DOCSLIB.ORG

Imagining the Modern

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Imagining the Modern IMAGINING THE MODERN: AN OCCIDENTALIST PERCEPTION AND REPRESENTATION OF FARANGI ARCHITECTURE AND URBANISM IN 19TH-CENTURY PERSIAN TRAVEL DIARIES A Dissertation by VAHID VAHDAT ZAD Submitted to the Office of Graduate and Professional Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Chair of Committee, Robert Warden Committee Members, Peter Lang Rola el-Husseini Mohammad Ghanoonparvar Michael Neuman Head of Department, Ward Wells May 2014 Major Subject: Architecture Copyright 2014 Vahid Vahdat Zad A BSTRACT This study explores the inception of modernity in Iran by examining how the built environment was perceived and represented by Iranian travelers visiting Europe in the mid-19th century. Recent scholarship on modernity in non-Western societies unsettles Euro-centric assumptions that depicted the global circulation of architecture as one way transit between the center and the periphery, the original and the copy. Taking part in questioning this uni- directional cultural dissemination, my project reverses the Orientalist gaze of Postcolonial theories. Here, I discuss how the Iranian traveler constructed tajaddod (Iranian experience of modernity) based on an “Occidentalist” imagery. Many modern institutions and architectural typologies were first introduced to Iran by travelers who visited Europe. These individuals, following a long-standing Persian tradition of travel writing, often kept notes and diaries known as safarnameh. For the purposes of my research, safarnameh serve as non-participant recordings of how Iranians responded to the unfamiliar architectural landscape of the West. To investigate how the message of European modernity was transformed by the travelers, I examine the differences between the descriptions of architecture in each safarnameh and the more prosaic perceptions of those spaces in the Western imagination. I look closely at the literary styles, figures of speech, settings, imagery, symbolism, exaggerations, narrative devices, and tones used by the Iranian writers in their interpretation of European architecture and urban facilities. This study reveals how non-European imaginations, aspirations, fantasies, and agency were a vital part of the transnational dialectic of modernity. By projecting their own Persian/Islamic ideals and imagery onto their observations, these travelers developed a syncretic ii understanding of modernity. Their encounter with a pre-imagined Western “Other” became the foundation of tajaddod. When Iran’s experience of modernity is presented as a distorted copy of a Western phenomenon, Iranian architects are alienated from their heritage. They are presented with a false choice between (Persian) tradition and (Western) modernity. My project emphasizes that the Iranian desire towards a modern utopia is not radically alien to Persian/Islamic tradition. This approach advances humanities research by revisiting genealogical notions of a mythical original modernity by unraveling global entanglements. iii A CKNOWLEDGMENTS Architectural projects are the product of many individuals’ efforts; so too has been the construction process of this research project. Through the course of my research foray, I have been accompanied by many, whose enthusiasm, encouragement, and supervision made this travel enjoyable and fruitful. My profound gratitude goes to my advisors, Robert Warden and Peter Lang, for their unflagging support and advice from the early stages of this work. I am sincerely grateful to Rola el-Husseini, whose guidance grounded my exploration, as well as my other committee members, Mohammad Ghanoonparvar and Michael Neuman. Without them, I would have lost track from the very first steps of my research journey. This study has enjoyed the generous support of the Graduate Stipendiary Fellowship and the Brown-Cruz Fellowship, both offered by the Glasscock Center for Humanities studies. I extend my thanks to the director and staff of the center, who supported me during my one year residence. I am also indebted to the Office of Graduate Studies at A&M. The extended period of writing of this dissertation could not have been sustained without their OGS Dissertation Fellowship. Finally, I would like to thank the staff and management of the Texas A&M library and the University Writing Center for their amazing services, particularly my friend Thadeus Bowerman, whose inputs have greatly enriched the work. iv T ABLE OF CONTENTS Page ABSTRACT ............................................................. II ACKNOWLEDGMENTS ...................................................... IV TABLE OF CONTENTS ..................................................... V LIST OF FIGURES .................................................... VIII CHAPTER I: INTRODUCTION .............................................. 1 Prologue .......................................................... 1 Dialectics of modernity and tradition ............................. 3 The first brick ................................................... 4 The inception of modernity in Iran ................................ 7 The circulation of architecture through safarnameh ................ 8 The research odyssey ............................................. 10 A heterotopic discourse .......................................... 11 (1) Modernity as a heterotopia ............................. 11 (2) Modernity as a discourse ............................... 11 Why so serious? .................................................. 12 Research layout .................................................. 13 A note on the text ............................................... 14 CHAPTER II: MODERNITY IN A SUITCASE .................................. 