Catalogues d'art contemporain, livres d'artistes et publica­ tions indépendantes du Canada, de l'Europe et des États-Unis.

Contemporary art catalogues, artists' books and indepen­ dent publications from Canada, Europe and the United States.

Centre d'information sur l'art, librairie et service de distribution de catalogues d'art contemporain. Art Information Centre, bookstore and distribution service for catalogues on contemporary art. No. 4, 1985 Crédits recherches/ research ANGELA GRAUERHOLZ, LESLEY JOHNSTONE, ANNE RAMSDEN commentairestcatalogue reviews LESLEY JOHNSTONE, CAROLE ZUCKER, Ph.D., ANNE RAMSDEN graphisme/ design ANGELA GRAUERHOLZ, ANNE DELSON production ANGELA GRAUERHOLZ, FRANCIS FUCA imprimé au Canada/printed in Canada distribution AR TEXTE 3575, SI-Laurent, salle 303 Montréal, Québec H2X 2T7 Canada Tél.: (514) 845-2759

Publié avec l'aide du Conseil des Arts du Canada et du ministère des Affaires culturelles du QuébecJpublished with the assistance from the Canada Council and the ministère des Affaires culturelles du Québec. ©Centre d'information ARTEXTE Information Centre 1985. Guide de consultation

En première section, les catalogues sont classés par ordre alphabétique d'anistes sauf pour les catalogues d'exposition de groupe où l'ordre s'applique au titre du catalogue. Chaque commentaire inclut une description bibliographique et un coun résumé des catalogues. Les données bibliographiques sont classées suivant: 1. nom de l'aniste ou titre du catalogue 2. auteur(s) 3. musée et lieu de publication 4. année de publication 5. nombre de pages 6. nombre d'illustrations 7. dimension (la largeur précède la hauteur). Les catalogues sont commentés dans la langue de publication; les commentaires des catalogues bilingues sont rédigés en français et en anglais. Seulement les catalogues reliés sont indiqués comme tel.

Reader's Guide

Reviewed catalogues are listed alphabetically by artist in the case of a solo exhibition. or in the case of a group show, by catalogue title. Each review includes biographical data on the catalogue and a brief resumé of the content. Bibliographical data is ordered as follows: 1. anist's na me or title of catalogue 2. author(s) 3. gallery and place of publication 4. year 5. number of pages 6. number of illustrations 7. dimensions (width precedes height). Reviews appear in the language in which the catalogue was published (eithcr in French or English); bilingual catalogues are reviewed in both languages. Unless otherwise indicated, ali catalogues are softcover.

Table de matières Table of contents

Distribution 4 Canada 21 USA 24 Europe 30 Remises librairiesjTrade Discounts Pour commander/ To Order 31 ETC Bookstore TitlestTitre en librairie 34 Index Critiques de livres d'artistes, de publications indépendantes et de catalogues d'art contemporain récent publiés par les galeries et les musées canadiens. Reviews of recent artists' books, independent publications and catalogues on contemporary art published by Canadian museums and galleries.

4 Alumni M.F.A. Exhibition; Frank Nulf; Stourkes, Ken Straiton, lan Wallace. Artists' Norman Mackenzie Art Gallery. Regina, staternents, letters. journals, biographical in­ Sask.: 1984. 27 pp., 22 illus., 25.5 x 23 cm. formation. $6.50 Introduction gives historical background of L'art pense; Nicole Dubreuil-Blondin, Chris­ M.F.A. programme at the University of Re­ tiane Chassay Granche, Suzanne Foisy, Louise gina. The 21 artists in the exhibition are Letocha, Louise Poissant, Johanne Lamou­ represented by biographies and reproductions. reux, Anne Cauquelin; La Société d'Esthé­ $10.00 tique du Québec, Montréal, QC.: 1984.80 pp., ANDRE, CARL, Carl Andre-Hollis Framp­ 47 illus., 14 col., 28 x 21.5 cm. ton: 12 Dialogues 1962-1963; Carl Andre, Les oeuvres de chacun des douze artistes Hollis Frampton; The Press, Nova Scotia québécois présentées: Cohen, De Heusch, College of Art and Design, Halifax, N.S.: Goulet, Granche, Jarnuszkiewicz, Kiopini, 1980. 134 pp., 95 illus., 22.5 x 29 cm. Lafrarnboise, Mihalcean, Mongeau, Racine, This book includes twelve dialogues between Robert et Tounissoux. proposent des défi­ sculptor Andre and filmrnaker Frarnpton on nitions de l'art et appuient l'hypothèse que painting, sculpture, photography and other l'arr pense. Le catalogue comprend deux essais subjects, with an introduction by each artist qui élaborent sur cet argument, des textes and 53 photographs of Andre's work ta ken by consacrés à chacun des artistes et quelques Frampton. Profusely illustrated. $17.50 écrits des exposants. $10.00 The Architecture of Ludwig Wittgenstein; Bernhard Leitner; The Press, Nova Scotia College of Art and Design. Halifax. N.S.: 1976. 128 pp .. 88 illus .. 19 x 29 cm, English & German. Leitner provides an extensive photographie documentation of the ho use designed by Witt­ genstein in Vienna, 1926 to 1928. Primarily a photographie study of the interior with ex­ planatory drawings to convey the subtlety and precision in Wittgenstein's architecture, the book also includes an extract from the previ­ ously unpublished Fami~\' Reco/lecrions of Hermine Wiugensrein, Wittgenstein's older sister. $15.00 Art and Photography; Scott Watson; Van­ couver Art Gallery, Vancouver, B.C.: 1984. 32 pp .. 26 illus., 12 col., 29 x 31 cm. Exploration of a particular quality in B.C. photography and in general the place of the medium in art and society. Brief analysis of works done by Roy Arden, Jim Bali, Marian Penner Bancroft. Torn Burrows, Andrew H. Keating, Roy Kiyooka, Chick Rice, Cheryl

Art Telecommunication; Heidi Grundrnann ARTANDPHOTOGRAPHY ed .. Eric Gidney, Roy Ascott, Tom Sherman, Robert Adrian X; A Western Front Public­ ation, Vancouver, B.C. & BLIX., Vienna Vienne: 1984. 140 pp .. 67 illus., 17 x 24 cm, English & français & German allemand. Essays on the potential of international video satellites, the transmission of texts and per­ formances, and computerized telecommuni­ cations systems. Staternents by artists, inter­ view with Torn Sherman, videographies, re­ productions of computer printouts, list and description of projects. Des essais sur le potentiel des satellites vidéo internationaux, la transmission de textes et de performances et les systèmes de télécommuni­ cations informatisés. S'y trouvent également des textes d'artistes, une entrevue avec Tom ing critical views. Included are a number of Sherman, des vidéo graphiques, (computer artist's statements, texts and letters. Excellent printouts), et une liste et description des pro­ colour reproductions and extensive biography jets. $8.00 and bibliography. $10.95 ASHER, MICHAEL, Writings 1973-1983 on Works 1969-1979; Benjamin H.D. Buchloh, Michael Asher; The Press, Nova Scotia Col­ lege of Art and Design, Halifax, N.S.: 1983. 229 pp., 317 illus., 21.5 x 30.5 cm. This collaborative critical exposition between artist Asher and editor Buchloh documents 33 works actually installed in the institutional context of a museum, commercial gallery or exhibition. Profusely illustrated with draw­ ings, photographs and architectural plans. The texts by Buchloh and Asher document the artist's work. $35.00 ASTMAN, BARBARA, Barbara Astman Places; Karyn Elizabeth Allen; The Nickie Arts Museum, Calgary, Alta: 1983. 20 pp., 5 illus., 5 col., 23 x 23 cm. For Allen, Astman's recent assemblages are compelling in the way they interface persona! and formai statements, and in their trans­ position of photography-based issues into a BENTHAM, DOUGLAS, Douglas Bentham: three-dimensional medium. Astman employs Articulations; Christopher Young; Mendel a flattened representation of private, recol­ Art Gallery, Saskatoon, Sask.: 1984. 24 pp., lected spaces, using diverse materials that 16 illus., 5 col., 22 x 28 cm. inspire the sense me mory, and col our as sym­ Retrospective view of a variety of large scale bolic language. Photos of assemblages, select­ steel pieces of intercepting planes which Jead cd biography. $6.00 away from or con front traditional concerns of Avant-scène de l'imaginaire/ Theatre of the sculpture; the ambiguity of space remains a Imagination; Yolande Racine, Pierre Landry, constant. Bibliography and biography. $6.00 Sandra Meigs; Musée des beaux-arts de BISSETT, BILL, Bill Bissett: Fires in the The Montréal, Montréal, QC.: 1984. 58 pp., 44 Tempul; Scott Watson; Vancouver Art Gal­ illus., 2 col., 21 x 30 cm. lery, Vancouver, B.C.: 1984. 40 pp., 42 illus., La transformation radicale de l'oeuvre d'art 14 col., 28 x 39.5 cm. depuis les derniers soixante ans est analysée. Defiant counter-cultural figure assemblages, Les installations multi-disciplinaire, narrative, collages and paintings and their place within et théâtrale de Meigs, Cadieux et Boulet sont West Coast modernist tradition with emphasis contextualisées. Sont inclus des textes sur on artist's ties to spiritualism. lncludes poems chacune des artistes. un texte Western Gothie and biography. $10.00 de Meigs elle-même ainsi que des plans architecturaux, de l'information biographique Books by Artists; Tim Guest ed., Tim Guest, et des descriptions des installations. Germano Celant; Art Metropole, Toronto, The radical transformation of the art object in Ont.: 1981. 128 pp., 58 ill us., 20.5 x 26.5 cm. the last sixty years is explored; the multi­ This publication provides an overview of art­ disciplinary, narrative, theatrical installations ists' production in the field of bookworks. by Sandra Meigs, Genevieve Cadie4x and Descriptions of works by more than 50 artists. Françoise Boulet are contextualized. Essays Guest's introduction and Celant's pivotai on artists, reprint of texts by Meigs from The essay give an account of the diversity of Western Gothie. Also included: architectural activity in the medium and the possibilities of plans, biographical information and descrip­ the genre. $12.00 tion of installations. $12.00 BORDUAS, PAUL-ËMILE,Écrits/Writings BASELITZ, GEORG, Georg Baselitz; Jo­ 1942-1958; François Marc Gagnon ed.; The Anne Birnie Danzker, Georg Baselitz; Van­ Press, Nova Scotia Co liege of Art and Design, couver Art Gallery, Vancouver, B.C.: 1984. 60 Halifax, N.S.: 1978. 160 pp., 3 illus., 21 x 27.5 pp., 37 ill us .. 26 col., 29 x 31.5 cm. cm. An aesthetic, historical and political contex­ F.M. Gagnon introduces this collection of the tualisation of this German neo-expressionist complete writings of Borduas. The book is an pa inter. The author outlines various conflict- essential document in the history of contem-

6 porary Québec and Canadian art and includes art, stressing their focus on the dynamics of a facsimile of the Refus Global manifesta. the creative process and critical examination F.M. Gagnon présente cette collection com­ of audience/ artist relationship. Numero us re­ plète des écrits de Borduas. Ce livre est un productions, biographies. $6.00 document essentiel dans l'histoire de l'art con­ BUTLER, JACK, Jack Butler: Constructions; temporain au Québec et au Canada et inclus Terrence Heath; Mendel Art Gallery, Saska­ un fac-similé du manifeste le Refus Global. toon, Sask.: 1984. 27 pp., 17 illus., 5 col., 28 x 512.95 21.5 cm. BRACE, BRAD, ISBN 0-9690745-0-6; Brad A discussion of the artist's multi-disciplinary Brace; Halifax, N.S.: 1981.128 pp., 128 illus., influences, the unit y between his work and the 27 x 20 cm. viewer and the utilization of chance. Bio­ BRACE, BRAD, ISBN 0-9690745-1-4; Brad graphy. 56.00 Brace; Halifax, N.S.: 1982. 272 pp., 272 illus., CAMERON, ERIC, Rent Axis Approach; 27 x 20 cm. Eric Cameron; The Nickie Arts Museum, BRACE, BRAD, ISBN 0-9690745-2-2; Brad Calgary, Alta: 1984. 100 pp., 4 ill us., 14 x 20.5 Brace; Toronto, Ont.: 1983.128 pp., 128 illus., cm. 27 x 20 cm. Critical essays on the meaning and purpose of Each of these artist's book-objects are com­ art. The artist articula tes the decision-ma king prised of full page photographs that form a process behind his installation Thick Paint­ narrative, and an inserted card with a text ings, their relation to nature, and historical entitled, respectively, Synopsis, Epigraph and situation vis-a-vis modernism and earlier Addenda. 510.00 BUREN, DANIEL, Les Couleurs: Sculptu­ res/ Les Formes: Peintures; Jean-Hu bert Mar­ tin, Jean-François Lyotard, Benjamin H.D. Buchloh; The Press, Nova Scotia College of Art and Design, Halifax, N.S. & Centre Georges Pompidou, Paris: 1981. 73 pp., 82 illus., 43 col., 24 x 30.5 cm, English version & version française. The authors' texts and nu merous photographs present Buren's piece Les couleurs (sculptures) acquired by the Pompidou Centre, showing the works' 115 locations on the rooftops of Paris as viewed from sorne of the various lookouts, e.g. the Eiffel Tower and the Arc de Triomphe. This work in turn related to Les formes (peintures), a piece which used existing works from the Pompidou Centre's perma­ nent collection. Les textes de divers auteurs présentent l'oeuvre de Buren Les couleurs (sculptures) acquise par le Centre Pompidou. De nombreuses photo­ graphies de ses 115 sites sur les toits de Paris proviennent de plusieurs points de vue tel la Tour Eiffel et l'Arc de Triomphe. Cette oeuvre sources. Appendix A addresses the relation­ est à son tour liée a Les formes (peintures) qui ship between the aesthetic theories of Kant utilise elle des oeuvres de la collection perma­ and Greenberg; Appendix B deals with no­ nente du Centre Pompidou. 523.00 tions of modernism espoused by Greenberg, Eliot and Bell; A ppendix C compares painting Michael Buthe & Marcel Odenbach; Amine and poetry via theories of Greenberg and Haase, Lorne Falk, Stephan von Wiese, Dr. Lessing. Photographs and plates of archeo­ Andreas Vowinckel; Walter Phillips Gallery, logical sites. 56.00 Banff, Alta: 1984.48 pp., 36 ill us., 9 col., 25.5 x 21.5 cm. CAMPBELL, COLIN, Modern Love; Colin lncludes a brief socio-political history ofpost­ Campbell; Art Metropole, Toronto, Ont.: war West German art by Haase and intro­ 1979. 15 pp., 15 illus., 20.5 x 26.5 cm. duction by Falk. Von Wiese writes on the Photos and text from the videotape of the influence of North African culture and mysti­ same name in which the artist as punkette cism on Buthe's mixed media work. Vowin­ Robin falls in love with a very modern man. ckel contributes an essay on Odenbach's con­ La Monte del Monte, played by David Bu­ cept ua! video installations and performance chan. 56.00 CAMPBELL, COLIN, Woman from Mali· DRAPELL, JOSEPH, Joseph Drapell: Ten bou; Colin Campbell; Art Metropole, Toron­ Years 1973-1983; Karen Wilkin; Art Gallery to, Ont.: 1979. 16 pp., 15 illus., 20.5 x 26 cm. of Windsor, Windsor, Ont.: 1984. 62 pp., 74 Ni ne self-portraits of the artist as his alter-ego, illus., 39 col., 25.5 x 21.5 cm. with short texts excerpted from the videotape A historical study of Drapell's ambitious work series of the same na me. $6.00 emphasizing the influence of Bush, Noland, Louis and Olitski. Wilkin observes the con­ Chromaliving; Andy Fabo, Jennifer Oille; trasting tonalities and use of vivid col ours as Chromazone, Toronto. Ont.: 1983.81 pp., 264 weil as the artist's unique method of paint illus., 21.5 x 27.5 cm. handling. lncludes also a selection of photo­ Documentation of vernissage and exhibition graphs by the artist. $9.00 held in 1983 in a transformed department store. Photos of fashion shows, window dis­ Drawing ·Installation- Dessin; Diana Nemi­ plays, furniture, objects, environments and roff; Centre Saidye Bronfman, Montréal, QC: performances. List of videos and shopper's 1984. 48 pp., 36 illus., 28 x 21.5 cm. guide. $6.00 Nemiroffs essay develops the idea that the resurgence of in te rest in drawing signifies the COHEN, SOREL, Sorel Cohen - An Ex­ changing notion of representation in post­ tended and ContinuousMetaphor; Claudia modernism. She describes and analyses the Beek; Southern Alberta Art Gallery, Leth­ installations by the six artists: Elizabeth Mac­ bridge, Alta: 1984. 16 pp., 10 illus., 3 col., 27.5 Kenzie, Nancy Johnson, Greg Snider, Robert x 17 cm. McNealy, Jocelyne Alloucherie and Sylvie Cohen deconstructs the attributes and con­ Bouchard, each ofwhom incorpora te drawing cepts of painting, performance and photo­ in their pieces. Biographies and bibliographies. graphy in photographie polyptychs, using her Nemiroff développe l'idée que le regain own image as the primary focus. The author d'intérêt pour le dessin signifie un changement analyses the work from a feminist point of de la notion de la représentation dans la post­ view. $4.00 modernité. Elle décrit et analyse les installa­ COHN, NORMAN, Norman Cohn Portraits; tions des six artistes: MacKenzie, Johnson, Peggy Gale, David Burnett, Norman Cohn, Snider, McNealy, Alloucherie et Bouchard, Gill! ian Robinson; Art Gallery of Ontario, dont chacun intègre le dessin dans leur oeuvre. Toronto, Ont.: 1984.59 pp., 17 ill us., 25.5 x 23 Biographies et bibliographies. $8.00 cm. DUKES, CAROLINE, Caroline Dukes: A Burnett's preface stresses Cohn's sense of self­ Ten Year Survey; Dale Amundson; Gallery effacement and responsibility toward his sub­ 1.1.1., University of Manitoba, Winnipeg, jects. Gale provides an overview of the video­ Man.: 1983. 16 pp., 15 illus., 4 col., 28 x 21.5 tapes, beginning with a discussion of film, cm. photography, T.V. and narrative. She believes The author declares Dukes's rebellion against that Cohn endows his video portraits with a Hungarian social realism to be a major im­ special integrity oftime, place and experience. petus behind her work. The text traces the Detailed chronological descriptions of Cohn's refinement and transformation of the artist's video series, autobiographical and narrative formai and narrative concerns in her painting, text by Cohn and poetry by Robinson. drawing and sculpture, and specula tes on their $10.00 psychological resonance. $2.00

