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Bloomsbury (Bloomsbury) Bloomsbury Auctions 24 Maddox Street
Dreweatts & Bloomsbury (Bloomsbury) Bloomsbury Auctions 24 Maddox Street . Editions & Works on Paper London W1S 1PP Started 02 Dec 2015 10:30 GMT United Kingdom Lot Description Craigie Aitchison (1926-2009) - Daffodils & Candlesticks screenprint in colours, 1998, signed in white ink, inscribed AP XIII/XV, an 1 artist's proof aside from the edition of 75, on wove paper, the full sheet printed to the edges, sheet 694 x 562 mm (27 1/4 x 22 1/8 in) IMPORTANT: This lot is sold s ...[more] Craigie Aitchison (1926-2009) - Birds lithograph printed in colours, 1996, signed and dated in black ink, numbered 83/100, on wove 2 paper, with full margins, sheet 282 x 232 mm (11 1/8 x 9 1/8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Ter ...[more] Norman Ackroyd (b.1938) - St Kilda - Stac Lee and Stac an Armin etching with aquatint, 1990, signed, titled and dated in pencil, 3 numbered 18/90, on wove paper, with full margins, sheet 585 x 755 mm (23 x 29 3/4 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can ...[more] John Banting (1902-1972) - Siamese Triplets; Negro Guitarist two linocuts, 1932-35, each signed and dated in pencil, numbered 37/45 4 and 6/45 respectively, published by Alexander Postan Ltd, London, each on wove paper, with full margins, overall size 225 x 275 mm (8 7/8 x 10 7/8 in) IMPORTANT: This ...[more] George Bissill (1896-1973) - Crucifixion woodcut, signed in pencil, numbered 7/15, on tissue thin Japon paper, with full margins, sheet 5 171 x 127 mm (6 3/4 x 5 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. -
Contemporary Art Society Annual Report 1982
Contemporary Art Society Annual Report and Statement of Accounts 1982 ate Gallery 0 John Islip Street Dndon SW1 P 4LL 1-821 5323 The Annual General Meeting of the Contemporary Art Society will be held at Warwick Arts Trust, 33, Warwick Square, S.W.1 on Tuesday, August 9th, 1 983 at 6.1 5 p.m. 1 . To receive and adopt the report of the committee and the accounts for the year ended December 31,1 982, together with the auditor's report. 2. To appoint auditors, special notice having been given, pursuant to section 1 42 of the Companies Act 1 948 and section 1 4 (1} (a) of the Companies ' Act 1 976, of the intention to propose the following resolution as an ordinary resolution:-- that Messrs. Neville Russell be, and are hereby, appointed auditors of the Society in place of the retiring auditors, Messrs. Sayers Butterworth, to hold office until the conclusion of the next general meeting at which accounts are laid before the Society. 3. To authorise the committee to determine Messrs. Neville Russell's remuneration for the coming year. 4. To elect to the committee the following who has been duly nominated; Philip Poilock, The retiring members are Joanna Drew and the Marquess of Dufferin and Ava. 5. Any other business. By order of the committee Petronilla Spencer-Silver Company Secretary May 28 1 983 Company Limited by Guarantee Registered in London No. 255486 Charities Registration No. 208178 Untitled Drawing from a series of paintings made in Australia, 1 981 Chalk, charcoal and wash on paper 44£ x 62 inches/1 13x157 cm. -
Broken Stillness Şirket-I Hayriye Sanat Galerisi 14–21 Eylül, 2011 Ziyaret Saatleri: 10:00–18:00
