Difference Between A-Line and Ball Gown Key Difference - A-Line Vs Ball Gown
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Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern -
A Brief History of the Evolution of Operating Room Attire
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 1 From formalwear and frocks to scrubs and gowns: A brief history of the evolution of operating room attire AUTHORS Jessica L. Buicko, MD1 Michael A. Lopez, DO1 Miguel A. Lopez-Viego, MD, FACS1 1Department of Surgery, University of Miami-JFK Medical Center, Atlantis, FL CORRESPONDING AUTHOR Jessica L. Buicko 225 NE 1st St #209 Delray Beach, FL 33444 518-229-7711 [email protected] ©2016 by the American College of Surgeons. All rights reserved. CC2016 Poster Competition • From formal wear and frocks to scrubs and gowns • 6 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 Most of the knowledge of the history of surgical Introduction attire is derived from drawings, paintings and Stroll into any operating room and you will find surgeons anecdotal reports. Although conventional adorned in various shades of blues and greens along with their today, “scrubs” were not routinely worn until masks, scrub hats, and surgical gowns. The surgical attire that has become commonplace throughout operating rooms around the mid-20th century. In the 19th century, it the world, has only been around for less than a century. would be commonplace for a surgeon to shrug off his suit jacket, roll up his sleeves, throw on A brief surgical timeline a frock or apron, and begin operating. Over the Prior to 19th century - Surgeons performed operations in their years, surgical garb continues to evolve to make street clothes with the only concessions being the removal of procedures safer for both the patient and the coats and rolling-up of shirt-sleeves during bloody procedures. -
1914 Girl's Afternoon Dress Pattern Notes
1914 Girl's Afternoon Dress Pattern Notes: I created this pattern as a companion for my women’s 1914 Afternoon Dress pattern. At right is an illustration from the 1914 Home Pattern Company catalogue. This is, essentially, what this pattern looks like if you make it up with an overskirt and cap sleeves. To get this exact look, you’d embroider the overskirt (or use eyelet), add a ruffle around the neckline and put cuffs on the straight sleeves. But the possibilities are as limitless as your imagination! Styles for little girls in 1914 had changed very little from the early Edwardian era—they just “relaxed” a bit. Sleeves and skirt styles varied somewhat over the years, but the basic silhouette remained the same. In the appendix of the print pattern, I give you several examples from clothing and pattern catalogues from 1902-1912 to show you how easy it is to take this basic pattern and modify it slightly for different years. Skirt length during the early 1900s was generally right at or just below the knee. If you make a deep hem on this pattern, that is where the skirt will hit. However, I prefer longer skirts and so made the pattern pieces long enough that the skirt will hit at mid-calf if you make a narrow hem. Of course, I always recommend that you measure the individual child for hem length. Not every child will fit exactly into one “standard” set of pattern measurements, as you’ll read below! Before you begin, please read all of the instructions. -
Lesson Guide Princess Bodice Draping: Beginner Module 1 – Prepare the Dress Form
Lesson Guide Princess Bodice Draping: Beginner Module 1 – Prepare the Dress Form Step 1 Apply style tape to your dress form to establish the bust level. Tape from the left apex to the side seam on the right side of the dress form. 1 Module 1 – Prepare the Dress Form Step 2 Place style tape along the front princess line from shoulder line to waistline. 2 Module 1 – Prepare the Dress Form Step 3A On the back, measure the neck to the waist and divide that by 4. The top fourth is the shoulder blade level. 3 Module 1 – Prepare the Dress Form Step 3B Style tape the shoulder blade level from center back to the armhole ridge. Be sure that your guidelines lines are parallel to the floor. 4 Module 1 – Prepare the Dress Form Step 4 Place style tape along the back princess line from shoulder to waist. 5 Lesson Guide Princess Bodice Draping: Beginner Module 2 – Extract Measurements Step 1 To find the width of your center front block, measure the widest part of the cross chest, from princess line to centerfront and add 4”. Record that measurement. 6 Module 2 – Extract Measurements Step 2 For your side front block, measure the widest part from apex to side seam and add 4”. 7 Module 2 – Extract Measurements Step 3 For the length of both blocks, measure from the neckband to the middle of the waist tape and add 4”. 8 Module 2 – Extract Measurements Step 4 On the back, measure at the widest part of the center back to princess style line and add 4”. -