The Compelling Image: Contemporary Japan­ ENNS, MAUREEN, Beauty Pageant: Paint­ ese Posters; Richard A. Perry, John Silver­ ings by Maureen Enns; Elizabeth Brown; stein; The Gallery/ Stratford, Stratford, Ont.: Peter Whyte Gallery, Banff, Alta: 1985. 16 1984.24 pp., 26 illus., 10 col., 20.5 x 25.5 cm. pp., 7 illus., 5 col., 26 x 20.5 cm. The relationship of recent Japanese art to The text discusses the mythic significance of traditional formai conventions, techniques horse as icon, and the painter's use of the and subjects is discussed. The incorporation animal as a metaphor for human behavior. of Western culture and lack of distinction Artist's statement, biography. $5.00 between fine arrs and crafts in Japan com­ prises focus of author's re marks. $5.00 Evidence of the Avant-Garde Since 1957; Christina Ritchie, Peggy Gale; Art Metropole, Confrontation 84; Tatiana Demidoff-Séguin, Toronto, Ont.: 1984.96 pp., 79 ill us., 20 x 26.5 Jacques Dumouchel; Conseil de la Sculpture cm. du Québec, Montréal, QC: 1984. 76 pp., 63 A publication devoted to a selection of works illus., 27.5 x 21 cm. from Art Metropole's collection of audio Un document consacré à l'exposition annuelle tapes, records, films, video- tapes, catalogues du Conseil de la Sculpture du Québec qui a eu etc. lncluded is an introduction by C. Ritchie, lieu à la Place Ville Marie. Il inclut une a text on the "early days" by P. Gale, a photographie de chaque sculpture et quelques chronology and a list of publications since courts textes. $8.00 1974. Numerous reproductions. FERGUSON. GERALD, Gerald Ferguson: GARNET, ELDON, Eldon Garnet: Caves; Works 1978-1984; Peggy Gale; Dalhousie Art Eldon Garnet; Artculture Resource Centre Gallery, Halifax, N.S.: 1984.4 pp., 10 ill us .. 23 lnc., Toronto, Ont.: 1984. 22 pp., 10 illus., 10 x 28 cm. (Folder) col., 13 x 12 cm. The author traces the artist's development and ln this artist's book Garnet juxtaposes or the conceptual values implicit in his instal­ perhaps qualifies ten colour photographs with lations. SI.OO ten key words such as Fear, Jealousy, Honour The Figure: A Selection of Canadian Painting and Desire. $10.00 1983-1984; Alan C. Eider; Burlington Cultural GENERAL IDEA, Ménage à trois; General Centre, Burlington, Ont.: 1984. 46 pp., 16 !dea; Art Metropole, Toronto, Ont.: 1978.24 illus., 20 x 25.5 cm. pp., 17 illus., 20.5 x 26.5 cm. Essay on resurgence of representational paint­ Three men and their single idea: What art ing and analysis of styles. Biographies and needs today is a sound (rej-location. $3.50 reproductions of work by Luc Be land, Sheila Butler, Allyson Clay, Wendy Coad, Richard Generalldea's/File Retrospective 1968-1984; Cook, David Craven, Marc de Guerre, Andy Generalldea, Jo-Anne Birnie Danzker et al.; Fabo, HarlanJohnson, RaeJohnson, Michael Art Official, Toronto, Ont.J Vancouver Art Jolliffe, Vicky Marshall, Philipe Raphanel. Gallery, Vancouver, B.C.: 1984. 144 pp., 232 Joan ne Tod, Riduan Tomkins, Carol Wainio. illus., 1 col., 27 x 35.5 cm. $4.00 Danzker's text outlines the confrontational La fin de la mort; Hervé Fisher, Sylvie Harvey, project the artists undertake as a challenge to Pierre Restany, Denys Tremblay; Centre Cul­ the consumer orientation and pretension in turel Canadien, Paris/ Galerie Langage Plus, the art world. Statements, chronology. select­ Alma, QC: 1984.60 pp., 99 ill us., 28 x 21.5 cm. cd biography and bibliography. $5.00 Un lnvemaire raisonné er illustré des DOC U­ MENTS. PREUVES et RELIQUES de la mort et de l'inhumation définitive de L'HIS­ TOIRE DE L'ART METROPOLITAINE. (sous-titre) $3.00 FISCHL, ERIC, Fischl Paintings;Jean-Chris­ tophe Ammann, Donald B. Kuspit, Bruce W. Ferguson; Mendel Art Gallery, Saskatoon, Sask.: 1985. 56 pp., 21 illus., 14 col., 22 x 28 cm. The first comprehensive catalogue devoted to New York painter Eric Fisc hl. The texts cover such topics as: the artist's particular vision of the American middle class' way oflife, voyeur­ ism, cinematic references and Fischl's means of staging his rather ambiguous scenes. Good colour reproductions and thorough biblio­ graphy. $9.95

FORTI, SIMONE, Handbook in Motion; Simone Forti; The Press, Nova Scotia Co liege of Art and Design, Halifax, N.S.: 1974. 152 ...... BfHERAL IDIA'S ,.,..,.,.., J914 pp., 40 illus., 16.5 x 22 cm. A book which presents photographs, dia­ grams, drawings and texts relating to Forti's ongoing persona! discourse and its manifest­ GOSSELIN, MARCEL, Marcel Gosselin: ation in dance. $12.00 Transience; Zared T. Mann, Arthur Adamson, Marcel Gasselin; Gallery 1.1.1., University of FUNNELL, SUZANNE, Suzanne Funnell Manitoba, Winnipeg, Man.: 1984. 16 pp., 14 Paintings; Doug Sigurdson; Southern Alberta illus., 6 col., 28 x 22 cm. Art Gallery, Lethbridge, Alta.: 1983. 14 pp., 3 Mann's introduction enumerates the diverse illus., 1 col., 18.5 x 18.5 cm. elements - household and natural objects - Important text by Sigurdson recounts the Gosse lin uses in his pieces, and comments on trajectory of Funnell's technique and formai the importance of the artist's enthusiasm for preoccupations, and her relationship to, and the creative !ife. Adams on concentrates on the disavowal of, modernist art practice. Funnell primai, religious aspect of the work Earrhsafe, is fundamentally a collagist whose references which he sees as a renewal of art. Extracts to popular culture revolve a round the icono­ from the artist'sjournal, biographical informa­ graphy of sexuality and disaster. $5.00 tion. $2.00

9 GRAFF, LES, Les Graff: Paintings and colour invested with universal significance. Drawings 1966-1984; George Moppett; Men­ Statement by the artist and biographical in­ del Art Gallery, Saskatoon, Sask.: 1984. 28 formation. $1.00 pp., 35 illus., 8 col., 21 x 27.5 cm. GURNEY. JANICE, Janice Gurney: Move­ Prairie !ife, formai training, organic forms and able Wounds; Art Metropole, Toronto, Ont.: landscapes are cited as the major forces be­ 1983. 20 pp., 19 illus., 20.5 x20.5 cm. hind Graffs art; a later more urgent and physicalized style has evolved. Biography. The artist has compiled World War 1 docu­ $6.00 mentary photographs and juxtaposed them with reproduced pages from the journal ofher GRAHAM, DAN, Video-Architecture-Tele­ grandfather, a soldier at the time. Photo­ vision; Writings on Video and Video-Works graphs of gruesome battles have been amend­ 1970-1978; Dan Graham; The Press, Nova ed by the artist to reveal their structural Scotia College of Art and Design, Halifax, composition and victim's bandages have been N.S.: 1979. 89 pp., 75 illus., 28 x 21.5 cm. repaired with the use of silkscreen overlays. Works documented in this volume provide a $6.50 complete overview of ten years of Graham's HAACKE, HANS, Framing and Being Fra­ production using video equipment as a func­ med; Howard S. Becker, John Walton, Jack tional tool in his sculptural installations, envi­ Burnham; The Press, Nova Scotia College of ronmental concepts and performance activi­ Art and Design. Halifax, N.S .: 1975. 165 pp .• ties. lncludes Graham's theoretical writings 102 illus .. 21 x 26 cm. and comments on the differences between video used in private production and corpo­ This book features in facsimile seven of rate television. $11.95 Haacke's works produced between 1970-1975. The book provides an understanding of the Graphex 9; Richard Pottruff, René Blouin; complexity and political implications of art The Art Gallery of Brant, Brantford, Ont.: production and the art reception network. 1984. 72 pp., 60 illus., 9 col., 21.5 x 21.5 cm. Becker and Walton's essays discuss Haacke's The 9th biennial juried and invitational exhi­ work in relationship to the social sciences. bition of Canadian prints and drawings is $18.00 presented by Pottruff. Blouin concentra tes on HAACKE, HANS, Hans Haacke: Der Pra­ works by individual artists in particular: Betty linenmeister/The Chocolate Master; Hans Goodwin, Robert McNealy, Renée Van Halm, Haacke; Art Metropole, Toronto, Ont.: 1982. Melvin Charney. $7.00 28 pp., 15 illus., 20.5 x 27 cm, English & German. The book is a facsimile of Haacke's work about Peter Ludwig, chocolate magnate and one of Europe's most influential art collectors. The artist clearly demonstrates the manner in which art may be manipulated for economie benefit. $6.50 Handmade Paper: The Medium/The Struc­ ture; Alan C. Eider; Burlington Cultural Cen­ tre, Burlington, Ont.: 1985. 23 pp., 12 ill us. , 20 x 25 .5 cm. The author writes about the history and tech­ niques of Western and Eastern paper-making, and the growing importance of the art form. Biographies and reproductions of the works by twelve artists. $1.00 HANSEN, JIM. Art Darts PrivateParts;Jim Hansen, Patricia Grattan; Memorial Univer­ GRENVILLE, MARK, Mark Grenville: A sity Art Gallery, St. John's, Nfld: 1984. 16 pp., Continuing Dialogue; Lynn Barbeau; Mac­ 1 ill us ., 26.5 x 35.5 cm. donald Stewart Art Centre, Guelph, Ont.: 1984. 12 pp., 6 illus., 1 col., 25.5 x 18 cm. An artist's bookr catalogue comprised of draw­ ings and photographs with extensive list of Barbeau looks at the development of Gren­ exhibitions. $2.50 ville's work in various media - installations, painting, drawing and sculpture - over a HARTLEY, MARSDEN, Cleophas and His four year period. With Abstract Expression­ Own, A North Atlantic Tragedy; Marsden ism as his primary source of inspiration, the Hartley; The Press, Nova Scotia College of artist is concerned with figure/ ground relation­ Art and Design, Halifax, N.S.: 1982.96 pp., 1 ships, primitive human figurations, form, and illus .. 21.5 x 27.5 cm.

10 Cleophas and His Own is an autobiographical Parke-Taylor; Norman Mackenzie Art Gal­ story about the artist's experience in Nova lery, Regina, Sask.: 1984. 67 pp., 50 illus., 9 Scotia, 1935-36. The book consists of repro­ col., 21.5 x 28 cm. ductions of the artist's typed manuscripts. The introduction provides a survey of lndian accompanied by a preface and postface. artists and places Boyer and Poitras within $17.50 their heritage. The essay describes Boyer's HASTENTEUFEL. DIETER, Dieter Hasten­ blanket paintings and Poitras's installations teufel: Recent Work; Ted Fraser; Art Gallery and assemblages as a mixture of traditional of Windsor, Windsor, Ont.: 1983. 16 pp .. II subject matter and contemporary sensibility. illus., 28 x 21.5 cm. $16.50 Curator Fraser gives description of Hasten­ How to die twice; Madeline Lennon; Mcln­ teufel's installations, which are composed of tosh Gallery, University of Western Ontario, neon and organic materials in geometrie and, London. Ont.: 1984. 20 pp., 13 illus .. 20.5 x or random arrangements. $1.00 20.5 cm. Exhibition by six artists (Benner, Best, Ge­ leynse. Hassan, Moodie, Why) developed as an expression of friendship, intellectual kin­ ship and concern with contemporary critical practice. Works deal with politics, language. creation of meaning. dea th, violence and myth­ ology. $2.00

HURLBUT, SPRING, SpringHurlbut; Ross Woodman; London Regional Art Gallery. London, Ont.: 1984. 20 pp .. 19 illus .. 22 x 25 cm. The author describes Hurlbut's hand-molded. wet plaster walls as the manifestation of a struggle between illusion and reality, the psychic and the physical. Biographical inform­ ation. $5.00

JACKSON JOHNSON, JOANNE, Meta­ phors Metamorphs & Just Pictures; Joyce Lyon; Gallery 1.1.1., University of Manitoba. Winnipeg, Man.: 1984. 16 pp., Il ill us., 4 col., 28 x 21.5 cm. According to Lyon, the artist's three series of hand-held landscape photographsshare a con­ tinuity of vision white displaying a radical HA YDEN, MICHAEL, Michael Hayden change in the method of expression. Johnson Trikha; Karyn Elizabeth Allen; The Nickie respects the integrity of the photographed Arts Museum, Calgary, Alta: 1983. 1 illus., 1 event and at the same time, is implicated as a col., 45 .5 x 61 cm. (Poster) participant by her concern for the subject. Allen provides descriptions of the method by $2.00 which each of Hayden's huge, electronic IRLAND, BASIA, Basia lrland: Accretions; sculptures fu net ions: laser Iight, heat sensitive Tony Urquhart, John Silverstein, An Whit­ plates, computer programmed sound, etc. She Iock: Kitchener-Waterloo Art Gallery, Kit­ daims that Hayden is a romantic, awestruck chener, Ont.: 1985. 28 pp., 35 illus., 21.5 x 28 by the potential of evolving technology. cm. $5.00 Primarily visual documentation of Irland's HOLZER, JENNY, Truisms and Essays; wrapped and bundled constructions. Short Jenny Holzer; The Press, Nova Scotia Colle ge texts by Silverstein and artists Tony Urquhart. of Art and Design, Halifax, N.S.: 1983.70 pp., A poem by An Whitlock. $4.00 21 x 22 cm. JAMES. GEOFFREY, Entrances & Exils: This book is comprised of 273 truisms and 32 The Garden as Theatre; Geoffrey James; essays, each written in English, Spanish. Agnes Etherington Art Centre, Kingston, French and German. The publication includes Ont.: 1984. 28 pp., 12 illus., 31 x 23.5 cm. a large foldout black and white poster of a selection of truisms. A good representation of The catalogue presents excellent reproduc­ this aspect of Holzer's work. $15.00 tions of James's panoramic photographs of ltalian gardens. The artist's autobiographical Horses Fly Too: Bob Boyer/Edward Poitras; text recalls his experiences in Italy and ex­ Elizabeth Mcluhan, Norman Zepp & Michael presses his love for his subject matter. $7.00

