Annual Report for the Year 2010
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Volume 2, Issue 3, Autumn 2018
The Journal of Dress History Volume 2, Issue 3, Autumn 2018 Front Cover Image: Textile Detail of an Evening Dress, circa 1950s, Maker Unknown, Middlesex University Fashion Collection, London, England, F2021AB. The Middlesex University Fashion Collection comprises approximately 450 garments for women and men, textiles, accessories including hats, shoes, gloves, and more, plus hundreds of haberdashery items including buttons and trimmings, from the nineteenth century to the present day. Browse the Middlesex University Fashion Collection at https://tinyurl.com/middlesex-fashion. The Journal of Dress History Volume 2, Issue 3, Autumn 2018 Editor–in–Chief Jennifer Daley Editor Scott Hughes Myerly Proofreader Georgina Chappell Published by The Association of Dress Historians [email protected] www.dresshistorians.org The Journal of Dress History Volume 2, Issue 3, Autumn 2018 [email protected] www.dresshistorians.org Copyright © 2018 The Association of Dress Historians ISSN 2515–0995 Online Computer Library Centre (OCLC) accession #988749854 The Journal of Dress History is the academic publication of The Association of Dress Historians through which scholars can articulate original research in a constructive, interdisciplinary, and peer reviewed environment. The Association of Dress Historians supports and promotes the advancement of public knowledge and education in the history of dress and textiles. The Association of Dress Historians (ADH) is Registered Charity #1014876 of The Charity Commission for England and Wales. The Journal of Dress History is copyrighted by the publisher, The Association of Dress Historians, while each published author within the journal holds the copyright to their individual article. The Journal of Dress History is circulated solely for educational purposes, completely free of charge, and not for sale or profit. -
Textile Society of America Newsletter 23:2 •Fl Spring/Summer 2011
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Newsletters Textile Society of America Spring 2011 Textile Society of America Newsletter 23:2 — Spring/Summer 2011 Textile Society of America Follow this and additional works at: https://digitalcommons.unl.edu/tsanews Part of the Art and Design Commons Textile Society of America, "Textile Society of America Newsletter 23:2 — Spring/Summer 2011" (2011). Textile Society of America Newsletters. 61. https://digitalcommons.unl.edu/tsanews/61 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Newsletters by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Textile VOLUME 23 n NUMBER 2 n SPRING/SUMMER, 2011 Society of America Tinkuy de Tejedores by Marilyn Murphy CONTENTS accompanied with translations in English, Quechua, and Spanish. 1 Tinkuy de Tejedores Topics covering fiber and natu- 2 TSA News ral dyes, ancient and traditional 3 From the President weaving, and the recovery and commercialization of textiles 4 TSA Study Tours were crammed into two days. 5 TSA Member News Representatives from the commu- 8 Tinkuy de Tejedores, cont’d. nities spoke alongside the scholars and other invited guests. Q&A 9 Conference Reviews time followed each presentation. 10 Symposium 2010: Reports by For most of the first day, the TSA Award Recipients questions came from the English- 11 Textile Community News speaking participants. But slowly, 13 Book Reviews the indigenous women’s voices emerged. 14 Publication News GATHERING OF WEAVERS The Welcome Ceremony The richness of Tinkuy went 15 Featured Collection: American took place in the Sacred was led by an Andean priest, far beyond the speakers and their Swedish Institute A Valley of Peru Nov. -
Textile Society of America Newsletter 21:3 — Fall 2009 Textile Society of America
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Newsletters Textile Society of America Fall 2009 Textile Society of America Newsletter 21:3 — Fall 2009 Textile Society of America Follow this and additional works at: https://digitalcommons.unl.edu/tsanews Part of the Art and Design Commons Textile Society of America, "Textile Society of America Newsletter 21:3 — Fall 2009" (2009). Textile Society of America Newsletters. 56. https://digitalcommons.unl.edu/tsanews/56 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Newsletters by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. T VOLUME 21 NUMBER 3 FALL, 2009 S A Conservation of Three Hawaiian Feather Cloaks by Elizabeth Nunan and Aimée Ducey CONTENTS ACRED GARMENTS ONCE to fully support the cloaks and and the feathers determined the worn by the male mem- provide a culturally appropriate scope of the treatment. 1 Conservation of Three Hawaiian bers of the Hawaiian ali’i, display. The museum plans to The Chapman cloak is Feather Cloaks S or chiefs, feather cloaks and stabilize the entire collection in thought to be the oldest in the 2 Symposium 2010: Activities and capes serve today as iconic order to alternate the exhibition collection, dating to the mid-18th Exhibitions symbols of Hawaiian culture. of the cloaks, therefore shorten- century, and it is also the most 3 From the President During the summer of 2007 ing the display period of any deteriorated. -
