Steidl Spring/Summer 2016

Total Page:16

File Type:pdf, Size:1020Kb

Steidl Spring/Summer 2016 Steidl Spring/Summer 2016 1 IN MAKING FILMS I CONTINUE TO LOOK AROUND ME, BUT I AM NO LONGER THE SOLITARY OBSERVER TURNING AWAY AFTER THE CLICK OF THE SHUTTER. INSTEAD I’M TRYING TO RECAPTURE WHAT I SAW, WHAT I HEARD AND WHAT I FEEL. WHAT I KNOW! THERE IS NO DECISIVE MOMENT, IT’S GOT TO BE CREATED. I’VE GOT TO DO EVERY THING TO MAKE IT HAPPEN IN FRONT OF THE LENS: SEARCHING_ EXPLAINING_ DIGGING_ WATCHING_ JUDGING_ ERASING_ PRETENDING_ DISTORTING_ LYING_ JUDGING_ RECORDING_ TRYING_ TRYING_ TRYING_ RUNNING_ TELLING A TRUTH_ RUNNING_ CRAWLING_ WORKING TOWARDS THE TRUTH_ UNTIL IT IS DONE ROBERT FRANK THE LINES OF MY HAND 1971 2 Film stills from Robert Frank’s Me and My Brother (1968) 3 Index Contents Artists / Editors Mehta, Suketu 99 Fancy Pictures 125 3 Editorial 75 William A. Ewing (ed.) Ernst Haas. Color Mocafico, Guido 137 Funeral 45 4 Index Correction 1952–1986 Adams, Robert 31–35 Moffat, Curtis 149 Golden Decade, The 127 5 Contents 77 Timm Rautert Josef Sudek, Prag 1967 Aldridge, Miles 69 Mofokeng, Santu 45 Heroes of Labour 115 6 How to contact us 79 Colin Westerbeck A Democracy of Imagery Anotani, Masaho 89 Moser, Walter 71 Imprudences 143 Press enquiries 81 Keith F. Davis (ed.) The Life and Work of Ball, Ken 127 Neville, Mark 125 In Booksburg — resumed 29 How to contact our imprint partners Sid Grossman Baltz, Lewis 101 Nozolino, Paulo 121 In My Room 27 83 Peter Hujar Lost Downtown Banier, François-Marie 143 Odermatt, Arnold 123 Invisible Man 37 85 Tod Papageorge Seeing Things: New York, Barnes, Martin (ed.) 149 Papageorge, Tod 85 Istanbul New Stories 51 Distribution 1966–1967 Belin, Valérie 57 Parks, Gordon 37 Josef Sudek 77 87 Teller/Ghesquière Season Three Berndt, Jerry 103 Polidori, Robert 49 Lake Pictures 107 7 Germany, Austria and Switzerland 89 STEIDL-WERK No.23 Blumenfeld, Erwin 139 Rautert, Timm 77 Landscape as Longing 99 8 USA and Canada MASAHO ANOTANI “DEFORMED” Bolofo, Koto 129–31 Reeves, Keanu 95 Let’s call it a day 123 9 France Bourdin, Guy 105 Sarfati, Lise 53 Life and Work of Sid Grossmann, The 81 All other territories Chan, Theseus 89 Saura, Carlos 97 Light 61 Previously Announced Books Comte, Michel 61 Serra, Richard 91 Loaded Shine 121 11 Steidl Bookshops Davis, Keith F. 81 Sternfeld, Joel 99 Lost Downtown 83 13 Book Awards 2015/16 91 Richard Serra Notebooks Vol. 2 De Pietri, Paola 51 Sutherland, Marq 147 MASAHO ANOTANI “DEFORMED” 89 93 Roni Horn Remembered Words Devlin, Lucinda 107 Teller, Juergen 87 Message For You, A 105 95 Grant/Reeves Shadows Diépois, Aline 141 Trager, Philip 73 Mocafico Numéro 137 Steidl Spring/Summer 2016 List 97 Carlos Saura Vanished Spain d’Orgeval, Martin 145 Wessel, Henry 39–43 New Industrial Parks, The 101 99 Sternfeld/Gohlke/Mehta Landscape as Longing Dufour, Diane 71 Westerbeck, Colin 79 New West, The 35 15 Robert Frank Film Works 101 Lewis Baltz The New Industrial Parks Ellison, Ralph 37 Whyte Ball, Victoria 127 Notebooks Vol. 2 91 25 Robert Frank Was haben wir gesehen / Near Irvine, California