Il JOLLIFFE, MICHAEL, Michael Jolliffe: KOLAR, JI RI, Jiri Kolar: Poetry of Vision Thirteen Paintings - Treize tableaux; San­ Poetry of Silence; Loma Fareii-Ward, Jiri dra Paikowsky; Concordia Art Gallery Gale­ Kolar, Hans-Peter Riese, Jan V ladislav; Van­ rie d'art Concordia, Concordia University couver Art Gallery, Vancouver,B.C.: 1984.60 Université Concordia, Montréal, QC: 1984. pp., 47 illus., 15 col., 23.5 x 30 cm. 30 pp., 12 illus., 3 col., 23 x 23 cm. Texts investigate Kolar's Czech roots, his The author places Jolliffe's work within the relation to earlier collagists and his work as a context of the new painting, which she sees as poet. Statements by the artist, chronology, a response to the impersonality of 60's and 70's bibliographies by and on the artist. 55.50 abstraction. Jolliffe's persona! struggles and studies, his embrace of Christianity and in­ KOOP, KATHY, Kathy Koop: The Open corporation of theological concepts, and his Surface Ceramics; Grace Thomson; Gallery return to figuration are stressed. 1.1.1. University of Manitoba, Winnipeg, Man.: 1984. 12 pp., 14 illus., 4 col., 21.5 x 28 L'auteur situe l'oeuvre de Jolliffe dans le cm. contexte de la nouvelle peinture qu'elle voit comme une réponse à l'impersonnalité de Descriptions of vessels made by this cerami­ l'abstraction des années soixante et soixante­ cist who uses subtle blends of colour and dix. Les luttes personnelles de l'artiste, ses surface effects influenced by North African, études, son embrassement des valeurs chré­ American lndian and Art Nouveau design. tiennes, l'intégration de concepts théologiques 52.00 et son retour à la figuration sont soulignés. KOSTYNIUK, RON, Ron Kostyniuk: Art 55.00 and Sources 1963-1983; Ron Kostyniuk; The JUDO, DONALD, The Complete Writings Nickie Arts Museum, Calgary, Alta: 1983. 1959-1975; Donald J udd; The Press, Nova 104 pp., 135 illus., 30 col., 25.5 x 18 cm. Scotia College of Art and Design, Halifax, Nature photographs and Constructivist, Cu­ N.S.: 1975. 240 pp., 298 illus., 21.5 x 28 cm. bis! and 1mpressionist paintings - rather A complete collection of Judd's essays, art than words - are used to illustrate the im­ reviews and criticisms focusing on the work of petus behind Kostyniuk's assemblages. Four­ Pollock, Malevitch, Newmann, Reinhard, teen series are represented with profuse illus­ Chamberlain, Poons, No land and Oldenburg. trations. Biographical notes and bibliography. Also included are the essays Specifie Objects $15.00 ( 1965) and lmperialism, Nationalism, Region­ KRAWCZYK, JOAN, Joan Krawczyk Re­ alism ( 1975). 514.50 cent Paintings; Emily Braun; The Gallery/ Stratford, Stratford, Ont.: 1985. 52 pp., 6 illus., 6 col., 21.5 x 21.5 cm. KNOWLES, DOROTHY, Dorothy Knowles: Paintings 1964-1982 Peintures; Terry Fenton; With Alex Katz as a primary influence, these Edmonton Art Gallery, Edmonton, Alta: portraits reveal a coalescence of the sitter's 1984. 35 pp., 26 pp., 21 col., 25.5 x 21 cm. persona and painter's craft. Biography and bibliography. $5.00 The influence of workshops with No land and Olitski and the impact of prairie life on this Kromalaffing; Chromazone, Toronto, Ont.: prolific artist's painting are analysed. Her 1984. 48 pp., 125 illus., 18 x 26.5 cm. impressionist style has achieved increasing A catalogue of cartoons by 25 artists. Also complexity with each decade. includes statements by a number of the artists L'influence d'ateliers donnés par Noland et and bibliographical information. $2.00 Olitski et l'impact de la vie dans les prairies sur les peintures de cette artiste prolifique sont LACROIX, RICHARD, Richard Lacroix; analysées. Son style impressionniste devient Nadine Gueydan, Jacques de Roussan, Yves de plus en plus complexe à chaque décennie. Robillard, Maitre Taisen Destimaru; La Guil­ 512.00 de Graphique, Montréal, QC: 1984.31 pp., 53 illus., 13 col., 21.5 x 28 cm. KNUDSEN, CHRISTIAN, Christian Knud­ Un catalogue qui accompagne l'exposition sen; David Burnett; Mendel Art Gallery, rétrospective des gravures et peintures choisies Saskatoon, Sas k.: 1984. 15 pp., 5 illus., 3 col., de l'artiste faites de 1959 à 1984. 510.00 25 x 20 cm. Burnett writes a short but informative essay Late Capitalism; Tim Guest; The Art Gallery discussing Knudsen's use of geometrie ima­ at Harbourfront, Toronto, Ont.: 1985.24 pp., gery, the influence of photography on his Il illus., 13 x 18.5 cm. work, his use of materials, and his working Tim Guest has chosen four Toronto artists: procedures, setting these concerns against the Joanne Tod, Will Gorlitz, Shirley Wiitasalo artist's evolution as a painter within the Mon­ and Andy Patton, who ali use popular or tréal painting tradition. Biography and bi­ public imagery in their paintings. ln his text bliography. 53.00 the author analyses how each artist demon-

12 strates the effects of Late Capiralism.lncludes This book reproduces the lectures delivered at reproductions and artists' bibliographies. the Vancouver Conference on Modernism $1.00 held in March. 1981. Eleven essays by leading critics and writers are alternated with tran­ MACKINNON, STEVE, Steve MacKinnon: scriptions of discussions that took place du­ Solstice and Other Works; J.M. Snyder; Art ring the conference. A dense and provocative Gallery of Windsor, Windsor, Ont.: 1983. 12 critical volume. $15.00 pp., 18 illus., 4 col.. 21.5 x 28 cm. The catalogue presents a series of Polaroïd SX-70 photographs dealing with memory, solitude, the structure of existence and emo­ tional perception. $2.00 MAGGS, ARNAUD, Arnaud Maggs Photo­ graphs 1975-1984; Karyn Elizabeth Allen; The Nickie Arts Museum, Calgary, Alta: 1984.58 pp., 56 ill us .. 20.5 x 20.5 cm. Allen's essay The Vexing Sensations of Thought concentra tes on the dualities under­ lying Maggs's work: romanticism and abstrac­ tion, directness and distance. The structured quality of the photographs evokes a sculptural presence and the rigour of their composition elicits analogies to musical scores. Biography and bibliography. $12.00 MALTAIS, JOCELYN, Jocelyn Maltais: Pointe-d'appel; Alain Laroche; Galerie Lan­ gage Plus, Alma, QC: 1982. 50 pp., 50 illus., 28.5 x21.5 cm. L'auteur décrit la création d'une installation de Maltais sur une rivière à Alma qui était une réponse à la noyade de sa soeur. L'aspect de l'oeuvre est déterminée par le changement des saisons et les marais. Des photos, des cartes Moment'homme; Douglas D. Durand, Dena géographiques, des plans architecturaux, et Da vida et al.; Tangente Danse Actuelle, Mont­ des reproductions de frottages faits sur des réal, QC.: 1984. 10 pp., 20 illus., 21.5 x 35 cm. pierres tombales sont inclus. L'information sur toutes les performances qui The author describes Maltais' creation of an ont eu lieu pendant le 2e festival de choré­ outdoor installation in an Alma river as a graphes masculins à Tangente, ainsi que l'ho­ response to his sister's drowning death. The raire et des courts textes signés des conser­ appearance of the piece is determined by the vateurs et des artistes. seasons and the river's tide. Photos, maps, Information on the performances in the 2nd architectural plans, reproduction ofheadstone Festival of Male Choreographers at Tangente, rubbings. $5.00 as weil as the schedule and short texts by the curators and the artists. $1.00 McEACHERN, SUSAN, SusanMcEachern: Montréal-tout-terrain; Linda Delisle, Andrew The Family in the Context of Childrearing; Forster, Lesley Johnstone, Peter Le gris, Mar­ Bradford G. Gorman, Mary Sparling, Susan tine Meilleur, Claire Paquet, Hélène Taillefer; McEachern; Art Gallery of Hamilton, Hamil­ Montréal-tout-terrain, Montréal. QC: 1984. ton, Ont.: 1985. 6 pp., 3 illus., 3 col., 30.5 x 71 pp .. 121 illus., 21.5 x 28 cm. 30.5 cm. (Folder) La documentation photographique des tra­ A catalogue folder documenting the artist's vaux de 55 artistes montréalais sélectionnés photo essay which is comprised of a juxta­ pour réaliser une oeuvre dans un espace choisi position of texts and colour photographs de­ d'une clinique médicale désaffectée. Le cata­ voted to childrearing. $1.00 logue comprend aussi plusieurs textes par des Modernism and Modernity; Serge Guilbaut, artistes, des critiques et des organisatrices de Henri Lefebvre, Marcelin Pleynet, Paul Hayes l'exposition. Tucker, Hollis Clayson, John Wilson Foster, Photographie documentation of works by 55 Benjamin H.D. Buchloh, Allan Sekula, Cle­ Mon treal artists selected to produce a piece ment Green berg, T.J. Clark, Nicole Du breuil­ for a chosen space in an abandoned medical Blondin, Thomas Crow; The Press, Nova clinic. Also included are numerous texts by Scotia College of Art and Design, Halifax, the artists, critics and the exhibition organ­ N.S.: 1983. 277 pp., 45 illus., 15 x 23 cm. izers. $3.00

13 Museums by Artists; AA Bronson, Peggy 1979. This book remains one of the most Gale eds., Jean-Christophe Ammann. Michael important sources of information on perform­ Asher, Marcel Broodthears, Benjamin H.D. ance art in the 70's. 518.00 Buchloh. Daniel Buren, Vera Frenkel, Walter Grasskamp, Hans Haacke. Wulf Herzogen­ Persona; Karyn Elizabeth Allen; The Nickie rath. Harald Szeemann et al.; Art Metropole, Arts Museum. Calgary. Alta: 1982.35 pp .. 26 Toronto, Ont.: 1983 . 288 pp., 140 illus., 20 x illus., 4 col., 21.5 x 27 cm. 26.5 cm. The author states th at the exhibition explores An anthology of critical texts, and document­ the collaboration between photographer and ation of artists' works exploring the relation­ subject and the universality of the portrait. ship of the artist to the museum as revealed in The essay provides an analysis of works by pieces ranging from Duchamp's Boite-en-va­ Stephen Livick, Michaelin McDermott, Ar­ lise and Oldenburg's Mouse Museum to the naud Maggs, Andrew Danson and David critical work of Haacke and Buren. MacKenzie. Biographical information and photos of each artist. $8.00 Une anthologie de textes critiques et la docu­ mentation d'une sélection d'oeuvres qui ex­ plorent la relation entre l'artiste et le musée dans des oeuvres telles la Boite-en-1•alise de Duchamp et Mouse Museum de Oldenburg et les oeuvres critiques de Haacke et Buren. $20.00 New City of Sculpture; Bruce Grenville; in C Magazine, Toronto, Ont.: 1984. 39 pp., 44 illus., 24.5 x 33.5 cm. The catalogue for this exhibition of twenty Toronto sculptors curated by Robert Wiens and David Clarkson was integrated into C Magazine No. 3, Fall 1984. The author out­ lines the changing nature of sculpture and certain trends evident in the works. Each artist is represented by one large reproduction and in most cases a statement. $3.00 Papier matière/Paper Matter; Jacques Ba­ chand, René Viau, Laurel Reuter, Guy Du­ THf NKitl( "tTSUUUUM rand; Galerie Langage Plus, Alma, QC: 1984. 195 pp., 59 illus., 23.5 x 20.5 cm. Plusieurs textes analysent: la diversité des méthodes de fabrication du papier, sa crois­ Photoperspective '84; Karen Love, J im Breu­ sance en Amérique du nord, son origine dans kelman, Martha Langford, Robert Minden; les cultures japonaise et aztèque, le collage,les Presentation House Gallery, North Vancou­ oeuvres dans J'exposition et le rôle vitalisant ver. B.C.: 1984. 12 pp .. 36 illus., 30.5 x 45 cm. de Langage Plusdans J'art régional. Informa­ A national juried photography exhibition in­ tion biographique sur plus de cinquante cluding work by Charlie Murphie. Michele artistes et une reproduction d'une oeuvre de Wollstonccroft, David Dorrington and others. chacun. lncludes statements by the three jurors. $4.00 The texts examine the following: the diversity of paper-making, its coming of age in North POULIN, ROLAND. Roland Poulin: Sculp­ America, its origins in Japanese and Aztec tures and Drawings; Robert Swain; Agnes culture, collage, the work in exhibition, and Etherington Art Centre. Kingston, Ont.: 1984. the role of Langage Plus in vitalizing regional 16 pp., 17 illus., 23 x 24.5 cm. art. Biographical information on more than The artist's architectonie sculptures in wood 50 artists and one reproduction each. $10.00 and con crete are cited for the ir use of chiaro­ scuro and colour, texture and dimensionality. Performance by Artists; AA Bronson. Peggy $8.00 Gale eds., Chantal Pontbriand, Rose Lee Gold­ berg, Dick Higgins, Bruce Barber et al.; Art La Première Biennale de J'Est du Québec; Lise Metropole, Toronto, Ont.: 1979. 320 pp., 156 Couturier; Conseil de la Culture de l'Est du illus., 20.5 x 26.5 cm. Québec, Rimouski, QC: 1984. 84 pp .. 39 ill us., An anthology of interviews with artists, essays 1 col., 21 x 20.5 cm. by leading critics and artists, performance Un catalogue où chacun des 35 artistes parti­ chronologies, documentation and descriptions cipants est présenté par un exposé sur sa of performances and a lengthy bibliography of démarche, une reproduction et une biographie writings on performance art from 1969 to sommaire. $8.00

14 Prime Ti me Video; John G. Handhardt. Peter book is illustrated with photographs and Lynch/ Renya Onasick, Robin F. White, musical scores and includes a list of works. Bruce W. Ferguson, Renée Baert; Mendel Art important performances and recordings. Gal!ery, Saskatoon, Sask.: 1984. 98 pp .. 20 $9.00 illus .. 10 col., 17.5 x 23 cm. REID, LESLIE. Leslie Reid: Recent Prints The relationship between video an and prime and Paintings; RobP.rt Swain; Agnes Ethe­ time television is explored through the works rington Art Centre, Kingston. Ont.: 1984. 20 of Elizabeth Chitty, Fitzgerald and Sanborn. pp., 9 illus .. 1 col.. 25.5 x 20.5 cm. Generalldea. Noe! Harding and Stuart Sher­ man. The genesis of the exhibition, the broad­ Swain situates Reid within the tradition of ening audience of alternative TV, the strategies landscape painting. He discusses the artist's of each artist and the polit ica! and economie process, by which she creates theveiled sur­ dimensions of the transformation of video faces on which form is structured by light. from a form of popular culture to art are Biography and selected bibliography. $1.00 analysed by the live authors. RICHTER, GERHARD. 128 Details from a La relation entre l'art video et la télévision est Picture (Halifax 1978); The Press, Nova examinée à travers les oeuvres de Chitty. Scotia College of Art and Design. Halifax, Fitzgerald et San born, Generalldea, Harding N.S.: 1978. 65 pp .. 128 illus .. 19 x 27 cm. et Sherman. La genèse de l'exposition, l'ac­ The book consists of 128 photographs ta ken croissement du public de la tv alternative. les from various sides. angles, distances and light stratégies des artistes et les dimensions poli­ conditions. of an oil sketch on canvas (78 x 52 tiques et économiques de la transformation de cm, 1978) exhibited in 1978 at the Anna la vidéo d'une forme de culture populaire à Leonowens Gallery. $12.75 l'art sont analysés par les cinq auteurs. $9.95 ROBERTSON, RICHARD, Richard Robert­ Puri Pourri Pourrit; Pierre Bruneau. Lau­ son: Works on Paper; Joane Cardinal-Schu­ rence Orillard; Galerie Aubes 3935, Montréal. bert; The Nickie Arts Museum. Calgary. Alta: QC: 1984. 40 pp., 45 illus., 22 x 28 cm. 1982. 40 pp .• 37 illus., 25 x 26 cm. L'aventure de Nora Loner et ses amis Alistair Haunting imagery textured by lïnely wrought Preston, Lutz, Mauricio ... est racontée en markings, gouges and scrapes. Recurring bande dessinée. Les dessins sont de Pierre images of draped sheets recall Robertson's Bruneau et le scénario de Laurence Orillard. experience of drawing cadavers at the Uni­ $3.00 versity of Toronto Anatomy Depart ment. RAINER, YVONNE, Yvonne Rainer Work $6.00 1961-73; Yvonne Rainer; The Press, Nova ROSLER. MARTHA, Three Works; Martha Scotia College of Art and Design. Halifax, Rosier; The Press. Nova Scotia Colle ge of Art N.S.: 338 pp .. nu merous illustrations. 20 x 28 and Design, Halifax, N.S.: 1981. 87 pp., 49 cm. illus., 28 x 21.5 cm. This book traces the development of the work The publication consists ofthree art works by and philosophy of one of the most important Rosier: a short lïctional essay from 1972 and innovative contributors to contemporary entitled The Restoration of High Culture in dance ' performance art. A variety of docu­ Chile; a photographie work critical of con­ ments including scripts, notes, photographs temporary urban photography in the docu­ and related commentaries. A rich and diverse mentary tradition entitled The Bo11•ery intwo bibliographie portrait of Rainer. 517.50 Inadequate Descriptive Systems, 1974; and a Regina Collects; Carol A. Phillips, Michael fully critical essay entitled ln, Around and Parke-Taylor & Norman Zepp; Norman Mac­ Afterthoughts, 1981. $12.50 kenzie Art Gallery, Regina, Sask.: 1984. 59 pp .. 76 illus., 8 col., 25.5 cm. SAVAGE, ROGER, Roger Savage: A Sur­ Remarks by two authors on the scope and vey; Patrick Condon Laurette; Art Gallery of variety of priva te collections in Regina. List of Nova Scotia, Halifax, N.S.: 1979. 20 pp., 19 works in exhibition, nu merous reproductions. illus., 1 col., 23 x 28 cm. $16.50 Biographical , analytical essay looks at Sa­ REICH, STEVE, Writings about Music; vage's painting and printmaking, concentra­ Steve Reich; The Press, Nova Scotia College ting on his sources in art history. The artist of Art and Design, Halifax, N.S.: 1974.78 pp., shows particular interest in the mechanistic 18 x 23 cm. world which he displays in aerial views. State­ ment by the artist. $2.50 Reich discusses the development of his music from the carly taped pieces of the 1960's to the SCOTT, SUSAN, Susan Scott: Works from instrumental works of the 1970's, stressing his 1974 to 1983; Jane Young, Greg Bellerby; movement away from electronics toward live Surrey Art Gallery, Surrey, B.C.: 1984. 39 pp .• music. A collection of notes and essays. the 29 illus .. 8 col., 21.5 x 24 cm.

