Chronology the Late Baroque Era
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Charles Roberts Autograph Letters Collection MC.100
Charles Roberts Autograph Letters collection MC.100 Last updated on January 06, 2021. Haverford College Quaker & Special Collections Charles Roberts Autograph Letters collection Table of Contents Summary Information....................................................................................................................................7 Administrative Information........................................................................................................................... 7 Controlled Access Headings..........................................................................................................................7 Collection Inventory...................................................................................................................................... 9 110.American poets................................................................................................................................. 9 115.British poets.................................................................................................................................... 16 120.Dramatists........................................................................................................................................23 130.American prose writers...................................................................................................................25 135.British Prose Writers...................................................................................................................... 33 140.American -
FINE EUROPEAN CERAMICS Thursday 5 July 2018
FINE EUROPEAN CERAMICS Thursday 5 July 2018 SPECIALIST AND AUCTION ENQUIRIES EUROPEAN CERAMICS Sebastian Kuhn Nette Megens Sophie von der Goltz FINE EUROPEAN CERAMICS Thursday 5 July 2018 at 2pm New Bond Street, London VIEWING ENQUIRIES CUSTOMER SERVICES IMPORTANT INFORMATION Saturday 30 June 11am - 5pm Nette Megens Monday to Friday 8.30am The United States Government Sunday 1 July 11am - 5pm Head of Department to 6pm has banned the import of ivory Monday 2 July 9am - 4.30pm +44 (0) 20 7468 8348 +44 (0) 20 7447 7447 into the USA. Lots containing Tuesday 3 July 9am - 4.30pm [email protected] ivory are indicated by the Wednesday 4 July 9am - 4.30pm Please see page 2 for bidder symbol Ф printed beside the Thursday 5 July by appointment Sebastian Kuhn information including after-sale lot number in this catalogue. Department Director collection and shipment SALE NUMBER +44 (0) 20 7468 8384 REGISTRATION 24937 [email protected] PHYSICAL CONDITION OF IMPORTANT NOTICE LOTS IN THIS AUCTION Please note that all customers, CATALOGUE Sophie von der Goltz Please note that any reference in irrespective of any previous Specialist £25.00 this catalogue to the physical activity with Bonhams, are +44 (0) 20 7468 8349 condition of any lot is for general required to complete the [email protected] BIDS guidance only. Intending bidders Bidder Registration Form in +44 (0) 20 7447 7447 must satisfy themselves as to the advance of the sale. The form +44 (0) 20 7447 7401 fax International Director condition of any lot as specified in can be found at the back of To bid via the internet please European Ceramics & Glass clause 14 of the notice to bidders every catalogue and on our visit bonhams.com John Sandon contained at the end of this website at www.bonhams.com +44 (0) 20 7468 8244 catalogue. -
Court of Versailles: the Reign of Louis XIV