Ewing, William A. 75 Witkovsky, Matthew 71 Oh Man 53 What we have seen 103 Jerry Berndt Beautiful America Forbes, Duncan 71 Our Lives and Our Children 33 27 Saul Leiter In My Room 105 Guy Bourdin A Message For You Frank, Robert 15,25 Papermaking 131 29 David Goldblatt In Boksburg — resumed 107 Lucinda Devlin Lake Pictures Ghesquière, Nicolas 87 Titles Photographing Ina 73 31 Robert Adams Cottonwoods 109 Tomasz Gudzowaty Beyond the Body Gizolme, Thomas 141 Pilgrim 147 33 Robert Adams Our Lives and Our Children 111 Tomasz Gudzowaty Closer Gohlke, Frank 99 200 m 63 Please Return Polaroid 69 35 Robert Adams The New West 113 Tomasz Gudzowaty True Love Never Dies Goldblatt, David 29 27 April 1994 45 Printing 129 37 Gordon Parks Invisible Man: Gordon Parks 115 Gleb Kosorukov Heroes of Labour Goldin, Nan 55 60 Feet Road, Bhatiya Nagar Facades 49 Provoke 71 and Ralph Ellison in Harlem 117 Henry Leutwyler Document Grant, Alexandra 95 Abstrakt Zermatt 141 Remembered Words 93 39 Henry Wessel Sunset Park 119 Kai Löffelbein Ctrl-X. A topography of e-waste Grauerholz, Angela 67 Amateur 133 Robert Frank Film Works 15 41 Henry Wessel Traffic 121 Paulo Nozolino Loaded Shine Grossman, Sid 81 Angela Grauerholz 67 Season Three 87 43 Henry Wessel Continental Divide 123 Arnold Odermatt Let’s call it a day Gudzowaty, Tomasz 109–113 Beautiful America 103 Seeing Things 85 45 Santu Mofokeng Stories: 2–4 125 Mark Neville Fancy Pictures Haas, Ernst 75 Beyond the Body 109 Shadows 95 49 Robert Polidori 60 Feet Road, Bhatiya 127 Ken Ball and Victoria Whyte Ball The Golden Decade Hanzlová, Jitka 65 Blumenfeld Studio 139 Silver Society 149 Nagar Facades 129 Koto Bolofo Printing Heick, William 127 Closer 111 STEIDL-WERK No.23 89 51 Paola De Pietri Istanbul New Stories 131 Koto Bolofo Papermaking Horn, Roni 93 Color Correction 75 Stories 45 53 Lise Sarfati Oh Man 133 Sébastien Lifshitz Amateur Hujar, Peter 83 Concert at Sewefontein 45 Sunset Park 39 55 Nan Goldin Diving for Pearls 135 Kiluanji Kia Henda Travelling to the Sun Jedlička, Jan 63 Continental Divide 43 Traffic 41 57 Valérie Belin Valérie Belin II through the Night Kia Henda, Kiluanji 135 Cotton Rose 65 Travelling to the Sun through the Night 135 61 Michel Comte Light 137 Guido Mocafico Mocafico Numéro Kosorukov, Gleb 115 Cottonwoods 31 True Love Never Dies 113 63 Jan Jedlička 200 m 139 Erwin Blumenfeld Blumenfeld Studio Latour, Ira H. 127 Ctrl-X. 119 Valérie Belin II 57 65 Jitka Hanzlová Cotton Rose 141 Diépois/Gizolme Abstrakt Zermatt Leiter, Saul 27 Curtis Moffat 149 Vanished Spain 97 67 Angela Grauerholz Angela Grauerholz 143 François-Marie Banier Imprudences Leutwyler, Henry 117 Découpages 145 Was haben wir gesehen 25 69 Miles Aldridge Please Return Polaroid 145 Martin d’Orgeval Découpages Lifshitz, Sébastien 133 Democracy of Imagery, A 79 What we have seen 25 71 Witkovsky/Dufour/Moser/Forbes Provoke. 