16 Mirza Saleh ...................................................... 17 Biography .................................................. 17 Itinerary .................................................. 19 Narrative organization ..................................... 20 Objectivity ................................................ 22 Didacticism ................................................ 25 Significance ............................................... 26 Rezaqoli Mirza ................................................... 27 Biography .................................................. 27 Itinerary .................................................. 29 Narration .................................................. 30 Writing style .............................................. 31 Fictionalty ................................................ 32 Significance ............................................... 33 Aminoddowleh ..................................................... 34 Biography .................................................. 34 Itinerary .................................................. 35 Format ..................................................... 36 Narration .................................................. 38 Significance ............................................... 40 v Modernity as a souvenir .......................................... 41 CHAPTER III: WHEN WORLDS COLLIDE ..................................... 45 Verbalizing space ................................................ 45 Quantifying space ................................................ 50 From motherland to otherland ..................................... 53 Farangestan as a wonderland ...................................... 62 Virtual realities ................................................ 66 Representing the representation .................................. 69 The reincarnated image ........................................... 74 CHAPTER IV: TRAVELS IN FARANGI SPACE ................................. 77 Image of the city ................................................ 77 The absence of form .............................................. 78 Wide, paved, and clean ........................................... 79 Refashioning the Farangi house ................................... 85 Farangestan as a Persian paradise ................................ 89 The looking glass ................................................ 97 Reflecting a different sky ....................................... 98 Fictional functionality .......................................... 99 The breathing city .............................................. 103 The bridal chamber .............................................. 104 Architecture and urban regulations .............................. 108 The high space .................................................. 112 Light upon light ................................................ 115 Space that belongs to nobody .................................... 120 Architecture and urban institutions ............................. 124 Architecture and urban services and facilities .................. 125 The falling hat of wisdom ....................................... 128 From adobe to granite ........................................... 131 Nails on stone .................................................. 134 Columnless structures ........................................... 137 Constructing the magical ........................................ 140 Ornamentalizing the Occident .................................... 143 Spatial lacunae ................................................. 148 CHAPTER V: CONCLUSION .............................................. 153 Tajaddod as a discourse ......................................... 153 Tracking the roots in the routes ...............................
Load more

Recommended publications
  • Persian Heritage: a Significant Role in Achieving Sustainable Development
    International Journal of Cultural Heritage E. Abedi, D. Kralj http://iaras.org/iaras/journals/ijch Persian heritage: A Significant Role in Achieving Sustainable Development ELAHEH ABEDI1, DAVORIN KRALJ2, A.M.Co., Tehran, IRAN1 ALMA MATER EUROPAEA, Slovenska 17, 2000 Maribor, SLOVENIA2, [email protected], [email protected] Abstract: In every country, heritage plays a significant role in achieving sustainable development. Iran, a high plateau located at latitudes in the range of 25-40 in an arid zone in the northern hemisphere of the East, is a vast country with different climatic zones. In the past, traditional builders have presented several logical climatic solutions in order to enhance human comfort. In fact, this emphasis has been one of the most important and fundamental features of Iranian architecture. To a significant extent, Iranian architecture has been based on climate, geography, available materials, and cultural beliefs. Therefore, traditional Iranian builders had to devise various techniques to enhance architectural sustainability through the use of natural materials, and they had to do so in the absence of modern technologies. Paper describes the principals and methods of vernacular architectural designs in Iran with given examples which is predominately focused on some eclectic ancient cities in Iran as Kashan, Isfahan, and Yazd. Design and technological considerations of past, such as sustainable performance of natural materials, optimum usage of available materials, and the use of wind and solar power, were studied in order to provide effective eco architectural designs to provide the architectural criteria and insights. This study will be beneficial to today architects in the design of architectural structures to provide human comfort and a sustainable life in adverse climatic conditions.
