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Bloomsbury (Bloomsbury) Bloomsbury Auctions 24 Maddox Street
Dreweatts & Bloomsbury (Bloomsbury) Bloomsbury Auctions 24 Maddox Street . Editions & Works on Paper London W1S 1PP Started 02 Dec 2015 10:30 GMT United Kingdom Lot Description Craigie Aitchison (1926-2009) - Daffodils & Candlesticks screenprint in colours, 1998, signed in white ink, inscribed AP XIII/XV, an 1 artist's proof aside from the edition of 75, on wove paper, the full sheet printed to the edges, sheet 694 x 562 mm (27 1/4 x 22 1/8 in) IMPORTANT: This lot is sold s ...[more] Craigie Aitchison (1926-2009) - Birds lithograph printed in colours, 1996, signed and dated in black ink, numbered 83/100, on wove 2 paper, with full margins, sheet 282 x 232 mm (11 1/8 x 9 1/8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Ter ...[more] Norman Ackroyd (b.1938) - St Kilda - Stac Lee and Stac an Armin etching with aquatint, 1990, signed, titled and dated in pencil, 3 numbered 18/90, on wove paper, with full margins, sheet 585 x 755 mm (23 x 29 3/4 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can ...[more] John Banting (1902-1972) - Siamese Triplets; Negro Guitarist two linocuts, 1932-35, each signed and dated in pencil, numbered 37/45 4 and 6/45 respectively, published by Alexander Postan Ltd, London, each on wove paper, with full margins, overall size 225 x 275 mm (8 7/8 x 10 7/8 in) IMPORTANT: This ...[more] George Bissill (1896-1973) - Crucifixion woodcut, signed in pencil, numbered 7/15, on tissue thin Japon paper, with full margins, sheet 5 171 x 127 mm (6 3/4 x 5 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. -
City, University of London Institutional Repository
City Research Online City, University of London Institutional Repository Citation: Summerfield, Angela (2007). Interventions : Twentieth-century art collection schemes and their impact on local authority art gallery and museum collections of twentieth- century British art in Britain. (Unpublished Doctoral thesis, City University, London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/17420/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] 'INTERVENTIONS: TWENTIETII-CENTURY ART COLLECTION SCIIEMES AND THEIR IMPACT ON LOCAL AUTIIORITY ART GALLERY AND MUSEUM COLLECTIONS OF TWENTIETII-CENTURY BRITISII ART IN BRITAIN VOLUME III Angela Summerfield Ph.D. Thesis in Museum and Gallery Management Department of Cultural Policy and Management, City University, London, August 2007 Copyright: Angela Summerfield, 2007 CONTENTS VOLUME I ABSTRA eT...........................•.•........•........................................... ii ACKNOWLEDGEMENTS ......................................................... xi CHAPTER l:INTRODUCTION................................................. 1 SECTION J THE NATURE AND PURPOSE OF PUBLIC ART GALLERIES, MUSEUMS AND THEIR ART COLLECTIONS.......................................................................... -
New Editions from Apfelbaum to Wilson • Glenn Brown • Nicole
US $25 The Global Journal of Prints and Ideas March – April 2018 Volume 7, Number 6 New Editions from Apfelbaum to Wilson • Glenn Brown • Nicole Eisenman • Matt Saunders • Swoon • and more Nina Katchadourian Speaks with Island Press • Bodo Korsig • Todd Norsten • Boston Printmakers • Prix de Print • News AndyAndyAndy Warhol: Warhol: Warhol: Prints Prints Prints from from from the the theCollections Collections Collections of ofJordan of Jordan Jordan D. D.Schnitzer D. Schnitzer Schnitzer and and and His His HisFamily Family Family Foundation Foundation Foundation PortlandPortlandPortland Art Art MuseumArt Museum Museum AAA PASSION PASSIONPASSION FOR FORFOR SHARING SHARINGSHARING ART ARTART CurrentCurrentCurrent Exhibitions Exhibitions Exhibitions “For“For“For me, me, me, waking waking waking up up up each each each day day day without without without art art art around around around AndyAndyAndy