Court of Versailles: The Reign of Louis XIV BearMUN 2020 Chair: Tarun Sreedhar Crisis Director: Nicole Ru Table of Contents Welcome Letters 2 France before Louis XIV 4 Religious History in France 4 Rise of Calvinism 4 Religious Violence Takes Hold 5 Henry IV and the Edict of Nantes 6 Louis XIII 7 Louis XIII and Huguenot Uprisings 7 Domestic and Foreign Policy before under Louis XIII 9 The Influence of Cardinal Richelieu 9 Early Days of Louis XIV’s Reign (1643-1661) 12 Anne of Austria & Cardinal Jules Mazarin 12 Foreign Policy 12 Internal Unrest 15 Louis XIV Assumes Control 17 Economy 17 Religion 19 Foreign Policy 20 War of Devolution 20 Franco-Dutch War 21 Internal Politics 22 Arts 24 Construction of the Palace of Versailles 24 Current Situation 25 Questions to Consider 26 Character List 31 BearMUN 2020 1 Delegates, My name is Tarun Sreedhar and as your Chair, it's my pleasure to welcome you to the Court of Versailles! Having a great interest in European and political history, I'm eager to observe how the court balances issues regarding the French economy and foreign policy, all the while maintaining a good relationship with the King regardless of in-court politics. About me: I'm double majoring in Computer Science and Business at Cal, with a minor in Public Policy. I've been involved in MUN in both the high school and college circuits for 6 years now. Besides MUN, I'm also involved in tech startup incubation and consulting both on and off-campus. When I'm free, I'm either binging TV (favorite shows are Game of Thrones, House of Cards, and Peaky Blinders) or rooting for the Lakers. -
Handel's Oratorios and the Culture of Sentiment By
Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment by Jonathan Rhodes Lee A dissertation submitted in partial satisfaction of the Requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Davitt Moroney, Chair Professor Mary Ann Smart Professor Emeritus John H. Roberts Professor George Haggerty, UC Riverside Professor Kevis Goodman Fall 2013 Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment Copyright 2013 by Jonathan Rhodes Lee ABSTRACT Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment by Jonathan Rhodes Lee Doctor of Philosophy in Music University of California, Berkeley Professor Davitt Moroney, Chair Throughout the 1740s and early 1750s, Handel produced a dozen dramatic oratorios. These works and the people involved in their creation were part of a widespread culture of sentiment. This term encompasses the philosophers who praised an innate “moral sense,” the novelists who aimed to train morality by reducing audiences to tears, and the playwrights who sought (as Colley Cibber put it) to promote “the Interest and Honour of Virtue.” The oratorio, with its English libretti, moralizing lessons, and music that exerted profound effects on the sensibility of the British public, was the ideal vehicle for writers of sentimental persuasions. My dissertation explores how the pervasive sentimentalism in England, reaching first maturity right when Handel committed himself to the oratorio, influenced his last masterpieces as much as it did other artistic products of the mid- eighteenth century. When searching for relationships between music and sentimentalism, historians have logically started with literary influences, from direct transferences, such as operatic settings of Samuel Richardson’s Pamela, to indirect ones, such as the model that the Pamela character served for the Ninas, Cecchinas, and other garden girls of late eighteenth-century opera. -
The Scots in Sweden Part Ii
THE SCOTS IN SWEDEN PART II (D) MILITARIA THE PERIOD OF CHARLES XII. No two other nations can boast of so large an element of romance in their history as the Scottish and the Swedish nations. The reader often forgets that he has facts before him, and not the most poetically fanciful or barbarously frightful imaginations of an overwrought brain. Think of the amount of mystery that enters into the life of Mary Queen of Scots; of the death-feuds of the Highland clans; of the wanderings of the Pretender. In Swedish history what can be more romantic than the adventurous youth of Gustavus Vasa, and the imprisonment, madness, and poisoning of King Erik XIV.? Whole periods in the life of Gustavus Adolphus - I here especially allude to his “Brautfahrt” (“search for a bride”) in Germany - are still shrouded in mystery, and now we come to the most romantic King of all, the stubbornly brave, fiery, and