    [Show full text]
  • SSR JUNE__2016 Reduced.Pdf
    Central University of Kashmir SELF STUDY REPORT Submitted to NATIONAL ASSESSMENT AND ACCREDITATION COUNCIL (NAAC) Bangalore, India Table of Contents Content Page No. Executive Summary 1 Profile of the University 15 Criteria wise Inputs 25 Departmental Profiles 95 Appendices 281 Publications 282 Diversity in Faculty Recruitment 312 List of Court Cases 313 Executive Council 314 Academic Council 315 Finance Committee 317 Progression in Student Enrollment 318 Deans of various Schools 319 Members of IQAC 320 Administration 321 List of Students who qualified NET/JRF 322 Major Events 2010-15 323 Meetings of Various Academic/Administrative Boards 328 List showing students and other outreach activities during 2010-15 330 List Showing the awards received by the faculty during 2010-15 332 Central Universities Act 2009 333 Income and Expenditure 366 Central University of Kashmir Master Plan 371 Organizational Chart 372 Self Assessment Proforma 376 Executive Summary The University is presently operating through a number of campuses acquired on rent basis, owing to the fact that the construction of multi-storeyed buildings at the original site of the University Campus at Tulmulla (Ganderbal) has not yet been completed. Presently, the construction work is going on for pre-engineered 2-storeyed buildings which are expected to be completed within next six months. Hopefully, in the month of June-2016 some teaching departments may be shifted to Tulmulla (Ganderbal). At present, the three rented EXECUTIVE SUMMARY campuses are housing various teaching departments, the details of which are given as under: S. NO. NAME OF THE CAMPUS TOTAL BUILT-UP AREA DEPARTMENTS OPERATING IN THE CAMPUS.
    [Show full text]
  • Family Law in Islam : Divorce, Marriage and Women in the Muslim
    Maaike Voorhoeve is Research Fellow at the University of A msterda m, where she teaches Islamic law and family law in the Muslim World. She holds a doctorate in legal anthropology, which concentrated upon contemporary Tunisian judicial practices in the field of divorce. She specialises in the legal anthropology of the Muslim World, focusing on Tunisia. VVoorhoeve_prelims.inddoorhoeve_prelims.indd i 22/28/2012/28/2012 33:21:49:21:49 PPMM VVoorhoeve_prelims.inddoorhoeve_prelims.indd iiii 22/28/2012/28/2012 33:21:49:21:49 PPMM FAMILY LAW IN ISLAM Divorce, Marriage and Women in the Muslim World Edited by Maaike Voorhoeve Voorhoeve_prelims.indd iii 2/28/2012 3:21:49 PM Published in 2012 by I.B.Tauris & Co Ltd 6 Salem Road, London W2 4BU 175 Fifth Avenue, New York NY 10010 www.ibtauris.com Distributed in the United States and Canada Exclusively by Palgrave Macmillan 175 Fifth Avenue, New York NY 10010 Copyright Editorial selection and Introduction © 2012 Maaike Voorhoeve Copyright Individual Chapters © 2012 Susanne Dahlgren, Baudouin Dupret, Esther van Eijk, Christine Hegel-Cantarella, Arzoo Osanloo, Massimo Di Ricco, Nadia Sonneveld, Sarah Vincent-Grosso and Maaike Voorhoeve The right of Maaike Voorhoeve to be identifi ed as editor of this work has been asserted by the author in accordance with the Copyright, Designs and Patent Act 1988. All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher.
    [Show full text]
  • The Poetics of Commitment in Modern Persian: a Case of Three Revolutionary Poets in Iran
    The Poetics of Commitment in Modern Persian: A Case of Three Revolutionary Poets in Iran by Samad Josef Alavi A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Near Eastern Studies in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Shahwali Ahmadi, Chair Professor Muhammad Siddiq Professor Robert Kaufman Fall 2013 Abstract The Poetics of Commitment in Modern Persian: A Case of Three Revolutionary Poets in Iran by Samad Josef Alavi Doctor of Philosophy in Near Eastern Studies University of California, Berkeley Professor Shahwali Ahmadi, Chair Modern Persian literary histories generally characterize the decades leading up to the Iranian Revolution of 1979 as a single episode of accumulating political anxieties in Persian poetics, as in other areas of cultural production. According to the dominant literary-historical narrative, calls for “committed poetry” (she‘r-e mota‘ahhed) grew louder over the course of the radical 1970s, crescendoed with the monarch’s ouster, and then faded shortly thereafter as the consolidation of the Islamic Republic shattered any hopes among the once-influential Iranian Left for a secular, socio-economically equitable political order. Such a narrative has proven useful for locating general trends in poetic discourses of the last five decades, but it does not account for the complex and often divergent ways in which poets and critics have reconciled their political and aesthetic commitments. This dissertation begins with the historical assumption that in Iran a question of how poetry must serve society and vice versa did in fact acquire a heightened sense of urgency sometime during the ideologically-charged years surrounding the revolution.