15 Two essays examine Scott's problematic as a This publication brings together Sekula's contemporary artist: the use of highly-charged major writings and photographie work. The persona( material (obsessive love, sexuality, texts include: On the Invention of Photo­ relationships) in a figurative mode. Young's graphie Meaning, Paparazzo Notes and Dis­ text uses biography and art history to con­ mant ling Modernism, and the photo works textualize the artist's work; also contains include Aerospace Folk tales and School is a analysis of her imagery and paintings. Beller­ Factory. Sekula's con cern with photography by concentrates on Scott's process and deve­ in its aesthetic, socio-economic, political and lopment in creating box assemblages. Bio­ historical contexts is eloquently stated by this graphical information, list of reviews, cata­ publication. $20.00 logues and exhibitions. $5.00 SHADBOLT, JACK, Jack Shadbolt: Act of The Second Link: Viewpoints on Video in the Painting; Scott Watson, Jack Shadbolt, Eighties; Lorne Falk, Gene Y oungblood, Carl George Woodcock; Vancouver Art Gallery, Loeffler, Sandy Nairne, Dorine Mignot, Bar­ Vancouver, B.C.: 1984. 52 pp., 65 illus., 44 bara London, Kathy Huffman. Peggy Gale, col., 30 x 30.5 cm. Brian MacNevin; Walter Phillips Gallery. Shadbolt is located within the West Coast Banff, Alta: 1983. Ill pp., 56 ill us., 30 col., 30 modernist tradition; the importance of nature x 23 cm. and the unconscious as weil as his stylistic A survey of recent works by 30 video artists combination of spontaneity and control are chosen by six cura tors from Canada, the U.S., stressed. A second text deals with the painter's Great Britain and Europe. The catalogue con­ use of forms and symbols of primitive art. tains an important collection of texts by cu­ Writings by the artist, biography and biblio­ rators and critics in the field of video-art. graphy. A luxurious production. $10.00 Profusely illustrated and well-produced. $15.00 SHEDDEN, LESLIE; Mining Photographs and Other Pictures 1948-1968. A Selection Seeing People/Seeing Space; Sue Davies; from the Negative Archives of Shedden Stu­ Visual Arts Ontario, Toronto, Ont.: 1984. 35 dio; Robert Wilkie, Allan Sekula, Don Mac­ pp., 16 illus .. 6 col., 22 x 23.5 cm. gillivary; The Press, Nova Scotia College of Biographical information and statements of Art and Design, Halifax, N.S.: 1983. 280 pp., fifteen Ontario photographers, each accom­ 369 ill us ., 3 col., 28 x 22 cm. panied by a photo from the exhibition. Intro­ Over three hu nd red photographs by Shedden, duction by Davies examines basic thrust of the a commercial photographer from Glace Bay, artists work. $4.50 Cape Breton are accompanied by historical (Wilkie), sociological (Macgillivary), and cri­ SEK ULA, ALAN, Alan Sekula: Photography tical (Sekula) essays. Fascinating material. Against the Grain/Essays and Photo Works $25.00 1973-1983; Alan Sekula; The Press, Nova Scotia College of Art and Design, Halifax, SHERMAN, TOM, 3 Death Stories; Tom N.S.: 1984. 260 pp., 172 illus., 13 col., 22 x 27 Sherman; Art Metropole, Toronto, Ont.: cm. 1977. 54 pp., 20 x 26.5 cm. Three highly detailed, improbably precise short stories by this artist, writer, performer. $5.00

SMITH, ANN, Ann Smith Visions & Sha­ dows; Arthur Adamson, Ann Smith; Gallery 1.1.1 ., University of Manitoba, Winnipeg, Man.: 1984. 12 pp., 12 illus., 4 col., 28 x 21.5 cm. Adamson daims that the innocent appearance of Smith's paintings belies a darker, more menacing vision of the world. He comments 1ft f« f« 1« on the differences in technique among the watercolours, pastels and recent large-scale a a a acrylics and posits the theory that naïve art - as opposed to formalist - is a more immediate and imaginative response to reality. $2.00 SNOW, MICHAEL, Cover to Cover; The Press, Nova Scotia Co liege of Art and Design, Halifax, N.S.: 1975.360 pp., 360 ill us., 18 x 23 cm.

16 Totally photographie, the book was conceived Subjects and Subject Matter; Eike Town; as an original work in book form. The method­ London Regional Art Gallery, London, Ont.: ology employed in the work's construction is 1985. 64 pp., 37 illus .. 22 x 30 cm. that the other side of the page is always the The six artists in this exhibition, Shelagh other side: If one side shows a face, the other Alexander, Barbara Kruger, John Massey, side shows the back of the head. This was Cindy Sherman, Laurie Simmons and Jeff accomplished with two cameras which record­ Wall, use pre-existing or newly create photo­ cd simultaneously from the sa me distance but graphie images to reveal the dimensions of from diametrically opposed angles. $18.00 cultural codification inherent in photograph­ SORENSEN, DAVID, David Sorensen: The ically-based imagery. Town's extensive essay Corner Series 1983-1984; Léo Rosshandler; discusses the artists' shared concerns and ap­ Theo Waddington Gallery, Montreal, QC proaches as weil as the distinctive character­ Bau-Xi Galleries, Vancouver, B.C., Toronto, istics of each artist's production. $9.00 Ont.: 1984. 12 pp., 5 ill us., 4 col., 23 x 30.5 cm. Rosshandler views Sorensen's style as a fusion oftwo paths of abstractions: the emotionalism of action painting and the detachment of minimalist, hard-edge painting. He empha­ sizes the primacy of col our for Sorensen, as a subtle and original means of communicating pleasure to the spectator. $3.00 Space lnvaders; Sandy Nairne, Bruce W. Ferguson; Norman Mackenzie Art Gallery, Regina, Sask.: 1985. 128 pp., 57 ill us., 9 col., 22 x 28 cm. Interviews with Edward Allington. Kate Bla­ cker, Jonathan Borofsky, Roland Brener. Tony Brown, Bertrand Lavier, Ken Little, Jean-Luc Vilmouth, Bill Woodrow, on the state of contemporary sculpture, their influ­ ences, methodology and philosophy. Two essays on the historical and socio-cultural context of sculpture. Beautifully produced catalogue. Profusely illustrated. $30.00 STEELE, LISA, The Ballad of Dan Peoples; Lisa Steele; Art Metropole, Toronto, Ont.: 1978. 24 pp., 4 illus., 20.5 x 26.5 cm. Subjects in Pictures: Philip Monk; Gallery ln this transcript from the videotape of the YYZ, Toronto. Ont.: 1984. 40 pp .. 83 illus .. same name the artist pays hommage to her 20.5 x 30 cm. grandfather, lelling a story of his childhood in Monk's essay deals with the ideological rami­ his own voice. $3.50 fications of the subject in representational art. STOKES, LOUIS, Louis Stokes: Trees of turning on the issue of woman and the look. Life/Recent Sculpture 1982-84; Louise Dom­ Text on each artist: Shelagh Alexander, Janice pierre; Agnes Etherington Art Centre, King­ Gurney, Nancy Johnson, Sandra Meigs, Jo­ ston, Ont.: 1984. 20 pp., 9 illus .• 1 col., 22.5 x anne Tod, Shirley Wiitasalo. $5.00 23 cm. TASCONA, TONY, The Dynamics of Tony Text about the theatrical quality and arche­ Tascona - Works on Aluminium 1973 to typai inspiration behind Stoke's large scale, 1984; Nancy E. Dillow; The Winnipeg Art polychromatic wood sculptures. Biography Gallery, Winnipeg, Man.: 1984. 23 pp., JI and list of exhibitions, selected bibliography. ill us., 22 x 25.5 cm. $5.00 The artist's constructions involve the inte­ STUBBS, EVA, Eva Stubbs; Dale Amund­ gration of disparate elements in a harmonious son, Eva Stubbs; Gallery 1.1.1. University of way. Dillow suggests that his background on Manitoba, Winnipeg, Man.: 1984. 12 pp., 13 the prairies, his work as an airline technician illus., 4 col., 21.5 x 28 cm. and his acquaintance with mathematicaltheo­ ry, the de Stijl and Constructivist movements The text attributes the artist's style to turbu­ have had a great impact on his style. $2.00 lent persona! experience. The sculptor's use of figures incorporating mono lit hic forms, inter­ Les temps; Wayne Rutherford, lhor Holu­ secting planes and decisive !ines endows her bizky, Denis Rousseau; Galerie SA W Gallery, pieces with a timeless quality. Selected bio­ Ottawa, Ont.: 1984. 46 pp., 16 illus .. 18 x 14 graphy. $2.00 cm.

17 Le catalogue comprend deux textes sur les Two Contemporary Artists from Ontario: oeuvres et sur la recherche d'une identité Katja Jacobs, John Scott; William Boyle, franco-ontarienne ainsi que des textes de cha­ Linda Belshaw Beatty, Robert McPherson, cun des exposants: A & B associés, Jean Karen Wilkin, Jennifer Oille; Visual Arts Bélanger, Anne-Marie Bénéteau, Marc Char­ Ontario, Toronto, Ont.: 1984. 16 pp., 10 ill us., bonneau et Pierre Desrosiers. 4 col., 29.5 x 21 cm. Texts on individual artists and quest for iden­ Foreword and introduction deal with Onta­ tity of Franco-Ontarian artists. lncludes state­ rio's alternative art spaces. Wilkin writes ments by A & B associés, Jean Bélanger, about Jacob's development in different media, Anne-Marie Bénéteau, Marc Charbonneau, her style of linear mark-making and the sen­ Pierre Desrosiers. $5.00 suous deployment of surface and col our. Oille discusses the strongly graphie quality of 3D-NB200; Stuart A. Smith, Herménégilde Scott's painting and its political content. ln­ Chiasson; Galerie Restigouche, Campbellton, eludes a statement by Jacobs. $4.50 N.B.: 1984. 71 pp., 21 illus., 19 x 24 cm. A look at sculpture from an art historical VAN DE PEER, ROBERT. Robert Van De perspective and the way in which various Peer: Plate and Stone: 10 Years; Robert trends influenced the multi-media work in this Swain; Agnes Etherington Art Centre, King­ exhibition; a second essay traces the evolution ston, Ont.: 1984. 16 pp., 9 illus .• 1 col., 28 x 23 of the art form in New Brunswick in relation cm. to currents in modernism. $7.00 The author comments on the artist's subjects: mythology, Middle Eastern themes. and the 3rd Annual Wild West Show; Val Greenfield; flow of nature, which he executes in mezzo­ Alberta Colle ge of Art Gallery, Calgary, Alta: tints or collages. Biography. $9.00 1984. 36 pp., 20 illus., 8 col., 27 x 21 cm. The cura tor gives a socio-economic history of Via New York; France Gascon, Robert Pin­ the West, and outlines how Western myth­ cus-Witten, Phillip Evans-Clark; Musée d'art ology inflects the content of the show. Bio­ contemporain, Montréal, QC: 1984.44 pp., 27 graphical information on the nine artists in the illus .. 24 col., 22 x 23.5 cm. exhibition. $5.00 Le catalogue de l'exposition contreversé qui réunissait vingt-trois artistes internationaux Toronto Painting '84; David Burnett; Art choisis par les directeurs de huit galeries new Gallery of Ontario, Toronto, Ont.: 1984. 96 yorkaises. Incluant des textes de France Gas­ pp., 64 illus., 31 col., 23 x 28 cm. con et Philip Evans-Clark en français et de Burnett surveys the history of Canadian Robert Pincus-Witten en anglais. Une repro­ modernism, the development of alternative duction couleur pour presque chaque artiste. art spaces, stylistic trends and the specifie Catalogue for the controversial exhibition character of Toronto painting. Biography and that included 23 international artists chosen bibliography for 33 artists. An important by the directors of eight New York galle ries. document. $18.00 lncluded are texts by F. Gascon and P. Evans­ Clark in French and R. Pincus-Witten in English. There is one col our reproduction for almost every artist. $7.00 VINCENT, ROBERT, Robert Vincent Select­ ed Works 1950-1981; Peter Millard; Mendel Art Gallery, Saskatoon, Sask.: 1984. 17 pp., 8 ill us .. 4 col., 24 x 22 cm. Part folk, part trained artist whose lyrical paintings of the Saskatchewan landscape dis­ play his fascination with pictorial structure and use of a muted, restrained palette. $5.00 WERDEN, RODNEY, Pauli Schell; Rodney Werden; Art Metropole, Toronto, Ont.: 1978. 20 pp., 8 ill us .. 20.5 x 26.5 cm. Transcript from the videotape of the same na me, an interview with a sado-masochist. $3.50 WÉRY, MARTHE, Marthe Wéry: Peinture Montréal 84; Gilles Godmer; Musée d'art contemporain de Montréal, Montréal, QC: 1984. 44 pp .. 26 illus .. 26 col., 21 x 28 cm. LW/10 BURNETT Ce catalogue livre d'artiste nous présente une

18 vision particulière des peintures presque im­ Toujours disponible/ possible à reproduire de cet artiste belge. Godmer examine son oeuvre et y situe cette Still A vailable récente installation réalisé à Montréal. SIO.OO Western Front Video; René Blouin. Peggy Gale; Musée d'art contemporain de Montréal, About VILE: Mail Art, News & Photos Montréal, QC: 1984.59 pp., 20 illus .. 21 x 30 from the Eternal Network: Anna Banana. cm.Blouin décrit le développement historique Michael Scott et al.; Banana Productions. d'un des premiers centre d'artistes canadien. Vancouver, B.C.; 1983. 106 pp .. 144 illus., Western Front, et Gale analyse la croissance 21.5 x 28.3 cm. English. SIO.OO d'une narration politique dans l'art vidéo. Chacun des deux auteurs examine des oeuvres Autobiography: Film/ Video/ Photography; de quelques artistes. Vidéographie et chrono­ John Stuart Katz cd.; Art Gallery of Ontario. logie vidéo. Toronto. Ont.: 1978. 96 pp .. 15 illus .. 20.5 x 26.5 cm, English. $5.00 Blouin looks at the development of one of the first Canadian Artist-Run Centers. the West­ BAXTER, IAIN & INGRID. Baxter2, Any ern Front, and Gale deals with the growth of Choice Works 1965-70; Marie L. Fleming; political narrative in video art. Both authors Art Gallery of Ontario, Toronto, Ont.: 1982. investigate works of individual artists. Video­ Ill pp., 82 ill us., 10 col.. 21 x 27 cm. English. graphy and video chronology. $15.00 $15.00 WILLIAMS, EMMETI, Chicken Feet, Duck Canada Video: Bruce W. Ferguson; National Limbs and Dada Handshakes; Emmett Wil­ Gallery of Canada Galerie nationale du Can­ liams: Western Front, Vancouver, BC: 1984. ada, Ottawa, Ont.: 1980. Ill pp .. 52 ill us., 20 x 64 pp., 64 illus. 14 x 18 cm. 28 cm. English. français. ltalian italien. Artist's book of cartoon-like Dada inspired $9.95 drawings and texts, reproductions of animal CHARNEY. MELVIN. Melvin Charney prints. $7.00 1981-1983; Melvin Charney, Louise Dom­ ZENITH CORNE. SHARRON, Sharron pierre; Agnes Etherington Art Centre, King­ Zenith Corne: Taboo Images; Marian Yeo, ston, Ont.: 1983.56 pp., 71 illus., 1 col., 23 x 26 Grace Thompson; Gallery 1.1.1 .. University cm, English. $5.00 Manitoba. Winnipeg, Man.: 1984. 23 pp .. 13 CICANSK Y. VICTOR, Victor Cicansky: ill us., 9 col., 23 x 30.5 cm. Clay Sculpture; Bruce W. Ferguson, Carol A. Zenith Corne's increasingly feminist art, her Phillips; Norman Mackenzie Art Gallery, unification of persona! and universal imagery, Regina, Sask.: 1983. 63 pp., 55 ill us., 20 col., and her use of androgynized body parts are 21.7 x 28. 1 cm. English. $25.00 discussed in two essays. Biography. $5.00 COLL YER, ROBIN, Robin Collyer; Philip ZIMMERMANN, H. WERNER, H. Werner Fry; Agnes Etherington Art Centre, Kingston. Zimmermann: The Blue Hill: Ingrid Jenkner; Ont.: 1982. 95 pp., 64 illus., 21.6 x 28 cm, Macdonald Stewart Art Centre, Guelph, Ont.: English & français. $8.00 1984. 8 pp., 5 illus., 1 col., 24 x 20.5 cm. COMTOIS. ULYSSE. Ulysse Comtois: 1952- The author relates Zimmermann's inspiration 1982; Manon Blanchette; Musée d'art con­ to his experience of the arctic night. The temporain, Montréal, QC: 1983. 138 pp .. 132 formai strategies of the Blue Hill paintings illus., 8 col., 22 x 28 cm, français. $8.00 lend themselves to mystical interpretation. $1.00 Correspondences: Tony Brown, George Le­ grady, John McEwen, Christopher Pratt, Tim ZUCK, TIM, Tim Zuck: Paintings; Louise Zuck; Bruce W. Ferguson, Robert Berlind; Dompierre; Agnes Etherington Art Centre. Walter Phillips Gallery. Banff, Alta: 1981. 64 Kingston, Ont.: 1984. 24 pp .. 13 illus., 1 col., pp., 51 illus., 8 col., 21.7 x 24.2 cm, English. 21.5 x 19.5 cm. $6.95 The author emphasizes the diffïculty in inter­ preting Zuck's monochromatic figurai work. FAVRO. MURRAY, Murray Favro Retro­ She notes the direct ness of the rendering and spective: Marie L. Fleming. Greg Curnoe. the interplay of fiatness and depth. $6.00 Michael Snow; Art Gallery of Ontario, To­ ronto, Ont.: 1983. 136 pp., 167 illus., 10 col., 21 x 27 cm. English version& version fran­ çaise. $15.00 Fiction: lan Carr-Harris, Generalldea, Mary Janitch, Shirley Wiitasalo; Eike Town; Art Gallery of Ontario, Toronto, Ont.: 1982. 96 pp., 132 ill us .. 24.4 x 27.4 cm, English.$14.00