Warhol: Warhol: Warhol: Prints Prints Prints from from from the the the Collections Collections Collections of of of mememe would would would be be be like like like waking waking waking up up up without without without the the the sun. sun. sun. JordanJordanJordan D. D. D.Schnitzer Schnitzer Schnitzer and and and His His His Family Family Family Foundation Foundation Foundation WhenWhenWhen you you you live live live with with with art art art around around around you, you, you, your your your mind mind mind PalmPalmPalm Springs Springs Springs Art Art Art Museum Museum Museum PalmPalmPalm Springs, Springs, Springs, CA CA CA • • Mar• Mar Mar 3, 3, 3,2018 2018 2018 - -May -May May 28, 28, 28, 2018 2018 2018 andandand soul soul soul are are are filled filled filled withwithwith the thethe beauty beautybeauty of of oflife life life and andand the thethe creativitycreativitycreativity of of of the the the human human human spirit.” spirit.” spirit.” EnriqueEnriqueEnrique Chagoya: Chagoya: Chagoya: Reimagining Reimagining Reimagining the the the New New New World World World NevadaNevadaNevada Museum Museum Museum of of Artof Art Art —— —JORDAN JORDAN JORDAN D. -
Catalogue SPRING SHOW.Indd
Spring Mixed Show bernard jacobson gallery Including works by Larry Bell, Bram Bogart, Georges Braque, Patrick Caulfield, Robyn Denny, Sam Francis, Pia Fries, Richard Hamilton, James Hayward, David Hockney, Shirley Kaneda, Phillip King, Henri Matisse, Bruce McLean, Robert Motherwell, Larry Poons, Ed Ruscha, Richard Smith, Stanley Spencer, Frank Stella, William Tillyer, Marc Vaux and Tom Wesselmann Spring Mixed Show On the cover William Tillyer Nine Refections 2015-19 Acrylic on acrylic mesh laid on canvas 230 x 230 cms (90 5/8 x 90 5/8 ins) see p.17 For further information, please contact the gallery at: [email protected] tel: +44 (0)20 7734 3431 bernard jacobson gallery 28 duke street st james’s london sw1y 6ag tel +44 (0)20 7734 3431 fax +44 (0)20 7734 3277 | [email protected] All prices are subject to VAT. Some prints can be sold under Margin Scheme. www.jacobsongallery.com | Bernard Jacobson Limited Registered No 00962605 VAT No GB 510329685 Spring Mixed Show bernard jacobson gallery “ Who places some thing some where? Any one who is a sculptor. Any one is a sculptor. Any one is a sculpture. Any where. Any time. Bruce McLean is a sculptor. Bruce McLean has been a sculptor for “ a long time, in many places. Some times he has been a sculpture. Mel Gooding Five Decades og Sculpture, 2018 1. Bruce McLean Untitled 2009 Acrylic and oil on canvas 171.5 x 152.4 cms (67 1/2 x 60 ins) £ 30,000 7 Spring Mixed Show bernard jacobson gallery 2. Marc Vaux Untitled (BY) 1965 Acrylic on cotton duck 77 x 77.5 cms (30 3/8 x 30 1/2 ins) £ 15,000 8 9 Spring Mixed Show bernard jacobson gallery 3. -
Auction - Modern & Contemporary Prints, Multiples & Editions 25/04/2015 10:00 AM GMT
Auction - Modern & Contemporary Prints, Multiples & Editions 25/04/2015 10:00 AM GMT Lot Title/Description Lot Title/Description 1 Augustus Edwin John OM RA, British 1878-1961- ''The Amorous Tramp'' 8 Kenneth Armitage RA CBE, British 1916-2002- ''Richmond Oaks''; (Campbell Dodgson 98); etching, signed in pencil, from the edition of 50, etching, signed, numbered 1/30 and dated 1977 in pencil, 30x37.5cm, 11.2x12.5cm, (may be subject to Droit de Suite) (unframed) (may be subject to Droit de Suite) Note: Between 1975 and Augustus Edwin John OM RA, British 1878-1961- ''The Amorous Tramp'' 1986 Armitage moved from the figure to nature, and became fascinated (Campbell Dodgson 98); etching, signed in pencil, from the edition of 50, with the oak trees in Richmond Park. As he recalled in an interview with 11.2x12.5cm, (may be subject to Droit de Suite) John McEwen in 1991:- ''One day in 1975, in the spring, I suddenly saw Est. 300 - 500 them... and everywhere I looked it was a revelation, the trees were 2 Dame Laura Knight DBE RA RWS, British 1877-1970- ''Trio