The Turkish-Iranian Horse Hair Face-Veil1
Persica 21, 89-98. doi: 10.2143/PERS.21.0.2022789THE TURKISH-IRANIAN © HORSE 2006-2007 HAIR by FACE-VEIL Persica. All rights reserved. 89 THE TURKISH-IRANIAN HORSE HAIR FACE-VEIL1 Gillian Vogelsang-Eastwood Textile Research Centre, Leiden Willem Vogelsang National Museum of Ethnology, Leiden Horse hair veils in Ottoman Turkey In the early sixteenth century, the Belgian artist and tapestry designer, Pieter Coecke van Aelst (AD 1502-1550), visited Constantinopel/Istanbul to attract work for the Brussels tapestry workshops.2 He arrived at the Turkish Ottoman capital in AD 1533. His stay in Istanbul, however, was not a success and he left the city after about a year. During his stay, he made a number of drawings that were turned into woodcuts and published posthumously by his widow, Mayken Verhulst Bessemers, and called Les Moeurs et Fachons de Faire des Turz.3 These illustrations provide a glimpse of what people were wearing in Istanbul in those days, both men and women. Of particular interest are the face veils. On one of the woodcuts, it is clear that some of the women (servants) wear what came to be called a lisam, namely a length of cloth that was wrapped around the lower half of the face (Fig. 1).4 Another type of face veil, shown in the same illustration and apparently worn by some Istanbul women in addition to the lisam, was a rectangular piece of cloth that was tied around the forehead and hung downwards, over the lisam. From this and other illustrations it seems as if this type of face veil was made of very stiff material, which would indicate the use of horse hair. -
Textile Research Centre Leiden Annual Report for the Year 2014
Annual Report 2014 TEXTILE RESEARCH CENTRE LEIDEN ANNUAL REPORT FOR THE YEAR 2014 Textile Research Centre Hogewoerd 164 2311 HW Leiden, The Netherlands [email protected] www.trc-leiden.nl 1 Annual Report 2014 Chairman's Comments The Stichting Textile Research Centre, Leiden Once again, TRC’s Annual Report for the year 2014 The Stichting (‘Foundation’) Textile Research Centre shows an amazing host of activities for a small was established in 1991 with the stated aim of organisation like TRC. The activities range from supporting the academic research of archaeological courses, exhibitions and workshops, as well as and anthropological textiles and dress. The most special days such as those celebrating the British important part of our work is the building up and author, Jane Austin. There is also an increasing study of a textile and dress collection. These number of projects associated with the TRC, both in garments are available for research and exhibition the Netherlands and abroad. The wide range of work purposes. presented to the world public by the TRC’s website and Facebook is especially worthwhile mentioning. The Board The TRC truly is an international centre for the study The board is currently made up of the following: of textiles and dress. Chairman: Prof. L. Leertouwer Treasurer: Prof. J. Bintliff (retired September 2014) The secret behind this imposing performance is Secretary: Dr. K. Innemee revealed in Tineke Moerkerk’s contribution about the volunteers in this report. “We never know what will General board members: Prof. R. Bedaux (retired happen, but we do know that it will be interesting September 2014), Mrs. -
Central and Southwest Asian Dress Studies. a Bibliographical Introduction
KHIL{A 3 (2007-2009), pp. 97-106. doi: 10.2143/KH.3.0.2066224 Central and Southwest Asian Dress Studies. A Bibliographical Introduction Gillian VOGELSANG-EASTWOOD Textile Research Centre, Leiden The study of dress in Central and Southwest Asia will be seen, not every author takes this austere view was for long been very patchy. Some regions and of the subject. groups have been studied in depth by the academic The books and articles included in this section are world, while others are, at best, committed to foot- intended to be an introduction to the subject of Central notes or totally ignored. There is also a significant and Southwest Asian dress studies, rather than a com- difference between the study of archaeological and prehensive list of all the publications in this field. In historical textiles and dress and those items dating addition, in keeping with the policy of the Berg to the late 19th and 20th centuries. An important Encyclopaedia the choice of publications is deliberately factor in this situation was the lack of interest, until biased towards dress studies rather than descriptions comparatively recently, by academia in the study of of textiles, their production or appearance, unless this pre-modern and modern material culture from the information is directly relevant to either garments or region and more particularly in the areas of textiles accessories. For further information about particular and dress. This situation is changing slowly, but it forms of Central Asian and Southwest Asian dress will be some years before Central and Southwest please consult the relevant articles and their biblio- Asian dress has a literature list comparable to that graphies in this particular volume. -