19 Form & Performance; Millie McKibbon; The SNOW, MICHAEL, Walking Woman Winnipeg Art Gallery, Winnipeg, Man.: 1978. Works: Michael Snow 1961-67; Louise Dom­ 72 pp., 28 ill us., 26 x 25.5 cm, English. $5.00 pierre, Peter Morris, Michael Snow; Agnes Etherington Art Centre, Kingston, Ont.: 1983. GAUCHER, YVES, Yves Gaucher: A Fifteen 167 pp., 126 illus., 7 col., 23 x 29 cm. English. Year Perspective 11963-1978/ Une perspective $15.00 de Quinze Ans; Roald Nasgaard; Art Gallery of Ontario Musée des Beaux- Arts de l'On­ Structures for Behaviour; Roald Nasgaard, tario. Toronto, Ont.: 1979. 142 pp., 104 ill us., William J. Withrow; Art Gallery of Ontario, 24 col. 1coul., 28 x 23.5 cm, English & français. Toronto, Ont.: 1978. 132 pp .. 114 illus., 24 x $14.95 21 cm, English. $8.50 MAGOR, LIZ, Four Notable Bakers; Liz SULLIVAN, FRANÇOISE, Françoise Sulli­ Magor, Toronto, Ont.: 1983.42 pp .. 86 illus., van rétrospective; Claude Gasselin, Martine 22 x 18 cm, English. $10.00 Bousquet-Mongeau, David Moore; Musée d'art contemporain, Montréal, QC: 1981. 101 MANNERsm: A Theory of Culture; Jo-Anne pp., 110 illus., 7 col., 29.2 x 29.2 cm, français. Birnie Danzker; Vancouver Art Gallery, Van­ $10.00 couver, B.C.: 1982.78 pp., 49 ill us., 20.5 x 27.4 cm, English. $5.00 WHITTOME,IRENE. Irene Whittome 1975- 1980; Jacqueline Fry; Musée des beaux-arts Mise en scène: Kim Adams, Mowry Baden, de Montréal The Montréal Museum of Fine Roland Brener, Al McWilliams, Liz Magor, Arts, Montréal, QC: 1980.90 pp., 79 illus., 23 Jerry Pethick; Scott Watson, Lorna Farrell­ x 30.5 cm, français & English. $11.00 Ward; Vancouver Art Gallery, Vancouver B.C.: 1982. 132 pp., 139 illus., 23.3 x 29.9 cm, Vidéo du Québec; Andrée Duchaine; Musée English. $8.00 d'art contemporain, Montréal. QC: 1982. 47 pp .. 21 ill us., 22.7 x 20.5 cm, français. $3.50 PENONE. GIUSEPPE, Giuseppe Penone; Jessica Bradley; National Gallery of Canada Galerie nationale du Canada. Ottawa, Ont.: 1983. 72 pp., 44 illus, 4 col.. 27 x 27 cm. English version & version française. $14.95 Pluralities/1980/Piuralités; Philip Fry. Wil­ Chantal Boulanger lard Holmes. Allan MacKay, Chantal Pont­ briand, Jessica Bradley; Galerie Nationale du présente son livre Canada/ National Gallery of Canada, Ottawa, Ont.: 1980. 132 pp., 131 illus., 23 x 30.5 cm, français & English. $19.95 POULIN, ROLAND, Roland Poulin: Sculp­ ture et dessins 1982-1983; Fernande Saint Martin; Musée d'art contemporain, Montréal, QC: 1983.56 pp., 41 ill us., 27 x 26cm,français & English. $12.00 RAUSCHENBERG, ROBERT, Rauschen­ berg: Works from Captiva; Luke Rombout; Vancouver Art Gallery, Vancouver, B.C.: 1978. 16 pp., 15 illus .. 15 col., 38 x 35 cm, English. $25.00 SHERMAN, TOM, Cultural Engineering; Willard Holmes, Tom Sherman; National Gallery of Canada, Ottawa, Ont.: 1983. 204 pp., 51 illus., 21.5 x 28 cm, English version. Comprenant les oeuvres de six $19.95 photographes québécois(es), Raymonde April, Lise Bégin, SHERMAN, TOM, Ingénierie culturelle; Pierre Gosselin, Angela Willard Holmes. Tom Sherman; Galerie na­ Grauerholz, Holly King et Sylvie tionale du Canada, Ottawa, Ont.: 1983. 204 Readman, et une sélection de treize textes de Chantal Boulanger pp., 51 illus .. 21.5 x 28 cm, version française. sur des sujets tels «Cinéma», $19.95 «Montréal», «Profil», et «Simula­ cre», ce livre crée une jonction de S LEEP, JOE. Joe Sleep Retrospective; Bruce deux aires fictionnelles; 1' écriture W. Ferguson, Harold Pearse; Art Gallery of et la photographie. $10.00 Nova Scotia. Halifax, N.S.: 1981. 32 pp .. 30 ill us .. 4 col., 22.5 x 21.5 cm, English. $3.00

20 Alternatives in Retrospect Historical Over­ view 1969-1975; Jacki Apple, Mary Delahoyd; The New Museum of Contemporary Art, New York, N. Y.: 1981.52 pp .. 47 ill us., 20 x 23 cm. Apple, guest curator of the exhibition, exa­ mines the socio-economic and aesthetic im­ petus behind the development of alternative spaces in New York. Delahoyd gives a his­ torical outline of the movement and details the special role of such spa ces as Apple, 98 Greene St., 112 Greene St. Workshop, 10 Bleecker St., 3 Mercer and the !dea Warehouse. Texts by directors of each gallery and artists, photos of installations, performances and the spaces. $10.50 Art and ldeology; Benjamin H.D. Buchloh. Donald B. Kuspit, Lucy R. Lippard, Nilda Peraza, Lowery Sims; The New Museum of Contemporary Art, New York, N.Y.: 1984.72 pp., 73 ill us., 23 x 20 cm. Buchloh traces the roots of contemporary political art to the early Russian avant-garde. He examines the intersection between pro­ ducer and distributor in art, declaring that artistic practice is contingent upon socio-politi­ cal realities. Essays on Sekula, Lonidier, Spero. Torres, Lacy, Kearns, Jaar, Frigerio. Wilke and Sullivan. Artists' statements, select­ ed exhibitions and bibliographies. $15.00

BALDESSARI, JOHN, John Baldessari; Marcia Tucker, Robert Pincus-Witten, Nancy Drew; The New Museum of Contemporary Art, New York, N. Y.: 1981. 77 pp .. 90 ill us., 3 col., 20 x 23.5 cm. Tucker provides an overview of Baldessari's work in .yarious media, citing his humour, play with language, the influence oflinguistics. anthropology, poetry and philosophy on his conceptual / aleatory art. Pincus-Witten's Blas1ed Allegories is an essay on the artist's symbolist/ surrealist-inspired photos. lncludes an interview with the artist. $21.00 Difference: On Representation and Sexuality; Jane Weinstock, Craig Owens, Lisa Tickner, Jacqueline Rose, Peter Wollen; The New Museum of Contemporary Art, New York, N. Y.: 1984. 48 pp .• 25 ill us .• 20 x 23 cm. Essays explore representation in photography, mixed media works, video and film, mainly with regard to Lacanian psychoanalytic theory on the sexual being as a product of patriarchal culture. The exhibition, curated by Kate Linker and Jane Weinstock (film, video), included such artists as Da ra Birnbaum, Victor Burgin, Mary Kelly and Jeff Wall. $8.75 Dimensions variable; Susan Logan, Allan Schwartzrnan, Kathleen Thomas; The New Museum of Conternporary Art, New York, N.Y.: 1979. 45 pp .. 41 illus., 20.5 x 23 cm. Works by James O. Clark. Gary Allen Justis, Ann Knutson, Cork Marcheschi, Stephen

21 Miller, Carlton Newton and Mike Roddy emphasize physical, not analytical experience. The collaborative essay situates the pieces within the context of recent visual art analysing the works' shared use of materials and machinery, intuitional quality and dependence on spectator participation. Statements by each artist. $8.75

Early Work; Lynn Gumpert, Ned Rifkin, Marcia Tucker; The New Museum ofContem­ porary Art, New York, N.Y.: 1982.72 pp.,29 illus .• 23 x 20 cm. Work of Benglis, Brown, Jimenez, Stephan and Weiner centers on concerns outside mainstream art, particularly in their politicized and philosophical preoccupations. Interviews GOLUB, LEON, Golub; Ned Rifkin, Lynn with each artist covering their respective Gumpert, Leon Golub; The New Museum of backgrounds. influences, and processes. Contemporary Art, New York, N.Y.: 1984.95 $8.75 pp .. 41 ill us .. 5 col., 23 x 20.5 cm. The End of the World: Contemporary Visions Bio-historical analysis of strongly political of Apocalypse; Lynn Gumpert; The New figurative work; essay charts Golub's transi­ Museum of Contemporary Art, New York, tion from allegorical to more immediate and N. Y.: 1983. 83 pp .. 28 ill us., 23 x 20.5 cm. violent imagery. Excerpts from interviews, artist's writings and chronology. $14.00 Twenty-four artists address large scale natural and man-made disasters in their paintings, The lnvented Landscape; Christopher English; assemblages, performances and installations. The New Museum of Contemporary Art, Gumpert recounts the use of metaphors for New York, N. Y.: 1979.42 pp .. 20 ill us .. 23 x 20 the apocalypse in art, da ting from the medieval cm. era. lncludes artists' statements. $8.75 The author gives a history of landscape photography and discusses the crucial exhibi­ Events Fashion moda Taller boricua tions in that genre. The work of the ten Artists Invite Artists; Lynn Gumpert; The photographers in the exhibition is informed New Museum of Contemporary Art, New by the change from the pastoral ideal of the York, N.Y. : 1981.52 pp .. 41 illus., 23 x 20.5 Jeffersonian America to the undermining of cm. the Western myth by encroaching urban A three part exhibition showing work ex­ culture. $10.50 cluded from commercial galleries and muse­ JONAS, JOAN, Joan Jonas Scripts and ums. Two spaces curated their own shows. Descriptions 1968-1982; Douglas Crimp ed .. Taller Boricua - a community-based Puerto Joan Jonas, Douglas Crimp. David Ross; . Rican an workshop, and Fashion Moda, a University Art Museum. University of Califor­ multi-cultural space in the South Bronx. nia. Berkeley, Cal.: 1983. 143 pp., 150 illus., Gumpert comments on the deliberately anti­ 21.5 x 24 cm. aesthetic quality of their presentation. Artists Invite Artists grew out of a dialogue between little-known anists and their more widely shown peers. Statements by visiting artists and lists of each spaces's exhibitions. $10.50 Extended Sensibilities: Homosexual Presence in Contemporary Art; Daniel J. Cameron; The New Museum of Contemporary Art, New York, N.Y.: 1982.60 pp., 55 illus., 23 x 20 cm. Cameron chronicles the vicissitudes of the gay sensibility in art, and identifies the creation of a hermetic visual language to express that consciousness. The nineteen artists represented in the exhibition are discussed under categories of the homosexual self, the other and the world. Scrapbook of images by each artist and anists' statements. $15.00

22 Crimp a scribes three qualities to ali of Jonas's Toujours disponible/ work: de-synchronization. fragmentation and repetition. Chronology, descriptions. stills and Still A vailable scripts of mirror pieces. outdoor performances. fairy tales, essay on her tapes, statement by the artist. biography. selected bibliography and list of exhibitions. Abundantly illustrated. $20.00 LEGRADY. GEORGE.Stockfootage; CEPA Gallery. Buffalo. N. Y. : 1984. 12 pp .. 12 col. LE VA. BARRY. Barry Le Va: Four Consecu­ illus .. 35 x 28 cm. $10.00 tive Installations & Drawings 1967-1978; Marcia Tucker; The New Museum of Con­ SAUNDERS. JOYAN. Prescriptives; CEPA temporary Art, New York, N. Y.: 1978. 62 pp .. Gallery. Buffalo. N. Y.: 1984. 24 pp .. 13 illus., 1 56 illus. , 2 col.. 23 x 20.5 cm. col.. 28 x 21.5 cm. $6.50 Tucker describes Le Va's complex pieces in non-traditional sculptural materials. such as felt, powder and nour. discussing the artist's notions of temporality, ephemerality and spatial experience as weil as his transforma­ tions of distance and scale and figure / grou nd reversais. $15.00 Persona; Lynn Gumpert & Ned Rifkin; The New Museum of Contemporary Art, New York, N. Y.: 1981.57 pp., 49 ill us., 20 x 23 cm. The authors' essay examines the concerns of nine artists, each of whom has developed alternate identities for their videos. perform­ ances, assemblages, photos and or drawings. They utilize episodic narrative constructions, the spoken ward and the enactment of rituals. to encompass notions of gender duality and stereotype. Statements by each artist: Eleanor Antin, Mr. Apology. Colin Campbell. Bruce Charlesworth. Colette, Red Ekks, Lynn Hershman. James Hill, Martial Westburg. $8.75 Stay Tuned; Ned Rifkin; The New Museum of Contemporary Art. New York. N. Y.: 1981.32 pp., 16 illus., 23 x 20 cm. The author reviews the genesis of video art and writes about how six artists. known for work in other media. utilize video to extend their aesthetic preoccupations. lncluded are Robert Cumming. Brian Ena, Charles Frazier, Donald Lipski, Howardena Pindell, Judy Rifka, Allen Rupper~berg and Irwin Tepper. $8.75

Sustained Visions: Gaylen C. Hansen, Claire Moore, Salvatore Scarpitta; Susan Logan, Allan Schwartzman. Kathleen Thomas; The New Museum of Contemporary Art, New York, N. Y.: 1979. 56 pp .. 35 illus., 20 x 23 cm. These three artists are admired by colleagues but have received little critical and public recognition. Logan remarks on Hansen's use of humour and trademark image. and li kens his painting to Egyptian pictographs. Sch­ wartzmann discusses Moore's emphasis on ward play and her source in illuminated manuscripts and Byzantine mosaics. Scarpitta is acknowledged by Thomas for the energy and movement of his collages. $10.50

23 L'acte photographique; Philippe Dubois; Fer­ nand Nathan, Paris & Editions Labor, Bru­ xelles: 1983. 208 pp., 31 illus., 15 x 21.5 cm. Une analyse de la photographie et de son histoire où le médium n'est pensé plus seule­ ment comme image mais aussi et d'abord comme acte iconique. $17.50

ANDRE, CARL, Carl Andre; Le Nouveau Musée, Lyon/ Le Coin du Miroir, Dijon: 1983. 25 pp., 10 illus., 28.5 x 20 cm. Un constat photographique de sept pièces de Le> publication> Carl Andre qui ont été réalisées et installées en d'artbtc>. )c, livre> septembre 1983 à Lyon et à Dijon. $12.00 ct )c, catalogues d'exposition' 'ui1 a nt> ALLEN, TERRY, Sprawl/Prowi/Growl: A peuvent maintenant Geographical Survey of Works by Terry Al­ être obtenu' grâce au len; Thierry Raspail, Terry Allen, Fernand 'crvicc de di,tribullon Braudel, Marcia Tucker, Christine Breton, d'Artcxtc. Patrick Vialle; ELAC, Lyon: 1984. 79 pp., 32 illus., 13 col., 21 x 31 cm. The folio" ing exhi­ Allen est décrit comme un artiste éclectique bition catalogue>. marqué par des expériences au sud-ouest des books and artists' Etats-Unis et le sud-est asiatique. Le catalogue publications can comprend beaucoup de citations d'auteurs tel nm1 be obtained que Camus, Stein, Barthes, Adorno, Rim­ through Arte\te's baud, ainsi que des textes et des poèmes de di,tribution service. l'artiste. Ample documentation photographi­ que. Allen is described as an eclectic multi-media artist marked by American Southwest and South East Asian experience. The catalogue includes extensive quotations by such a ut hors as Camus, Stein, Barthes, Adorno and Rim­ baud as weil as texts and word poems by the artist. Extensive photographie documenta­ tion. $15.00