alive... And from Gymnastique'' 1932; aquatint, signed in pencil, from the edition of 50 Kenneth Armitage RA CBE, British 1916-2002- ''Richmond Oaks''; artist's proofs, 36x24.8cm, (may be subject to Droit de Suite) Note: see etching, signed, numbered 1/30 and dated 1977 in pencil, 30x37.5cm, British Council Collection accession number P2605 for similar example (unframed) (may be subject to Droit de Suite) Note: Between 1975 and Dame Laura Knight DBE RA RWS, British 1877-1970- ''Trio 1986 Armitage moved from the figure to nature, and became fascinated Gymnastique'' 1932; aquatint, signed in pencil, from the edition of 50 with the oak trees in Richmond Park. -
Individual Entries on the Register Can Be Easily Accessed Using the Links to People on the Right Hand Side
Individual entries on the register can be easily accessed using the links to people on the right hand side. Katy Ackrill Museum Assistant, Swindon Museum and Art Gallery Rhian Addison Curator, The Whitworth Art Gallery Alternatively please press ‘CTRL-F’ on a PC or ‘command-F’ on a Mac to search the register using key terms. Kate Anderson Senior Curator, National Galleries Scotland Dr Thomas Ardill Museum Of London The following lists of key terms may be of use: Rina Arya Reader in Visual Communication, University of Wolverhampton Period Medium Genre 16th and 17th century Books; Portraiture; Industrial Revolution; Dr Kate Aspinall Independent art historian/writer British art; Costume; Landscape; Modernism; Katy Barrett Curator of Art Collections, The Science Museum Documents; History painting; Neoclassicm; James Beighton Curator 18th century British art; Drawing; Still Life; Neo-Romanticism; Decorative/ applied arts; Sporting art; New English Art Club; Geoffrey Bertram The Barns-Graham Charitable Trust, (Chairman), Bertram Arts, (Owner) 19th century British art; Furniture; Genre painting; New Sculpture; Installation; Marine painting; Norwich School; Sara Bevan Curator, Imperial War Museum London 20th century 1900-1945 Miniatures; Topography & Performance art; Gemma Brace Head of Programmes and Exhibitions Curator, Royal West of England Academy British art; Painting; mapmaking; Pop Art; Dr Christina Bradstreet Director of Career Services, Sotheby's Institute of Art Pastel; Caricature & satire; Popular Art; 20th century post-1945 Performance; -
Galleries.Co.Uk G GALLERIES
F E B R U A R Y 2 0 1 8 S E I R E L two ART FAIRS twelve L SHOW REVIEWS one hundred KYFFIN WILLIAMS A ART AND SUFFRAGE previews|news|listings|new shows|maps|galleries.co.uk G GALLERIES regular FEATURES Articles: gallery names in bold see index New Shows Diary – exhibition opening days page 6 Round up – shows & art news 8 Thumbnails – short reviews 10,14,15,18,23,36,38 National Galleries – show listings 19 Twitter – the top tweet 24 Coda – the last word 39 Artist Websites – online art 42 Artist Index – artists listed by gallery 43 Gallery Specialisations – general stock index 44 Gallery Index – dealers & services 46 on the COVER Peter Layzell Black Mask White Mask oil on panel, 20 x 16cm JILL GEORGE GALLERY Portal Painters, map 16 The Monoprint Show 5 - 17 February LISTINGS KEY *ad see display *pr press release on galleries.co.uk/pr 7 1 *own art Arts Council interest free credit scheme member 0 2 , Internet addresses in bold are linked via www.galleries.co.uk m c for art updates follow galleries magazine on @art_mag or 0 5 x facebook.com/galleriesartlist 0 7 , y h p a r o h t i l h CONTACT US AT t i w advertising [email protected] e p y t listings [email protected] o n a editorial [email protected] y c ’ r production [email protected] i a h distribution [email protected] C d e accounts & subscriptions [email protected] R ‘ n o s t a W s a m o T Managing Editor & Publisher Paul Hooper Features Editor Nicholas Usherwood JILL GEORGE GALLERY Scottish Features Bill Hare Sale Rooms William Jackson At 30 Tottenham Street, -
John Hoyland: the Making and Sustaining of a Career - 1960-82