A Plantation Family Wardrobe, 1825 - 1835
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2010 A Plantation Family Wardrobe, 1825 - 1835 Jennifer Lappas Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Theatre and Performance Studies Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/2299 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. 1 The Carter Family Shirley Plantation claims the rightful spot as Virginia’s first plantation and the oldest family-run business in North America. It began as a royal land grant given to Sir Thomas West and his wife Lady Cessalye Shirley in 1613 and developed into the existing estate one can currently visit by 1725. The present day estate consists of the mansion itself and ten additional buildings set along a Queen Anne forecourt. These buildings include a Root Cellar, Pump House, two-story Plantation Kitchen, two story Laundry, Smokehouse, Storehouse with an Ice House below, a second Storehouse for grain, Brick Stable, Log Barn and Pigeon House or Dovecote. At one time the Great House was augmented by a North and a South Flanker: they were two free standing wings, 60 feet long and 24 feet wide and provided accommodations for visitors and guests. The North Flanker burned and its barrel-vaulted basement was converted into a root cellar and the South Flanker was torn down in 1868. -
Price List Best Cleaners 03-18.Xlsx
Price List Pants, Skirts & Suits Shirts & Blouses Pants Plain…………………………………………… 10.20 Business Shirt Laundered and Machine Pants, Silk/Linen…………………………………… . 12.30 Pressed (Men’s & Women’s)…… 3.60 Pants, Rayon/Velvet………………………………… 11.80 Pants Shorts………………………………………. 10.20 Chamois Shirt…………………………………………… 5.35 Skirts, Plain………………………………………… . 10.20 Lab Smock, Karate Top………………………………… . 7.30 Skirts, Silk, Linen………………………………….. 12.30 Polo, Flannel Shirt……………………………………… .. 5.35 Skirts, Rayon Velvet……………………………… .. 11.80 Sweat Shirt……………………………………………… . 5.70 Skirts Fully Pleated………………………………. 20.95 T-Shirt…………………………………………………… .. 4.60 Skirts Accordion Pleated………………………… . 20.95 Tuxedo Shirt……………………………………………… . 6.10 Suit 2 pc. (Pants or Skirt and Blazer)……………… 22.40.. Wool Shirt………………………………………………… . 5.35 Suit 3 pc. (Pants or Skirt Blazer & Vest)……………… 27.75. Suit, body suit………………………………………… 10.60. Blouse/Shirt, Cotton, Poly…………………………………… 9.50.. Suit, Jumpsuit…………………………………… 25.10 Blouse/Shirt, Rayon, Velvet………………………………… 11.10.. Sport Jacket, Blazer……………………………… .. 12.20 Blouse/Shirt, Silk, Linen……………………………………… 11.60 Tuxedo……………………………………………… . 22.95 Blouse/Shirt, Sleeveless……………………………………… 7.80 Vest………………………………………………… . 5.35 Dresses Outerwear Dress, Plain, Cotton, Wool, Poly, Terry, Denim…….. 19.00 Blazer, Sport Jacket……………………………… . 12.20 Dress,Silk, Linen …….………………………………. 23.20 Bomber Jacket………………………………….. 16.20 Dress,Rayon,Velvet …………………………………. 22.20 Canvas Field Coat………………………………… 16.20 Dress, 2-Piece, Dress & Sleeveless Jkt……………………… 27.60 Canvas Barn Jacket……………………………… -
The Shape of Women: Corsets, Crinolines & Bustles
The Shape of Women: Corsets, Crinolines & Bustles – c. 1790-1900 1790-1809 – Neoclassicism In the late 18th century, the latest fashions were influenced by the Rococo and Neo-classical tastes of the French royal courts. Elaborate striped silk gowns gave way to plain white ones made from printed cotton, calico or muslin. The dresses were typically high-waisted (empire line) narrow tubular shifts, unboned and unfitted, but their minimalist style and tight silhouette would have made them extremely unforgiving! Underneath these dresses, the wearer would have worn a cotton shift, under-slip and half-stays (similar to a corset) stiffened with strips of whalebone to support the bust, but it would have been impossible for them to have worn the multiple layers of foundation garments that they had done previously. (Left) Fashion plate showing the neoclassical style of dresses popular in the late 18th century (Right) a similar style ball- gown in the museum’s collections, reputedly worn