thoughtless Charles XII. - not a man who would have been, like Gustavus Adolphus, equally great in the tranquil times of peace, had he ever known them; not a lovable, wise man like Gustavus Vasa, whom the cruel persecutions of his youth did not render bitter and revengeful; but a remarkable man all the same, with something of meteoric rapidity and demoniac splendour in him or rather in his career. For he himself was plain almost to shabbiness, plain in speech, in his food, and in his dress. No strong drink ever passed his lips after the follies of his youth. But his great characteristic was his uncurbed love of war. -
2257-AV-Venice by Night Digi
VENICE BY NIGHT ALBINONI · LOTTI POLLAROLO · PORTA VERACINI · VIVALDI LA SERENISSIMA ADRIAN CHANDLER MHAIRI LAWSON SOPRANO SIMON MUNDAY TRUMPET PETER WHELAN BASSOON ALBINONI · LOTTI · POLLAROLO · PORTA · VERACINI · VIVALDI VENICE BY NIGHT Arriving by Gondola Antonio Vivaldi 1678–1741 Antonio Lotti c.1667–1740 Concerto for bassoon, Alma ride exulta mortalis * Anon. c.1730 strings & continuo in C RV477 Motet for soprano, strings & continuo 1 Si la gondola avere 3:40 8 I. Allegro 3:50 e I. Aria – Allegro: Alma ride for soprano, violin and theorbo 9 II. Largo 3:56 exulta mortalis 4:38 0 III. Allegro 3:34 r II. Recitativo: Annuntiemur igitur 0:50 A Private Concert 11:20 t III. Ritornello – Adagio 0:39 z IV. Aria – Adagio: Venite ad nos 4:29 Carlo Francesco Pollarolo c.1653–1723 Journey by Gondola u V. Alleluja 1:52 Sinfonia to La vendetta d’amore 12:28 for trumpet, strings & continuo in C * Anon. c.1730 2 I. Allegro assai 1:32 q Cara Nina el bon to sesto * 2:00 Serenata 3 II. Largo 0:31 for soprano & guitar 4 III. Spiritoso 1:07 Tomaso Albinoni 3:10 Sinfonia to Il nome glorioso Music for Compline in terra, santificato in cielo Tomaso Albinoni 1671–1751 for trumpet, strings & continuo in C Sinfonia for strings & continuo Francesco Maria Veracini 1690–1768 i I. Allegro 2:09 in G minor Si 7 w Fuga, o capriccio con o II. Adagio 0:51 5 I. Allegro 2:17 quattro soggetti * 3:05 p III. Allegro 1:20 6 II. Larghetto è sempre piano 1:27 in D minor for strings & continuo 4:20 7 III. -
Paradise Lost and Pullman's His Dark Materials
Mythic Rhetoric: Influence and Manipulation in Milton's Paradise Lost and Pullman's His Dark Materials Rhys Edward Pattimore A thesis submitted in partial fulfilment of the requirements of the Manchester Metropolitan University for the degree of Masters by Research Department of Interdisciplinary Studies MMU Cheshire 2015 1 Declaration I declare that this is my own work, that I have followed the code of academic good conduct and have sought, where necessary, advice and guidance on the proper presentation of my work. Printed Name: Signature: 2 Acknowledgments For my family and friends: without your love, support and patience I could not have hoped to achieve what I have. I love you all. To my tutors; I cannot thank you enough; I’m eternally grateful for your never-ending encouragement and invaluable assistance throughout the year. Finally, to the authors who have influenced my writing: their stories are my inspiration and without them, this simply would not have happened. 3 Contents Page - Abstract Page 5 - Note on Abbreviations Page 6 - Introduction Page 7 - Chapter One Page 26 - Chapter Two Page 43 - Chapter Three Page 78 - Conclusion Page 119 - Glossary of Rhetorical Terms Page 125 - Appendix: Quotations Page 129 - Bibliography Page 135 4 Abstract John Milton’s Paradise Lost and Philip Pullman’s His Dark Materials are two grand feats of mythic storytelling. Through their compelling stories, reinforced by influential rhetoric, each possesses the ability to affect individuals who read them. These myths work to influence their audiences without the author’s own personal beliefs being forced upon them (such as Milton’s scathing condemnation of certain styles of poetry, or Pullman’s overtly critical view of Christianity). -
A Breath of New Life GLO 5264
