Annual Report 2018
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Marlene Creates
Marlene Creates Marlene Creates is an environmental artist and poet living and working in a small patch of boreal forest in Precise Moments in Portugal Cove, Newfoundland and Labrador. Her devotion to the natural world is evident in a tireless body of work that has been evolving since the mid-1970s, encompassing Particular Spots photography, video, assemblage, poetry, and multi- disciplinary events. Often using simple and unassuming An interview with Caitlin Chaisson gestures, Creates’ work touches on complex ecosystems that are powerfully sensitive to the ephemeral and the fragile. While Creates’ artistic process has been humbly attempting a form of self-erasure in recent artwork — authorship akin to that of a slowly receding tide — she has nevertheless produced a lasting and enduring contribution Far to the field of contemporary art. This year, the artist’s achievements are being Afield celebrated with a major touring retrospective exhibition: Marlene Creates: Places, Paths, and Pauses organized by the Beaverbrook Art Gallery in partnership with Dalhousie Art Gallery. Marlene Creates. A Hand to Standing Stones, Scotland 1983. 1983. [Excerpt]. Sequence of 22 black & white photographs, selenium-toned silver prints. Image size 8 x 12 inches each (20 x 30 cm). From the collection of Carleton University Art Gallery, Ottawa. Photo: courtesy of the artist. Caitlin Chaisson: You describe yourself as between nature and culture? an environmental artist and poet. Could you begin by MC: I think we need a dramatic shift in our culture elaborating on what this position means to you, and how — and I mean culture in the broadest sense. I don’t just you have come to use it to define your art practice? mean the arts; I mean our global consumer culture. -
Post-War & Contemporary
post-wAr & contemporAry Art Sale Wednesday, november 21, 2018 · 4 Pm · toronto i ii Post-wAr & contemPorAry Art Auction Wednesday, November 21, 2018 4 PM Post-War & Contemporary Art 7 PM Canadian, Impressionist & Modern Art Design Exchange The Historic Trading Floor (2nd floor) 234 Bay Street, Toronto Located within TD Centre Previews Heffel Gallery, Calgary 888 4th Avenue SW, Unit 609 Friday, October 19 through Saturday, October 20, 11 am to 6 pm Heffel Gallery, Vancouver 2247 Granville Street Saturday, October 27 through Tuesday, October 30, 11 am to 6 pm Galerie Heffel, Montreal 1840 rue Sherbrooke Ouest Thursday, November 8 through Saturday, November 10, 11 am to 6 pm Design Exchange, Toronto The Exhibition Hall (3rd floor), 234 Bay Street Located within TD Centre Saturday, November 17 through Tuesday, November 20, 10 am to 6 pm Wednesday, November 21, 10 am to noon Heffel Gallery Limited Heffel.com Departments Additionally herein referred to as “Heffel” consignments or “Auction House” [email protected] APPrAisAls CONTACT [email protected] Toll Free 1-888-818-6505 [email protected], www.heffel.com Absentee And telePhone bidding [email protected] toronto 13 Hazelton Avenue, Toronto, Ontario M5R 2E1 shiPPing Telephone 416-961-6505, Fax 416-961-4245 [email protected] ottAwA subscriPtions 451 Daly Avenue, Ottawa, Ontario K1N 6H6 [email protected] Telephone 613-230-6505, Fax 613-230-8884 montreAl CatAlogue subscriPtions 1840 rue Sherbrooke Ouest, Montreal, Quebec H3H 1E4 Heffel Gallery Limited regularly publishes a variety of materials Telephone 514-939-6505, Fax 514-939-1100 beneficial to the art collector. -
Unaudited Supplementary Supplier Lists Supplémentaires Non Vérifiées
Listes de fournisseurs Unaudited Supplementary Supplier Lists supplémentaires non vérifiées The Office of the Comptroller publishes the following Le Bureau du contrôleur publie les listes supplémentaires supplementary lists: suivantes: 1. Employee salaries including Ministerial 1. Traitements des employés, y compris la remuneration, retirement allowance / severance rémunération des ministres, les allocations de payments, travel and other expenses for each retraite / indemnités de cessation d’emploi, les government department. frais de déplacement et autres dépenses pour 2. Employee salaries and retirement allowance / chacun des ministères. severance