    [Show full text]
  • In the Eyes of the Iranian Intellectuals of The
    “The West” in the Eyes of the Iranian Intellectuals of the Interwar Years (1919–1939) Mehrzad Boroujerdi n 1929, after a lecture by Arnold Toynbee (from the notes of Denison Ross, the fi rst director of the School of Oriental and African Studies) on the subject of the modern- ization of the Middle East, a commentator said, Persia has not been modernized and has not in reality been Westernized. Look at the map: there is Persia right up against Russia. For the past hundred years, living cheek by jowl with Russia, Persia has maintained her complete independence of Russian thought. Although sixty to seventy percent of her trade for the past hundred years has been with Russia, Persia remains aloof in spirit and in practice. For the past ten years, Persia has been living alongside the Union of Socialist Soviet Republics, and has remained free from any impregnation by their basic ideas. Her freedom is due to her cultural independence. For the safety of Persia it is essential, if she is to continue to develop on her own lines, that she should not attempt modernization, and I do not think that the attempt is being made. It is true that the Persians have adopted motor-cars and in small way railways. But let us remember that the Persians have always been in the forefront in anything of that sort. The fi rst Eastern nation to enter the Postal Union and to adopt a system of telegraphs was Persia, which country was also among the fi rst of the Eastern nations to join the League of Nations and to become an active member.
    [Show full text]
  • 197 Comparative Literature in Iran
    International Journal of Multidisciplinary Research and Development International Journal of Multidisciplinary Research and Development Online ISSN: 2349-4182, Print ISSN: 2349-5979, Impact Factor: RJIF 5.72 www.allsubjectjournal.com Volume 3; Issue 11; November 2016; Page No. 197-203 Comparative literature in Iran: Origin and development Mukhtar Ahmed Centre for Persian and Central Asian Studies/ SL/ JNU, New Delhi, India Abstract This paper seeks to trace the historical tracks of comparative literature in modern Iran. I am following the early footsteps of comparative literature of Iran through the life of Fatemeh Sayyah (1902-1947), who is credited to be the founder of the discipline of Comparative literature in Iran, which started off as discipline with the introduction of a literary program for the first time at Tehran University in 1938. The very first academic comparative work with respect to Persian literature was done by an Indian scholar Umar Bin Mohammad Daudpota almost 11 years before its introduction in Iranian university curriculum, in 1927 at Cambridge University, with the title of ‘The effect of Arabic poetry on Persian poetry’. As a discipline, throughout its journey that comparative literature encountered in Iran as far as its development is concerned has had to overcome obstacles in its way. Many a time the program faced its closures and reopening. The process of literary interaction with French literature, its impact on Iranian literature and the outcome of this process, which I believe is more out of a protest than anything else, though it was leveraged to some extent by Pahlavi dynasty in a bid to protect its claims for monarchy.
    [Show full text]
  • IN IRAN Submitted to the Graduate College of Bowling Green Fulfillment
    HISTORY AND DEVELOPMENT OF BROADCASTING IN IRAN Bigan Kimiachi A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY June 1978 © 1978 BI GAN KIMIACHI ALL RIGHTS RESERVED n iii ABSTRACT Geophysical and geopolitical pecularities of Iran have made it a land of international importance throughout recorded history, especially since its emergence in the twentieth century as a dominant power among the newly affluent oil-producing nations of the Middle East. Nearly one-fifth the size of the United States, with similar extremes of geography and climate, and a population approaching 35 million, Iran has been ruled since 1941 by His Majesty Shahanshah Aryamehr. While he has sought to restore and preserve the cultural heritage of ancient and Islamic Persia, he has also promoted the rapid westernization and modernization of Iran, including the establishment of a radio and television broadcasting system second only to that of Japan among the nations of Asia, a fact which is little known to Europeans or Americans. The purpose of this study was to amass and present a comprehensive body of knowledge concerning the development of broadcasting in Iran, as well as a review of current operations and plans for future development. A short survey of the political and spiritual history of pre-Islamic and Islamic Persia and a general survey of mass communication in Persia and Iran, especially from the Il iv advent of the telegraph is presented, so that the development of broadcasting might be seen in proper perspective and be more fully appreciated.