The Journey of One Saudi Arabian Man's Costume from Dhahran To
9532-06_KHILA_2/2006_07 15-10-2007 16:11 Pagina 137 KHIL{A 2 (2006), pp. 137-148. doi: 10.2143/KH.2.0.2021289 The journey of one Saudi Arabian man’s costume from Dhahran to Leiden Helen SEIDLER, Bethesda, USA Gillian VOGELSANG-EASTWOOD, Textile Research Centre, Leiden In early 1949 Alonzo (“Al”) LePage Seidler, my He went to Arabia six months ahead of my father, accepted a position with the Arabian mother, my brother (7 years old) and me (3 years American Oil Company in Dhahran, Saudi Arabia. old). We followed travelling by ship from New York He was the first dentist to join the medical team to Beirut (a 13 day voyage) and then flying across Aramco was assembling to serve the small, but the Arabian peninsula to Dhahran, in the Eastern growing community of Americans and other for- Province on the edge of the Persian Gulf. The story eigners moving to the country to work on the of the costume is told primarily from memory of exploration, refining and shipping of oil. As a result, family conversations around the dinner table about he was also the first Western-trained dentist in the our rich experience from 1949 to 1961 living in country. Saudi Arabia. My father was from Baltimore, Maryland (USA) At that time Aramco was a consortium of four where he was born, raised and educated (Johns U.S. oil companies – Standard Oil of California Hopkins University, 1931; University of Maryland (now Chevron), Texas Oil Company (now Texaco), Dental School, 1937). He married Virginia Standard Oil of New Jersey (now Exxon), and Niedentohl, also a Baltimore native, in 1936, and Socony-Vacuum Oil (now Mobil). -
Textiles on the Move Online
Textiles on the Move Online 6-7 October 2020 14.00 – 16.30 CEST (Local time the Netherlands) 8-9 October 2020 9.00 – 11.30 CEST (Local time the Netherlands) © Organisers International Institute for Asian Studies (IIAS) Tracing Patterns Foundation Textile Research Centre Convenors Sandra Sardjono, Tracing Patterns Foundation, USA Christopher Buckley, Wolfson College, Oxford, United Kingdom Gillian Vogelsang-Eastwood, Textile Research Centre, the Netherlands Willem Vogelsang, International Institute for Asian Studies, the Netherlands Cover image ©: Local name: Cotonnades provençales, Size (cm): 280 x 100, Place of origin: France, Description: Sample of cotton cloth with a design of large, ornate Paisley (buteh) motifs surrounded by swirling sprigs of flowers and leaves, all worked in black, ochre, grey, mid-blue and red on a dark blue ground, Photo: Textile Research Centre, Leiden Textiles on the Move Online 6-7 October 2020 14.00 – 16.30 CEST (Local time the Netherlands) 8-9 October 2020 9.00 – 11.30 CEST (Local time the Netherlands) Time zone converter Programme Tuesday 6 October – CEST (Local time the Netherlands) 14.00 – 14.10 Welcome and introduction to the subject and today’s programme Willem Vogelsang International Institute for Asian Studies, the Netherlands 14.10 – 14.55 Beauty & Purpose, Prayer Carpets and their Design Impact Sumru Belger Krody George Washington University Museum and The Textile Museum, USA 14.55 – 15.25 Interwoven Gowns: Japanese Inspired Night Gowns Ready Made on the Coromandel c. 1700 Ariane Fennetaux Université -
Volume 5, Issue 2, E Arly Summer 2021
The Journal of Dress History Volume 5, Issue 2, Early Summer 2021 Front Cover Image: Chapkan, circa 1700–1799, Velvet, Silk, and Silver, © National Museum of History of Azerbaijan, Baku, Azerbaijan, Ethnography Fund Inventory #3571. A chapkan is a type of kaftan, worn by women and men, widespread in Azerbaijan, Iran, North Caucasus Turks, Turkey, and central Asia. The patterns on this chapkan reflect the fabrics and embroideries of the eighteenth century. Inside the silver contours, the flowers decorated with silk thread are called “Afshar flowers.” The Afshars are one of the ancient Turkic tribes. They settled in the Karabakh region of Azerbaijan, Iran, and Turkey. According to the patterns on this chapkan, the dress is called “Afshar chapkan.” The Journal of Dress History Volume 5, Issue 2, Early Summer 2021 Editor–in–Chief Jennifer Daley Associate Editor Georgina Chappell Associate Editor Michael Ballard Ramsey Associate Editor Benjamin Linley Wild Associate Editor Valerio Zanetti Editorial Assistant Thomas Walter Dietz Editorial Assistant Fleur Dingen Editorial Assistant Abigail Jubb Published By The Association of Dress Historians [email protected] www.dresshistorians.org/journal The Journal of Dress History Volume 5, Issue 2, Early Summer 2021 [email protected] www.dresshistorians.org/journal Copyright © 2021 The Association of Dress Historians ISSN 2515–0995 Online Computer Library Centre (OCLC) Accession #988749854 The Journal of Dress History is the academic publication of The Association of Dress Historians (ADH) through which scholars can articulate original research in a constructive, interdisciplinary, and peer reviewed environment. The ADH supports and promotes the study and professional practice of the history of dress, textiles, and accessories of all cultures and regions of the world, from before classical antiquity to the present day. -