payments for government Crown 2. Traitements des employés et allocations de Corporations, and other government organizations. retraite / indemnités de cessation d’emploi des 3. Payments attributed to medical practitioners. sociétés de la Couronne et autres organismes 4. Combined supplier & grant payments and gouvernementaux. payments through purchase cards, including 3. Paiements attribués aux médecins. payments made by all departments and some 4. Paiements aux fournisseurs et subventions government organizations. combinés et paiements au titre des cartes d’achat, 5. Supplier & grant payments, loan disbursements and y compris les paiements effectués par tous les payments through purchase cards for each ministères et par certains organismes department. gouvernementaux. 5. Paiements aux fournisseurs et paiements des subventions, versements de prêts et paiements au titre des cartes d'achat pour chacun des ministères. The supplier lists (4. and 5.) are located below. Supplier, Les listes de fournisseurs (4. et 5.) sont affichées ci- grant, loans and purchase card payment information is for dessous. L’information sur les paiements versés aux the fiscal year ending March 31, 2019. fournisseurs, les paiements des subventions, les versements de prêts et les paiements au titre des cartes d'achat est présentée pour l’exercice terminé le 31 mars 2019. -
Goose Lane Books Have Come out with Their Fall Line-Up and There Are Lots of Fabulous Canadian Books for All Readers. If You
Canada's oldest independent publisher has the books you want to read Ottawa Life Magazine By: Chloé Statham August 25, 2020 Original URL: https://www.ottawalife.com/article/goose-lane- books?c=18#:~:text=August%2025%2C%202020- ,Canada's%20oldest%20independent%20publisher%20has%20the%20books%20you%20want%20to,Can adian%20books%20for%20all%20readers Goose Lane Books have come out with their fall line-up and there are lots of fabulous Canadian books for all readers. If you feel the pull from your artistic side you can explore the work of Alex Colville or see some of the world class works from the Beaverbrook Art Gallery in Fredericton or get immersed in a superb book on Inuit art. If you love travel and history you can pick up Restigouche to learn about this spectacular region of New Brunswick or read ‘From the Forest to the Sea’ about the spectacular work of British Columbia’s Emily Carr.The choices are endless. Here are some of our favourites. Read em and reap! Author: Philip Lee Paperback: 272 pages ISBN: 9781773100883 The Restigouche River flows through the remote border region between the provinces of Quebec and New Brunswick, its magically transparent waters, soaring forest hillsides, and population of Atlantic salmon creating one of the most storied wild spaces on the continent. In Restigouche, Philip Lee follows ancient portage routes into the headwaters of the river, travelling by canoe to explore the extraordinary history of the river and the people of the valley. They include the Mi'gmaq, who have lived in the Restigouche valley for thousands of years; the descendants of French Acadian, Irish, and Scottish settlers; and some of the wealthiest people in the world who for more than a century have used the river as an exclusive wilderness retreat. -
This Week in New Brunswick History
This Week in New Brunswick History In Fredericton, Lieutenant-Governor Sir Howard Douglas officially opens Kings January 1, 1829 College (University of New Brunswick), and the Old Arts building (Sir Howard Douglas Hall) – Canada’s oldest university building. The first Baptist seminary in New Brunswick is opened on York Street in January 1, 1836 Fredericton, with the Rev. Frederick W. Miles appointed Principal. Canadian Pacific Railway (CPR) becomes responsible for all lines formerly January 1, 1912 operated by the Dominion Atlantic Railway (DAR) - according to a 999 year lease arrangement. January 1, 1952 The town of Dieppe is incorporated. January 1, 1958 The city of Campbellton and town of Shippagan become incorporated January 1, 1966 The city of Bathurst and town of Tracadie become incorporated. Louis B. Mayer, one of the founders of MGM Studios (Hollywood, California), January 2, 1904 leaves his family home in Saint