event La grande traversée –horizons de Montréal (CIAC), Montreal photographiques) 2001 2008 ArtCité / Quand Montréal devient Musée The Collector: Glen Bloom Musée d’art contemporain de Montréal, Montreal Carleton University Art Gallery, Ottawa angelagrauerholz.com Angela Grauerholz GROUP EXHIBITIONS (CONTINUED) 2000 1995 Autour de la mémoire et de l’archive Le mois de la photo à Montréal : L’éternel et (About Memory and Archive) l’éphémère – Angela Grauerholz et Humberto Rivas Musée d’art contemporain de Montréal, Montreal; Maison de la culture Côte-des-Neiges, Montreal Centre d’exposition de Val-d’Or, Val-d’Or (2002); Dalhousie Art Gallery, Halifax (2002); London Regional 1994 Art & Historical Museums, London (2003); Art Gallery Kraji / Places (Lewis Baltz, Jean-Marc Bustamente, of Bishop’s University, Lennoxville (2003) Willie Doherty, Jochen Gerz, Angela Grauerholz) (catalogue) Moderna Galerija Ljubljana / Museum of Modern Art, Ljubljana 1998 (catalogue) Rear Window / XpoSeptember Stockholm Foto Festival, Stockholm 1994 Gaylen Gerber, Angela Grauerholz, James Welling 1997 Galerie Nächst St. Stephan/Rosemarie Track Records: Trains and Contemporary Schwarzwälder, Vienna Photography / Chronique en rail : trains et photographie contemporaine 1993 Oakville Galleries, Oakville + Canadian Museum of Canada: une nouvelle génération Contemporary Photography (CMCP) / Musée canadien FRAC des Pays de la Loire, Gétigué-Clisson; Musée des de la photographie contemporaine, Ottawa Beaux-Arts, FRAC Franche-Comté, Dole (travelling exhibition / catalogue) (catalogue) 1997 1992 Water: The Renewable Metaphor Documenta IX (work in situ) Museum of Art, University of Oregon, Eugene Städtisches Museum / Neue Galerie, Kassel (catalogue) (catalogue) 1996 1991 One and Others – Photography and Video by Juan Un–Natural Traces: Contemporary Art from Canada Downey, Angela Grauerholz, Gary Hill, Barbican Art Gallery, London Alfredo Jaar, Annette Messager (catalogue) Galerie Lelong, New York 1991 1995 The Photographic Image: Photo Based Works Astrid Klein, Angela Grauerholz, Colección 49th Parallel, Centre for Contemporary Canadian Art, Imagen, doble visión New York Sala Parpalló, Valencia (catalogue) 1991 Memory Works: Post Modern Impulses in 1995 Canadian Art Instants photographiques – Oeuvres choisies Museum London (former London Regional de la Collection Art Gallery), London (Ontario); Mississauga Civic Musée d’art contemporain de Montréal, Montreal Centre, Mississauga; Glenbow Museum, Calgary (part of the Mois de la Photo, Montreal); Couvent des (catalogue) Cordeliers, Paris (1996) (catalogue) 1990 8th Sydney Biennale: The Readymade Boomerang: 1995 Certains Relations in the 20th Century Art Carnegie International 1995 Biennale of Sydney, Sydney (Australia) Carnegie Museum of Art, Pittsburgh (catalogue) (catalogue) 1989 1995 Cheryl Simon, ed. Spirits on the Crossing: Travellers to/from The Zone of Conventional Practice and Other Real Nowhere – Contemporary Art in Canada 1980-1994 Stories / À propos de conventions et autres fictions Setagaya Art Museum, Tokyo; National Museum Optica, a centre for contemporary art, Montreal, 1989 of Modern Art, Kyoto; Hokkaido Museum of (travelling exhibition / catalogue) Modern Art, Sapporo (catalogue) angelagrauerholz.com.
