Contemporary Art Society Annual Report 2000-01

Society Society

Art Art

Contemporary Contemporary

individuals

companies and companies

guidance we offer we guidance

and the advice and advice the and

public museums public

through our gifts to gifts our through

contemporary art contemporary

collecting of collecting

We promote the promote We

ANNUAL REPORT 2000/2001 REPORT ANNUAL

@ DESIGN GIANT ARC DESIGN / STUDIO / DESIGN ARC GIANT DESIGN GIANTARC.CO.UK

PATRON HER MAJESTY QUEEN ELIZABETH THE QUEEN MOTHER

VICE- PATRONS BRYAN FERRY DAVID GORDON CARYL HUBBARD PAULINE VOGELPOEL MANN THE LORD MCALPINE OF WEST GREEN THE LORD AND LADY SAINSBURY OF PRESTON CANDOVER THE LADY VAIZEY THE VISCOUNT AND VISCOUNTESS WINDSOR

ARTIST PATRONS SIR ANTHONY CARO, OM BRIDGET RILEY, CH

COMMITTEE MEMBERS OLIVER PRENN, CHAIRMAN PESH FRAMJEE, HONORARY TREASURER MARK STEPHENS, HONORARY SOLICITOR LANCE BLACKSTONE, HONORARY SECRETARY JOLYON BARKER WENDY BARON (UNTIL 27 JANUARY 2001) JANICE BLACKBURN PHILIP HEWAT-JABOOR (FROM DECEMBER 2000) SEAN RAINBIRD ANN STANTON (UNTIL 5 JULY 2000) BABS THOMSON

DIRECTOR GILL HEDLEY

PROJECTS DIRECTOR CAT NEWTON-GROVES

COLLECTIONS CURATOR MARY DOYLE

OFFICE MANAGER PAULA HOLLINGS

EVENTS/MEMBERSHIP MANAGER KATE STEEL

ASSISTANT COLLECTIONS CURATOR JESSICA WALLWORK

ARTfutures SELECTOR JENI WALWIN

ACCOUNTANT (PART TIME)

SUZANA BAKAR (FROM APRIL 2000)

192 OVERPRINT 192 192 PANTONE 432 PANTONE

Society Society

Art Art

Contemporary Contemporary

individuals

companies and companies

guidance we offer we guidance

and the advice and advice the and

public museums public

through our gifts to gifts our through

contemporary art contemporary

collecting of collecting

We promote the promote We

ANNUAL REPORT 2000/2001 REPORT ANNUAL

@ GIANTARC.CO.UK STUDIO / DESIGN ARC GIANT DESIGN

PATRON HER MAJESTY QUEEN ELIZABETH THE QUEEN MOTHER

ARTIST PATRONS SIR ANTHONY CARO, OM BRIDGET RILEY, CH

DIRECTOR GILL HEDLEY

PROJECTS DIRECTOR CAT NEWTON-GROVES

COLLECTIONS CURATOR MARY DOYLE

OFFICE MANAGER PAULA HOLLINGS

EVENTS/MEMBERSHIP MANAGER KATE STEEL

ASSISTANT COLLECTIONS CURATOR JESSICA WALLWORK

ARTfutures SELECTOR JENI WALWIN

ACCOUNTANT (PART TIME)

SUZANA BAKAR (FROM APRIL 2000)

192 OVERPRINT 192 192 PANTONE 432 PANTONE 1/CAS/ CONTENTS CONTEMPORARY ART SOCIETY ANNUAL REPORT 2000/2001

2 ABOUT CONTEMPORARY ART SOCIETY 3 CHAIRMAN’S REPORT 4 DIRECTOR’S REPORT 7 DISTRIBUTION 2000 19 SPECIAL COLLECTION SCHEME 26 PROJECTS’ REPORT 27 MEMBERS’ EVENTS 2000/2001 29 MEMBER MUSEUMS 30 STATEMENT OF FINANCIAL ACTIVITIES 32 ACKNOWLEDGEMENT TO CAS SPONSORS 5/CAS/ ABOUT CAS 6/CAS/ CHAIRMAN’S REPORT

The Contemporary Art Society is CAS has presented over 5000 funding on behalf of 15 It has been a wonderful year. years but, as expected, our Patron different to any other friends’ and works of contemporary art to its member museums funds devoted to the purchase (£1,000 p.a. for 4 years) heritage supporters’ group. member museums throughout The distribution of the year of new art have depleted in a Britain since 1910 by artists from CAS continues to raise funds to 2000 to our 69 member distribution year. In the case of U.K. taxpayers, CAS actively supports living Picasso, Henry Moore and benefit 69 museums in England, museums was a huge success. Gift Aid may increase the value artists and for ninety years Francis Bacon to Anthony Caro, Scotland, Wales and N.Ireland. Exhibitions at the Harris Sir Nicholas Serota, in his of the gift by almost a third. We has backed its own judgements David Hockney, Damien Hirst Museum in Preston, followed by Dimbleby Lecture, said on have a facility for eligible gifts to about which works of and Mona Hatoum. the Jerwood Space and The television that the Contemporary be made in the United States. contemporary art should be `I cannot overestimate the Economist in London, looked Art Society is the ONLY At these levels, your name may presented to public CAS is a registered charity benefits to artists and museum exceptionally good, diverse and organisation which buys be attached to specific works museum collections. supported by its members and visitors provided by CAS. It plays stimulating. A tribute to our contemporary art to present to when they are presented to grants from the Arts Council of a vital role in supporting and buyers, our donors and the museums nationwide. a museum. CAS individual members join England, Henry Moore spreading enthusiasm for the Nancy Balfour Bequest, we in our events and activities Foundation, Crafts Council, work of living artists throughout were able to present 160 works It is therefore with an eye to I believe that the best in because they have a curiosity Esmée Fairbairn Charitable Trust, the country.’ Richard Cork with a total value of £620,000. the distribution in 2004 that contemporary art contains a about or commitment to Paul Hamlyn Foundation and the we have now launched the kind of magic and that often base contemporary art. Elephant Trust. Through the support of ACE Catching Comets Appeal to raise materials can be transformed by Lottery, our Special Collection £1,000,000 for our purchasing a vision - and I have faith that our CAS encourages individuals CAS raises funds for its museum For further information Scheme has enabled our fifteen funds. Acquisitions have to be invited buyers can often spot this. to collect contemporary art and purchases through Contemporary and membership forms partner museums to begin made progressively and a I do hope you will help us in our enjoy art by living artists. An Art Society Projects, which offers please contact: buying substantial works for start has already been made: crusade, and I can be contacted extensive range of events, visits advice to companies wishing to Kate Steel their collections under CAS we try to catch artists before on (020) 7938 3440. If the line is to studios and private develop corporate collections. Contemporary Art Society guidance. We are starting to they become “comets” and their engaged, please try again. collections, lectures and 17 Bloomsbury Square make a real difference to city fame and prices go beyond our overseas trips, are advertised CAS also organises ARTfutures, London WC1A 2NG and university collections reach - hence the name of I am very pleased to announce in a regular newsletter. an annual selling event to throughout the country. the Appeal. that David Gordon, my encourage collecting and Telephone 020 7831 7311 predecessor as Chairman, has Facsimile 020 7831 7345 CAS offers professional guidance support artists. ARTfutures successfully moved We enjoy the continuing accepted our invitation to become Email [email protected] to those developing contemporary to the Barbican, where we confidence of the Henry Moore a Vice Patron of the Society. collections or commissioning CAS has secured major Arts or visit our website at: received a warm welcome, and Foundation and the Crafts art or craft. Council of England lottery www.contempart.org.uk the enlightened and generous Council and approaches are My final paragraph must be sponsorship of Hewlett Packard. being made to many of the devoted to Gill Hedley. She The Contemporary Art Society major trusts. We seek combines flair, integrity and was first in the field with an art corporate support for our effort with cheerfulness to a market, retains the loyalty of its activities, and such sponsorship greater extent than anyone else I supporters and attracts many may release equivalent sums know. She enjoys the loyalty of new buyers. This is our main for purchases. the staff and the confidence of London event. the Committee. Her year as Catching Comets was however Nancy Balfour Fellow of Our overseas trip for members initially launched to individuals at Contemporary Art was a total was to Oporto, unthinkable until three levels: success and I would like to thank recently, but now a thriving her on your behalf. centre for contemporary art. Benefactor (£7,500 p.a. for 4 years) We have achieved a reasonable Major Donor Oliver Prenn financial surplus in the last two (£2,500 p.a. for 4 years) Chairman 7/CAS/ DIRECTOR’S REPORT 8/CAS