brokenstillness broken s t n i o r ISEA2011 l b l UNCONTAINABLE s n s e e s n s l BrOkEN b l sTILLNEss r şİrkEt-İ HAyrİyE sanAt galerİSİ o w 14–21 EyLüL, 2011 k zİyArEt saatLErİ: 10:00–18:00 e n i s t t SAnAt DİrEktörü/ArtIStIc DIrEctor LANfranco ACETI s KÜRATÖR/cUrATOR HELEN sLOAN i n e SAnAtÇILAr/ARTIStS BOrEdOmrEsEArCH (VICkY IsLEY l k o & PAUL smITH); SusAN COLLINs; David CotterrELL; l r sIgUNE HAmANN; PETEr HArdIE; TIm HEAd; SusAN Sloan. n b e s s s SAnAt DİrEKTÖRÜ VE KONFErAnS BAşkAnI / s e ARTiStIc DIrECTOR AnD CONFErEncE cHAIr b n LANfranco ACETI KONFErAnS VE PROGrAM DİrEKTÖRÜ / r l CONFErEncE AnD PROGrAM DIrECTOR o ÖzdEN ŞAHiN k l i t s n e k o r b s s e n l l i t s n e ISEA2011 Uncontainable: Broken Stillness, Şirket-i Hayriye Art Gallery, Istanbul, 14–21 September 2011. (Photographic documentation by Ender Erkek.) 120 UNCONTAINABLE LEA VOL 18 NO 5 ISSN 1071-4391 ISBN 978-1-906897-19-2 ISSN 1071-4391 ISBN 978-1-906897-19-2 LEA VOL 18 NO 5 UNCONTAINABLE 121 UNCONTAINABLE Broken Stillness ISEA2011 Uncontainable: Broken Stillness, Şirket-i Hayriye Art Gallery, Istanbul, 14–21 September 2011. (Photographic documentation by Ender Erkek.) 122 UNCONTAINABLE LEA VOL 18 NO 5 ISSN 1071-4391 ISBN 978-1-906897-19-2 ISSN 1071-4391 ISBN 978-1-906897-19-2 LEA VOL 18 NO 5 UNCONTAINABLE 123 UNCONTAINABLE Broken Stillness ISEA2011 Uncontainable: Broken Stillness, Şirket-i Hayriye Art Gallery, Istanbul, 14–21 September 2011. -
City Research Online
City Research Online City, University of London Institutional Repository Citation: Summerfield, Angela (2007). Interventions : Twentieth-century art collection schemes and their impact on local authority art gallery and museum collections of twentieth- century British art in Britain. (Unpublished Doctoral thesis, City University, London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/17420/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] 'INTERVENTIONS: TWENTIETH-CENTURY ART COLLECTION SCIIEMES AND TIIEIR IMPACT ON LOCAL AUTHORITY ART GALLERY AND MUSEUM COLLECTIONS OF TWENTIETII-CENTURY BRITISH ART IN BRITAIN VOLUME If Angela Summerfield Ph.D. Thesis in Museum and Gallery Management Department of Cultural Policy and Management, City University, London, August 2007 Copyright: Angela Summerfield, 2007 CONTENTS VOLUME I ABSTRA.CT.................................................................................. ii ACKNOWLEDGEMENTS •........••.••....••........•.•.•....•••.......•....•...• xi CHAPTER 1:INTRODUCTION................................................. 1 SECTION 1 THE NATURE AND PURPOSE OF PUBLIC ART GALLERIES, MUSEUMS AND THEIR ART COLLECTIONS.......................................................................... -
Conceptual Art: a Critical Anthology
Conceptual Art: A Critical Anthology Alexander Alberro Blake Stimson, Editors The MIT Press conceptual art conceptual art: a critical anthology edited by alexander alberro and blake stimson the MIT press • cambridge, massachusetts • london, england ᭧1999 Massachusetts Institute of Technology All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval)without permission in writing from the publisher. This book was set in Adobe Garamond and Trade Gothic by Graphic Composition, Inc. and was printed and bound in the United States of America. Library of Congress Cataloging-in-Publication Data Conceptual art : a critical anthology / edited by Alexander Alberro and Blake Stimson. p. cm. Includes bibliographical references and index. ISBN 0-262-01173-5 (hc : alk. paper) 1. Conceptual art. I. Alberro, Alexander. II. Stimson, Blake. N6494.C63C597 1999 700—dc21 98-52388 CIP contents ILLUSTRATIONS xii PREFACE xiv Alexander Alberro, Reconsidering Conceptual Art, 1966–1977 xvi Blake Stimson, The Promise of Conceptual Art xxxviii I 1966–1967 Eduardo Costa, Rau´ l Escari, Roberto Jacoby, A Media Art (Manifesto) 2 Christine Kozlov, Compositions for Audio Structures 6 He´lio Oiticica, Position and Program 8 Sol LeWitt, Paragraphs on Conceptual Art 12 Sigmund Bode, Excerpt from Placement as Language (1928) 18 Mel Bochner, The Serial Attitude 22 Daniel Buren, Olivier Mosset, Michel Parmentier, Niele Toroni, Statement 28 Michel Claura, Buren, Mosset, Toroni or Anybody 30 Michael Baldwin, Remarks on Air-Conditioning: An Extravaganza of Blandness 32 Adrian Piper, A Defense of the “Conceptual” Process in Art 36 He´lio Oiticica, General Scheme of the New Objectivity 40 II 1968 Lucy R. -