Load more

Recommended publications
  • CV Photo/Ciel Variable, Montreal, No
    A N G E L A G R A U E R H O L Z Recognition and Awards (Visual Arts) 2018 Honorary Doctorate Emily Carr University of Art + Design, Vancouver 2017 150 Years of Photography / Canada 150 Commemorative Collection, 2017 Canada Post, Ottawa 2015 Recipient of the Scotiabank Photography Award, Toronto 2014 Recipient of the Governor General Award in Visual and Media Arts, Canada Council for the Arts, Ottawa 2013 Shortlisted for the Scotiabank Photography Award, Toronto 2006 Awarded the Prix Paul-Émile Borduas, Government of Quebec, Quebec Solo exhibitions 2019 The Empty S(h)elf – First iteration, Artexte, Montreal The Book is the Book, installation at the Madras Literary Society (library), 2019 Chennai Photo Biennale, Chennai Angela Grauerholz: Écrins, écrans, McIntosh Gallery, Western University, London, ON 2018 Scotiabank Contact Festival / Olga Korper Gallery, Toronto Art 45, Montréal 2016 Angela Grauerholz (Scotiabank Photography Award), Ryerson Image Centre, Toronto Angela Grauerholz/Écrins, écrans, Canadian Cultural Centre/Centre culturel canadien, Paris 2014 Olga Korper Gallery, Toronto 2012 Art 45, Montreal 2011 Olga Korper Gallery, Toronto Angela Grauerholz: The inexhaustible image…épuiser l’image, University of Toronto Art Centre (UTAC), Toronto 2010 Angela Grauerholz: The inexhaustible image…épuiser l’image, National Gallery of Canada/Musée des beaux-arts du Canada, Canadian Museum of Contemporary Photography/Musée canadien de la photographie contemporaine (CMCP), Ottawa (book/catalogue) McMaster Museum of Art, McMaster University,
    [Show full text]
  • ANNE RAMSDEN Born/Née Kingston, Ontario. Habite Et Travaille À/Lives and Works in Montréal. Solo Exhi
    1 ANNE RAMSDEN Born/née Kingston, Ontario. Habite et travaille à/lives and works in Montréal. www.anneramsden.com Solo Exhibitions/Expositions individuelles 2016 Metal Objects, La Vitrine, Montréal. 2010 La Collection et le quotidien, Galerie SBC, Montréal. 2007 La Collection et le quotidien, Musée de Rimouski, Qc. 2005 Anastylosis: Photographs, Leo Kamen Gallery, Toronto. 2004 Telling Objects, Vestlandske Kunstindustrimuseum, Bergen, Norvège. 2004 Anastylose : photographies, Galerie Art Mûr, Montréal. 2002 Anastylosis : Inventory, Southern Alberta Art Gallery, Lethbridge. 2001 Winter Garden, Swamp ward Window Project, Kingston, On. 2001-2002 Expose, 8 installations-vitrine, Artexte, Montréal. 2000 Anastylose : un inventaire, Galerie de l’Université du Québec à Montréal. 2000 Anastylose : un inventaire, Centre culturel de l’Univ. de Sherbrooke. 1999 Anastylosis : Childhood, Catriona Jeffries Gallery, Vancouver. 1998 Patina, Musée de Rimouski, Rimouski, Québec. 1997 Possession, Catriona Jeffries Gallery, Vancouver. 1996 Galerie Samuel Lallouz, Montreal. 1994 Residence, Oakville Galleries, Oakville, Ont. 1992 Blind Spots, Front Gallery, Vancouver. 1990 Urban Geography, Mendel Art Gallery, Saskatoon. 1990 Urban Geography, UBC Fine Arts Gallery, Vancouver. 1990 Relations, Galerie Dazibao, Montréal. 1988 Relations, Artspeak Gallery, Vancouver. Group Exhibitions/Expositions de groupe 2017 The hold: Studies in the contemporary collection, Agnes Etherington Art Centre, Kingston. 2016 Stare, Vancouver Art Gallery. 2016 L'état des choses, Musée de Rimouski, Rimouski. 2015 Melancholy Bay, Belkin Art Gallery, Vancouver. 2015 Through a Window, Simon Fraser University Galleries, Vancouver. 2015 Sous-exposées, Galerie d'art Stewart Hall, Montréal. 2014 Hibernus, John B. Aird Gallery, Toronto. 2014 Selective Memory: Artists in the Archive, Glucksman Gallery, Cork, Ireland. 2014 Porcelain: Breaking Tradition, Division Gallery, Arsenale, Toronto.