A BREATH OF NEW LIFE Dutch Baroque music on original recorders from private collections Saskia Coolen - Patrick Ayrton - Rainer Zipperling GLO 5264 GLOBE RECORDS 1. Prelude in G minor (improvisation) [a] 1.37 WILLEM DE FESCH (1687-1760) Sonata No. 3 in C minor, Op. 8 [e] UNICO WILHELM 12. Ceciliana 2:00 VAN WASSENAER (1692-1766) 13. Allemanda 3:47 Sonata seconda in G minor [b] 14. Arietta. Larghetto e piano 2:16 2. Grave 2:36 15. Menuetto primo e secondo 3:08 3. Allegro 2:54 4. Adagio 1:34 PIETER BUSTIJN (1649-1729) 5. Giga presto 2:26 Suite No. 8 in A major 16. Preludio 1.43 CAROLUS HACQUART (1640-1701?) 17. Allemanda 3.33 Suite No. 10 in A minor from Chelys 18. Corrente 1.52 6. Preludium. 19. Sarabanda 2.20 Lento - Vivace - Grave 2:46 20. Giga 2.02 7. Allemande 2:26 8. Courante 1:29 From: Receuil de plusieurs pièces 9. Sarabande 2:48 de musique […] choisies par Michel 10. Gigue 1:48 de Bolhuis (1739) [f] 21. Marleburgse Marche 1.16 11. Prelude in C minor (improvisation) [d] 1.27 22. Tut, tut, tut 1.04 23. O jammer en elende 1.09 24. Savoijse kool met Ossevleis 1.28 25. Bouphon 1.18 2 JOHAN SCHENCK (1660-1712) Suite in D minor from Scherzi musicali 26. Preludium 1:36 27. Allemande 2:34 28. Courant 1:29 29. Sarabande 1:59 30. Gigue 1:45 Saskia Coolen 31. Tempo di Gavotta 1:25 recorder, viola da gamba Patrick Ayrton PHILIPPUS HACQUART (1645-1692) 1.40 harpsichord 32. -
The LEGACY of CHRISTOPHER COLUMBUS in the AMERICAS New Nations and a Transatlantic Discourse of Empire
The LEGACY of CHRISTOPHER COLUMBUS in the AMERICAS New Nations and a Transatlantic Discourse of Empire Elise Bartosik-Vélez The Legacy of Christopher Columbus in the Americas The LEGACY of CHRISTOPHER COLUMBUS in the AMERICAS New Nations and a Transatlantic Discourse of Empire Elise Bartosik-Vélez Vanderbilt University Press NASHVILLE © 2014 by Vanderbilt University Press Nashville, Tennessee 37235 All rights reserved First printing 2014 This book is printed on acid-free paper. Manufactured in the United States of America Library of Congress Cataloging-in-Publication Data on file LC control number 2013007832 LC classification number e112 .b294 2014 Dewey class number 970.01/5 isbn 978-0-8265-1953-5 (cloth) isbn 978-0-8265-1955-9 (ebook) For Bryan, Sam, and Sally Contents Acknowledgments ................................. ix Introduction .......................................1 chapter 1 Columbus’s Appropriation of Imperial Discourse ............................ 15 chapter 2 The Incorporation of Columbus into the Story of Western Empire ................. 44 chapter 3 Columbus and the Republican Empire of the United States ............................. 66 chapter 4 Colombia: Discourses of Empire in Spanish America ............................ 106 Conclusion: The Meaning of Empire in Nationalist Discourses of the United States and Spanish America ........................... 145 Notes ........................................... 153 Works Cited ..................................... 179 Index ........................................... 195 Acknowledgments any people helped me as I wrote this book. Michael Palencia-Roth has been an unfailing mentor and model of Methical, rigorous scholarship and human compassion. I am grate- ful for his generous help at many stages of writing this manu- script. I am also indebted to my friend Christopher Francese, of the Department of Classical Studies at Dickinson College, who has never hesitated to answer my queries about pretty much any- thing related to the classical world. -
Innocencia | * Alfredo D'escragnolle Taunay, Viscount of Taunay (1843-1899)