John, destined for Boston (Massachusetts). New Brunswick is officially divided into eight counties of Saint John, Westmorland, Charlotte, Northumberland, King’s, Queen’s, York and Sunbury. January 3, 1786 Within each county a Shire Town is designated, and civil parishes are also established. The first meeting of the New Brunswick Legislature is held at the Mallard House January 3, 1786 on King Street in Saint John. The historic opening marks the official business of developing the new province of New Brunswick. Lévite Thériault is elected to the House of Assembly representing Victoria January 3, 1868 County. In 1871 he is appointed a Minister without Portfolio in the administration of the Honourable George L. Hatheway. -
Regular Public Council - Agenda Package Meeting Tuesday, January 7, 2020 Town Hall - Council Chambers, 7:00 PM
AGENDA Regular Public Council - Agenda Package Meeting Tuesday, January 7, 2020 Town Hall - Council Chambers, 7:00 PM 1. CALL OF MEETING TO ORDER 2. ADOPTION OF AGENDA 3. DELEGATIONS/PRESENTATIONS - 4. ADOPTION OF MINUTES 2019 Merry and Bright Winners Thank you to Deputy Chief Eddie Sharpe 4.1 Adoption of the Regular Public Council Minutes for December 10, 2019 Regular Public Council_ Minutes - 10 Dec 2019 - Minutes (2) Draft amended 4.2 ADOPTION OF MINUTES Adoption of the Special Public Council Minutes for December 19, 2019 Special Public Council_ Minutes - 19 Dec 2019 - Minutes DRAFT 5. BUSINESS ARISING FROM MINUTES 6. COMMITTEE REPORTS PLANNING & DEVELOPMENT COMMITTEE - Councillor Harding 1. Report Planning & Development Committee - 17 Dec 2019 - Minutes - Pdf RECREATION & COMMUNITY SERVICES - Councillor Stewart Sharpe 1. Report Recreation/Community Services Committee - 02 Jan 2020 - Minutes - Pdf PUBLIC WORKS - Councillor Bartlett No meeting held ECONOMIC DEVELOPMENT, MARKETING, COMMUNICATIONS AND TOURISM - Councillor Neary 1. Report Page 1 of 139 Economic Development, Marketing, Communications, and Tourism Committee - 16 Dec 2019 - Minutes - Pdf PROTECTIVE SERVICES - Councillor Hanlon 1. Report Protective Services Committee - 16 Dec 2019 - Minutes - Pdf ADMINISTRATION AND FINANCE - Deputy Mayor Laham 1. Report Administration and Finance Committee - 18 Dec 2019 - Minutes - Pdf 7. CORRESPONDENCE 7.1 Report Council Correspondence 8. NEW/GENERAL/UNFINISHED BUSINESS 8.1 2020 Schedule of Regular Council Meetings For adoption - Deputy Mayor Laham Schedule of Meetings 2020 9. AGENDA ITEMS/NOTICE OF MOTIONS ETC. 10. ADJOURNMENT Page 2 of 139 Amended DRAFT MINUTES Regular Public Council: Minutes Tuesday, December 10, 2019 Town Hall - Council Chambers, 7:00 PM Present Carol McDonald, Mayor Jeff Laham, Deputy Mayor Dave Bartlett, Councillor Johnny Hanlon, Councillor Darryl J. -
Participation in Creation and Redemption Through Placemaking and the Arts
MAKING A PLACE ON EARTH: PARTICIPATION IN CREATION AND REDEMPTION THROUGH PLACEMAKING AND THE ARTS Jennifer Allen Craft A Thesis Submitted for the Degree of PhD at the University of St Andrews 2013 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/3732 This item is protected by original copyright This item is licensed under a Creative Commons Licence UNIVERSITY OF ST ANDREWS ST MARY’S COLLEGE INSTITUTE FOR THEOLOGY, IMAGINATION AND THE ARTS MAKING A PLACE ON EARTH: PARTICIPATION IN CREATION AND REDEMPTION THROUGH PLACEMAKING AND THE ARTS A THESIS SUBMITTED BY: JENNIFER ALLEN CRAFT UNDER THE SUPERVISION OF TREVOR HART TO THE FACULTY OF DIVINITY IN PARTIAL FULFILLMENT FOR THE DEGREE OF DOCTOR OF PHILOSOPHY ST ANDREWS, SCOTLAND MARCH 2013 2 TABLE OF CONTENTS Declarations 3 Acknowledgements and Dedication 5 Abstract 7 General Introduction 8 1 The Wide Horizons of Place: An Introduction to Place and Placemaking 16 §1: A Theological Engagement with Place and Placemaking 45 2 Placemaking in the Community of Creation: The Theological Significance of Place in Genesis 1-3 47 3 Divine and Human Placemaking in the Tabernacle and Temple: Place, Human Artistry, and Divine Presence 70 4 Making a Place on Earth: Divine Presence, Particularity, and Place in the Incarnation and its Implications for Human Participation in Creation and Redemption through Placemaking 93 Summary of Section One 125 §2: -
Three Centuries of British Art