    [Show full text]
  • Download Artist's CV
    Robert Polidori 1951 Born in Montreal, Canada 1980 State University of New York, Buffalo, NY, M.A., Film 2020 Guggenheim Fellowship 2008 Liliane Bettencourt Prix de la Photographie for Parcours Muséologique Revisité 2006-07 Deutscher Fotobuchpreis for After the Flood 2000 Alfred Eisenstadt Award for Magazine Photography, Architecture 1999 Alfred Eisenstadt Award for Magazine Photography, Architecture 1998-2006 Staff photographer, New Yorker Magazine 1998 World Press Award for Art Solo Exhibitions: 2019 Robert Polidori: Fra Angelico / Opus Operantis, Flowers Gallery, London, United Kingdom 2018 Robert Polidori: Devotion Abandoned, Studio Trisorio, Naples, Italy Robert Polidori: Fra Angelico / Opus Operantis, Paul Kasmin Gallery, New York, NY 2016 Robert Polidori: Ecophilia / Chronostasis, Paul Kasmin Gallery, New York, NY Robert Polidori: 1986-2016 Remembering Chernobyl, Galerie Karsten Greve, Paris, France 2015 Robert Polidori, Camera Work, Berlin, Germany Robert Polidori, Exteriors and Interiors, Galerie Karsten Greve, Köln, Germany Robert Polidori, Versailles, Edwynn Houk Gallery, Zurich, Germany 2014 Robert Polidori, Spuren der Zeit, Museum Bad Arolsen, Bad Arolsen, Germany Versailles, The Memories of Walls, Fontana Gallery, Amsterdam, The Netherlands Robert Polidori, Selected Works, Erie Art Museum, Erie, Pennsylvania, PA 2013 Robert Polidori, Versailles, Mary Boone Gallery, New York City, NY Rose Paintings, Kunstgarten, Graz Robert Polidori, La Mémoire des Murs, Galerie Karsten Greve, Paris, France Robert Polidori, Selected Works,
    [Show full text]
  • New Feminine Spaces of Representational Inquiry: the Works of Nina Levitt and Angela Grauerholz
    NEW FEMININE SPACES OF REPRESENTATIONAL INQUIRY: THE WORKS OF NINA LEVITT AND ANGELA GRAUERHOLZ Andromachi Gagas How do we translate conceptual-language-based art digitally while retaining its original relational function, or how do we situate a public intervention and social redress in virtual space dynamically rather than as inert photographic documentation, are issues we are trying to envision in these digital and virtual forms of exhibitions. I believe that this ambivalence of space is a notion that is a reflection of the postmodernist period in which the artists of the CCCA were producing the artworks displayed on their respective pages. Postmodernism was a questioning of our knowledge system and the “incredulity towards meta-narrative” such as was stated by Jean- Francois Lyotard in the 1979 publication of The Postmodern Condition: A Report on Knowledge.1 The striking down of the master narrative allowed for the petits recits of individual singular experience. And this expansion in the space of experience produced artworks that dwelt in a multi-dimensional space that re-enacted an idea or a memory, or produced artworks that directly disrupted the structures of authority of the totalizing narrative of the order of knowledge. Artists Nina Levitt (b. 1955) and Angela Grauerholz (b. 1952) address these spatial issues of experience and their works intervene and come to create new spaces where the rift in the master narrative can be widened even further. These artists, through their works, create new feminine spaces of representational inquiry. Levitt has created a new feminine space by abducting the white walls of a gallery and rendering them alive and actively engaged in the discourse of female representation.