University of Plymouth PEARL https://pearl.plymouth.ac.uk 04 University of Plymouth Research Theses 01 Research Theses Main Collection 2015 JOHN HOYLAND: THE MAKING AND SUSTAINING OF A CAREER - 1960-82 Davies, Christopher Anthony http://hdl.handle.net/10026.1/5139 Plymouth University All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. JOHN HOYLAND: THE MAKING AND SUSTAINING OF A CAREER - 1960-82 By CHRISTOPHER ANTHONY DAVIES Volume 2: Images, Appendices and Bibliography June 2015 List of Illustrations Fig. 1 - John Hoyland, Situation painting 1, 1960. Oil on canvas. 183 x 168 cm. Collection: © The John Hoyland Estate. Fig. 2 - John Hoyland, April 1961, 1961. Oil on canvas. 152.5 x 152.7 cm. Collection: Tate Gallery London. Fig. 3 - Bridget Riley, Movement in Squares, 1961. Tempera on hardboard. 123.2 x 121.2 cm. Collection: Arts Council Collection. Fig. 4 - John Plumb, Edgehill, 1962. Acrylic paint, PVC, vinyl and tape on canvas. 180 x 122 x 5 cm. Collection: Tate Gallery London. Fig. 5 - Robyn Denny, Baby is Three, 1961. Household paint on canvas. 213 x 365 cm. Collection: Tate Gallery London Fig. 6 - Bernard Cohen, Painting 96, 1996. Oil on canvas. 244 x 366 cm. Collection: Walker Art Gallery, Liverpool Museums. Fig. 7 - Gillian Ayres, Distillation, 1957. -
Rauschenberg & Robbe-Grillet • Comics and Art After the Graphic Novel • Jürgen Partenheimer S
March – April 2013 Volume 2, Number 6 Image and Text in Crisis: Rauschenberg & Robbe-Grillet • Comics and Art after the Graphic Novel • Jürgen Partenheimer Stephen Chambers • Louise Bourgeois Between the Lines • David Musgrave • <100 • International Directory • Reviews • News History. Analysis. Criticism. Reviews. News. Art in Print. In print and online. www.artinprint.org Subscribe to Art in Print. March – April 2013 In This Issue Volume 2, Number 6 Editor-in-Chief Susan Tallman 2 Susan Tallman On Words and Pictures Associate Publisher Mark L. Smith 3 Julie Bernatz Image and Text in Crisis: Rauschenberg’s and Robbe-Grillet’s Managing Editor Annkathrin Murray Traces suspectes en surface Associate Editor Amy Peltz 8 Amelia Ishmael The Visual Turn: Comics and Art after the Graphic Novel Design Director Skip Langer Exhibition Reviews Manuscript Editor Paul Coldwell 15 Prudence Crowther Stephen Chambers: The Big Country Christina von Rotenhan 18 Louise Bourgeois: Between the Lines Edition Reviews Catherine Bindman 20 Jürgen Partenheimer: Folded Spirits M. Brian Tichenor & Raun Thorp 23 David Musgrave Amelia Ishmael 25 Eva Bovenzi Onsmith & Nudd Maru Rojas 27 The WITH Collective Elleree Erdos 28 Willie Cole Book Reviews Susan Tallman 29 Gert and Uwe Tobias: Dresdener Paraphrasen / Dresden Paraphrases <100 32 International Directory 2013 33 News of the Print World 38 Jürgen Partenheimer, cover of the artist book Folded Spirits (2012). Edition of 15. Co-published Contributors 48 by the artist and David Krut Projects, Johannesburg, Cape Town & New York. Guide to Back Issues 49 Deb Sokolow, detail of You tell people you’re Membership Subscription Form 50 working really hard on things these days (2010), graphite, charcoal, ink, and acrylic on paper, mounted on panel, 7 × 25 feet. -
1 David Cohen's Writings on Art, Lectures And
DAVID COHEN’S WRITINGS ON ART, LECTURES AND EXHIBITIONS last updated June 2012 Books and Essays Books Henry Moore in the Bagatelle Gardens, Paris, photographs by Michel Muller with an essay by David Cohen (London: Lund Humphries, and New York: Overlook Press, 1993) an overview of Moore's work stressing the importance of landscape to his aesthetic; the book records an important outdoor exhibition staged the previous year in Paris Jock McFadyen: A Book about a Painter (London: Lund Humphries, 2001) By David Cohen, with contributions from Lewis Biggs, Humphrey Ocean, Bob and Roberta Smith, Hugo Williams, Tom Lubbock, Ian Dury, Mary Rose Beaumont, Duncan Macmillan, Jeffery Camp, and Will Self