147 Marq Sutherland Pilgrim Löffelbein, Kai 119 Diving for Pearls 55 Between Protest and Performance 149 Martin Barnes (ed.) Curtis Moffat: Silver Society Macauley, C. Cameron 127 Document 117 73 Philip Trager Photographing Ina 151 Backlist This catalogue is not for sale · © 2016 for this publication by Steidl Publishers, Germany · © 2016 for the images by the artists · © 2016 for the texts by the authors Scanning by Steidl’s digital darkroom · Production and printing by Steidl Steidl, Düstere Str. 4, 37073 Göttingen, Germany · Phone +49 551 49 60 60 · Fax +49 551 49 60 649 · [email protected] • steidl.de 4 All rights reserved · Printed in Germany by Steidl · ISBN 978-3-95829-129-4 5 How to contact us Press enquiries How to contact our imprint partners Distribution Germany, Austria and Switzerland Steidl Germany, Austria and Switzerland Edition 7L Paris Verlag Vertrieb Düstere Str. 4 Steidl Verlag Caroline Lebar Gerhard Steidl Matthias Wegener 37073 Göttingen Claudia Glenewinkel 7, rue de Lille GmbH & Co. OHG T +49 551 4 960 616 Germany Düstere Str. 4 75007 Paris Düstere Straße 4 F +49 551 4 960 649 T +49 551 4 960 60 37073 Göttingen France 37073 Göttingen E [email protected] F +49 551 4 960 649 Germany T +33 1 44 502 200 T +49 551 4 960 60 Susanne Schmidt E [email protected] T +49 551 4 960 650 F +33 1 44 502 205 F +49 551 4 960 649 T +49 551 4 960 612 www.steidl.de F +49 551 4 960 644 E [email protected] E [email protected] F +49 551 4 960 649 E [email protected] www.steidl.de E [email protected] Sales Steidl Dangin Publishers Matthias Wegener USA and Canada Box Ltd. T +49 551 4 960 616 Monika Condrea Attn.: Marion Liang F +49 551 4 960 649 39 Ainslie Street 267 Douglass Street Auslieferungen Außendienst E [email protected] Brooklyn, NY 11211 Brooklyn, NY 11217 Susanne Schmidt USA USA Deutschland Deutschland T +1 646 226 6828 T +1 212 965 9555 T +49 551 4 960 612 Gemeinsame Verlagsauslieferung E [email protected] F +1 212 965 9555 Schleswig-Holstein, Hamburg, Hessen, Rheinland-Pfalz, F +49 551 4 960 649 Göttingen (GVA) E [email protected] Bremen, Niedersachsen Saarland, Luxemburg E [email protected] Postfach 2021 France Bodo Föhr Verlagsvertretungen Raphael Pfaff 37010 Göttingen Patrick Remy Steidl David Zwirner Lattenkamp 90 Verlagsvetretung Submissions T +49 551 487 177 22, Place Charles Fillion Julia Joern 22299 Hamburg An den Drei Hohen 51 Maren Mittentzwey F +49 551 41 392 75017 Paris 525 West 19th Street T +49 40 51493667 60435 Frankfurt E [email protected] E [email protected] France New York, NY 10011 F +49 40 51493666 T +49 69 54 890 366 Lieferanschrift: E [email protected] F +49 69 549 024 Catalogue / Editorial T +33 1 42 632 167 T +1 212 7 272 070 F +33 1 42 265 518 F +1 212 7 272 072 Anna-Vandenhoeck-Ring 36 E [email protected] Maren Mittentzwey E [email protected] E [email protected] 37081 Göttingen Berlin, Mecklenburg- T +49 551 4 960 639 www.davidzwirner.com Auftragsbearbeitung: Baden-Württemberg E [email protected] Vorpommern, Brandenburg All other territories Leonore Frester Vera Grambow Tilmann Eberhardt Steidl Miles T +49 551 487 177 Verlagsvertretungen Export Management / Shipping Steidl Verlag Liselotte-Herrmann-Straße 2 Claudia Glenewinkel Peter Miles Studio F +49 551 41 392 10407 Berlin Ludwigstr. 93 Jan Menke ns Düstere Str.