    [Show full text]
  • Between Memory and Document: the Archival Turn in Contemporary Art UNTITLED N.º 6
    / Ruth Rosengarten Between Memory and Document: The Archival Turn in Contemporary Art UNTITLED N.º 6 Between Memory and Document: The Archival Turn in Contemporary Art Author Ruth Rosengarten Artistic Director Pedro Lapa Editorial Coordination Clara Távora Vilar Nuno Ferreira de Carvalho Graphic Design R2 All rights reserved. © of the text: Ruth Rosengarten,2012 © of the images: the artists, SPA and Fundação de Arte Moderna e Contemporânea – Colecção Berardo, 2012. Digital book. 1st edition: May, 2012 ISBN 978-989-8239-34-1 Museu Coleção Berardo Praça do Império. 1449-003 Lisboa. Portugal + 351 213 612 878 [email protected] Contents Foreword Prologue The Photograph and the Archive: Theory in Practice The Archive and the Photograph The Archival Turn The Archival Turn: Specimen Cases from the Berardo Collection The Mobile Archive: The Artist as Travelling Salesman The Archive of Anonymous Structures A Metonymic Relic and Objects of Attention Closely Lavished The Archive of Intimate and Historical Knowledge Selected Works from the Berardo Collection Marcel Duchamp Vito Acconci Helena Almeida Bernd e Hilla Becher Christian Boltanski Anselm Kiefer Hiroshi Sugimoto Tracy Moffat Daniel Blaufuks There is a story told about the war criminal Ratko Mladic, who spent months shelling Sarajevo from the surrounding hills. Once he noticed an acquaintance’s house in the next target. The general telephoned his acquaintance and informed him that he was giving him five minutes to collect his ‘albums’, because he had decided to blow the house up. When he said ‘albums’, the murderer meant the albums of family photographs. The general, who had been destroying the city for months, knew precisely how to annihilate memory.
    [Show full text]
  • Angela Grauerholz
    Angela Grauerholz BIOGRAPHY Born in Hamburg, Germany, in 1952, Angela Grauerholz has lived and worked in Montreal since 1976. A graduate of the Kunstschule Alsterdamm, Hamburg, in graphic design, she studied literature and linguistics at the University of Hamburg and holds a Master’s degree in Fine Arts (photography) from Concordia University, Montreal. In 1980, she was a co-founder of ARTEXTE, centre d’information en art contemporain, still today an important archive for Canadian art, where she worked until 1986. Simultaneously, until the late 1980s, she was very active as a graphic designer specializing in catalogue and book design. Since 1988, she has been teaching at the École de design, Université du Québec à Montréal, where she was the director of the Centre de Design from 2008 to 2012. Having influenced and taught many generations of graphic designers in Quebec, she has received numerous awards for her design work, such as the Award of Excellence (Best of Best) from the American Federation of Arts, New York, for the book Lisette Model, published by the National Gallery of Canada in 1990, and has worked for many distinguished artists and art institutions across Canada. In 2006, Grauerholz was awarded Quebec’s Prix Paul-Émile-Borduas for her accomplishments in the arts. In 2014 she received the Canada Council’s Governor General Award in Visual and Media Arts, followed by the Scotiabank Photography Award in 2015. Grauerholz’s photographic work has been exhibited and collected nationally and internationally. She has participated in many inter- national events of distinction, including the Biennale of Sydney, Aus- tralia (1990), documenta IX, Kassel, Germany (1992), and the Carnegie International, Pittsburgh, USA (1995).