Three Centuries of British Art Three Centuries of British Art Friday 30th September – Saturday 22nd October 2011 Shepherd & Derom Galleries in association with Nicholas Bagshawe Fine Art, London Campbell Wilson, Aberdeenshire, Scotland Moore-Gwyn Fine Art, London EIGHTEENTH CENTURY cat. 1 Francis Wheatley, ra (1747–1801) Going Milking Oil on Canvas; 14 × 12 inches Francis Wheatley was born in Covent Garden in London in 1747. His artistic training took place first at Shipley’s drawing classes and then at the newly formed Royal Academy Schools. He was a gifted draughtsman and won a number of prizes as a young man from the Society of Artists. His early work consists mainly of portraits and conversation pieces. These recall the work of Johann Zoffany (1733–1810) and Benjamin Wilson (1721–1788), under whom he is thought to have studied. John Hamilton Mortimer (1740–1779), his friend and occasional collaborator, was also a considerable influence on him in his early years. Despite some success at the outset, Wheatley’s fortunes began to suffer due to an excessively extravagant life-style and in 1779 he travelled to Ireland, mainly to escape his creditors. There he survived by painting portraits and local scenes for patrons and by 1784 was back in England. On his return his painting changed direction and he began to produce a type of painting best described as sentimental genre, whose guiding influence was the work of the French artist Jean-Baptiste Greuze (1725–1805). Wheatley’s new work in this style began to attract considerable notice and in the 1790’s he embarked upon his famous series of The Cries of London – scenes of street vendors selling their wares in the capital. -
“Just What Was It That Made U.S. Art So Different, So Appealing?”
“JUST WHAT WAS IT THAT MADE U.S. ART SO DIFFERENT, SO APPEALING?”: CASE STUDIES OF THE CRITICAL RECEPTION OF AMERICAN AVANT-GARDE PAINTING IN LONDON, 1950-1964 by FRANK G. SPICER III Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation Adviser: Dr. Ellen G. Landau Department of Art History and Art CASE WESTERN RESERVE UNIVERSITY May, 2009 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis/dissertation of Frank G. Spicer III ______________________________________________________ Doctor of Philosophy candidate for the ________________________________degree *. Dr. Ellen G. Landau (signed)_______________________________________________ (chair of the committee) ________________________________________________Dr. Anne Helmreich Dr. Henry Adams ________________________________________________ Dr. Kurt Koenigsberger ________________________________________________ ________________________________________________ ________________________________________________ December 18, 2008 (date) _______________________ *We also certify that written approval has been obtained for any proprietary material contained therein. Table of Contents List of Figures 2 Acknowledgements 7 Abstract 12 Introduction 14 Chapter I. Historiography of Secondary Literature 23 II. The London Milieu 49 III. The Early Period: 1946/1950-55 73 IV. The Middle Period: 1956-59: Part 1, The Tate 94 V. The Middle Period: 1956-59: Part 2 127 VI. The Later Period: 1960-1962 171 VII. The Later Period: 1963-64: Part 1 213 VIII. The Later Period: 1963-64: Part 2 250 Concluding Remarks 286 Figures 299 Bibliography 384 1 List of Figures Fig. 1 Richard Hamilton Just What Is It That Makes Today’s Homes So Different, So Appealing? (1956) Fig. 2 Modern Art in the United States Catalogue Cover Fig. 3 The New American Painting Catalogue Cover Fig. -
Sharing Travel Experiences