24 Biennale Internationale de la Danse, Lyon - Culture and the State; Lisa Appignanesi; ICA 1984; Guy Darmet éd.; Biennale internationale Documents, lnstitute of Contemporary Arts, de la Danse, Lyon: 1984.92 pp., 165 illus., 29.5 London: 1984. 32 pp., 21 x 30 cm. x 40 cm. Material from a conference on the political La première biennale de la danse montre par ramifications of artistic practice; issues of évocation, restitution et témoignage comment patronage, subsidization, preservation and est née et s'est développée la danse moderne à lending policies in West Germany, ltaly, travers ses principales expressions. Le cata­ France and Britain are discussed by such logue comprend plus de 35 textes sur divers a ut hors as: Raymond Williams, Freimut Ouve chorégraphes, danseurs, compagnies et mou­ and Sergio Romano. $7.50 vements aux Etats-Unis, en Russie et en Europe. Un document complet et important. DEACON, RICHARD, Richard Deacon $12.50 Sculpture 1980-1984; Michael Newman; The Fruitmarket Gallery, Edinburgh & Le Nou­ BUREN, DANIEL. Ponctuations: Statue/ veau Musée, Lyon: 1984. 47 pp., 50 illus., 6 sculpture; Benjamin H.D. Buchloh, Daniel col., 22 x 30 cm. Buren, Jean-Louis Maubant et al.; Le Nou­ Michael Newman analyse les sculptures de veau Musée. Lyon: 1980. 227 pp., 172 illus., Deacon en terme d'esthétique Minimaliste et 13.5 x 21 cm, français with English supple­ le relie à la poésie de Rilke et aux théories de ment. Lacan et Derrida. Un beau catalogue avec de Ce livre est un répertoire géographique, de­ nombreuses reproductions. scriptif et historique des statues de la ville de Michael Newman discusses Deacon's sculp­ Lyon qui étaient 'marquées' par Buren pen­ ture in terms of a Minimalist aesthetic and dant son stage comme artiste invité auNou­ links it to the poetry of Rilke and to the veau Musée en 1980. Il inclut plusieurs entre­ theories of Lacan and Derrida. Handsomely tiens entre Buren et divers critiques. produced catalogue with numerous reproduc­ This catalogue is a geographie, descriptive and tions. $14.00 historie repertory of the statues in Lyon that Buren 'marked' during a visiting artist resi­ Desire; Lisa Appignanesi ed.; ICA Docu­ dency at the Nouveau Musée in 1980. ln­ ments, lnstitute of Contemporary Arts, Lon­ cluded are a number of extracts of conver­ don: 1984.40 pp., 13 illus., 21 x 29.5 cm. sations between the artist and various critics. The first in a projected series of documents $20.00 based on discussions included in the ICA seminars programme. Eleven texts by such COLLIN-THIÉBAUT, GÉRARD. Le peintre authors as Victor Burgin, Mary Kelly, Laura parcours sa propre exposition; Gérard Collin­ Mulvey and Julia Kristeva exploring the Thiébaut; Le Nouveau Musée, Lyon: 1983.32 theme of" Desire" from psychoanalytical, philo­ pp., 12 illus .. 1 col., 21 x 30 cm. sophical, theoretical and art historical per­ La juxtaposition de petits textes par divers spectives. $6.00 auteurs (Jean-Luc Godard, l'artiste lui-même, Jean-Marie Straub) avec des dessins par Col­ HILLIARD, JOHN, John Hilliard; John lin-Thiébaut crée un unique et élégant cata­ Hilliard, Michael Newman; lnstitute of Con­ logue/livre d'artiste. $12.00 temporary Arts, London: 1984. 40 pp., 28 illus., 8 col., 30 x 21 cm. Construire l'illusione; Thierry Raspail, Vit­ Hilliard's work deals with fiction and con­ torio Fagone; ELAC, Lyon: 1984. 76 pp., 73 structed space within the photographie image. illus., 21 x 31 cm. lncludes an exchange of letters between New­ La construction de l'illusion est analysée à man and Hilliard. Newman writes on rellex­ travers les oeuvres de cinq sculpteurs milanais: ivity, and gives a Marxist reading of viewer Avale, Coletta, Colombo, Staccioli et Trotta. subject relationships, voyeurism and the Fagone situe leur travail dans le contexte gaze. $10.00 historique du vingtième siècle et chaque artiste présente son travail textuellement. De nom­ Madelon Hooykaas & Elsa Stanslield: Au­ breuses reproductions. $13.00 dio/Video, Installations; Josine van Droffe­ laar; Hooykaas Stansfield. Amsterdam: 1983 . CRAGG, TONY, Découpage/Collage à pro­ 116 pp., 55 illus., 21 x 21 cm. pos de Tony Cragg; Tony Cragg, Jean-Louis Video & sound works, abjects and photo­ Maubant; Cahier du Cric/ Le Nouveau Musée graphs make these environments and install­ (NDLR), Lyon: 1982. 33 pp., 29 illus., 21 x ations dependent on the spectator's choice of 29.5 cm. image r sound sequence. Descriptions, docu­ Ce catalogue nous montre des oeuvres finies mentation of installations, biographical notes, ainsi que des vues de pièces en création. J-L. videography, filmography,list of audio works Maubant analyse les oeuvres de ce sculpteur and bibliography. $10.00 anglais qui était l'artiste invité au Nouveau Musée en 1981-1982. $12.00

25 KAPOOR, ANISH, Anish Kapoor: Feeling Maquettes d'architectes; Adelina von F'ùrsten­ into Form/ Le sentiment de la forme, la forme berg, Pierre Alain Croset; Centre d'art con­ du sentiment; Marco Livingstone; Walker Art temporain, Genève & Le Nouveau Musée, Gallery, Liverpool & Le Nouveau Musée, Lyon: 1982. 47 pp., 28 illus .. 21 x 21 cm. Lyon: 1983 . 32 pp., 17 illus., 8 col., 21 x 29.5 Les maquettes représentées sont commentées cm. par les quinze architectes dans leurs langues Livingstone examine les oeuvres de ce sculp­ maternelles. On y retrouve aussi une analyse teur indien, qui vit en Angleterre, en terme du statut d'une maquette d'architecte par Cor­ d'imagerie et de mythologie Hindoues ainsi set. Les architectes sont: Botta, Eisenman, que couleurs en pigments purs. Les repro­ Gregotti, Hejduk, Kleihues, Meier, Purini, ductions couleurs sont magnifiques. Reichlin & Reinhart, Rossi, Sartoris, Scolari, Livingstone discusses works by this lndian Ungers et Sacchi. $15.00 sculptor,living in Britain, in terms of his use of Vincent Bioulès, Louis Cane, François Mar­ Hindu imagery and mythology as weil as of tin; Vincent Bioulès, Camille Saint-Jacques, pure colour pigments. The colour reproduc­ Louis Cane, François Martin, Christian Ber­ tions are wonderful. $12.00 nard; ELAC, Lyon: 1983. 79 pp., 61 illus., 15 col.. 21 x 31 cm. Chacun de ces trois artistes français est re­ présenté par de nombreuses reproductions de ses oeuvres ainsi que des textes écrits par eux­ mêmes. On y retrouve des extraits de journaux de Bioulès et Martin et une entrevue de Louis Cane. Les biographies et les bibliographies sont bien faites. $15.00 MÜiheimer Freiheit: The Second Bombing; Hans Peter Adamski, Peter Bommels, Walter Dahn, Jiri Georg Dokoupil, Gerard Kever, Gerhard Naschberger, Wolfgang Max Faust; lnstitute of Contemporary Arts, London: 1983. 56 pp., 43 illus., 30 x 21 cm. An artists' book produced to accompany an exhibition by this group of six Cologne based pa inters. The book includes four drawings by each artist specially made for this publication, the artists' collaborative text of their history and a critical account of the group by Faust. $9.50

LAVIER, BERTRAND, Bertrand Lavier; Xavier Douroux & Franck Gautherot; Le Nouveau Musée, Lyon & Kunsthalle Bern, Be rn: 1984. 56 pp., 34 ill us., 16 éot., 21 x 28 cm, français & allemand. Huit ans de production d'objels de Lavier, tantôt rapprochant la peinture, la sculpture tantôt l'installation sont présentés. De nom­ breuses reproductions. $22.00 London Video Arts: 1984; David Critchley, Mick Hartney, Jeremy Welsh, Catherine El­ wes, Margaret Warwick, Stuart Marshall, Tamara Krikorian; London Video Arts, Lon­ don: 1984. 36 pp .• 17 illus .. 21 x 29.5 cm. Seven essays covering the history of inter­ national video art, British women video art­ isis, new narrativists, political movement with­ in LV A. and the work of individual artists. Stills and lists of works in the exhibition. $5.00

26 Le Nouveau Musée: forage off shore dans la construction and the deniai of the author is région lyonnaise; Jean-Louis Maubant et al.; situated within British avant-garde rnove­ Cahier du Cric/Le Nouveau Musée (NDLR), rnents. Stills. programme notes, biographical Lyon: 1982. 33 pp., 47 ill us., 1 col., 21 x 30 cm. information and staternents by: John Adams, Une mise au point sur les intentions, les Neil R. Armstrong, lan Bourn, Catherine idéologies et l'histoire du Nouveau Musée. Ce Elwes, David Finch, Sera Furneaux, Mick catalogue inclus un texte par le directeur J-L. Hartney, Steve Hawley, Tina Keane, Jean Maubant, un chacun parT. Cragget D. Buren Fisher, Antonia Sherman, Mark Lucas, Rich­ et un texte par C. Besson sur Gilbert and ard Layzell, Elsa Stans field & Madelon Hooy­ George etC. Boltanski. $12.00 kaas, Caroline Stone, Margaret Warwick, Jeremy Welsh. $5.00 PAOLINI, GIULIO, Giulio Paolini, Figures (lntentions)/lrnages(lndex); Jean-Louis Mau­ SALVO, Salvo: Bilder/Peintures 1973-1982; ban!, Giulio Paolini; Le Nouveau Musée, Martin Kunz, Jean-Louis Maubant; Kunst­ Lyon: 1983. voi.I: 93 pp., 14 illus., vol.II: 158 rnuseurn Luzern, Luzern & Le Nouveau Mu­ pp., 154 illus., 23 x 28.5 cm, italien avec sée, Lyon: 1983. 70 pp .. 43 illus., 13 col., 21 x supplément français. 29.5 cm, français & allemand. Un livre d'artiste fait à l'occasion d'une expo­ Kunz analyse l'appropriation d'images tirées sition, ces deux volumes consacrés à l'oeuvre de l'histoire de l'art de cet artiste italien et de Paolini couvrent plus de vingt ans de son Maubant analyse son évolution à travers des travail. Il contient une immense biographie et mouvements tel que l'art conceptuel, l'arte bibliographie, plusieurs textes de l'artiste et pavera et le transavantgarde. $18.00 beaucoup de reproductions. Le livre est rnagni­ La structure et J'objet (essais, expériences et lïq ue. $36.00 rapprochements); Jean-François Pirson; Mé­ PRINCE, RICHARD, Richard Prince: Pam­ taphores-AarpeA as bi-Institut Supérieur d'Ar­ phlet; Kate Linker. Richard Prince; Le Nou­ chitecture Lambert Lombard, Liège: 1984. veau Musée (NDLR), Lyon: 1983. 32 pp .. 16 136 pp., 150 illus., 21 x 27 cm. illus. , 21 x 29.5 cm. A travers une grande diversité de sculptures, Kate Linker nous présente les oeuvres de ce d'installations et de textes critiques, datant photographe américain. Le catalogue corn­ surtout du vingtième siècle, l'auteur entre­ prend aussi plusieurs textes par l'artiste juxta­ prend un questionnement de l'acte de créer à posés avec les photographies qui sont pour la partir des gestes du construit et du bâti. Le plupart tirées d'images des média. livre est divisé en deux parties. la première est consacrée à un résumé des principaux argu­ Kate Lin ker presents the work of this Arneri­ ments et la deuxième au travail pédagogique can photographer. The catalogue a Iso includes réalisé principalement à l'Atelier d'Etude des nu merous texts by the artist juxtaposed with Formes de l'Institut Supérieur d'Architecture photographs, many of which are drawn from Lambert Lombard. $20.00 existing media images. $12.00

RAETZ, MARKUS, Markus Raetz, Arbeit­ en/Travaux/Works 1971-1981; Jean-Chris­ tophe Arnrnann; Kunsthalle Base!, Base! & ARC, Musée d'Art Moderne de la Ville de Paris, Paris & Le Nouveau Musée, Lyon & Frankfurter Kunstverein, Frankfurt: 1982. 142 pp., 73 illus., 33 col., 29.5 x 21 cm, français, English, German allemand. LA STRUCTURE ET L'OBJET (nsals.e~et~) Une publication consacrée aux séries de têtes de Raetz; la tête et son mouvement, le visage et ce qui le constitue sont 'décrits' à travers une sélection de dessins et de peintures réalisés dans une période d'une dizaine d'années. Un document exceptionnel. A publication devoted to the artist's head sequences; the head and its rnovernents the face and its cornponents are described thr~ugh a selection of drawings and paintings done J over a period of ten years. An outstanding document. $25.00

Recent British Video; Stuart Marshall; Lon­ don Video Arts & the British Council, Lon­ don: 1983. 24 pp., 16 ill us .• 1 col., 17 x 28 cm. -~ Video-practice centering on notions of de-

27 TimèBased Arts Catalogue; Ti me Based Arts, World-Wide Video Festival 1982; Rien Ha­ Amsterdam: 1984. 162 pp., 79 illus., 15 x 21 gen, Henk van Bruggen, Josine van Droffe­ cm. laar; Kijkhuis, The Hague: 1982. 56 pp., 81 The disiTibmion catalogue of an alternative illus., 21 x 29.5 cm, English & Dutch. centre in Amsterdam which distributes and Essays on the selection process and purpose of exhibits works by artists using time based the festival and the potential of video as an media: video, audio, film, performance. Each instrument of cultural renewal and as a poli­ of the 8J artists are represented by "index tical and artistic tool. $6.00 which contain photos and their own descrip­ tions of their works. $10.00 World-Wide Video Festivali98J; Erik Daams, Els de Groot, Walter van der Meijs et al. ; Vidéo, Fiction et Cie: Actes du Colloque; Kijkhuis, The Hague: 1983. 143 pp., 163 illus., Jean-Paul Fargier éd.; C.A.C., Montbéliard: 13 x 21 cm, English & Dutch. 1984. 66 pp., 10 illus .. 21 x JO cm. Survey of international and independent video Les actes du colloque de la 2e manifestation productions. Descriptions of each video internationale de vidéo de Montbéliard. Par­ shown. Frame enlargements, list of perform­ mi les conférenciers, on retrouve Jean-Paul ances and installations, photos. $6.00 Fargier, Anne-Marie Duguet, Woody Vasul­ ka et Ko Nakajima. $5.00 World-Wide Video Festival1984; Erik Daams, Pim Felen, Henny Kamphuizen, Tineke Reijn­ VIEILLE, JACQUES, Jacques Vieille: L 'oi­ ders et al.; Kijkhuis, The Hague: 1984. 160 pp., seau chante l'aube et le soir du monde; Bruno 155 illus., 14.5 x 21.5 cm, English & Dutch. Corà; Cahier du Criel Le Nouveau Musée Programme notes on videos. Interview with (NDLR), Lyon: 1982. J2 pp., IJ ill us., 21 x JO co-founders of Belgium's Image Video Essay cm, français & italien. on the use of the computer in video art; report Les dessins-installations et les installations­ on video work at the Centre Pompidou. sculpturales de Vieille qui sont très liés à la $6.00 nature et à la lumière sont décrits par Corà. Les reproductions donnent une bonne idée de la diversité du travail de l'artiste. $12.00 WEBB, BOYD, Boyd Webb; Bernard Blis­ tène; Le Nouveau Musée, Lyon & Stedelijk Van Abbemuseum, Eindhoven: 198J. 41 pp., J5 illus., 29 col., 27 x 21.5 cm. The author discusses the artist's photographs of constructed scenes in theatrical spaces. The Toujours disponible/ catalogue includes numerous colour repro­ Still Available ductions and a number of excerpts from conversations between the artist, J. Debbaut and J-H. Martin. $15.00 About Time: Video, Performance and Installa­ tion by 21 Women Artists; Lynn MacRitchie, Sally Patter, Caroline Tisdall; ICA, London: 1980. 30 pp., 21 illus., 21 x 30 cm, English. $7.50 Conrad Atkinson: Picturing the System; Con­ rad Atkinson, Lucy Lippard, Sandy Nairne, Timothy Rollins, Caroline Tisdall; ICA/ Pluto Press, London: 198 I. 85 pp., 85 ill us., 21 x 30 cm, English. $10.00 BOROFSK Y, JONATHAN, Jonathan Borof­ sky: Dreams 1973-1981; Joan Simon; ICA, London & Kunsthalle Base!, Base!: 1981. 101 pp., 87 ill us., 21 x JO cm, English & German. $9.50 Brand New York; 27 principal authors; ICA ' Namara Press, London: 1982. IJ6 pp., lavishly illustrated, 21 x 30 cm, English. $9.50 BRISLEY, STUART, Stuart Brisley; Sandy Nairne, John Roberts, Stuart Hood, N. Collins; ICA, London: 1981.60 pp., 52 illus., 21 x JO cm, English. $9.00

28 Formalisme et Historicité/ Autoritarisme et Régression; Benjamin H.D. Buchloh; Editions Territoires, Paris: 1982. 83 pp., 32 ill us ., 16 x 24 cm, français. $12.00 GOLUB, LEON, Leon Golub: Mercenaries and Interrogations; John Bird, Leon Golub. Michael Newmann; ICA, London: 1982. 31 pp., 17 ill us ., 1 col., 21 x 30 cm, English. $8.50 Histoire d'expo; Paul Blanquart, Christian Carrier, eds., Peuple et Culture, Centre de Création 1nd ustrielle et Centre Georges Pom­ pidou, Paris: 1983. 54 pp., 21 x 30 cm, français. $7.00 Issue: Social Strategies by Women Artists; Lucy Lippard, Margaret Harrison; ICA, London: 1980. 66 pp., 61 illus., 21 x 30 cm, English. $7.50

KRUGER, BARBARA, We Won't Play Nature to Your Culture: Works by Barbara Kruger; Jane Weinstock, Craig Owens, lwona Blazwick, Sandy Nairne; ICA, London: 1983. 64 pp., 48 ill us., 21 x 30 cm,English. SI 1.00 KÜnstler aus Kanada - RÏmme und lnstal­ lationen; U rlich Bernhardt, Bruce Ferguson, Glenn Lewis, Tilman Osterwold, Philip Monk; WÜrtembergischer Kunstverein, Stuttgart: 1983 . 128 pp., 83 illus., 2 col. , 22 x 27 cm, German & English. $8.00 MAPPLETHORPE, ROBERT, Robert Mapplethorpe 1970-1983; Allan Hollinghurst, Stuart Morgan; ICA, London: 1983. 64 pp., 60 illus., 21 xc 30 cm, English. $11.00 William Morris Today; 31 authors; ICA, London: 1984. 157 pp., copiously illustrated, JO col., 21 x 30 cm, English. $16.00 OKanada; 36 au thors/ auteurs; Canada Coun­ cil /Conseil des Arts du Canada, Ottawa & Akademie der KÜnste , Berlin: 1982. 477 pp., 785 illus., 6 col., 22 x 22 cm, German/alle­ mand. $8.00 Regards sur l'art américain des années soix­ ante; Claude Gintz ed.; Editions Territoires, Paris: 1979. 140 pp., 97 illus., 21 x 27 cm, français. $20.00 Territoire 3; Claude Gintz ed.; Editions Ter­ ritoires, Paris: 1983 pp., 46 illus., 19 x 26 cm, français. $12.00 WALL, JEFF, Jeff Wall: Transparencies; Jean-Christophe Ammann, lan Wallace; ICA, London & Kunsthalle Basel, Basel: 1984. 40 pp., 28 illus., 6 col., 21 x 30 cm, English & German. $10.00