Recommended publications
  • I Am a Miner
    EARCH 1. Mine Try finding this artwork and fill in the missing SPOT THE DIFFERENCE! S CAN YOU READ D 2. Photograph details by looking at the LABEL. The label tells us Find the 5 ways the image on the le has been changed! R 3. Label more information about the artwork, such as the O S A M B S O U C T M 4. Museum AN ARTWORK? TITLE THE NAME of the work, the year it was W 5. Camera made and the MEDIUM (what was used to make T D G J Y A N A G I the artwork): H J M U S E U M W N Y G C U L A B E L E I was made by David Goldbla K N L B Z T R R O I P H O T O G R A P H My title is Miner, Consolidated J H B F K M E L O T Mine Reef, Roodepoort I am a ______________________ (medium) I was made in the year ______________ HELP VINCENT FIND THE GOLD! Photographs like the ones Goldbla made were taken with a film camera, and the images are stored on a roll of film rather than a memory card! Can you complete this image this complete you Can half?the second drawing by MIRROR–MIRROR E? ON MY WAY HOME DAVID GOLDBLATT: I SE O Draw some memorable things in the circles below! ON THE MINES I AM A MINER D T Write down all the things you Name Age School A The best thing I saw at My guide looked H can name in this photograph! Norval Foundation: like this: Hard hat W WHAT DO I SEE? This type of artwork is called a PHOTOGRAPH.
    [Show full text]
  • Stantec, Inc. (STN) Investor Day
    Corrected Transcript 12-Jun-2019 Stantec, Inc. (STN) Investor Day Total Pages: 62 1-877-FACTSET www.callstreet.com Copyright © 2001-2019 FactSet CallStreet, LLC Stantec, Inc. (STN) Corrected Transcript Investor Day 12-Jun-2019 CORPORATE PARTICIPANTS Alison Tucker Kirk Morrison Vice President-Sector Marketing & Client Development, Stantec, Inc. Executive Vice President, Energy & Resources, Stantec, Inc. Scott Argent Leonard Castro Vice President, Regional Leader, Canada (Edmonton Capital), Stantec, Executive Vice President, Buildings, Stantec, Inc. Inc. Stuart Lerner Gordon Allan Johnston Executive Vice President, Infrastructure, Stantec, Inc. President, Chief Executive Officer & Director, Stantec, Inc. Marshall Davert Theresa B. Y. Jang Executive Vice President-Water, Stantec, Inc. Chief Financial Officer & Executive Vice President, Stantec, Inc. Catherine Margaret Schefer Robert H. Seager Executive Vice President & Regional Operating Unit Leader, Stantec, Executive Vice President, Environmental Services, Stantec, Inc. Inc. ...................................................................................................................................................................................................................................................... OTHER PARTICIPANTS Chris Murray Mark Neville Analyst, AltaCorp Capital, Inc. Analyst, Scotiabank Michael Tupholme Derek Spronck Analyst, TD Securities, Inc. Analyst, RBC Capital Markets Derrick Richard Gut Benoit Poirier Analyst, Jarislowsky, Fraser Ltd. Analyst, Desjardins
    [Show full text]
  • Eduardo Del Valle & Mirta Gómez
    EDUARDO DEL VALLE Professor Department of Art & Art History [email protected] CURRICULUM VITAE PERSONAL INFORMATION Eduardo del Valle, American, born Havana, Cuba 1951. EDUCATION Master of Fine Arts in Art, Brooklyn College of the City University of New York, Brooklyn, NY, 1981. Bachelor of Fine Arts in Art, Florida International University, Miami, FL, 1976. Associate of Arts, Miami-Dade Community College, South Campus, Miami, FL, 1974. MONOGRAPHS ON VIEW, Photographs by Eduardo del Valle & Mirta Gómez. The Nazraeli Press, 2012. ISBN 978-1-59005-342-7 EN VISTA, Photographs by Eduardo del Valle & Mirta Gómez. The Nazraeli Press, 2009. ISBN 978-1-59005-262-4 WITNESS NUMBER FOUR, Artists and Guest Editors, Eduardo del Valle & Mirta Gómez. JGS, Inc. 2008. ISBN 978-1-59005-220-4 BETWEEN RUNS, Photographs by Eduardo del Valle & Mirta Gómez. Essay by Chris Pichler, Director of Nazraeli Press, Portland, OR. The Nazraeli Press, 2006. ISBN 1-59005-168-8 FRIED WATERS, Photographs by Eduardo del Valle and Mirta Gómez. Essay by Mark Haworth-Booth, Senior Curator of Photography, The Victoria and Albert Museum, London. The Nazraeli Press, 2005. ISBN 1-59005-090-8 FOUR SECTIONS OF TIME, Photographs by Eduardo del Valle & Mirta Gómez, The Nazraeli Press, 2004. ISBN 1-59005-077-0 FROM THE GROUND UP, Photographs by Eduardo del Valle & Mirta Gómez. Essays by Sandra S. Phillips, Senior Curator of Photography, San Francisco Museum of Modern Art and Richard Rodriguez, author and essayist on the NewsHour with Jim Lehrer on PBS. The Nazraeli Press, 2003. ISBN 1-59005-054-1 FELLOWSHIPS & GRANTS (selected) John Simon Guggenheim Memorial Foundation, Two Individual Artists Fellowships for Photography, New York City, NY, 1997-98.
