DOCSLIB.ORG

The Ugly Duckling and Other Stories

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Ugly Duckling and Other Stories THE UGLY DUCKLING AND OTHER STORIES © 2008 Tantor Media, Inc. © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc. © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc. © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc. © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc. © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc. © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc. © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc BY HANS CHRISTIAN ANDERSEN This PDF eBook was produced in the year 2008 by Tantor Media, Incorporated, which holds the copyright thereto. HOW TO USE THIS TANTOR eBOOK SEARCHING: Simply click on the chapter name in the table of contents and you will be taken to that chapter’s first page. You do not need to click on chapters in sequence, you can go to any chapter at any time.. TO GET BACK: Just click on the chapter title at the beginning of any chapter and it will return you the table of contents. Click here to go to Chapter Nine © 2008 Tantor Media, Inc. © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc. © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc. © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc. © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc. © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc. © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc. © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc Click here to return to the Table of Contents PRINTING A CHAPTER: If you prefer to have a printed page in front of you while listening to your audiobook, you can print a page, a chapter or any selection you wish by selecting the page(s) you wish to print, then going to Adobe Reader’s file menu and select “print.” Publishers Note: The following eBook contains a translation of The Ugly Duckling and Other Stories that is slightly different than the audio program. Contents The Ugly Duckling The Emperor’s New Clothes The Princess and the Pea Little Fir Tree The Red Shoes The Steadfast Tin Soldier Little Tiny, or Thumbelina The Little Match Girl The Nightingale The Little Mermaid The Garden of Paradise The Tinder Box Great Claus and Little Claus The Swineherd The Snow Queen First Story: Which Deals with a Mirror and its Fragments Second Story: About a Little Boy and a Little Girl Third Story: The Garden of the Woman Learned in Magic Fourth Story: Prince and Princess Fifth Story: The Little Robber Girl © 2008 Tantor Media, Inc. © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media,Sixth Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc. © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 TantorStory: Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc. © 2008 Tantor Media, Inc © 2008 TantorThe Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, IncLapp © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc. © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media,Woman Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc. © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Incand © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc the© 2008 Tantor Media, Inc. © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 TantorFinn Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 TantorWoman Media, Inc. © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc Seventh Story: What Happened in the Snow Queen’s Palace and Afterwards 2 The Ugly Duckling © 2008 Tantor Media, Inc. © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc. © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc. © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc. © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc. © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc. © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc. © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc 3 IT was lovely summer weather in the country, and the golden corn, the green oats, and the haystacks piled up in the meadows looked beautiful. The stork walking about on his long red legs chattered in the Egyptian language, which he had learnt from his mother. The corn-fields and meadows were surrounded by large forests, in the midst of which were deep pools. It was, indeed, delightful to walk about in the country. In a sunny spot stood a pleasant old farm-house close by a deep river, and from the house down to the water side grew great burdock leaves, so high, that under the tallest of them a little child could stand upright. The spot was as wild as the centre of a thick wood. In this snug retreat sat a duck on her nest, watching for her young brood to hatch; she was beginning to get tired of her task, for the little ones were a long time coming out of their shells, and she seldom had any visitors. The other ducks liked much better to swim about in the river than to climb the slippery banks, and sit under a burdock leaf, to have a gossip with her.
Load more

Recommended publications
  • The Ugly Duckling YOU Have an Important Part to Play
    The Ugly Duckling STUDY GUIDE THE UGLY DUCKLING BASED ON THE S T O R Y B Y Fairy tales... HANS CHRISTIAN ANDERSEN are types of folk tales. They BY RICHARD GIERSCH usually begin with “Once upon a time...” and end with “...happily ever after.” Also, fairy tales usually have events happening in threes, and involve magic. THE UGLY DUCKLING is a musical written by Richard Giersch, based on the story by Hans Christian Andersen. This program is presented in support of the Folk tales... teaching of the Virginia English Standards of Learning. are short, with a simple plot. They Activities provided support curriculum k-5. have characters representing a characteristic like good or bad and feature events that are AT THE LIBRARY: repeated, especially in threes. Hans Christian Andersen (1805- They are based in fantasy. 1875) was a Danish author best known for writing over 150 children’s stories. Check out the following fairy tales, also by Hans Christian Andersen: The Emperor’s New Clothes Thumbelina The Princess and the Pea YOU Have an Important Part to Play The Steadfast Tin Soldier How to Play Your Part The Fir Tree The Little Mermaid A play is different than television or a movie. The actors are right in front of The Nightingale you and can see your reactions, feel your attention, and hear your laughter Little Match Girl and applause. Watch and listen carefully to understand the story. The story is told by actors and comes to life through your imagination. Page 2 VIRGINIA REPERTORY THEATRE Songs from The Ugly Duckling Plays that include songs are called musicals.
    [Show full text]
  • Building Community by Producing Honk! Jr., a Musical Based on the Glu Y Duckling Heidi Louise Jensen
    University of Northern Colorado Scholarship & Creative Works @ Digital UNC Theses Student Research 5-1-2013 Two hundred year old lesson in bullying: building community by producing Honk! Jr., a musical based on The glU y Duckling Heidi Louise Jensen Follow this and additional works at: http://digscholarship.unco.edu/theses Recommended Citation Jensen, Heidi Louise, "Two hundred year old lesson in bullying: building community by producing Honk! Jr., a musical based on The Ugly Duckling" (2013). Theses. Paper 38. This Text is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Theses by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. © 2013 HEIDI LOUISE JENSEN ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School A TWO HUNDRED YEAR OLD LESSON IN BULLYING: BUILDING COMMUNITY BY PRODUCING HONK! JR., A MUSICAL BASED ON “THE UGLY DUCKLING” A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts Heidi Louise Jensen College of Performing and Visual Arts School of Theatre Arts and Dance Theatre Education May 2013 This Thesis by: Heidi Louise Jensen Entitled: A Two Hundred Year Old Lesson in Bullying: Building Community by Producing HONK! Jr., A Musical Based on “The Ugly Duckling”. has been approved as meeting the requirement for the Degree of Master of Arts in College of Performing and Visual Arts in School of Theatre and Dance, Program of Theatre Educator Intensive Accepted by the Thesis Committee _______________________________________________________ Gillian McNally, Associate Professor, M.F.A., Chair, Advisor _______________________________________________________ Mary J.
    [Show full text]
  • The Annotations for the Ugly Duckling Fairy Tale Are Below. Sources Have
    The annotations for the Ugly Duckling fairy tale are below. Sources have been cited in parenthetical references, but I have not linked them directly to their full citations which appear on the Ugly Duckling Bibliography page. I have provided links back to the Annotated Ugly Duckling to facilitate referencing between the notes and the tale. Special thanks to Christine Ethier, an adjunct teacher of English writing at both Community College of Philadelphia and Camden County College, for providing the annotations to this tale. Ethier's annotations are designated by CE. Heidi Anne Heiner provided additional annotations designated with HAH. 1. The Ugly Duckling: Considered the most autobiographical of all his tales, Andersen first published "The Ugly Duckling" in 1844 when he was 39 years old. He admitted on many occasions that the tale mirrored his own life. The tale appeared in Nye Eventyr (New Fairy Tales). The collection was critically well-received. HAH The Franks write: It is not only among his most famous stories — the title itself has become part of several languages — but the one that readers correctly identify most closely with its author. Andersen spent his summers with aristocratic friends, going from one castle to the next; in the summer of 1842, at Gisselfeldt Castle, south of Copenhagen, he had been in a bad mood because a new play had done poorly. But he went for a walk, a diary entry notes, and “got the idea for a story about a duck. Improved my mood.” In late July — he was now a guest at the castle of Bregentved — he says, “Began the young swan yesterday” — a hint that the idea had not quite worked itself out (156).