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31 Alibis;' Bernard Blistène, Yann Beauvais, Ceramic Sculptures: Six Artists; Richard Pascal Bonitzer, Jean-François Chevrier; ar­ Marshall, Suzanne Foley; Whitney Museum tistes: Richard Artschwager, Gérard Collin­ of American Art, New York, N.Y.: 1981. 144 Thiébaut, Gérard Garouste, Luciano Fabro, pp., 89 illus., 17 col., 21.5 x 28 cm, English. Pierre Klossowski, Robert Longo, Carlo $11.50 Maria Mariani, Cindy Sherman, Jan Ver­ cruysse, Didier Vermeiren, William Wegman; CHAIMOWICZ, MARC CAMILLE, Past Centre Georges Pompidou, Paris: 1984. 119 Imperfect: Marc Camille Chaimowicz, 1972- pp., 79 illus., 12 col., 21 x 30 cm, français. 1982; Jean Fisher, Stuart Morgan; Bluecoat $18.00 Gallery, Liverpool/ The Orchard Gallery, Lon­ donderry John Hansard Gallery, Southamp­ ANDERSON, LAURIE, United States; Har­ ton: 1983. 64 pp., 50 ill us., 16 col., 21 x 26 cm, per& Row, Publishers, Inc., New York, N.Y.: English. $10.00 1984. 232 pp., 200 illus., 8 col., 28 x 21.5 cm, English. $29.95 The Critical Eye/1: Victor Burgin, Gilbert & George, Mary Kelly, Richard Long, Bruce ANDERSON, LAURIE, Laurie Anderson: McLean, David Tremlett; John T. Paoletti; Works from 1969 to 1983; Janet Kardon, Ben Yale Centre for British Art, New Haven, Lifson, Craig Owens, John Rockwell; Institute Conn.: 1984. 84 pp., 6 folders, 40 ill us., 1 col., of Contemporary Art, University of Pennsyl­ 22.5 x 29 cm, English. $37.50 vania, Philadelphia: 1983. 96 pp., 130 illus., 26.5 x 26.5 cm, English. $21.95 Expressions: New Art from Germany, Georg Baselitz, Jorg Immendorf, Anselm Kiefer, The Anti-Aesthetic: Essays on Postmodern Markus L'ûpertz, A.R. Penck; Jack Cowart, Culture; Hal Foster ed., Hal Foster, JÜrgen Siegfried Gohr, Donald Kuspit; Pres tel-Ver­ Habermas, Kenneth Frampton, Rosalind lag, Munich & Saint Louis Art Museum, Krauss, Douglas Crimp, Craig Owens, Gre­ Saint Louis, Mo.: 1983. 176 pp., 147 illus., 52 gory L. Ulmer, Fredric Jameson, Jean Baudril­ col., 22 x 28 cm, English. $35.00 lard, Edward W. Said; Bay Press, Port Townsend, Wash.: 1983. 160 pp., 15 illus., FLANAGAN, BARRY, Barry Flanagan 13.5 x 21.5 cm, English. $11.00 Sculptures; Catherine Lamper!, Bernard Blis­ tène; Centre Georges Pompidou, Paris: 1983. At Home; Arlene Raven, Lyn Blumenthal, 91 pp., 129 ill us., 8 col., 21 x 30 cm, français. Barbara Pascal, Susan King, Cheri Gaulker; $13.50 artists: Miriam Shapiro, Lili Lakich, Judy Chicago, Faith Wilding, Suzanne Lacy, Leslie Formations of Pleasure; Fredric Jameson et Labowitz, Eleanor Antin, Newton & Helen al.; Routledge & Kegan Paul, London: 1983. Mayer Harrison; Long Beach Museum of Art, 180 pp., illus., 16 x 24 cm, English. $16.95 Long Beach, Cal.: 1983. 65 pp., 84 ill us., 25.5 x Fragments et Figures: Serge Fauchier, Domi­ 21.5 cm, English. $16.50 nique Gauthier, Anne-Marie Pécheur, Bernard BASELITZ, GEORG, Baselitz Sculptures; Piffaretti, Yves Reynier; Jean-Louis Froment, Georg Baselitz, Jean-Louis Froment, Jean­ Jacques Henric; CAPC, Bordeaux: 1982. 50 Marc Poinsot; CAPC, Bordeaux: 1983. 71 pp., 32 ill us., 10 col., 24 x 22 cm, français. pp., 102 ill us., 7 col., 24 x 32 cm, français. $11.00 $14.50 HARING, KEITH, Keith Haring; Robert BASE LITZ, GEORG, Georg Baselitz: Paint­ Pincus-Witten, Jeffrey Deitch, David Shapiro; ings 1960-83; Nicolas Serota & Mark Francis Tony Shafrazi Gallery, New York, N.Y.: 1982. eds., Richard Calvocoressi, Georg Baselitz; 142 pp., 153 illus., 16 col., 23.5 x 23 cm, The Whitechapel Art Gallery, London: 1983. English. $27.50 80 pp., 92 illus., 44 col., 21 x 27 cm, English. HARING, KEITH, Art in Transit; Henry $17.50 Geldzahler; Harmony Books, New York, Blam! The Explosion of Pop, Minimalism, N. Y.: 1984. 98 pp., 117 ill us., 117 col., 20.5 x and Performance 1958-1964; Barbara Haskell, 30 cm, English. $21.50 John G. Hanhardt; Whitney Museum of Hel Lumineuze Beeld/The Luminous Image; American Art, New York, N.Y.: 1984. 160 Vito Acconci, Wim Beeren, Jean-Paul Fargier, pp., 180 illus. 21.5 x 28 cm. English. $21.00 David Hall, John Hanhardt, Dorine Mignot, Nam June Paik, David Ross, Jean-Paul BOROFSK Y, JONATHAN,Jonathan Borof­ Trefois; Stedelijk Museum, Amsterdam: 1984. sky; Mark Rosenthal, Richard Marshall, 202 pp., 106 illus., 21 col., 20.5 x 27.5 cm, Jonathan Borofsky; Philadelphia Museum of Dutch & English. $30.00 Art, Philadelphia, Penn. & Whitney Museum of American Art, New York, N.Y.: 1984. 202 How New York Stole the Idea of Modern Art: pp., 288 ill us., 57 col., 26 x 25 cm, English. Abstract Expressionism, Freedom, and the $52.00 Cold War; Serge Guilbaut; The University of Chicago Press, Chicago and London: 1983. 277 pp., 23 illus., 16 x 23.5 cm, English. 32 $29.00 KELLY, MARY, Post-Partum Document; SCHNABEL, JULIAN, Julian Schnabel; Lucy R. Lippard, Mary Kelly; Routledge & Gert Schiff; The Pace Gallery, New York, Kegan Paul, London: 1983.212 pp., 30 illus., N. Y.: 1984.56 pp., 29 ill us., 21 col., 28 x 28 cm, 19.5 x 25.5 cm, English. $37.75 English. $28.00 KIEFER, ANSELM, Anselm Kiefer; Jean The Sculpture Show: Fifty Sculptors at the Louis Froment, René Denizot; CAPC, Bor­ Serpentine and the South Bank; Bryan Ro­ deaux: 1984. 48 pp., 22 illus., 16 col., 22 x 28 bertson, Paul de Monchaux, Nicolas Waldey, cm, français. $14.00 Rennela Crichton, Kate Blacker. Deanna Petherbridge, Nena Dimitrijevic; Arts Council KLEIN, ASTRID, Astrid Klein; Amine of Great Britain, London: 1983. 148 pp., 73 Hease, S.D. Sauerbier; Kunstmuseum Luzern, illus., 24 x 20 cm, English. $15.50 Luzern: 1984. 40 pp., 28 illus., 21 x 26.5 cm, German,allemand. $14.00 SERRA, RICHARD, Serra; Dominique Bozo, Vve-Alain Bois, Rosa li nd Kra uss, Looks et tenebrae; Bice Curiger; artists: Enzo Alfred Pacquement; Centre Georges Pompi­ Cucchi, Sandro Chia, Martin Disler, A.R. dou, Paris: 1983. 109 pp., 103 illus., 21 x 30 Penck, Eric Fischl, Rolf Winnewisser, Jon­ cm, français. $15.00 athan Borofsky, Francesco Clemente, John Baldessari; Peter Blum Edition, New York, Situational Photography: Ten Artists; Walter N. Y.: 294 pp., 126 ill us., 19 x 12.5 cm. English Cotten, Arthur Ollman; artists: Reed Esta­ & German. $22.00 brook, Suzanne Helmuth, Holly King. George LeGrady, David Maclay, Mark McFadden, Modern Art and Modernism: A Critical William Paris, Jock Reynolds. Joyan Saun­ Anthology; Francis Frascina, Charles Harri­ ders, Serge Tousignant; University Art Gal­ son, Deidre Paul; Harper & Row, Pub lis hers, lery, San Diego State University, San Diego, lnc., New York, N.Y.: 1982.312 pp., 16 illus., Cal.: 1984. 20 pp., 10 ill us., 5 col., 21.5 x 28 cm, 15 x 23.5 cm, English. $16.00 English. $10.50 The Myths of Information: Technology and The Technological Imagination: Theories and Postindustrial Culture; Kathleen Woodward Fictions; Teresa De Lauretis, Andreas Huys­ ed., Jean-Pierre Du puy, Heinz von Foerster, sen, Kathleen Woodward eds., Carroll Pursell, Magoroh Maruyama, Eric Leed, Oskar Negt, Joseph W. Slade, Miles Orvell. Michel Sena­ Jack Zipes, Andrew Feenberg, David Hall, mou, et al.; The Center for Twentieth Century Jean Baudrillard et al.; The Center for Twenti­ Studies, University of Wisconsin, Milwaukee eth Century Studies, University of Wisconsin, & Coda Press, lnc .. Madison: 1980. 202 pp., Milwaukee & Coda Press, lnc., Madison, 15 x 23 cm, English. $11.00 Wise.: 1980. 250 pp., 15 x 23 cm, English. $11.00 Theories of Authorship: A Reader; John Caughie; Routledge & Kegan Paul, London: The Postmodern Condition: A Report on 1981.316pp.,31 illus.,l4x21.5cm,English. Knowledge; Jean-François Lyotard; Univer­ $21.95 sity of Minnesota Press, Minneapolis, Minn.: Theory of the Avant-Garde; Peter B"ûrger; 1984. (Originally published in French in 1979). University of Minnesota Press, Minneapolis, Ill pp., 15 x 23 cm, English. $13.50 Minn.: 1984. (Originally published in German RAINER, ARNULF, Arnulf Rainer: Face in 1974). 136 pp., 8 illus., 15 x 23 cm, English. Farces 1969 - 1975; Johannes Cladders; $16.00 Stadtisches Museum Abteiberg Monchenglad­ Transformations: New Sculpture from Britain; bach, Monchengladbach: 1984. 126 pp., 75 Nicholas Serota, John Roberts, Lynne Cooke, ill us., 48 col., 24 x 22 cm, German/ allemand. Stuart Morgan, Mark Francis, John McEwen, $16.00 Lewis Biggs; artists: Tony Cragg, Richard Deacon, Antony Gormley, Anish Kapoor, ROTHENBERG, SUSAN, Susan Rothen­ Alison Wilding, Bill Woodrow; British Coun­ berg; Peter Blum; Kunsthalle Basel, Base!: cil, London: 1983. 72 pp., 67 ill us., 6 col., 22 x 1981. 28 pp., 16 illus., 2 col., 21 x 27 cm, 22 cm, English Portuguese. $15.00 English & German. 58.00 Video From Tokyo to Fukui and Kyoto; RÜCKRlEM. ULRICH, Ulrich R"ùckriem; Barbara J. London, Fujiko Nakaya; Museum Friedrich Heu bach, Ulrich RÜckriem; Centre of Modern Art, New York, N. Y.: 1979.32 pp., Georges Pompidou, Paris: 1983. 80 pp., 87 12 illus., 21.5 x 29.5 cm, English. $3.50 illus., 21 x 30 cm, français. $12.50 VILMOUTH, JEAN-LUC, Jean-Luc Vil­ Salomé, Luciano Castelli, Rainer Fetting: mouth; Didier Sernin, Claude Gintz; Musée Peintures 1979-1982; Catherine Strasser; de l'Abbaye Sainte-Croix, Les Sables-d'Olon­ CAPC, Bordeaux: 1983. 48 pp., 20 illus., 13 ne: 1984. 76 pp., 44 illus., 3 col., 21 x 23 cm, col., 24 x 22 cm, français. $12.50 français. $11.00

JJ A About Tirne: Video, Performance and Installation by 21 Wornen Artists .. 28 About VILE: Mail Ari, News & Photos from the Eternal Network ...... 19 L'acte photographique ...... 24 Agnes Etherington Art Centre ...... Il 14, 15, 17, 18, 19 Alberta College of Art Gallery ...... 18 Alibis ...... 32 Terry Allen: Sprawlf ProwlfGrowl ...... 24 Alternatives in Retrospect ...... 21 Alurnni M.F.A. Exhibition ...... 5 Laurie Anderson: United States ...... 32 Laurie Anderson: Works from 1969 to 1983 ...... 32 Carl Andre ...... 24 Carl Andre - Hollis Frarnpton: 12 Dialogues 1962-1963 ...... 5 The Anti-A-::sthetic: Essays on Postrnodern Culturè ...... 32 The Architecture of Ludwig Wittgenstein 5 Art and Ideology ...... 21 Art and Photography ...... 5 Art Gallery at Harbourfront ...... 12 Art Gallery of Brant ...... 10 Art Gallery of Hamilton ...... 13 Art Gallery of Nova Scotia ...... 15,20 Art Gallery of Ontario .... 8, 12, 18, 19, 20 Art Gallery of Windsor ...... 8, Il, 13 Art Metropole 6, 7, 8, 9, 10, 14, 16, 17, 18 L'art pense ...... 5 Art Telecommunication ...... 5 Michael Asher: Writings 1973-1983 on Works 1969-1979 ...... 6 Barbara Astrnan Places ...... 6 At Horne ...... 32 Conrad Atkinson: Picturing the System At Horne ...... 28 Autobiography: Film/Video/ Photography ...... 19 Avant-scène de l'imaginaire ...... 6 B John Baldessari ...... 21 Georg Baselitz ...... 6 Baselitz Sculptures ...... 32 Georg Baselitz: Paintings 1960-83 ...... 32 lan & Ingrid Baxter: Baxterl, Any Choice Works 1965-70 ...... 19 Douglas Bentham: Articulations ...... 6 Biennale Internationale de la Danse, Lyon- 1984 ...... 25 Bill Bissett: Fires in the Ternpul ...... 6 Vincent Bioulès ...... 26 Blarn! The Explosion of Pop, Minirnalisrn, and Performance 1958-1964 ...... 32 Books by Artists ...... 6 Paul-Émile Borduas: ÉcritsfWritings 1942-1958 ...... 6 Jonathan Borofsky ...... 32 Jonathan Borofsky: Drearns 1973-1981 28 Brad Brace ...... 7 Brand New York ...... 28 Stuart Brisley ...... 28 Benjamin H. Buchloh 6, 7, 13, 14, 21, 25, 29 Daniel Buren: Les Couleurs: Sculptures/ Les Formes: Peintures ...... 7 Daniel Buren: Ponctuations: Statues/ Sculpture ...... 7 Burlington Cultural Centre ...... 9, 10 Michael But he ...... 7 Jack Butler: Constructions ...... 7