    [Show full text]
  • Goldblatt 1830 Metres (5000 to 6000 Feet) Elevation, on Which Lies South Africa’S Largest Conurbation
    ons after 1834 to escape British domination. Also the Afrikaner youth movement. Whites A collective term for light-skinned people predomi- David nantly of European stock. Witwatersrand Afrikaans Wit = white + waters = waters + rand = ridge. Geographical east-west formation at between 1500 and Goldblatt 1830 metres (5000 to 6000 feet) elevation, on which lies South Africa’s largest conurbation. See Reef. Fifty-one years Xhosas An Nguni African people who live mainly along the southeastern rain belt. Zulus An Nguni African people who live mainly in KwaZulu- 8 February - 14 April 2002 Natal. ACTIVITIES AROUND THE EXHIBITION ROUNDTABLE DISCUSSION FRIDAY 8 FEBRUARY AT 7.30 PM The photographer David Goldblatt, Pepe Baeza, journalist and lecturer at the Universitat Autònoma de Barcelona, and Alfred Bosch, professor of African History at the Universitat Pompeu Fabra, will discuss Goldblatt’s work and the South African historical and cultural context. Auditorium. Limited number of seats. For further information: Tel. 93 412 14 13 [email protected] The provincial and homeland names and borders used in this exhibition are those that applied during most of the years of Goldblatt's photography and before South Africa's transition to democratic government in 1994. © Courtesy of Edicions Bellaterra ing the National Party to power in 1948 and keeping it there Soweto From “South Western Townships”, Johannesburg’s for more than 40 years. “location”, the extensive series of townships in which African 2 pass laws Laws controlling the movements and residential rights residents of Johannesburg were required to live in terms of seg- of Africans, principally by means of a “pass” or pass book, signed regation laws regulating African access to urban areas.
    [Show full text]
  • CV Photo/Ciel Variable, Montreal, No
    A N G E L A G R A U E R H O L Z Recognition and Awards (Visual Arts) 2018 Honorary Doctorate Emily Carr University of Art + Design, Vancouver 2017 150 Years of Photography / Canada 150 Commemorative Collection, 2017 Canada Post, Ottawa 2015 Recipient of the Scotiabank Photography Award, Toronto 2014 Recipient of the Governor General Award in Visual and Media Arts, Canada Council for the Arts, Ottawa 2013 Shortlisted for the Scotiabank Photography Award, Toronto 2006 Awarded the Prix Paul-Émile Borduas, Government of Quebec, Quebec Solo exhibitions 2019 The Empty S(h)elf – First iteration, Artexte, Montreal The Book is the Book, installation at the Madras Literary Society (library), 2019 Chennai Photo Biennale, Chennai Angela Grauerholz: Écrins, écrans, McIntosh Gallery, Western University, London, ON 2018 Scotiabank Contact Festival / Olga Korper Gallery, Toronto Art 45, Montréal 2016 Angela Grauerholz (Scotiabank Photography Award), Ryerson Image Centre, Toronto Angela Grauerholz/Écrins, écrans, Canadian Cultural Centre/Centre culturel canadien, Paris 2014 Olga Korper Gallery, Toronto 2012 Art 45, Montreal 2011 Olga Korper Gallery, Toronto Angela Grauerholz: The inexhaustible image…épuiser l’image, University of Toronto Art Centre (UTAC), Toronto 2010 Angela Grauerholz: The inexhaustible image…épuiser l’image, National Gallery of Canada/Musée des beaux-arts du Canada, Canadian Museum of Contemporary Photography/Musée canadien de la photographie contemporaine (CMCP), Ottawa (book/catalogue) McMaster Museum of Art, McMaster University,
    [Show full text]