A Comparative Analysis of Artist Prints and Print Collecting at the Imperial War Museum and Australian War M
Bold Impressions: A Comparative Analysis of Artist Prints and Print Collecting at the Imperial War Museum and Australian War Memorial Alexandra Fae Walton A thesis submitted for the degree of Doctor of Philosophy of the Australian National University, June 2017. © Copyright by Alexandra Fae Walton, 2017 DECLARATION PAGE I declare that this thesis has been composed solely by myself and that it has not been submitted, in whole or in part, in any previous application for a degree. Except where stated otherwise by reference or acknowledgement, the work presented is entirely my own. Acknowledgements I was inspired to write about the two print collections while working in the Art Section at the Australian War Memorial. The many striking and varied prints in that collection made me wonder about their place in that museum – it being such a special yet conservative institution in the minds of many Australians. The prints themselves always sustained my interest in the topic, but I was also fortunate to have guidance and assistance from a number of people during my research, and to make new friends. Firstly, I would like to say thank you to my supervisors: Dr Peter Londey who gave such helpful advice on all my chapters, and who saw me through the final year of the PhD; Dr Kylie Message who guided and supported me for the bulk of the project; Dr Caroline Turner who gave excellent feedback on chapters and my final oral presentation; and also Dr Sarah Scott and Roger Butler who gave good advice from a prints perspective. Thank you to Professor Joan Beaumont, Professor Helen Ennis and Professor Diane Davis from the Australian National University (ANU) for making the time to discuss my thesis with me, and for their advice. -
ARTS CALENDAR LEEDS ARTS CALENDAR MICROFILMED Starting with the First Issue Published in 1947, the Entire Leeds Art Calendar Is Now Available on Micro- Film
LEEDS ARTS CALENDAR LEEDS ARTS CALENDAR MICROFILMED Starting with the first issue published in 1947, the entire Leeds Art Calendar is now available on micro- film. Write for information or send orders direct to: University Microfilms, Inc., 300N Zeeb Road, Ann Arbor, Michigan 48106, U.S.A. Leeds Art Collections Fund fhis is an appeal to all who are interested in the Arts. The Leeds Art Collections Fund is the source of regular funds for buying works of art for the Leeds collection. We want more subscribing members to give one and a half guineas or upwards each year. Why not identify yourself with the Art Gallery and Temple Newsam; receive your Arts Calendar free, receive invitations to all functions, private views and organised visits to places of interest, by writing for an application form to the Cover Design Hon Treasurer, E. AL Arnold Esq,, Buttrrleg~ Street, Leeds 10 Detail of oak panel from the Bretton Room at Temple Newsam, c. 1540 LEEDS ARTS GALENDAR No. 68 1971 THE AMENITIES COMMITTEE The Lord Mayor Alderman J. T. V. Watson, LL.B (Chairman) Alderman T. W. Kirkby Contents Alderman A. S. Pedley, D.F.c. Alderman S. Symmonds Gouncillor P. N. H. Clokie Councillor R. I. Fllis, A.R.A.M. Editorial 2 Councillor J. H. Farrell Councillor Mrs. E. Haughton Two Wentworth Houses 5 Councillor Mrs. D. E. Jenkins Councillor Mrs. A. Malcolm Gouncillor Miss C. A. Mathers New on the Firm of Seddon 17 Light Councillor D. Pedder, J.p., Ms.c. Councillor Mrs. S. M. C. Tomlinson Hummerston Brothers of'eeds 20 Co-opted Members An Alabaster of the Assumption W. -
The Contemporary Art Society Annual Report and Statement of Accounts 1985 Tate Gallery 20 John Islip Street London SW1P4LL 01-82