34 c The Figure: A Selection of Canadian C Magazine ...... 14 Painting 1983-1984 ...... 9 Eric Cameron: Be nt Axis Approach . .... 7 La fin de la mort ...... 9 Colin Campbell: Modern Love ...... 7 Eric Fisc hl ...... 9 Colin Campbell: Woman from Malibou 8 Barry Flanagan Sculptures ...... 32 Canada Video ...... 19 Form & Performance ...... 20 Louis Cane ...... 26 Formalisme et Historicité/ Autoritarisme Centre Culturel Canadien, Paris ...... 9 et Régression ...... 29 Centre Saidye Bronfman ...... 8 Formations of Pleasure ...... 32 CEPA Gallery, Buffalo ...... 23 Simone Forti: Handbook in Motion . . ... 9 Ceramic Sculptures: Six Artists ...... 32 Fragments et Figures ...... 32 Marc Camille Chaimowicz: Suzanne Fun nell Paintings ...... 9 Past 1mperfect ...... 32 Melvin Charney 1981-1983 ...... 19 G Chromaliving ...... 8 Galerie Aubes 3935 ...... 15 Chromazone ...... 8, 12 Galerie d'art Concordia ...... 12 Victor Cicansky: Clay Sculpture ...... 19 Galerie Language Plus ...... 9, 13, 14 Sorel Cohen: An Extended and Continuous Galerie nationale du Canada ...... 19, 20 Metaphor ...... 8 Galerie Restigouche, Campbellton ...... 18 Norman Cohn Portraits ...... 8 Galerie Saw Gallery ...... 17 Gérard Collin-Thiébaut ...... 25 Robin Collyer ...... 19 Gallery 1.1.1...... 8, 9, Il, 12. 16, 17, 19 The Compelling Image: Contemporary The Gallery Stratford ...... 8, 12 Eldon Garnet: Caves ...... 9 Japanese Posters ...... 8 Yves Gaucher ...... 20 Ulysse Comtois: 1952-1982 ...... 19 Concordia Art Gallery ...... 12 General Jdea, Ménage à trois ...... 9 Confrontation 84 ...... 8 General Jdea's File Retrospective Conseil de la Culture de 1968-1984 ...... 9 l'Est du Québec, Rimouski ...... 14 Leon Golub ...... 22 Leon Golub: Mercenaries and Conseil de la Sculpture du Québec ...... 8 Interrogations ...... 29 Construire l'illusione ...... 25 Correspondences: Brown, Legrady, Marcel Gosselin: Transcience ...... 9 Les Graff: Paintings and Drawings McEwen, Pratt, Zuck ...... 19 Tony Cragg: Découpage/Collage ...... 25 1966-1984 ...... 10 Dan Graham: Video-Architecture- The Critical Eye ·' 1: Burgin, Gilbert & George, Television ...... 10 Kelly. Long, Mc Lean, Tremlett . . ... 32 Graphex 9 ...... 10 Culture and the State ...... 25 Mark Grenville: A Continuing Dialogue 10 Serge Guilbaut ...... 32 D La Guilde Graphique, Montréal ...... 12 Dalhousie Art Gallery ...... 9 Janice Gurney: Moveable Wounds ...... 10 Richard Deacon Sculpture 1980-1984 ... 25 Desire ...... 25 H Difference: On Representation Hans Haacke: Framing and Sexuality ...... 21 Dimensions variable ...... 21 and Being Framed ...... 10 Joseph Drapell: Ten Years 1973-1983 .... 8 Hans Haacke: Der Pralinenmeister Drawing- Installation - Dessin ...... 8 The Chocolate Master ...... 10 Philippe Dubois ...... 24 Handmade Paper ...... 10 Caroline Dukes: A Ten Year Sm-vey .. . .. 8 Tim Hansen: Art Darts Private Parts . .. 10 Keith Haring ...... 32 Keith Haring: Art in Transit ...... 32 E Marsden Hartley: Cleophas and His Own, A Early Work ...... 22 North Atlantic Tragedy ...... 10 The Edmonton Art Gallery ...... 12 Dieter Hastenteufel: Recent Work ...... Il ELAC, Lyon ...... 24, 25, 26 Michael Hayden Trikha ...... Il The End of the World: Contemporary Visions Het Lumineuze Beeld/ of Apocalypse ...... 22 The Luminous Image ...... 32 Maureen Enns: Beauty Pageant: Paintings by John Hilliard ...... 25 Maureen Enns ...... 8 Histoire d'ex po ...... 29 Events: Fashion moda - Taller Boricua Jenny Holzer: Truisms and Essays ...... Il - Artists Invite Artists ...... 22 Madelon Hooykaas & Elsa Stansfield: Evidence of the Avant-Garde Since 1957 Audio/Video, Installations ...... 25 ...... 8 Horses Fly Too: Bob Boyer/ Expressions: New Art from Germany .. 32 Edward Poitras ...... Il Extended Sensibilities: Homosexual Presence How New York Stole the Jdea in Contemporary Art ...... 22 of Modem Art ...... 32 How to die twice ...... Il F Spring Hurlburt ...... Il Murray Favro Retrospective ...... 19 Gerald Ferguson: Works 1978-1984 ...... 9 1/J Fiction: lan Carr-Harris, General !dea, lnstitute of Contemporary Arts 25, 28, 29 Mary Janitch, Shirley Wiitasalo . .... 19 The lnvented Landscape ...... 22

35 Basia Irland: Accretions 0 0 0 0 0 0 0 0 0 0 0 0 o o o o Il Musée d'art contemporain,

Issue: Social Strategies by Women Artists Montréal 00 0 00 0 0 0 00 00 00 00 00 0 0 18, 19, 20

0 0 0 00 0 0 0 0 0 0 0 0 00 0 0 0 oo 0 oo 0 ooo 0 0 0 0 0 0 0 0 0 29 Musée des beaux-arts de Montréal 0 0 0 0 0 0 o 6

Joanne Jackson Johnson: Metaphors Museums by Artists 00 00 00 00 00 00 00 00 00 00 14

Metamorphs & Just Pictures o o o o o o 0 0 Il The Myths of Information: Technology and

Geoffrey James: Entrances & Exits: Postindustrial Culture 0 0 0 o 0 0 0 o o 0 0 0 0 o 33

The Garden as Theatre 00 00 o o o o o 00 o o Il Michael Jolliffe: Thirteen Paintings- N

Treize tableaux 0 0 0 0 0 0 0 0 0 o o o o 00 o o o o o o 12 National Gallery of Canada o o o o o Oo o 19,20 Joan Jonas Scripts and Descriptions New City of Sculpture 00 00 00 00 00 00 0 00 00 14 1968-1982 00 00 00 00 00 00 00 00 00 00 00 00 00 22 Donald Judd: The Complete Writings The New Museum ofContemporary Art o 00 o o 00 o 21, 22,23 1959-1975 00 00 00 00 00 00 00 00 00 00 00 00 00 12 The Nickie Arts Museum

00 00 00 00 00 00 00 00 o 6, 7, Il, 12, 13, 14, 15 K Norman Mackenzie Art Gallery

Anish Kapoor 00 00 00 00 00 00 00 00 o 00 o 00 00 o 26 ooooooooooooooooooooooo 5, Il, 15, 17, 19

Mary Kelly: Post-Partum Document o o o o 33 Le Nouveau Musée, Lyon 24, 25, 26, 27, 28

Anselm Kiefer 0 00 00 00 00 00 00 00 00 00 00 00 o o 33 Le N_o1:1veau Mus~e:.. "forage offshore dans la

Kitchener-Waterloo Art Gallery o o o 0 0 0 0 0 Il reg1on lyonna1se 0 0 o o o o o o o o o o o o o o o o o 27

Astrid Klein 00 0 0 00 0 00 00 00 00 00 00 00 00 00 00 33 Dorothy Knowles: Paintings 1964-1982 0

Peintures 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 o o o o o o o o o o 0 12 Marcel Odenbach o o o o o o o o o o o 00 o o o o o o o o 00 7 Christian Knudsen 00 00 00 00 00 00 00 00 00 00 o 12 OKanada 0 0 0 00 0 0 00 0 0 0 0 0 0 Oo o 0 o 00 o 0 0 o o 0 o o 29 Jiri Kolar: Poetry of Vision Poetry of Silence 00 00 00 00 00 00 00 00 00 o 12 p Kathy Koop: The Open Surface Ceramics 12

Ron Kostyniuk: Giulio Paolini 00 00 0 00 00 00 00 00 00 o 00 o 00 00 27

Art and Sources 1963-1983 o o 0 0 0 0 o 0 o o 12 Papier matière/ Paper Matter o o o o o o o o o o o 14

Joan Krawczyk Recent Paintings o o o o o o 0 12 Giuseppe Penone 0 0 0 0 0 0 0 00 0 o 00 o o oo 0 0 0 0 o 20

Kromalaffing 0 0 00 00 00 00 00 00 00 00 00 00 00 o 12 Performance by Artists o o o o o o o o o o o o o 00 o 0 14

Barbara Kruger: We Won't Play Nature Persona 0 0 0 0 0 0 0 0 0 0 0 0 0 o o o o o 0 o o o o o o o o o o o o 14

toY our Culture 0 0 0 0 0 0 0 0 0 o 0 o o o o o o o o 0 29 Peter Whyte Gallery o 00 00 00 00 00. 00 ° 00 00 o 8

KÜnstler a us Kanada 0 0 0 0 0 00 o o o o 0 o o o 00 o o 29 Photoperspective '84 o o o o 00 o o 00 o o o o o o o o o 14

Pluralities/1980/Piuralités 00 00 00 00 00 00 00 20

L The Postmodern Condition 0 o o 0 o 0 o o 0 0 0 0 0 33 Roland Poulin: Sculptures and Drawings 14 Richard Lacroix 00 00 00 00 00 00 00 00 00 00 00 o 12 Roland Poulin: Sculpture Late Capitalism 0 0 0 0 0 0 0 0 0 0 0 0 o o o o o o 0 o o o o o 12 et dessins 1982-1983 00 00 00 00 o 00 0 00 00 20 Bertrand La vier 0 0 0 0 0 0 0 0 0 0 0 0 o o o o o o o o 0 o 0 o 26 La Première Biennale de l'Est du Québec 14 George Legrady: Stockfootage o o o o o o o o 0 o 23 Presentation House Gallery 0 0 0 0 0 o o o o o o o 14 Barry Le Va 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 o o 0 o o o o o o o o o 23 The Press, Nova Scotia College of Art and London Regional Art Gallery o o 0 0 o 0 Il, 17 Design 5, 6, 7, 9, 10, Il, 12, 13, 15, 16 London Video Arts: 1984 00 00 00 00 00 00 ° 0 26 Prime Time Video 0 00 0 00 00 00 00 o 00 00 00 00 15 Looks et tenebrae 0 0 0 00 0 0 0 0 o o o o 0 00 o 00 o o o 33 Richard Prince: Pamphlet 0 0 0 0 0. 0 0 0 o o o 0 o 27 Jean-François Lyotard 0 0 0 0 o o o o o 0 0 0 0 0 7, 33 Puri Pourri Pourrit 00 00 00 00 00 00 00 00 00 00 15 M R Macdonald Stewart Art Centre 0 o o o o 10, 19 Markus Raetz, Arbeiten/TravauxfWorks Mclntosh Gallery, University of 1971-1981 00 00 00 00 00 00 00 00 00 00 00 00 00 27 Western Ontario 0 0 0 0 0 00 0 0 o o o 00 o 00 ° o Il Arnulf Rainer: Face Farces 1969-1975 33 Steve MacKinnon: Solstice Yvonne Rainer Work 1961-73 00 00 00 00 00 15 and Other Works 00 00 00 00 00 00 00 00 00 o 13 Robert Rauschenberg: Arnaud Maggs Photographs 1975-1984 13 Works from Captiva oo oo 00 00 oo o oo oo o 20 Liz Magor: Four Notable Bakers o o o o o o o 20 Recent British Video 00 00 00 00 00 00 00 00 00 o 27 Jocelyn Maltais: Pointe-d'appel o o o o o o 0 0 o 13 11 Regards sur l'art américain Manner" : A Theory of Culture o o o o o o o o 20 des années soixante 0 o 0 o o o o 00 00 o o 00 o o 29 Robert Mapplethorpe 1970-1983 o o o o o o o o 29 Regina Collects .' 00 00 o 00 00 00 00 00 00 o 00 00 o 15 0 0 Maquettes d'architectes 0 0 0 o o o o o o o o o o 0 o o 26 Steve Reich: Wntmgs about Mus1c 15 François Martin 00 00 00 00 00 00 00 00 00 00 00 o 26 Leslie Reid: Recent Prints and Paintings 15 Susan McEachern: The Family in the Gerhard Richter: 128 Details from Context of Childrearing o o o o o o o o o o 0 o 13 a Picture (Halifax 1978) o o o o o o o 0 0 o 0 0 15 Memorial University Art Gallery o o o o o o o 10 Richard Robertson: Works on Paper o o o 15 Mendel Art Gallery o o o o o o 6, 7, 9, 10, 12, 15 Martha Rosier: Three Works 0 0 0 o 0 0 o o o o o 15 Mise en scène: Kim Adams, Mowry Baden, Susan Rothenberg o o o o o o o o o o 00 o 00 o 0 00 0 0 33 Roland Brener, Al McWilliams, Ulrich RÜckriem 00 o 00 00 00 00 00 00 00 o 00 00 ° 33 Liz Magor, Jerry Pethick o o o o o o 0 o o o o 20 Modern Art and Modernism:

A Critical Anthology 00 00 00 00 00 oo 00 o 33 s Modernism and Modernity o o o o o o o o o o 0 o 0 13 Salomé, Luciano Castelli, Moment'homme 00 0 0 0 0 0 0 0 00 o o o o 0 00 o o o o o 13 Rainer Fetting: Peintures 1979-1982 33 Montréal-tout-terrain o 0 0 o o o o o o o o o o 0 0 0 0 o 13 Salvo: Bilder/Peintures 1973-1982 00 00 00 27 William Morris Today 00 00 00 00 00 00 00 00 o 29 Joyan Saunders: Perscriptives 0 o o 0 0 0 o o o 0 23 Mulheimer Freiheit: The Second Julian Schnabel 00 o 00 o 00 00 00 00 00 00 00 00 00 33 Bombing ooo 0 00 0 0 0 0 0 00 000 o 00 o 00 o o o 0 o 26 36 The Sculpture Show: Fifty Sculptors at Visual Arts Ontario 00 00 00 00 o00 00 00 o 16, 18 the Serpentine and the South Bank 33 Susan Scott: Works from 1974 to 1983 15 w The Second Link: Viewpoints on Video in the Jeff Wall: Transparencies 0 0 0 0 0 0 0 0 o0 0 0 0 0 0 29 Eighties 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 16 Walter Phillips Gallery 00 00 00 00 00 0 7, 16, 19 Seeing People/Seeing Space 0 0 0 0 0 o0 0 0 0 0 0 16 Boyd Webb 0 00 oo 00 00 0 0 0 o00 00 0 00 00 o00 00 0 28 Alan Sekula: Photography Against the Rodney Werden: Pauli Schell 0 0 0 oo 0 0 0 0 0 0 18 Grain/Essays and Photo Works Marthe Wéry: Peinture Montréal84 0 0 0 0 18 1973-1983 00 00 00 00 00 00 00 00 00 00 00 00 00 16 The Western Front 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 5, 18 Richard Serra: Serra 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 33 Western Front Video 00 00 00 00 00 00 00 00 00 0 19 Jack Shadbolt: Act of Painting 0 0 0 0 0 0 0 0 0 16 Irene Whittome 1975-1980 0 0 0 0 0 0 oo 0 0 0 0 0 0 20 Leslie Shedden: Mining Photographs Emmett Williams: Chicken Feet, Duck and other Pictures 1948-1968 0 0 oo 0 0 0 0 16 Limbs and Dada Handshakes oo o 0 0 0 0 19 Tom Sherman: Cultural Engineering 0 0 0 0 20 The Winnipeg Art Gallery 0 0 0 0 0 0 0 0 0 0 17, 20 Tom Sherman: Ingénierie culturelle 0 0 0 0 0 20 World-Wide Video Festival Tom Sherman: 3 Death Stories 0 0 0 oo 0 0 0 0 16 1982, 1983, 1984 00 00 00 00 00 00 00 00 00 00 28 Situational Photography: Ten Artists 33 Joe Sleep Retrospective 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 20 Y/Z Ann Smith Visions & Shadows 0 0 0 0 0 0 0 0 0 16

Michael Snow: Caver to Caver 0 0 0 oo o 0 0 0 16 Sharron Zenith Corne: Taboo Images 19

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David Sorenson: The Corner Series Tim Zuck: Paintings 0 0 oo 0 0 0 0 0 0 oo 0 0 0 0 0 0 0 19

1983-1984 00 oo oo oo oooo 0000 00 oooo oo 00 17

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Surrey Art Gallery 00 0 0 00 oo 00 00 0 0 00 00 00 0 15 Sustained Visions: Gaylen C. Hansen,

Claire Moore, Salvatore Scarpitta 0 0 0 23 T

Tangente Danse Actuel 0 oo 0 0 0 0 0 0 0 oo o o o 0 13 Tony Tascona: The Dynamics of Tony Tascona - Works on Aluminium

1973 to 1984 00 00 00 00 00 00 00 00 00 00 00 0 17 The Technologicallmagination: Theories

and Fictions oo o o 0 0 0 0 oo o 0 oo o 0 0 0 o0 oo o o 33

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3D-NB200 ooo oo oo oo. oo o o o o o o oo oo oo oo o o o 18

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Britain 0 0 0 0 0 0 0 0 0 0 0 0 0 0 oo o 0 0 0 0 0 oo o o o o 0 0 3 Two Contemporary Artists from Ontario: Katja Jacobs, John Scott 18 U/V Robert Van de Peer: Plate and Stone oo o 18 Vancouver Art Gallery 5, 6, 9, 12, 16, 20

Via New York 00 00 00 00 00 0 0 00 00 00 00 00 00 0 18

Vidéo du Québec 00 00 00 00 o00 00 00 00 00 00 o 20 Vidéo, Fiction et Cie: Actes du Colloque 28 Video from Tokyo to Fukui and Kyoto 33 Jacques Vieille: "L'oiseau chante l'aube

et le soir du monde" o0 0 0 0 0 0 0 0 oo o o o o 0 28

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37

The Life of a Document: A Global Approach to Archives & Records Management Edited by Carol Couture & Jean- Yves Rousseau The au thors of The Life of a Document discuss in detail the various stages in the life of a document from its creation and the active stage through the semi-active and ultimately, the inactive stage where it is discarded or kept for historical purposes. This book brings together the practice of records management and historical archives to promote a rational integrated system of dealing with the paper explosion. This unique global approach responds to the needs of bath the administrator in search of an easily accessible information system at a reasonable cast, and the researcher in search of historical data. The Life of a Document is a revised version and translation of the popular Les archives au XXe siècle. Of the French edition the journal of the Society of Archivists (U.K.) stated: ''We do not yet have in English any such clear, carefully reasoned and humane explanation of the functions of full y current records.'' The Life of a Document includes contributions by Jacques Ducharme, Marlène Gagnon and Denise Péllisier as weil as from the editors themselves. Carol Couture is the Director of the Service des arcbives of the Université de Montréal. Jean-Yves Rousseau is Assistant Director of the Services des arcbives in the same institution. Translated by David Hamel. Printed on acid-free paper. 400 pages, 6x9 ISBN: 0-919890-57-1, paper $22.00 ISBN: 0-919890-63-6, elath $35.00

~Véhicule Press P.O.B. 125, PLACE DU PARC STATION MONTRÉAL, CANADA H2W 2M9