at the Duchess of Richmond’s ball (1815) There was public outcry about these “naked fashions,” but by modern standards, the quantity of underclothes worn was far from alarming. What was so shocking to the Regency sense of prudery was the novelty of a dress made of such transparent material as to allow a “liberal revelation of the human shape” compared to what had gone before, when the aim had been to conceal the figure. Women adopted split-leg drawers, which had previously been the preserve of men, and subsequently pantalettes (pantaloons), where the lower section of the leg was intended to be seen, which was deemed even more shocking! On a practical note, wearing a short sleeved thin muslin shift dress in the cold British climate would have been far from ideal, which gave way to a growing trend for wearing stoles, capes and pelisses to provide additional warmth. -
Things to Remember While Choosing Designer Evening Dresses
Jul 28, 2011 15:36 IST Things to Remember While Choosing Designer Evening Dresses Evening dresses are formal dresses worn by women for special events like formal dinner, wedding receptions or cocktail parties. True to the name these dresses are only worn during evening and are not suited for day times. Designer evening dresses offer exquisite patterns and trends and are available in a range of materials like satin, silk, velvet, chiffon and georgette among others. Some of the common varieties include ball gowns, which are formal wear and are best worn with flashy jewelry. One of the most formal evening dresses include the Ball gowns, which are richly ornate, highly priced and are suitable for elegant functions. Another variety of the ball gown is the A-line dress, which has a bell-shaped bottom and a form fitting bodice and is less ornate than a ball gown. The straight cut sans any pleats accentuates a svelte figure. There are shorter dresses including cocktail dresses which are used for dinner parties or night dance. Trumpet gown is another pretty evening dress which has broad pleats towards the bottom of the gown. The form fitting bodice ensures an elegant contour and enhances the natural curves of the female frames. Another example for an evening dress include a mermaid dress, which has a trail behind the gown and a tight fitting cut Designer evening dresses are typically embellished with beads, jewels and precious stones to enhance its rich feel. In many fashion boutiques, separate sections for evening dresses can be seen which will have a good selection of evening wear of various types. -
Dukal Personal Protective Equipment
Personal Protective Equipment Products that provide protection for healthcare professionals working in infectious conditions. Table of Contents Gowns Isolation Gowns .....................................................................................6 Poly Coated Gowns ............................................................................7 Multi-Layer Gowns ..............................................................................8 CPE Gowns ...............................................................................................10 AAMI Level 1 Gowns ............................................................................12 AAMI Level 2 Gowns ...........................................................................14 Disposable Scrubs and Coveralls CoversoftTM Disposable Apparel ................................................18 Disposable Scrub Wear ...................................................................19 Disposable Coveralls .........................................................................20 Headwear Enhancing family & Bouffant Caps .........................................................................................21 Surgeon Caps ..........................................................................................22 community health Beard Covers ...........................................................................................23 Footwear Shoe Covers .............................................................................................24 is the way to a Boot Covers -
2016 Annual Meeting Dress Guidelines Western USA Lieutenancy