    [Show full text]
  • GERMAN LITERARY FAIRY TALES, 1795-1848 by CLAUDIA MAREIKE
    ROMANTICISM, ORIENTALISM, AND NATIONAL IDENTITY: GERMAN LITERARY FAIRY TALES, 1795-1848 By CLAUDIA MAREIKE KATRIN SCHWABE A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2012 1 © 2012 Claudia Mareike Katrin Schwabe 2 To my beloved parents Dr. Roman and Cornelia Schwabe 3 ACKNOWLEDGMENTS First and foremost, I would like to thank my supervisory committee chair, Dr. Barbara Mennel, who supported this project with great encouragement, enthusiasm, guidance, solidarity, and outstanding academic scholarship. I am particularly grateful for her dedication and tireless efforts in editing my chapters during the various phases of this dissertation. I could not have asked for a better, more genuine mentor. I also want to express my gratitude to the other committee members, Dr. Will Hasty, Dr. Franz Futterknecht, and Dr. John Cech, for their thoughtful comments and suggestions, invaluable feedback, and for offering me new perspectives. Furthermore, I would like to acknowledge the abundant support and inspiration of my friends and colleagues Anna Rutz, Tim Fangmeyer, and Dr. Keith Bullivant. My heartfelt gratitude goes to my family, particularly my parents, Dr. Roman and Cornelia Schwabe, as well as to my brother Marius and his wife Marina Schwabe. Many thanks also to my dear friends for all their love and their emotional support throughout the years: Silke Noll, Alice Mantey, Lea Hüllen, and Tina Dolge. In addition, Paul and Deborah Watford deserve special mentioning who so graciously and welcomingly invited me into their home and family. Final thanks go to Stephen Geist and his parents who believed in me from the very start.
    [Show full text]
  • See the Document
    IN THE NAME OF GOD IRAN NAMA RAILWAY TOURISM GUIDE OF IRAN List of Content Preamble ....................................................................... 6 History ............................................................................. 7 Tehran Station ................................................................ 8 Tehran - Mashhad Route .............................................. 12 IRAN NRAILWAYAMA TOURISM GUIDE OF IRAN Tehran - Jolfa Route ..................................................... 32 Collection and Edition: Public Relations (RAI) Tourism Content Collection: Abdollah Abbaszadeh Design and Graphics: Reza Hozzar Moghaddam Photos: Siamak Iman Pour, Benyamin Tehran - Bandarabbas Route 48 Khodadadi, Hatef Homaei, Saeed Mahmoodi Aznaveh, javad Najaf ...................................... Alizadeh, Caspian Makak, Ocean Zakarian, Davood Vakilzadeh, Arash Simaei, Abbas Jafari, Mohammadreza Baharnaz, Homayoun Amir yeganeh, Kianush Jafari Producer: Public Relations (RAI) Tehran - Goragn Route 64 Translation: Seyed Ebrahim Fazli Zenooz - ................................................ International Affairs Bureau (RAI) Address: Public Relations, Central Building of Railways, Africa Blvd., Argentina Sq., Tehran- Iran. www.rai.ir Tehran - Shiraz Route................................................... 80 First Edition January 2016 All rights reserved. Tehran - Khorramshahr Route .................................... 96 Tehran - Kerman Route .............................................114 Islamic Republic of Iran The Railways
    [Show full text]
  • Women Musicians and Dancers in Post-Revolution Iran
    Negotiating a Position: Women Musicians and Dancers in Post-Revolution Iran Parmis Mozafari Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Music January 2011 The candidate confIrms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. 2011 The University of Leeds Parmis Mozafari Acknowledgment I would like to express my gratitude to ORSAS scholarship committee and the University of Leeds Tetly and Lupton funding committee for offering the financial support that enabled me to do this research. I would also like to thank my supervisors Professor Kevin Dawe and Dr Sita Popat for their constructive suggestions and patience. Abstract This research examines the changes in conditions of music and dance after the 1979 revolution in Iran. My focus is the restrictions imposed on women instrumentalists, dancers and singers and the ways that have confronted them. I study the social, religious, and political factors that cause restrictive attitudes towards female performers. I pay particular attention to changes in some specific musical genres and the attitudes of the government officials towards them in pre and post-revolution Iran. I have tried to demonstrate the emotional and professional effects of post-revolution boundaries on female musicians and dancers. Chapter one of this thesis is a historical overview of the position of female performers in pre-modern and contemporary Iran.