  • BULLETIN for FILM and VIDEO INFORMATION Vol. 2,No.3
    HudochOneWorld, !nn 13AoadiaRU . .0!d8moowioh .CT8G87U 1975'70 ILM AND VIDEO INFORMATION feature film catalogue available . Wd, il, No . 3, May 1975 Independent Filmmakers' Cooperative . 2026 OOntario E., Montreal 133, Quebec, Canada (514) 523-2816 . 1972-73 catalogue is available listing over Editor : HolUo Melton ; Publisher: Anthology Film Archives ! 3K Alms, and a upplemerit to We min catalogue has been published. The subscription : ! Address: DOWouoterS1, New York, N1 10012 . Yearly 85 coopera0e now distributes close to 500 films by independent film-makers . Insight Exchange, P 0 @ux42584SonFmnciouo CA 94101 )021-2713. buUstniu0oserve theiWunnuUonneeds nf The ofthis "We currently seeking ewfilms undvideo inuurmajor categories : mental and their users . The bulletin is organized around five film-and video-makers health, women, community urUmnizing ."Sponsor film-discussion series, of 0m and video: film-and video-making ; distribution ; exhibition and aspects "Women Emorying"Write forfree brochures ondflyers. programming ; study; and preservation . Your suggestions and comments will welcomed . be Mu0Media Resource Center, 540Powo!St . .8anFrancisco, CA041U0 . Has catalogue supplement available of 1Smmfilms andvideocassettes on human sexuality. Now Line Cinema, 8 16th Floor, N.Y, N.Y . 10003 (212) 2DBrentwood Rd D Shore, NY 11706 Cum Wealth Alternate School . 674-7460 . Has new catalogue available . (516) 587-8398 . A new theater group, The Hamlet Collective, ''comprised of directors, dancers, painters, photographers, actors, musicians, playwrights, Polymorph Films . 331 NewburySt .jBoston, 02115(b17)202-5Q0U . artists who might wish to partici- video artists . We welcome film and video ''Films about families and living .'' Write or call for catalogue. pate in our growth .'' For information call or write Ned Bobkoff at the above Work! Class Films.
    [Show full text]
  • Titolo Anno Paese
    compensi "copia privata" per l'anno 2018 (*) Per i film esteri usciti in Italia l’anno corrisponde all’anno di importazione titolo anno paese #SCRIVIMI ANCORA (LOVE, ROSIE) 2014 GERMANIA '71 2015 GRAN BRETAGNA (S) EX LIST ((S) LISTA PRECEDENTE) (WHAT'S YOUR NUMBER?) 2011 USA 002 OPERAZIONE LUNA 1965 ITALIA/SPAGNA 007 - IL MONDO NON BASTA (THE WORLD IS NOT ENOUGH) 2000 GRAN BRETAGNA 007 BERSAGLIO MOBILE (A VIEW TO A KILL) 1985 GRAN BRETAGNA 007 DOMANI NON MUORE MAI (IL) (TOMORROW NEVER DIES) 1997 GRAN BRETAGNA 007 SOLO PER I TUOI OCCHI (FOR YOUR EYES ONLY) 1981 GRAN BRETAGNA 007 VENDETTA PRIVATA (LICENCE TO KILL) 1989 USA 007 ZONA PERICOLO (THE LIVING DAYLIGHTS) 1987 GRAN BRETAGNA 10 CLOVERFIELD LANE 2016 USA 10 REGOLE PER FARE INNAMORARE 2012 ITALIA 10 YEARS - (DI JAMIE LINDEN) 2011 USA 10.000 A.C. (10.000 B.C.) 2008 USA 10.000 DAYS - 10,000 DAYS (DI ERIC SMALL) 2014 USA 100 DEGREES BELOW ZERO - 100 GRADI SOTTO ZERO 2013 USA 100 METRI DAL PARADISO 2012 ITALIA 100 MILLION BC 2012 USA 100 STREETS (DI JIM O'HANLON) 2016 GRAN BRETAGNA 1000 DOLLARI SUL NERO 1966 ITALIA/GERMANIA OCC. 11 DONNE A PARIGI (SOUS LES JUPES DES FILLES) 2015 FRANCIA 11 SETTEMBRE: SENZA SCAMPO - 9/11 (DI MARTIN GUIGUI) 2017 CANADA 11.6 - THE FRENCH JOB (DI PHILIPPE GODEAU) 2013 FRANCIA 110 E FRODE (STEALING HARVARD) 2003 USA 12 ANNI SCHIAVO (12 YEARS A SLAVE) 2014 USA 12 ROUND (12 ROUNDS) 2009 USA 12 ROUND: LOCKDOWN - (DI STEPHEN REYNOLDS) 2015 USA 120 BATTITI AL MINUTO (120 BETTEMENTS PAR MINUTE) 2017 FRANCIA 127 ORE (127 HOURS) 2011 USA 13 2012 USA 13 HOURS (13 HOURS:
    [Show full text]
  • Mark Neville (B
    Cristea Roberts Gallery Artist Biography 43 Pall Mall, London SW1Y 5JG +44 (0)20 7439 1866 [email protected] www.cristearoberts.com Mark Neville (b. 1966) Mark Neville works at the intersection of art and documentary. Brugge Centraal, Arentshuis, Belgium His socially driven practice includes, film, photography and 2009 Running Time: Artists Film in Scotland, Dean Gallery, targeted book dissemination. He often refers to his work as Edinburgh, UK collaborative and he consistently looks to subvert the traditional 2008 Fancy Pictures, Mount Stuart, Isle of Bute, UK role of social documentary practice, seeking to find new ways Parrworld (touring exhibition), Haus Der Kunst, Munich, to empower the position of its subject over that of the author. In Germany 2011 Neville was commissioned as an official war artist by the Intermezzo, Kunstmuseum, Bern, Switzerland Imperial War Museum, and spent time with the 16 Air Assault 2006 Port Glasgow Book Project (travelling exhibition), Brigade in Helmand Province. The photos and films from this Holden Gallery, Manchester, UK project were shown at the Imperial War Museum in 2014. Neville Animal Architecture, Hunterian Museum, Glasgow, has also been commissioned by the New York Times Magazine UK to document the stark differences in London society and The Jump Films Installation, Street Level Gallery, subcultures. This broadened into a project that looked at income Glasgow, UK inequality throughout the UK and US. The Moth and the Lamp, Kuntshalle, Bern, Switzerland Local Stories, Modern Art Oxford,
    [Show full text]
  • 0Ca60ed30ebe5571e9c604b661
    Mark Parascandola ONCE UPON A TIME IN SHANGHAI Cofounders: Taj Forer and Michael Itkoff Creative Director: Ursula Damm Copy Editors: Nancy Hubbard, Barbara Richard © 2019 Daylight Community Arts Foundation Photographs and text © 2019 by Mark Parascandola Once Upon a Time in Shanghai and Notes on the Locations © 2019 by Mark Parascandola Once Upon a Time in Shanghai: Images of a Film Industry in Transition © 2019 by Michael Berry All rights reserved. ISBN 978-1-942084-74-7 Printed by OFSET YAPIMEVI, Istanbul No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means without the prior permission in writing of copyright holders and of the publisher. Daylight Books E-mail: [email protected] Web: www.daylightbooks.org 4 5 ONCE UPON A TIME IN SHANGHAI: IMAGES OF A FILM INDUSTRY IN TRANSITION Michael Berry THE SOCIALIST PERIOD Once upon a time, the Chinese film industry was a state-run affair. From the late centers, even more screenings took place in auditoriums of various “work units,” 1940s well into the 1980s, Chinese cinema represented the epitome of “national as well as open air screenings in many rural areas. Admission was often free and cinema.” Films were produced by one of a handful of state-owned film studios— tickets were distributed to employees of various hospitals, factories, schools, and Changchun Film Studio, Beijing Film Studio, Shanghai Film Studio, Xi’an Film other work units. While these films were an important part of popular culture Studio, etc.—and the resulting films were dubbed in pitch-perfect Mandarin during the height of the socialist period, film was also a powerful tool for education Chinese, shot entirely on location in China by a local cast and crew, and produced and propaganda—in fact, one could argue that from 1949 (the founding of the almost exclusively for mainland Chinese film audiences.