2017- Celebrating the love of reading Brazilian literature The year of #lovetoreadBrazil BRAZILIAN BILINGUAL BOOK CLUB| SYLVIO DINARTE[ A. d'E. T.]*|INNOCENCIA | * ALFREDO D'ESCRAGNOLLE TAUNAY, VISCOUNT OF TAUNAY (1843-1899) 17th August 6.30-9 PM 2017- the year of #lovetoreadBrazil Innocencia (1872) by Sylvio Dinarte .[ A. D'e. T.] – Alfredo D'escragnolle Taunay, Viscount of Taunay (1843-1899) translated as Innocencia. A story of the prairie regions of Brazil. (1889) Original cover 1872 ©BRAZILIAN BILINGUAL BOOK CLUB – CULTURAL SECTION - EMBASSY OF BRAZIL IN LONDON All rights reserved - Creator & Convenor -©Nadia Kerecuk 14-16 Cockspur Street London SW11Y 5BL http://londres.itamaraty.gov.br/en-us/book_club.xml 2017- Celebrating the love of reading Brazilian literature The year of #lovetoreadBrazil Enjoy an extraordinarily enchanting love story and disregard clichés – romanticism/realism or any other -isms! Join in the ways of seeing of a multitalented wayfarer-narrator, who constructs the memory of Brazil with unstinting devotion. You will unveil a most vivid and true to life account of rural life in the 19th century sertões of Brazil: São Paulo, Minas Gerais, Mato Grosso and Goiás & more. Explore innermost areas of Brazil & find yourself beguiled by the landscapes of its mind - scientific & cultural! Accompany Cirino de Campos, the itinerant apothecary turned doctor (aided by the popular Dr. Pedro Chernoviz’ Vade Mecum) in his pursuit of cures for various maladies. Discover the joys of a hilarious German government-funded naturalist/explorer collecting loads of insects, dispatching them to his homeland and becoming famous on account of a beautiful blue butterfly! A pearl of novel crafting & delightful super-holiday read & the Brazilian novel, which had the largest number of translations into other languages immediately after its publication in 19th century, beaten only by Os Lusíadas by Camões. -
DER MESSIAS 16, 18, 19 SEPTEMBRE 2020 Marc Minkowski Robert Wilson
Haendel - Mozart DER MESSIAS 16, 18, 19 SEPTEMBRE 2020 Marc Minkowski Robert Wilson Oratorio mis en scène Der Messias Le Messie Georg Friedrich Haendel / Wolfgang Amadeus Mozart Oratorio en trois parties de Georg Friedrich Haendel HWV 56 (1741), Marc Minkowski | direction Durée de l’ouvrage 2h45 environ adapté par Wolfgang Amadeus Mozart K. 572 (1789) Robert Wilson | mise en scène, Livret de Charles Jennens, traduit en allemand par Christoph Daniel Ebeling scénographie, lumières Oratorio chanté en allemand, surtitré en français Nicola Panzer | co-metteur en scène et en anglais Stephanie Engeln | co-scénographe Le célèbre oratorio de Haendel revisité par Mozart et l’icône du théâtre Carlos Soto | costumes Tarifs : 5, 15, 35, 75, 105, 145, 180 € expérimental, Robert Wilson. Tomasz Jeziorski | vidéo Konrad Kuhn | dramaturgie Une version rare à (re)découvrir sous la baguette de Marc Minkowski. Cette production sera également donnée à Genève les 4 & 5 octobre 2020. Elena Tsallagova | soprano La programmation pourrait être modifiée Helena Rasker | mezzo-soprano selon l’évolution de la situation sanitaire et les Production créée à la Semaine Mozart de Salzbourg le 23 janvier 2020. Richard Croft | ténor recommandations gouvernementales. José Coca Loza | basse Mercredi 16 septembre 19H30 Alexis Fousekis | danseur Vendredi 18 septembre 19H30 Samedi 19 septembre 19H30 Les Musiciens du Louvre Philharmonia Chor Wien | direction REPRESENTATIONS 3 Walter Zeh PRODUCTION de la Fondation Mozarteum de Salzbourg, en coproduction avec le Festival de Salzbourg, le Théâtre des Champs-Elysées et le Grand Théâtre de Genève En partenariat avec © Santo Loquasto Noces de Figaro Détail de décor - La version mozartienne du plus célèbre des oratorios de Haendel est le fruit d’une Quant à la vision de l’œuvre par le metteur en scène américain Robert Wilson, commande du baron Gottfried van Swieten. -
Contrapuntally Crafted, Harmonically Eloquent : Corelli's Sonatas and the Compositional Process in the Late 17Th Century
Contrapuntally crafted, harmonically eloquent : Corelli's sonatas and the compositional process in the late 17th century Autor(en): Sanna, Alberto Objekttyp: Article Zeitschrift: Basler Jahrbuch für historische Musikpraxis : eine Veröffentlichung der Schola Cantorum Basiliensis, Lehr- und Forschungsinstitut für Alte Musik an der Musik-Akademie der Stadt Basel Band (Jahr): 37 (2013) PDF erstellt am: 10.10.2021 Persistenter Link: http://doi.org/10.5169/seals-868876 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte