Nancy Cunard

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Lois Gordon NANCY CUNARD Heiress, Muse, Political Idealist Columbia University Press • New York Contents List of Illustrations ix Preface xi Acknowledgments xv 1 Golden Girl 1 2 Coming of Age During a Revolution in the Arts 20 3 Counterpoint of War in London 51 4 Postwar Breakdown 71 5 Return to the World in Paris 90 6 Reluctant Icon 125 7 Nancy as Publisher 140 8 Prelude to Negro 156 9 Negro 181 10 Nancy as Journalist: Scottsboro, Ethiopia, Spain 196 11 On the Front Lines in the Spanish Civil War 220 12 Exposing the Concentration Camps After Franco's Victory 13 Exile and Resistance in World War II 269 14 Surviving Reanville 300 15 Escaping La Mothe 322 16 The Last Great Glare 343 Epilogue 372 Notes 377 Index 429 Illustrations Following page 70 1. Nancy, holding Buster 2. Nevill Holt 3. Irish patriot Robert Emmet, Nancy's "great-granduncle" 4. Maud and Bache Cunard 5. Nancy, at school 6. Iris Tree 7. The menu of the Eiffel Tower 8. Augustus John, self-portrait 9. Wyndham Lewis xo. Blast, the voice of Vorticism 11. Edward, Prince of Wales 12. Ezra Pound 13. T.S.Eliot 14. Virginia Woolf 15. Nancy and her friends volunteer for war charity 16. Nancy in a tableau vivant at a war-bond event 17. The announcement of Nancy's engagement 18. Sydney Fairbairn, Nancy's husband 19. Outlaws is published Following page 124 20. Nancy and Tristan Tzara at a ball in Paris, as photographed by Man Ray 21. Louis Aragon 22. Janet Flanner 23. Solita Solano 24. Kay Boyle 25. Aldous Huxley 26. William Carlos Williams 27. Constantin Brancusi 28. Nancy models a coat designed by Sonia Delauney, as photographed by Curtis Moffat 29. Nancy, a fashion icon of the 1920s, as photographed by Barbara Ker-Seymer 30. Nancy, as photographed by Man Ray 31. Nancy, as photographed by Cecil Beaton 32. John Banting, portrait of Nancy 33. Constantin Brancusi, Jeune Fille sophistiquee and The White Negress 34. Oskar Kokoschka, Painting of Nancy Cunard 35. Manuel Ortiz de Zarate, Nancy as a madonna 36. Eugene McCown, Portrait of Nancy Cunard 37. Alvaro Guevara, portrait of Nancy 38. Wyndham Lewis, drawing of Nancy 39. Nancy, as photographed by Curtis Moffat Following page 180 40. Nancy in Reanville 41. Working the Mathieu press 42. Relaxing with Tristan Tzara 43. African objects displayed in an elegant cabinet 44. A sampling of Nancy's bracelets 45. Henry Crowder 46. Henry-Music, published by the Hours Press Press 47. coverage in New York as Nancy prepares Negro 48. Front-page coverage continues 49. Langston Hughes 50. An illustration from Negro The Scottsboro 51. boys, from Nancys essay in Negro Following page 268 52. An invitation to authors to "Take Sides" of 53. Nancy's snapshot soldiers in Franco's army 54. Nancy's three snapshots of soldiers in the Republican forces 55. Pablo Neruda 56. Nancy, at fifly-two 57. Bracelets, a part of Nancy's everyday dress 58. Henry Moore 59. Pablo Casals 60. Samuel Beckett 61. Nancy, ill, visiting friends 62. Nancy, flirting with a young Spanish boyfriend S, C. 63. Harrison, portrait of George Moore, Nancy's most cherished possession x • Illustrations.