TRC Annual Report 2013
Annual Report 2013 TEXTILE RESEARCH CENTRE LEIDEN ANNUAL REPORT FOR THE YEAR 2013 Demonstration of weaving on a Taiwanese foot braced loom at the TRC (November 2013) Textile Research Centre Hogewoerd 164 2311 HW Leiden, The Netherlands [email protected] www.trc-leiden.nl 1 Annual Report 2013 Chairman's Comments The Stichting Textile Research Centre, Leiden Once again, TRC’s Annual Report for the year 2013 The Stichting (‘Foundation’) Textile Research Centre is a surprising document., like all its predecessors. was established in 1991 with the stated aim of Understaffed, repeatedly on a financial cliff hanger, supporting the academic research of archaeological TRC still manages to perform an ever growing host and anthropological textiles and dress. The most of activities. Its international reputation in the field of important part of our work is the building up and textile research is firmly established, a growing study of a textile and dress collection. These number of visitors find their way to the Hogewoerd, garments are available for research and exhibition scholars and students from all over the world come purposes. together to enrich and exchange their knowledge in its humble abode. The Board The board is currently made up of the following: One of our Director’s many gifts is her amazing Chairman: Prof. L. Leertouwer ability to find help when TRC needs it. The Board Treasurer: Prof. J. Bintliff wishes to deliver its warmest thanks and Secretary: Dr. K. Innemee congratulations to all those who quickly and unselfishly responded to Gillian Eastwood’s call: General board members: Prof. R. -
The Language of Dress
56 The Textile Research Communicating The Portrait Centre, Leiden with dress The Language Top left: A ceremonial of Dress bicorne hat worn by Dutch member of Parliament, Laurens de Groot, in the early 1920’s. Textile Research Centre, Leiden Top right: Woman’s kaftan from Fez, Morocco, made out of a Japanese obi (1950’s). Below left: An ikat from Sumba, Indonesia, brought back to the Netherlands by a Dutch official in the 1920’s. Below right: Pair of bridal lotus shoes, late 19th century, China. All photos Courtesy Textile Research Centre, Leiden. ress is a silent language, full of and volunteers, many of whom are attached meaning and nuances that come to Leiden University. But apart from its Din all shapes and sizes, colours and in-house expertise, its main asset certainly textures. It is a language with many variant is its collection of garments and textiles from forms, different vocabularies and sometimes all over the world, and from all ages. complicated grammatical rules, which are In 1997 the TRC started with a small all, as with every language, constantly collection of textiles and garments as a changing. Dress is a language that we all teaching tool while working with students from speak, but communicating with dress is not Leiden University. Since then the collection has always straightforward and may lead to grown to nearly 25,000 items, but its function misunderstandings. We do not all speak as a teaching and handling collection has the same dialect! remained the same. In order for the collection to reach as wide an audience as possible, sub-collections stand out. -
The Iranian Chador
KHIL{A 1 (2005), pp. 139-158 THE IRANIAN CHADOR Gillian VOGELSANG-EASTWOOD Textile Research Centre, Leiden (TRC)/ National Museum of Ethnology, Leiden Introduction The aim of this article1 is to present some back- ground information on the main types of chador 1 I should like to thank the following people for their help worn by women in Iran during the twentieth in the preparation of this article, namely: Leo and Sohar century.2 The study is divided into two sections. Barjesteh, Mohandes M.R. Khosrovani and Mrs. F. Khosrovani-Pishvai who have constantly supported, encour- The first (A) is a general discussion of the history aged, and offered advise throughout the period of our field- of the Iranian chador, and more specifically its role work. Thanks also needs to go to the staff of the Cultural in twentieth century Iranian politics. This is fol- Heritage Organisation, Tehran; the staff of the Dutch lowed (B) by a description of the various types of Embassy, Tehran, especially C. Breedvelt; the past and pres- ent ambassador of the Iranian Embassy in The Hague for chador based in the main on the garments now their support; the staff of Thunder Tours, Tehran, and finally, housed in the collection of the Textile Research the staff of the National Museum of Ethnology, Leiden. Centre, Leiden.3 The article ends with a short note And last but not least, thanks needs to be said to Shell Iran (C) on the role of the chador in modern Iranian for their generous financial support for our project. 2 Care should be taken with the term chador as in recent years society.