    [Show full text]
  • Andersen's Fairy Tales
    HTTPS://THEVIRTUALLIBRARY.ORG ANDERSEN’S FAIRY TALES H. C. Andersen Table of Contents 1. The Emperor’s New Clothes 2. The Swineherd 3. The Real Princess 4. The Shoes of Fortune 1. I. A Beginning 2. II. What Happened to the Councillor 3. III. The Watchman’s Adventure 4. IV. A Moment of Head Importance—an Evening’s “Dramatic Readings”—a Most Strange Journey 5. V. Metamorphosis of the Copying-clerk 6. VI. The Best That the Galoshes Gave 5. The Fir Tree 6. The Snow Queen 7. Second Story. a Little Boy and a Little Girl 8. Third Story. of the Flower-garden at the Old Woman’s Who Understood Witchcraft 9. Fourth Story. the Prince and Princess 10. Fifth Story. the Little Robber Maiden 11. Sixth Story. the Lapland Woman and the Finland Woman 12. Seventh Story. What Took Place in the Palace of the Snow Queen, and What Happened Afterward. 13. The Leap-frog 14. The Elderbush 15. The Bell 16. The Old House 17. The Happy Family 18. The Story of a Mother 19. The False Collar 20. The Shadow 21. The Little Match Girl 22. The Dream of Little Tuk 23. The Naughty Boy 24. The Red Shoes THE EMPEROR’S NEW CLOTHES Many years ago, there was an Emperor, who was so excessively fond of new clothes, that he spent all his money in dress. He did not trouble himself in the least about his soldiers; nor did he care to go either to the theatre or the chase, except for the opportunities then afforded him for displaying his new clothes.
    [Show full text]
  • Writing Lily Huckleberry in Scandinavia
    LILY HUCKLEBERRY IN SCANDINAVIA - teaching curriculum - Here are a few project ideas to help get the creativity and curiosity flowing in your little adventurers! All activities are easily adaptable to the age and size of your class. We would love to see your projects! Tag us on Instagram @lilyhuckleberry or send us an email: [email protected] WRITING Fairy Tale Fun When Lily travels to Copenhagen, many special characters are hidden in the forest. As revealed at the back of the book, these are all Hans Christian Andersen stories. The Little Mermaid was also written by Andersen, who lived in Denmark in the 1800’s. Step 1: Read a story. Find a copy of the fairy tales and have kids pick one (or more!) story to read (or read out loud to them): The Ugly Duckling, The Emperor’s New Clothes, The Snow Queen, Thumbelina, The Nightingale, The Beetle who Went on His Travels, The Butterfly, The Teapot, The Little Mermaid. Go back to the picture in the forest and see if they can find their story hidden in the pages. Step 2: Write a story. Have the kids write (or draw) fairy tales of their own, using one character from their Andersen story and one character from Lily Huckleberry to create their unique story. Step 3: Act it out. For extra fun, have kids create plays out of the different stories with costumes and props (PS: We want to see pictures and videos of these performances!) Norse Mythology Look up some of the legends about Thor, who inspired Thorsen of our story, and Bifrost, the rain- bow bridge, believed to connect the world of gods and that of humans.
    [Show full text]
  • Andersen's Fairy Tales
    Andersen’s Fairy Tales Hans Christian Andersen This eBook is designed and published by Planet PDF. For more free eBooks visit our Web site at http://www.planetpdf.com/. Andersen’s Fairy Tales THE EMPEROR’S NEW CLOTHES Many years ago, there was an Emperor, who was so excessively fond of new clothes, that he spent all his money in dress. He did not trouble himself in the least about his soldiers; nor did he care to go either to the theatre or the chase, except for the opportunities then afforded him for displaying his new clothes. He had a different suit for each hour of the day; and as of any other king or emperor, one is accustomed to say, ‘he is sitting in council,’ it was always said of him, ‘The Emperor is sitting in his wardrobe.’ Time passed merrily in the large town which was his capital; strangers arrived every day at the court. One day, two rogues, calling themselves weavers, made their appearance. They gave out that they knew how to weave stuffs of the most beautiful colors and elaborate patterns, the clothes manufactured from which should have the wonderful property of remaining invisible to everyone who was unfit for the office he held, or who was extraordinarily simple in character. 2 of 260 eBook brought to you by Andersen’s Fairy Tales Create, view, and edit PDF. Download the free trial version. ‘These must, indeed, be splendid clothes!’ thought the Emperor. ‘Had I such a suit, I might at once find out what men in my realms are unfit for their office, and also be able to distinguish the wise from the foolish! This stuff must be woven for me immediately.’ And he caused large sums of money to be given to both the weavers in order that they might begin their work directly.