Classroom‐ready resources that include: Module plan adjusted for two levels Assessment tasks at two levels Skill‐building activities Skill‐using tasks Goal setting and learner reflection tools Sharing Reference list of additional resources Travel Experiences A CLB 5-6 Module with Teaching Materials Development Team: Ryan O’Shea Larry Iveson (Reviewer) © 2020 Centre for Canadian Language Benchmarks The copyright holders give permission for users of the document to make copies of selected pages for educational use within their organizations. For any other copying or distribution, permission must be received in writing from: Centre for Canadian Language Benchmarks 294 Albert Street, Suite 400, Ottawa, Ontario, Canada K1P 6E6 613‐230‐7729 | [email protected] | www.language.ca Table of Contents How to Use the Module Package ............................................................................ 1 Module Plan ............................................................................................................ 3 Additional Teacher Resources ................................................................................. 5 Introducing the Module to the Class ....................................................................... 6 Goal Setting: Sharing Travel Experiences ................................................................ 8 Vocabulary: A Teacher’s Resource .......................................................................... 10 Learning Reflection: End of Module ....................................................................... -
Joan M. Schwartz, Ph.D
Joan M. Schwartz, Ph.D. Professor and Head Department of Art (Art History and Art Conservation) (cross-appointed to the Department of Geography) Queen’s University Ontario Hall 318C, 67 University Avenue, Kingston, ON, Canada K7L 3N6 (613) 533-6000 ext. 75453 [email protected] EDUCATION 1998 Ph.D. (Geography), Queen's University, Kingston, ON “Agent of Sight, Site of Agency: The Photograph in the Geographical Imagination” 1977 M.A. (Geography), The University of British Columbia, Vancouver, BC “Images of Early British Columbia: Landscape Photography, 1858-1888” 1973 B.A. (Hons), Department of Geography, University of Toronto, Toronto, ON. “Agricultural Settlement in the Ottawa-Huron Tract, 1850-1870” EMPLOYMENT HISTORY Academic positions (2003-present) Professor and Head, Department of Art (Art History and Art Conservation; cross-appointed to Geography), Queen’s University, Kingston, ON, 2015- Associate Professor / Queen’s National Scholar, Department of Art (cross-appointed to Geography), Queen’s University, Kingston, ON, 2003-2015 (tenure granted 2009) Positions held at the National Archives of Canada, Ottawa (1977-2006) Senior Specialist, Photography Acquisition and Research, 1999-2003 (Unpaid Leave 2003-2006) Photography Preservation Specialist, Preservation Control and Circulation, 1999. Chief, Photography Acquisition and Research Section, 1986-98 (Education Leave 1996-97) Photo-Archivist, Photography Acquisition and Research, 1977-86 Previous employment (1975-1977) Policy Officer, Operations Directorate, Public Service Commission, -
Canadian, Impressionist & Modern
CanAdiAn, impressionist & modern Art Sale Wednesday, november 21, 2018 · 7 Pm · toronto Canadian, impressionist & modern art auCtion Wednesday, November 21, 2018 4 PM Post-War & Contemporary Art 7 PM Canadian, Impressionist & Modern Art Design Exchange The Historic Trading Floor (2nd floor) 234 Bay Street, Toronto Located within TD Centre previews Heffel Gallery, Calgary 888 4th Avenue SW, Unit 609 Friday, October 19 through Saturday, October 20, 11 am to 6 pm Heffel Gallery, Vancouver 2247 Granville Street Saturday, October 27 through Tuesday, October 30, 11 am to 6 pm Galerie Heffel, Montreal 1840 rue Sherbrooke Ouest Thursday, November 8 through Saturday, November 10, 11 am to 6 pm Design Exchange, Toronto The Exhibition Hall (3rd floor), 234 Bay Street Located within TD Centre Saturday, November 17 through Tuesday, November 20, 10 am to 6 pm Wednesday, November 21, 10 am to noon Heffel Gallery Limited Heffel.com Departments Additionally herein refered to as “Heffel” Fine Canadian art or “Auction House” [email protected] CONTACt appraisals Toll Free 1-888-818-6505 [email protected] [email protected], www.heffel.com absentee and telephone bidding toronto [email protected] 13 Hazelton Avenue, Toronto, Ontario M5R 2E1 Telephone 416-961-6505, Fax 416-961-4245 shipping [email protected] ottawa 451 Daly Avenue, Ottawa, Ontario K1N 6H6 subsCriptions Telephone 613-230-6505, Fax 613-230-8884 [email protected] montreal 1840 rue Sherbrooke Ouest, Montreal, Quebec H3H 1E4 Catalogue subsCriptions Telephone 514-939-6505, Fax 514-939-1100 Heffel Gallery Limited regularly publishes a variety of materials vanCouver beneficial to the art collector.