    [Show full text]
  • History of Art Libraries in Canada (2006, Rev. 2012)
    History of Art Libraries in Canada Histoire des bibliothèques d’art au Canada www.arliscanada.ca/hal Sponsored by / Commandité par: ESSAYS IN THE HISTORY OF ART LIBRARIANSHIP IN CANADA National Gallery of Canada Library and Archives Musée des beaux-arts du Canada Bibliothèque et Archives ESSAIS SUR L’HISTOIRE DE LA BIBLIOTHÉCONOMIE D’ART AU CANADA ARLIS/NA ESSAYS IN THE HISTORY OF ART LIBRARIANSHIP IN CANADA ESSAIS SUR L’HISTOIRE DE LA BIBLIOTHÉCONOMIE D’ART AU CANADA Table of Contents Table des matières Introduction Reflections Through the Looking Glass: Murray Waddington The Story of the Fine Arts Library at the Uni- versity of British Columbia Introduction Diana Cooper, Peggy McBride Murray Waddington Traduit par Denise Loiselle A Library for Artists: The Early Years of The Banff Centre Library ARLIS/Canada: James Rout The First Ten Years Jonathan Franklin The Whyte Museum of the Canadian Rockies Bob Foley ARLIS/Canada : les dix premières années The Alberta College of Art + Design: Jonathan Franklin Luke Lindoe Library Traduit par Denise Loiselle Christine Sammon A History of the Canadian Art Libraries Section The Architecture/Fine Arts Library, Fort Garry (CARLIS) Campus, University of Manitoba Melva J. Dwyer Liv Valmestad Hidden Collections: Held in Trust: The Invisible World of English Canadian Book The National Gallery of Canada Library Illustration and Design and Archives Randall Speller Jo Nordley Beglo L’histoire du livre d’artiste au Québec Pour le compte des Canadiens : Sylvie Alix La Bibliothèque et les Archives du Musée des beaux-arts du Canada A History of the Artist's Book in Québec Jo Nordley Beglo Sylvie Alix Traduit par Denise Loiselle Translated by Mark Dobbie “So Hopefully and Imaginatively Founded”: The Vancouver Art Gallery and the Machinery The CCA Library to 1998 of Happiness Rosemary Haddad Cheryl Siegel Le Centre d’information Artexte : Who Was Who: un mandat, et un parcours, atypiques Biographies of Canadian Art Librarians Danielle Léger Steven C.
    [Show full text]
  • Steidl Spring/Summer 2016
    Steidl Spring/Summer 2016 1 IN MAKING FILMS I CONTINUE TO LOOK AROUND ME, BUT I AM NO LONGER THE SOLITARY OBSERVER TURNING AWAY AFTER THE CLICK OF THE SHUTTER. INSTEAD I’M TRYING TO RECAPTURE WHAT I SAW, WHAT I HEARD AND WHAT I FEEL. WHAT I KNOW! THERE IS NO DECISIVE MOMENT, IT’S GOT TO BE CREATED. I’VE GOT TO DO EVERY THING TO MAKE IT HAPPEN IN FRONT OF THE LENS: SEARCHING_ EXPLAINING_ DIGGING_ WATCHING_ JUDGING_ ERASING_ PRETENDING_ DISTORTING_ LYING_ JUDGING_ RECORDING_ TRYING_ TRYING_ TRYING_ RUNNING_ TELLING A TRUTH_ RUNNING_ CRAWLING_ WORKING TOWARDS THE TRUTH_ UNTIL IT IS DONE ROBERT FRANK THE LINES OF MY HAND 1971 2 Film stills from Robert Frank’s Me and My Brother (1968) 3 Index Contents Artists / Editors Mehta, Suketu 99 Fancy Pictures 125 3 Editorial 75 William A. Ewing (ed.) Ernst Haas. Color Mocafico, Guido 137 Funeral 45 4 Index Correction 1952–1986 Adams, Robert 31–35 Moffat, Curtis 149 Golden Decade, The 127 5 Contents 77 Timm Rautert Josef Sudek, Prag 1967 Aldridge, Miles 69 Mofokeng, Santu 45 Heroes of Labour 115 6 How to contact us 79 Colin Westerbeck A Democracy of Imagery Anotani, Masaho 89 Moser, Walter 71 Imprudences 143 Press enquiries 81 Keith F. Davis (ed.) The Life and Work of Ball, Ken 127 Neville, Mark 125 In Booksburg — resumed 29 How to contact our imprint partners Sid Grossman Baltz, Lewis 101 Nozolino, Paulo 121 In My Room 27 83 Peter Hujar Lost Downtown Banier, François-Marie 143 Odermatt, Arnold 123 Invisible Man 37 85 Tod Papageorge Seeing Things: New York, Barnes, Martin (ed.) 149 Papageorge, Tod 85