    [Show full text]
  • Analysis of Vocal Ornamentation in Iranian Classical Music
    437 Analysis of Vocal Ornamentation in Iranian Classical Music Sepideh Shafiei Graduate Center, City University of New York [email protected] ABSTRACT There are two main recorded vocal radifs sung by two mas- ters of the art during the twentieth century: Davami¯ and In this paper we study tahrir, a melismatic vocal ornamen- Karimi. tation which is an essential characteristic of Persian classi- cal music and can be compared to yodeling. It is consid- Tahrir is rapid transition between the main note and a ered the most important technique through which the vo- higher-pitched note. The second note is usually referred calist can display his/her prowess. In Persian, nightingale’s to as tekyeh, which means leaning in Persian. From sig- song is used as a metaphor for tahrir and sometimes for a nal processing perspective one of the differences between specific type of tahrir. Here we examine tahrir through tahrir and vibrato is that the pitch rises and fall in tahrir is a case study. We have chosen two prominent singers of usually sharper and the deviation from the main notes can Persian classical music one contemporary and one from be larger compared to vibrato [3]. Also, the oscillation in the twentieth century. In our analysis we have appropri- vibrato is toward both higher and lower frequency around ated both audio recordings and transcriptions by one of the the main note, but in tahrir mainly the higher frequency most prominent ethnomusicologists, Masudiyeh, who has is touched abruptly. There are different types of tahrir in worked on Music of Iran [1].
    [Show full text]
  • A MUSLIM MISSIONARY in MEDIAEVAL KASHMIR a MUSLIM MISSIONARY in MEDIAEVAL KASHMIR (Being the English Translation of Tohfatuíl-Ahbab)
    A MUSLIM MISSIONARY IN MEDIAEVAL KASHMIR A MUSLIM MISSIONARY IN MEDIAEVAL KASHMIR (Being the English translation of Tohfatuíl-Ahbab) by Muhammad Ali Kashmiri English translation and annotations by KASHINATH PANDIT ASIAN-EURASIAN HUMAN RIGHTS FORUM New Delhi iv / ATRAVAILS MUSLIM MISSIONARYOF A KASHMIR IN FREEDOMMEDIAEVAL FIGHTER KASHMIR This book is the English translation of a Farsi manuscript, Tohfatuíl- Ahbab, persumably written in AD 1640. A transcript copy of the manuscript exists in the Research and Publications Department of Jammu and Kashmir State under Accession Number 551. © KASHINATH PANDIT First Published 2009 Price: Rs. 400.00 Published by Eurasian Human Rights Forum, E-241, Sarita Vihar, New Delhi ñ 110 076 (INDIA). website: www.world-citizenship.org Printed at Salasar Imaging Systems, C-7/5, Lawrence Road Indl. Area, Delhi ñ 110 035. INTRODUCTIONCONTENTS //v v For the historians writing on Mediaeval India vi / ATRAVAILS MUSLIM MISSIONARYOF A KASHMIR IN FREEDOMMEDIAEVAL FIGHTER KASHMIR INTRODUCTIONCONTENTS / vii Contents Acknowledgement ix Introduction xi-lxxx Chapter I. Araki and Nurbakhshi Preceptors 1-65 Chapter II. Arakiís first Visit to Kashmir: His Miracles, Kashmiris, and Arakiís Return 66-148 Chapter III. Arakiís Return to Iran 149-192 Part I: Acrimony of the people of Khurasan towards Shah Qasim 149-161 Part II: In service of Shah Qasim 161-178 Part III: To Kashmir 178-192 Chapter IV. Mission in Kashmir 193-278 Part I: Stewardship of Hamadaniyyeh hospice 193-209 Part II: Arakiís mission of destroying idols and temples of infidels 209-278 Chapter V. Arakiís Munificence 279-283 Index 284-291 viii / ATRAVAILS MUSLIM MISSIONARYOF A KASHMIR IN FREEDOMMEDIAEVAL FIGHTER KASHMIR INTRODUCTIONCONTENTS /ix/ ix 1 Acknowledgement I am thankful to Dr.
    [Show full text]