    [Show full text]
  • Press Release
    PRESS RELEASE PHILLIPS de PURY & COMPANY ANNOUCES AN EXHIBITION AND BOOK LAUNCH FOR PHOTOGRAPHER GUY BOURDIN IN NEW YORK MARCH 11-25, 2006 New York, February 22, 2006 -- Phillips de Pury & Company is pleased to announce a unique collaboration with Samuel Bourdin, the sole owner of the Guy Bourdin Estate, to represent and exclusively sell photographic prints. Guy Bourdin is considered to be one of the most daring and innovative artists in the world of 20th Century visual culture. A singular artist with the eye of a painter, Bourdin’s compelling and unique body of work has become an inspiration across many creative fields. His groundbreaking legacy represents a turning point in the history of fashion imagery. Simon de Pury, joined by Gerhard Steidl and Pascal Dangin of Steidldangin, is honored to host the launch of the newly published book, Guy Bourdin, A MESSAGE FOR YOU, published by Steidldangin. This two-volume edition was curated and written by Nicolle Meyer, edited by Shelly Verthime and introduced by Alber Elbaz. It focuses on Guy Bourdin's unique collaboration with Nicolle, one of his "mannequins fétiche". All of Volume I images will be exhibited as a series of 75 beautiful color prints, printed and produced by Pascal Dangin. In addition, Volume II images will be presented in the form of a slide projection. The exhibition will open with a book launch and private viewing on March 11th and will be open to the public through March 25th. These works will be shown in the second floor gallery at Phillips de Pury and Company in New York.
    [Show full text]
  • Golden Decade Info Sheet
    THE GOLDEN DECADE Photography at the California School of Fine Arts 1945-1955 Shortly after World War II the California School of Fine Arts (now the San Francisco Art Institute) in San Francisco hired renowned photographer Ansel Adams to establish one of the rst ne art photography departments in the United States. The CSFA's photography program, established by Adams and taught by Minor White, also included as guest instructors, some of the great photographers of the time. Top names such as Edward Weston, Dorothea Lange, Imogen Cunningham, Lisette Model, Nancy and Beaumont Newhall, and Homer Page. The newly enacted G.I. Bill enabled all veterans to attend the college or trade school of their choice. For many this opened the door to an educational opportunity which would have otherwise been unavailable to them. This exhibition showcases the work of some of those early students. The accompanying book The Golden Decade focuses on CSFA’s photography department between 1945 and 1955, and is the result of a collaboration between three former students of Adams and White, William Heick, Ira H. Latour, C. Cameron Macauley, and editors (and local residents) Ken Ball and his wife Victoria Whyte Ball (whose father, Don Whyte, had bequeathed them an abundance of negatives and contact prints from his student years at CSFA). Together this team embarked on an important journey into photography’s past that is embodied in this book. The Golden Decade presents imagery from over 32 photographers, among them Pirkle Jones, Ruth Marion Baruch, Philip Hyde, Rose Mandel, David Johnson, Gerald Ratto and John Upton.
    [Show full text]
  • Cecil Beaton (1904–80) Was One of the Great Creative Figures of the British Twentieth Century
    Access Guide Please return at the end of your visit We hope this guide supports your visit. Please speak to any member of staff for more information. VERSION 2 Map Entrance Contents TBC Introduction Cecil Beaton (1904–80) was one of the great creative figures of the British twentieth century. Chiefly known as a photographer of portraits and fashion, through his work for Vogue magazine from 1924 to 1979, he was also recognised as a significant war photographer. An illustrator and caricaturist, a writer and commentator on taste and manners, Beaton was a theatre designer and art director of world renown and an influential stylist of his own homes. This exhibition focuses on Beaton’s early years. Born in Hampstead to a then prosperous timber merchant, Ernest Beaton and his wife Esther (‘Etty’), Cecil was first given a camera in 1914, aged ten. His first subjects were his mother and his willing sisters, Nancy and Barbara (‘Baba’). His transformation from middle-class suburban schoolboy to dazzling society figure against the backdrop of the Roaring Twenties and the Age of Jazz revealed a social mobility barely thinkable before the First World War. Here, then, are the Bright Young Things who brought an extraordinary era vividly to life and in so doing, nurtured and refined a remarkable photographic talent. The strength of his singular vision is such that, when we think of the Bright Young Things, we think of them in Beaton’s costumes, through Beaton’s lens and as Beaton’s friends. For full details of all events please see the What’s On guide or npg.org.uk/events Friday 20 March, 19.00 Lecture ‘When I die I want to go to Vogue’: Cecil Beaton’s Most Enduring Patron with Robin Muir Curator Robin Muir looks at the Cecil Beaton’s long working relationship with Vogue.
    [Show full text]