    [Show full text]
  • Angela Grauerholz | Écrins Écrans
    Centre Exposition culturel canadien Paris ANGELA GRAUERHOLZ | ÉCRINS ÉCRANS Exposition du 9 novembre 2016 Exhibition from November 9, 2016 au 24 mars 2017 to March 24, 2017 Entrée libre Free admission Ouverture exceptionnelle Special opening les vendredi 11 et samedi 12 novembre on Friday 11 and Saturday 12 of November de 12h à 18h from noon to 6 p.m. Commissaire : Catherine Bédard Curator: Catherine Bédard Angela Grauerholz a reçu en 2015 le prestigieux Scotiabank Photo- In 2015 Angela Grauerholz received the prestigious Scotiabank graphy Award, le plus important prix attribué chaque année à un Photography Award, the most important prize attributed photographe canadien parmi une liste très sélecte des artistes les every year to a Canadian photographer from a very select list plus réputés de la scène canadienne. Cette distinction a donné of renowned Canadian artists. In the wake of that award came lieu, en 2016, à la publication, par l’éditeur allemand Steidl, d’un out a major book on the complete work of Angela Grauerholz ouvrage majeur portant sur l’ensemble de l’œuvre de l’artiste. produced by German publisher Steidl in 2016. À cette occasion, qui marque un tournant dans la carrière interna- On this occasion, which marks a turning point in Angela tionale d’Angela Grauerholz, le Centre culturel canadien présente Grauerholz’s international career, the Canadian Cultural Centre un ensemble de projets photographiques où mémoire indivi- presents an ensemble of photographic projects in which duelle et mémoire collective s’enchevêtrent en de somptueuses individual and collective memory become entangled in mais légèrement inquiétantes images.
    [Show full text]
  • James Welling Born 1951 in Hartford, Connecticut
    This document was updated March 30, 2021. For reference only and not for purposes of publication. For more information, please contact the gallery. James Welling Born 1951 in Hartford, Connecticut. Lives and works in New York. EDUCATION 1971-1974 B.F.A. and M.F.A., California Institute of the Arts, Valencia 1970-1971 University of Pittsburgh 1969-1971 Carnegie Mellon University, Pittsburgh SOLO EXHIBITIONS 2021 Cento, Musée des Arts Contemporains, Hornu, Belgium [forthcoming] Metamorphosis, David Zwirner, Hong Kong 2020 Choreograph, George Eastman Museum, Rochester, New York [catalogue] The Earth, the Temple and the Gods, Galerie Marian Goodman, Paris Archaeology, Regen Projects, Los Angeles Archaeology, Regen Projects, Los Angeles [online presentation] Seascape, Portland Museum of Art, Portland, Maine 2019 Planograph, Maureen Paley, London Seascape by James Welling, Ogunquit Museum of American Art, Ogunquit, Maine Transform, David Zwirner, New York 2018 Choreograph, Galería Marta Cervera, Madrid Materials and Objects: James Welling and Zoe Leonard, Tate Modern, London [two-person exhibition] [collection display] 2017 Chronology, Marian Goodman Gallery, Paris Metamorph, LOGIN, Galerie nächst St. Stephan Rosemarie Schwarzwälder, Vienna Metamorphosis, Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Ghent [itinerary: Kunstforum Wien, Vienna] [catalogue] New Work, Wako Works of Art, Tokyo Seascape, David Zwirner, New York 2016 Chronograph, Henry Art Gallery, University of Washington, Seattle Choreograph, Regen Projects, Los Angeles 2015 Choreograph,