    [Show full text]
  • The Ugly Duckling by Hans Christian Andersen (1844)
    The Ugly Duckling By Hans Christian Andersen (1844) IT was lovely summer weather in the country, and the golden corn, the green oats, and the haystacks piled up in the meadows looked beautiful. The stork walking about on his long red legs chattered in the Egyptian language, which he had learnt from his mother. The corn-fields and meadows were surrounded by large forests, in the midst of which were deep pools. It was, indeed, delightful to walk about in the country. In a sunny spot stood a pleasant old farm-house close by a deep river, and from the house down to the water side grew great burdock leaves, so high, that under the tallest of them a little child could stand upright. The spot was as wild as the center of a thick wood. In this snug retreat sat a duck on her nest, watching for her young brood to hatch; she was beginning to get tired of her task, for the little ones were a long time coming out of their shells, and she seldom had any visitors. The other ducks liked much better to swim about in the river than to climb the slippery banks, and sit under a burdock leaf, to have a gossip with her. At length one shell cracked, and then another, and from each egg came a living creature that lifted its head and cried, “Peep, peep.” “Quack, quack,” said the mother, and then they all quacked as well as they could, and looked about them on every side at the large green leaves.
    [Show full text]
  • Popular Fairy Tales
    Popular Fairy Tales Aladdin and the Wonderful Lamp, Author Unknown: This story follows the adventures of Aladdin from a poor boy living on the streets to becoming a prince, thanks to the help of a magic lamp. Alice's Adventure in Wonderland, by Lewis Carroll: The adventures of a young girl named Alice who falls down a rabbit hole into a surreal world filled with strange creatures. The Angel, by Hans Christian Anderson: In this tale, a child who has passed away spends time with an angel gathering flowers at various places on Earth to take to heaven. Bearskin, by the Brothers Grimm: This dark tale tells of a man who makes an agreement with the devil to live in a bearskin without bathing or praying for seven years in return for wealth and freedom. During the seven years, he finds true love that transcends outer appearance. Beauty and the Beast, Jeanne-Marie Le Prince de Beaumont: In this story, a beautiful young girl agrees to live in a castle with a hideous beast in order to save her father's life. However, she later falls in love with the beast - who is actually a handsome prince who has been cursed. The Boy who Cried Wolf, from Aesop's Fables: A cautionary tale about what happens when a child repeatedly lies and plays a prank. The Child who Came from an Egg, from the Violet Fairy Book: This is a story about a beautiful girl born from a bird's egg which was given to a childless queen. Cinderella, by the Brothers Grimm: This rags to riches fairy tale follows Cinderella from her time serving as a maid to her cruel stepmother and stepsisters to a visit from her fairy godmother, who ultimately helps her marry a prince.
    [Show full text]
  • The Snow Queen Teacher Resource Guide
    URBAN STAGES 259 West 30th Street Between 9 & 10th Avenues THE SNOW QUEEN TEACHER RESOURCE GUIDE Table of Contents Introduction 2 *The Life of Hans Christian Andersen 3 Class Exercise: “Getting to know Hans” 4 *The Modern Fairy Tale 5 Fairy Tale Activity/ Exercises 7 *Adaptation: Making an Old Story New 8 *Map to Color and Label 9 *Exercises in Adaptation 10 *The Mystery of Puppets 12 Q & A & Theater Etiquette 14 More to Do After you see the Play 15 *Glossary of Theater Terms 16 Post Performance Teacher Questionnaire 17 *Reproducible (Hand Outs) 1 INTRODUCTION Dear Educator, Thank you for joining us to see Urban Stage’s The Snow Queen, an adaptation of Hans Christian Anderson’s classic fairy tale The Snow Queen. This resource guide will pro- vide you with some pre and post performance classroom work that can help enrich the play going experience for your students. Along with background information on the play there are also suggested exercises and reproducible activity pages included in the Teacher Resource Guide. Please do not feel that you need to do everything in this guide. The guide provides drama and theater based teaching techniques that you can use as they are presented to you or you can adapt them to your own teaching style. Established in May 1983, Urban Stages’ mission is to discover and develop new plays by authors of diverse cultural backgrounds. Urban Stages is theater for the increasingly di- verse population of this country concerning issues relevant to their lives. It is our belief that theater has the power to dramatically change lives, offer new alternatives for the fu- ture, and be used as a teaching tool.