David Cohen Alex Katz Collages: A catalogue raisonné (Waterville, Maine: Colby College Mueum of Art, 2005) Published in conjunction with an exhibition at Colby College Museum of Art June 26 – September 18, 2005 Serban Savu (co-author Rozalinda Borcila) (Ostfildern: Hatje Cantz, 2011) Contributions to books and encyclopaedias “Francis Bacon”, “Jacob Epstein”, “Barbara Hepworth”, “Aristide Maillol”, “Ben Nicholson” and “Graham Sutherland” in International Dictionary of Artists and works by the above in International Dictionary of Art twin volumes edited by James Vinson (London: St. James's Press, 1990). "Herbert Read and Psychoanalysis" in Art Criticism since 1890: Authors, Texts, Contexts, edited by Malcolm Gee (Manchester: Manchester University Press, 1993) considers Read’s early interest in variety of psychoanalytic schools and their bearings on problems of literary criticism, proceeding to his growing interest in C.G.Jung and particular reference to Henry Moore The Annual Register: A Record of World Events 1994 edited by Alan J. -
Complete ICA Exhibitions List 1948
1 Date Title Artists / Description 1948 40 Years of Modern Art 1907-1947: Jankel Adler, Jean Arp, Francis Bacon, Balthus, John Banting, 10 Feb – 6 Mar a Selection from British Eugene Berman, Pierre Bonnard, Constantin Brancusi, Georges Collections Braque, Edward Burra, Alexander Calder, Marc Chagall, Georgio de Chirico, Robert Colquhoun, John Craxton, Salvador Dali, Paul Held at the Academy Hall, Oxford Delvaux, André Derain, Charles Despiau, Frank Dobson, Raoul St Dudy, Jacob Epstein, Max Ernst, Lyonel Feininger, Lucian Freud, Naum Gabo, Henri Gaudier-Brzeska, Alberto Giacometti, Duncan Grant, Juan Gris, Barbara Hepworth, Ivon Hitchens, Frances Hodgkins, Edgar Hubert, Augustus John, Wassily Kandinsky, Paul Klee, Oscar Kokoschka, John Lake, Wifredo Lam, Louis Le Brocquy, Fernand Leger, Wilhelm Lembruck, Wyndham Lewis, Jean Lurçat, Rene Magritte, Aristide Maillol, Franz Marc, Louis Marcoussis, André Masson, Henri Matisse, Robert MacBride, F E McWilliam, Joan Miro, Amadeo Modigliani, Piet Mondrian, Henry Moore, Paul Nash, Ben Nicholson, Eduardo Paolozzi, Victor Pasmore, Pablo Picasso, John Piper, Man Ray, Ceri Richards, William Roberts, Peter Rose Pulham, Georges Rouault, William Scott, Walter Sickert, Matthew Smith, Stanley Spencer, Graham Sutherland, Chiam Soutine, Tves Tanguy, Pavel Tchelitchev, John Tunnard, Maurice Utrillo, Edouard Vuillard, Edward Wadsworth, Christopher Wood, Jack Yeats, Ossip Zadkine 1948/1949 40,000 Years of Modern Art: a List of artists only includes the artists from the ‘Art of Our 20 Dec - 29 Jan Comparison of -
A Finding Aid to the André Emmerich Gallery Records and André Emmerich Papers, 1929-2009, in the Archives of American Art
A Finding Aid to the André Emmerich Gallery Records and André Emmerich Papers, 1929-2009, in the Archives of American Art Julie Schweitzer, Rihoko Ueno and Harriet E. Shapiro Funding for the processing of this collection was provided by the Leon Levy Foundation. 2012 April 17 and 2015 February 27 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Historical Note.................................................................................................................. 2 Scope and Content Note................................................................................................. 3 Arrangement..................................................................................................................... 5 Names and Subjects ...................................................................................................... 5 Container Listing ............................................................................................................. 7 Series 1: General Correspondence Files, 1958-2006.............................................. 7 Series 2: André Emmerich Appointment Books, 1954-2007.................................. 54 Series