    [Show full text]
  • LM Cvjune8 2015Final.Pdf
    Landon Mackenzie is a Canadian artist who has built an impressive body of work in painting and drawing. She is widely exhibited in Canada and internationally. Perhaps best known for Lost River Series and her complex mapping paintings, Mackenzie’s pictures are collected by the National Gallery of Canada, the Vancouver Art Gallery, the Art Gallery of Ontario, the Montreal Museum of Fine Arts and the Musée d’art contemporain de Montréal, among many others. Raised in Toronto, She began her undergraduate education at the Nova Scotia College of Art and Design (NSCAD) in Halifax (1972-1976) and received an MFA from Concordia University in Montréal in 1979. Her work has been extensively written about. She has received numerous awards including both the Golden and Diamond Queen Elizabeth II Jubilee Medals. Based in Vancouver, she is an influential artist with a longtime studio practice, and a full professor at Emily Carr University of Art + Design. SOLO EXHIBITIONS 2015-17 Parallel Journeys: Works on Paper (1975-2015), Curator Liz Wylie, Kelowna Art Gallery, tour: Dalhousie University Art Gallery, Halifax and Confederation Centre for the Arts, Charlottetown and TBA (book forthcoming with Black Dog Publishing, London, UK) 2014-15 Landon Mackenzie in Dialogue with Emily Carr: Emily Carr and Landon Mackenzie: Wood Chopper and the Monkey, Curator Grant Arnold, Vancouver Art Gallery, Vancouver, Canada (catalogue) 2013 Train Yard, ZK/U, Centre for Art and Urbanistics, Berlin, Germany 2013 Four/Quatre, Art 45, Montréal, Québec, Canada 2012-13 Landon
    [Show full text]
  • James Welling Biography
    JAMES WELLING BIOGRAPHY Born, Hartford, CT, 1951. Lives and works in New York, NY. Education: Carnegie-Mellon University, Pittsburgh, PA, 1969 – 1971 B.F.A./M.F.A., California Institute of the Arts, Valencia, CA, 1971 – 1974 Academic Positions: 2012 – present Lecturer with the Rank of Professor, Visual Arts Program, Princeton University, Princeton, NJ 1995 – 2016 Professor, Department of Art, University of California, Los Angeles, CA 1995 Visiting Faculty, Milton Avery Graduate School of the Arts, Bard College, Annandale-on-Hudson, NY Visiting Lecturer, Visual Arts Program, Massachusetts Institute of Technology, Cambridge, MA Selected Solo Exhibitions: 2021 “James Welling: Cento,” Musée des Arts Contemporains Grand-Hornu, Hornu, Belgium, May 23 – August 29, 2021 “James Welling: Metamorphosis,” David Zwirner, Hong Kong, China, April 1 – May 8, 2021 2020 “James Welling: Archaeology,” Regen Projects, Los Angeles, CA, September 26 – October 31, 2020 “James Welling: Choreograph,” George Eastman Museum, Rochester, NY, July 26, 2020 – January 3, 2021 “James Welling: Seascape,” Portland Museum of Art, Portland, ME, February 22 – July 5, 2020 “James Welling: The Earth, the Temple and the Gods,” Marian Goodman Gallery, Paris, France, January 24 – March 18, 2020 2019 “James Welling: Planograph,” Maureen Paley, London, UK, November 23, 2019 – January 5, 2020 “Seascape by James Welling,” Ogunquit Museum of American Art, Ogunquit, ME, May 1 – July 8, 2019 “Transform,” David Zwirner, New York, NY, January 10 – February 16, 2019 2018 “James Welling: Choreograph,” Galería Marta Cervera, Madrid, Spain, May 10 – July 15, 2018 2017 “James Welling: New Work,” Wako Works of Art, Tokyo, Japan, September 9 – October 14, 2017 “James Welling: Seascape,” David Zwirner, New York, NY, July 10 – August 4, 2017 “James Welling: Metamorph,” Galerie nächst St.
    [Show full text]