The Contemporary Art Society Annual Report and Statement of Accounts 1985 Tate Gallery 20 John Islip Street London SW1P4LL 01-821 5323 The Annual General Meeting of The Contemporary Art Society will be held at the Warwick Arts Trust, 33 Warwick Square, London S.W.1. on Monday, 14 July, 1986, at 6.15pm. 1. To receive and adopt the report of the committee and the accounts for the year ended 31 December, 1985, together with the auditors'report. 2. To reappoint Neville Russeii as auditors of the Society in accordance with section 14 of the Companies Act, 1976, and to authorize the committee to • determine their remuneration for the coming year, 3. To elect to the committee the following who have been duly nominated: Sir Michael Culme-Seymour and Robin Woodhead. The retiring members are Alan Bowness and Belle Shenkman. 4. Any other business. By order of the committee Petronilla Silver Company Secretary 1 May, 1986 Company Limited by Guarantee Registered in London No. 255486 Charities Registration No. 208178 Cover: The Contemporary Art Society 1910-1985 Poster by Peter Blake {see back cover and inside lor details) Her Majesty Queen Elizabeth The Queen Mother The CAS celebrated its 75th birthday this year. My report will be shorter than usual in order to allow space to print the speech made by Sir John Sainsbury when proposing the toast to the Society at. our birthday party at Christie's. Although, in fact, our Nancy Balfour OBE celebrations took place at the beginning of 1988, we felt an account rightly belonged in this year's report. -
City, University of London Institutional Repository
City Research Online City, University of London Institutional Repository Citation: Summerfield, Angela (2007). Interventions : Twentieth-century art collection schemes and their impact on local authority art gallery and museum collections of twentieth- century British art in Britain. (Unpublished Doctoral thesis, City University, London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/17420/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] 'INTERVENTIONS: TWENTIETII-CENTURY ART COLLECTION SCIIEMES AND THEIR IMPACT ON LOCAL AUTIIORITY ART GALLERY AND MUSEUM COLLECTIONS OF TWENTIETII-CENTURY BRITISII ART IN BRITAIN VOLUME III Angela Summerfield Ph.D. Thesis in Museum and Gallery Management Department of Cultural Policy and Management, City University, London, August 2007 Copyright: Angela Summerfield, 2007 CONTENTS VOLUME I ABSTRA eT...........................•.•........•........................................... ii ACKNOWLEDGEMENTS ......................................................... xi CHAPTER l:INTRODUCTION................................................. 1 SECTION J THE NATURE AND PURPOSE OF PUBLIC ART GALLERIES, MUSEUMS AND THEIR ART COLLECTIONS.......................................................................... -
Lewis Biggs - Learning to See: an Introduction
LEWIS BIGGS - LEARNING TO SEE: AN INTRODUCTION From ANTONY GORMLEY, exh. cat., Malmö Konsthall, Malmö, Sweden / Tate Gallery, Liverpool, England / Irish Museum of Modern Art, Dublin, Ireland. London: Tate Gallery Publications, 1993 'I celebrate myself, and sing myself, And what I assume you shall assume, For every atom belonging to me as good belongs to you.' Walt Whitman SONG OF MYSELF A biographical approach to Antony Gormley's work would be justified, if for no other reason, by the fact that much of his sculpture is based on his own body [1]. Many of his sculptures are, literally, an embodiment of the artist. As a person, he has an immense capacity for enjoying life physically and intellectually: an ability to keep both his head in the clouds and his feet on the ground. His grandfather was a Catholic from Derry whose family had been dispossessed by the English. Like many Irish, he was staunchly pro-German during