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Cecil Beaton (1904–80) Was One of the Great Creative Figures of the British Twentieth Century
Access Guide Please return at the end of your visit We hope this guide supports your visit. Please speak to any member of staff for more information. VERSION 2 Map Entrance Contents TBC Introduction Cecil Beaton (1904–80) was one of the great creative figures of the British twentieth century. Chiefly known as a photographer of portraits and fashion, through his work for Vogue magazine from 1924 to 1979, he was also recognised as a significant war photographer. An illustrator and caricaturist, a writer and commentator on taste and manners, Beaton was a theatre designer and art director of world renown and an influential stylist of his own homes. This exhibition focuses on Beaton’s early years. Born in Hampstead to a then prosperous timber merchant, Ernest Beaton and his wife Esther (‘Etty’), Cecil was first given a camera in 1914, aged ten. His first subjects were his mother and his willing sisters, Nancy and Barbara (‘Baba’). His transformation from middle-class suburban schoolboy to dazzling society figure against the backdrop of the Roaring Twenties and the Age of Jazz revealed a social mobility barely thinkable before the First World War. Here, then, are the Bright Young Things who brought an extraordinary era vividly to life and in so doing, nurtured and refined a remarkable photographic talent. The strength of his singular vision is such that, when we think of the Bright Young Things, we think of them in Beaton’s costumes, through Beaton’s lens and as Beaton’s friends. For full details of all events please see the What’s On guide or npg.org.uk/events Friday 20 March, 19.00 Lecture ‘When I die I want to go to Vogue’: Cecil Beaton’s Most Enduring Patron with Robin Muir Curator Robin Muir looks at the Cecil Beaton’s long working relationship with Vogue.
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Coversheet for Thesis in Sussex Research Online
A University of Sussex PhD thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details Nancy Cunard: Collector, Cosmopolitan by Jenny Greenshields Dissertation submitted for the degree of Doctor of Philosophy in English Literature University of Sussex February 2015 2 I hereby declare that this thesis has not been and will not be submitted in whole or in part to another university for the award of any other degree. Signed ....................................................... 3 Nancy Cunard: Collector, Cosmopolitan Jenny Greenshields Dissertation submitted for the degree of Doctor of Philosophy in English Literature, University of Sussex, February 2015 Summary of Thesis Part One of my thesis reads Nancy Cunard (1896-1965) as a modernist collector, situating her material and literary collections in relation to the vogue nègre of the 1920s and 30s, when European fascination with black expressive culture reached unprecedented heights. It also looks at how Cunard’s collecting practices translate into an ‘aesthetic of assemblage’ in her work as an anthologist, and shows how the African sculpture section of her Negro anthology (1934) reflects the collecting cultures of early twentieth-century Europe.
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News Release
News Release CECIL BEATON’S DAZZLING BRIGHT YOUNG THINGS BROUGHT TOGETHER FOR THE FIRST TIME IN MAJOR NEW EXHIBITION Rarely exhibited prints by renowned photographer Cecil Beaton go on display at National Portrait Gallery London L-R: Mrs Freeman-Thomas by Cecil Beaton, 1928. © The Cecil Beaton Studio Archive; Cecil Beaton by Paul Tanqueray, 1937. National Portrait Gallery, London © Estate of Paul Tanqueray; The Bright Young Things at Wilsford by Cecil Beaton, 1927. © The Cecil Beaton Studio Archive. Cecil Beaton’s Bright Young Things National Portrait Gallery, London 12 March – 7 June 2020 Cecil Beaton’s portraits from a golden age are brought together for the first time in a major new exhibition at the National Portrait Gallery, London. Featuring 170 works, many of which are rarely exhibited, Cecil Beaton’s Bright Young Things explores the extravagant world of the glamorous and stylish ‘Bright Young Things’ of the twenties and thirties, seen through the eye of renowned British photographer Cecil Beaton. Through the prism of Beaton’s portraits the exhibition presents the leading cast, to many of whom he would become close, and who in these early years helped refine his remarkable photographic style - artists and friends Rex Whistler and Stephen Tennant, set and costume designer Oliver Messel, composer William Walton, modernist poets Iris Tree and Nancy Cunard, glamorous socialites Edwina Mountbatten and Diana Guinness (née Mitford), actresses and anglophiles Tallulah Bankhead and Anna May Wong, among many others. Brought to vivid life each of them has a story to tell. There are the slightly less well known too – style icons Paula Gellibrand, the Marquesa de Casa Maury and Baba, Princesse de Faucigny-Lucinge, the eccentric composer and aesthete Lord Berners, modernist poet Brian Howard, part model for Brideshead Revisited’s mannered ‘Anthony Blanche’, ballet dancer Tilly Losch and Dolly Wilde Oscar’s equally flamboyant niece.
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De Nancy Cunard Negro Anthology, 1931-1934
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repositori d'Objectes Digitals per a l'Ensenyament la Recerca i la Cultura «El Atlántico Negro» de Nancy Cunard Negro Anthology, 1931-1934 Sarah Frioux-Salgas ¿Qué decir de mí misma? Me gusta: la paz, el campo, la España republicana y la Italia antifascista, los negros y su cultura africana y afroamericana, toda la Amé- rica Latina que conozco, la música, la pintura, la poesía y el periodismo. Desde que tuve la posibilidad en 1920, he vivido siempre en Francia. Odio: el fascismo [...]. Y el esnobismo y todo lo que conlleva. Dos obras: Negro, gran antología sobre los negros; Authors Take Sides, cuestionario dirigido a los escritores britá- nicos sobre la Guerra Civil española y el fascismo. Varios volúmenes de poesía. (Nancy Cunard, Poèmes à la France. 1939-1944, París, Seghers, 1947, p. 7). Hace ochenta años, el 15 de febrero de 1934, la editorial londinense Wishart and Company publica mil ejemplares de Negro Anthology de la inglesa Nancy Cunard.1 Este libro de ciento cincuenta y cinco páginas, cargado de ilustraciones, dedicado a la Historia de África, de Madagascar y de las Américas negras, reúne doscientos cincuenta artículos escritos por ciento cincuenta y cinco autores.2 El aspecto único y original de este compendio no solo se reﬁere a su concepto y su realización, similar a una gran investigación documental, sino igualmente a sus autores. Los participantes son militantes, intelectuales, periodistas, artistas, poetas, universitarios, antropólogos, afroamericanos, antillanos, africanos, mal- gaches, latinoamericanos, americanos, europeos, mujeres y hombres.
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De Nancy Cunard, Negro Anthology, 1931-1934
Gradhiva Revue d'anthropologie et d'histoire des arts 19 | 2014 « L’Atlantique Noir » de Nancy Cunard . Negro Anthology 1931–1934 Introduction « L’Atlantique noir » de Nancy Cunard, Negro Anthology, 1931-1934 Sarah Frioux-Salgas Édition électronique URL : http://journals.openedition.org/gradhiva/2771 DOI : 10.4000/gradhiva.2771 ISSN : 1760-849X Éditeur Musée du quai Branly Jacques Chirac Édition imprimée Date de publication : 1 mars 2014 Pagination : 4-29 ISBN : 978-2-35744-073-9 ISSN : 0764-8928 Référence électronique Sarah Frioux-Salgas, « Introduction « L’Atlantique noir » de Nancy Cunard, Negro Anthology, 1931-1934 », Gradhiva [En ligne], 19 | 2014, mis en ligne le , consulté le 22 septembre 2020. URL : http:// journals.openedition.org/gradhiva/2771 ; DOI : https://doi.org/10.4000/gradhiva.2771 © musée du quai Branly dossier 2014 19 7603_01_CS6_FRIOUX_E_BAT 4 29/01/14 09:06 Introduction « L’Atlantique noir » de Nancy Cunard, Negro Anthology, 1931-1934 par Sarah Frioux-Salgas Que vous dire de moi-même ? J’aime : la paix, la campagne, l’Espagne 1. Nancy Cunard républicaine et l’Italie antifasciste, les Noirs et leur culture africaine et (10 mars 1896-15 mars 1965). Plusieurs biographies lui sont afro-américaine, toute l’Amérique latine que je connais, la musique, consacrées par Hugh Ford la peinture, la poésie et le journalisme. J’ai toujours vécu en France (1968), Anne Chisholm (1980) et plus récemment François depuis que j’en ai eu la possibilité en 1920. Je hais : le fascisme […]. Buot (2008). L’ouvrage de Et le snobisme et tout ce qui va avec. Deux œuvres : Negro, grande Ford est particulièrement intéressant car il rassemble anthologie sur les Noirs ; Authors Take Sides, enquête adressée aux de nombreux témoignages écrivains britanniques au sujet de la guerre d’Espagne et du fas- très éclairants sur les multiples vies de Cunard.
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Steidl Spring/Summer 2016
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EXHIBIT of PHOTOGRAPHY OPENS March 12, 1937
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