    [Show full text]
  • Hans Christian Andersen's
    HANS CHRISTIAN ANDERSEN’S ROMANTIC IMAGINATION: Exploring eighteenth and nineteenth century romantic conceptualisations of the imagination in selected fairy tales by Hans Christian Andersen. ANNETTE GREYVENSTEYN submitted in accordance with the requirements for the degree of MASTER OF ARTS in the subject English Studies at the UNIVERSITY OF SOUTH AFRICA SUPERVISOR: Dr Eileen Donaldson July 2018 Abstract There are certain influences from the eighteenth and nineteenth century English and German romantic Zeitgeist that can be discerned in Hans Christian Andersen’s fairy tales. The role of the imagination stands out as a particularly dominant notion of the romantic period as opposed to the emphasis on reason during the Enlightenment. It is this romantic influence that Andersen’s tales especially exemplify. For him the imagination is transcendent – one can overcome the mystery and hardship of an earthly existence by recasting situations imaginatively and one can even be elevated to a higher, spiritual realm by its power. The transcendent power of the imagination is best understood by viewing it through the lens of negative capability, a concept put forward by romantic poet, John Keats. The concept implies an “imaginative openness” to what is, which allows one to tolerate life’s uncertainties and the inexplicable suffering that forms part of one’s earthly existence by using the imagination to open up new potential within trying circumstances. In selected fairy tales, Andersen’s child protagonists transcend their circumstances by the power of their imagination. In other tales, nature is instrumental in this imaginative transcendence. The natural world conveys spiritual truths and has a moralising influence on the characters, bringing them closer to the Ultimate Creator.
    [Show full text]
  • Breaking the Magic Spell: Radical Theories of Folk and Fairy Tales
    University of Kentucky UKnowledge Folklore Anthropology 7-5-2002 Breaking the Magic Spell: Radical Theories of Folk and Fairy Tales Jack Zipes Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Zipes, Jack, "Breaking the Magic Spell: Radical Theories of Folk and Fairy Tales" (2002). Folklore. 15. https://uknowledge.uky.edu/upk_folklore/15 Breaking the Magic Spell Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright O 1979 by Jack Zipes Published 2002 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. - Editorial and Sales Ofices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Library of Congress Cataloging-in-Publication Data Zipes, Jack Breaking the magic spell. 1. Tales, European-History and criticism. 2. Literature and society. I. Title ISBN-10: 0-8131-9030-4 (paper) ISBN-13: 978-0-8131-9030-3 This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials.
    [Show full text]
  • International Rights Catalogue 02 the Contemporary Bible Series 03
    INTERNATIONAL RIGHTS CATALOGUE 02 THE CONTEMPORARY BIBLE SERIES 03 The Contemporary Bible series covers the most essential stories and teachings of the Bible. Colorful and dramatically illustrated, the series gives children an opportunity to experience inspiring accounts from the Bible. This faith inspiring Bible story book for tweens is accessible and easy to understand for young girls and boys who want to grow their faith. AUTHOR Melissa Joy ILLUSTRATOR Gustavo Mazali CONTEMPORARY BIBLE SERIES Age: 6-12 Pages: 64 Size: 240 x 164 mm Full color Hardcover Retail price: $12.99 04 THE ADVENTURE STORY BIBLE 05 Here are the great stories from Adam and Eve to the apostle John’s vision of a new world. They are all written in simple sentences and illustrated with historical accuracy. All the great Bible characters spring to life in chronological order with Scripture verses listed for easy reference. The series is based on extensive research and attempts to portray the characters and times of the Bible as accurately as possible. Sold in more than 3 million copies in various subscription campaigns. All 30 volumes are needed to complete the whole Bible from Genesis to Revelations. Part of a picture is printed on the spine of each books, so that when all 30 books are placed together, the whole picture is revealed. AUTHOR Anne de Graaf ILLUSTRATOR José Pérez Montero THE ADVENTURE STORY BIBLE (30 VOL) Age: 6-12 Size (W x H): 160 x 240 mm Pages: 32 each Full color Hardcover Retail price: US $16.99 06 WONDER BOOKS Lessons to learn from 12 Bible characters.
    [Show full text]