2016 Annual Meeting Dress Guidelines Western USA Lieutenancy DRESS CODE INFORMATION Gentlemen Gentlemen Clergy Knights Ladies Lady Investees Lady Guests Clergy THURSDAY Investees Guests Investees Hotel Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Church Church Church Church Appropriate Year of Mercy Pilgrimage Clericals Appropriate attire Appropriate attire Appropriate attire attire Gentlemen Gentlemen Clergy Knights Ladies Lady Investees Lady Guests Clergy FRIDAY Investees Guests Investees Hotel Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Church Church Church Church Appropriate Vigil Retreats Clericals Appropriate attire Appropriate attire Appropriate attire attire Gentlemen Gentlemen Clergy Knights Ladies Lady Investees Lady Guests Clergy SATURDAY Investees Guests Investees Hotel Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Dark Suit, White Dark Dress Dark Dress Dark Dress Shirt, Tie Dark Suit Dark Suit Alb Alb (NO jacket or Suit or Suit or Suit under Cape) Promotions & Cape Cape Stole of the Stole Memorial Mass (No Decorations) (No Decorations) Order Beret (Badge worn Mantilla to the right) White Gloves Black Gloves Black Shoes Black Shoes Black Shoes Black Shoes DRESS CODE INFORMATION Gentlemen Gentlemen Clergy Knights Ladies Lady Investees Lady Guests Clergy SUNDAY Investees Guests Investees Hotel Resort Casual1 -
Always Choose High Quality Designer Prom Dresses for Yourself. Stylish Dresses for Prom Online 2016
Always choose high quality designer prom dresses for yourself. Stylish dresses for prom online 2016. Now, it is all about women in maxi shape including pear and apple shaped body. For your formal wear, the plus size special occasion prom dresses can be a nice wear to match any special occasion such as wedding, homecoming, prom, communion and formal party. The plus size dress for prom itself is a dress which is intentionally made for big women. The size of the dress is bigger to perfect fit your curvy body. Besides that bigger shape, the plus size dress is purposely designed with detail and cut which are able to flatter your maxi shape. That's why this maxi gown is special. Therefore, every maxi woman doesn't have to worry when she should attend at a special party anywhere. Since you have selected and worn the plus size dress, there is nothing to worry about. Generally, according to the tradition, the young girl wears Designer Prom Dresses in ball gown dress cut. This ball gown describes as if the young girl is a young princess that starting to be mature and important for the society. Variety of dresses for prom moment is very attractive and typical. However, it is still up to you who can pick the dress as desire and taste. Many ball gown dresses are very elegant to fit this special occasion. Like an elegant princess, the ball gown comes in strapless concept. Usually, the strapless cut is combined with sweetheart neckline. Fit waist line is applied to emphasize the slim shape of the wearer. -
Clothing of Pioneer Women of Dakota Territory, 1861-1889
South Dakota State University Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange Electronic Theses and Dissertations 1978 Clothing of Pioneer Women of Dakota Territory, 1861-1889 Joyce Marie Larson Follow this and additional works at: https://openprairie.sdstate.edu/etd Part of the Fiber, Textile, and Weaving Arts Commons, and the Interior Design Commons Recommended Citation Larson, Joyce Marie, "Clothing of Pioneer Women of Dakota Territory, 1861-1889" (1978). Electronic Theses and Dissertations. 5565. https://openprairie.sdstate.edu/etd/5565 This Thesis - Open Access is brought to you for free and open access by Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. For more information, please contact [email protected]. CWTHIFG OF PIONEER WOMEN OF DAKOTA TERRI'IORY, 1861-1889 BY JOYCE MARIE LARSON A thesis submitted in partial fulfillment of the requirements for the degree Haster of Science, Najor in Textiles, Clothing and Interior Design, South Dakota State University 1978 CLO'IHING OF PIONEER WOHEU OF DAKOTA TERRITORY, 1861-1889 This thesis is approved as a creditable and independent investigation by a candidate for the degree, Master of Science, and is acceptable for meeting the thesis requirements for this degree. Acceptance of this thesis does not imply that the conclusions reached by the candidate are necessarily the conclusions of the major department. Merlene Lyman� Thlsis Adviser Date Ardyce Gilbffet, Dean Date College of �ome Economics ACKNOWLEDGEr1ENTS The author wishes to express her warm and sincere appre ciation to the entire Textiles, Clothing and Interior Design staff for their assistance and cooperation during this research.