the 1914-18 war, but later married an English woman and settled in Walsall. His son, Antony's father, remained highly influenced by his Irish heritage and his strict Catholic upbringing all his life, and when he married a German physiotherapist from a Lutheran family she converted to Catholicism. Both Antony's parents were cultivated and intellectually questioning people, more able to feel at home where they lived among the émigrés of Hampstead than among the English. Antony was brought up a Catholic, attending a Benedictine boarding school, and the universalising impulse of Catholicism, along with its spiritual disciplines, have continued to shape his outlook. -
Conceptual Art in Britain 1964–1979 Timeline Large Print Guide
Conceptual Art in Britain 1964–1979 12 April – 29 August 2016 Timeline Large Print Guide Please return to exhibition entrance Contents 1964 Page 1 1965 Page 3 1966 Page 6 1967 Page 9 1968 Page 12 1969 Page 16 1970 Page 23 1971 Page 30 1972 Page 36 1973 Page 41 1974 Page 46 1975 Page 50 1976 Page 54 1977 Page 57 1978 Page 60 1979 Page 63 1964 1 AUG The Centre for Advanced Creative Study publishes Signals Newsbulletin, a forum for the discussion of experimental art exhibitions and events. It also includes poetry and essays on science and technology. The group becomes known as Signals London when it moves to premises in Wigmore Street in central London. The gallery closes in 1966. OCT The Labour party wins the general election under the leadership of Harold Wilson. Wilson speaks about the need ‘to think and speak in the language of our scientific age’. 2 1965 3 FEB Arts minister Jennie Lee publishes the first (and only) white paper on the arts – A Policy for the Arts. She argues that the arts must occupy a central place in British life and be part of everyday life for children and adults. She announces a 30% increase to the Arts Council grant. JUL Comprehensive education system replaces grammar and secondary modern schools, aiming to serve all pupils on an equal basis. Between Poetry and Painting Institute of Contemporary Arts, London 22 October – 27 November Curated by Jasia Reichardt Includes: Barry Flanagan, John Latham 4 NOV Indica gallery and bookshop opens at Mason’s Yard, London. -
Prints and Multiples and Prints
Tuesday 24 November 2015 Tuesday PRINTS AND MULTIPLES PRINTS AND MULTIPLES Ӏ New Bond Street, London Ӏ Tuesday 24 November 2015 22804 PRINTS AND MULTIPLES Tuesday 24 November 2015 at 14.00 101 New Bond Street, London VIEWING ENQUIRIES CUSTOMER SERVICES PHYSICAL CONDITION OF Sunday 22 November 11.00 - 15.00 Rupert Worrall Monday to Friday 8.30 to 18.00 LOTS IN THIS AUCTION Monday 23 November 9.00 - 16.30 + 44 (0) 20 7468 8262 +44 (0) 20 7447 7447 Tuesday 24 November 9.00 - 12.00 [email protected] PLEASE NOTE THAT THERE Please see page 2 for bidder IS NO REFERENCE IN THIS SALE NUMBER Tanya Grigoroglou information including after-sale CATALOGUE TO THE PHYSICAL 22804 +44 (0) 20 7468 8212 collection and shipment CONDITION OF ANY LOT. [email protected] INTENDING BIDDERS MUST CATALOGUE ILLUSTRATIONS SATISFY THEMSELVES AS TO Suzanne Irvine THE CONDITION OF ANY LOT £20.00 Front cover: Lot 55 +44 (0) 20 7468 8294 Back cover: Lot 101 AS SPECIFIED IN CLAUSE 14 [email protected] Inside front cover: Lot 45 OF THE NOTICE TO BIDDERS BIDS CONTAINED AT THE END OF +44 (0) 20 7447 7447 Inside back cover: Lot 128 THIS CATALOGUE. +44 (0) 20 7447 7401 fax Jonathan Horwich Page 3: Lot 93 To bid via the internet please Global Pictures Director As a courtesy to intending bidders, visit bonhams.com +44 (0) 20 7468 8280 [email protected] Bonhams will provide a written Indication of the physical condition Please note that bids should be of lots in this sale if a request is submitted no later than 4pm on received up to 24 hours before the day prior to the sale.