During 2000/1, the Contemporary the craft section at The Economist. During the summer, museum listed on p27 but the highlight Hollings, Office Manager, who packers, hangers and sellers Art Society has been particularly This was the second such curators started to submit their was undoubtedly the visit to joined us in February 2000, and that become part of the CAS staff active in promoting the collecting collaboration within a few months. requests for works both from Oporto in October. Our monthly Suzana Bakar, Accountant. for one week. of contemporary art through Give and Take and the Nancy bus tours, supported by The substantial gifts to museums and The project manager, Lara Balfour Bequest. In addition, we Elephant Trust, continue to be one We all welcome and depend on Hewlett Packard’s sponsorship the advice offered to companies Donaldson, and the collections offered a large group of works of our greatest successes and wonderful volunteers or freelance of ARTfutures made a great and individuals. curator, Mary Doyle, worked that formed the legacy of the Kate Steel, Membership and staff to work on specific projects, impact on our finances this year, closely together to advise the major exhibition Artranspennine Events Manager, also organises such as Juliet Bingham and now supporting us after two The year in which we make a Royal Armouries, Leeds, on the to member museums in that tailor-made tours for visiting Matthew Poole as co-ordinator at difficult years without an art distribution is always the most creation of a photography and part of the country. It is difficult groups from overseas. The Economist. market sponsor. exciting about which to write my video collection on the subject of to make choices like these and annual report. Since I arrived at violence and weaponry. This agonising to make the final This is a useful source of income Every year, Jeni Walwin returns We have benefited greatly from CAS in 1993, there have been was managed as if it was a allocation of which works for us and gives us a new network to CAS and guides the selection foundations, trusts and charities two distributions. corporate project but with the go where. of friends and supporters. of artists for ARTfutures and and the continuing fixed-term special expertise needed when installs it in a way that makes it funding from the Arts Council of Take it From Here was held in collaborating with museum We take into account first the Contemporary Art Society look like an elegant exhibition but England. This is the only source Sunderland in 1996 and, in 2000, colleagues. CAS/CASP are ideally museum’s preferences and the Projects works the same way: one in which it is hard to resist of funding that helps support our Give and Take opened at the placed to develop such a scheme case that they argue for each providing us with essential taking the work off display and running costs. Other generous Harris Museum and Art Gallery in which was then turned into an work. For works chosen by many, income but also as one of our buying it for home. Clive Garland grants enable us to purchase Preston, with edited highlights exhibition, Warning Shots, which we look at which museums most effective ways of carrying and his team make this logistical substantial works of art for our shown in London at the Jerwood opened in June 2000, just after received their first or second our message further afield. problem of replacing work every member museums and, above Gallery and The Economist. Give and Take closed in Preston. choice last time and try to Unilever continues to be one of few minutes look easy but it is all, we wish to acknowledge the At the same time, the exhibition redress any imbalances. We use our most imaginative clients, the result of years of imaginative significant role that the Henry The simple but powerful of Nancy Balfour’s bequest was our own judgement about working with us to reframe, solutions that make our art Moore Foundation plays through statistics are that, in 2000, we also in the north-west, at collections and the way museums restore and rehang their market run so successfully. their continuing support. The presented 160 works of art with Rochdale Art Gallery. display and make use of them, collection and invite numerous Crafts Council’s function as a an overall value of £620,000 to 69 relying therefore on member groups to enjoy these eclectic This year, Ania Grzesik, assisted grant-giving body has now member museums. The entire So many exhibitions, out of museums to keep us up to date works in their marvellous art by Kerry Duggan, took on the transferred to ACE but the moral list is included here on pp7-18 London, put even more of a with all their activities. deco setting. administrative tasks of working support for our work in this area listed by museum, A-Z, and on burden on the extraordinary staff with our sponsor, Hewlett comes from both organisations our website, ordered by of CAS. Supported by all their One of the most effective ways of Cat Newton-Groves, CASP Packard and installing the and our colleagues within them. artists’ names. colleagues, Mary Doyle and keeping in touch with curators Director, uses these occasions, market in a brand new venue at Jessica Wallwork organised every from our member museums is our presence at ART2000 and the the Barbican Exhibition Halls. CAS has always been generously There are so many people aspect of Give and Take with their through the programme of visits continuing exhibition programme I am indebted to them both for and imaginatively supported by involved in a distribution, all of usual flair. It looked beautiful at that CAS organises for them. The at The Economist, to full the burdens that they shouldered individuals and, in this distribution whom play a special role. The the Harris and we were proud, Special Collection Scheme trips advantage to encourage others to with such enthusiasm and year, we wish to record our curators and all staff at the too, of the edited versions that are mentioned on p19 but CAS collect contemporary art as panache and the skill with warmest thanks again to Tom Harris must be singled out in our the London audiences saw. Many also finished its project with the imaginatively as possible. which they worked with all the Bendhem, Dasha Shenkman and thanks for their hospitality and of the works had educational and Midland Band of regional arts artists involved. William Shenkman, Jim Moyes professional care. We are information packs supplied with boards, co-funded by the Paul All of these activities are and Paul Wilson for their gifts of grateful, too, to our hosts at the them and we are grateful to Hamlyn Foundation, with a visit undertaken, as every CAS annual Every single member of CAS staff works of art. We hope that they Jerwood Gallery. Deborah Smith and Kate Fowle for a group of curators to Lille report from 1910 has recorded, by works long, hard hours to make will also be rewarded by the for preparing these and to the and Dunquerque in March. a very small group of staff. Those ARTfutures a resounding success pleasure that these will give to Contemporary Art Society Esmée Fairbairn Charitable named above would want me to and I am grateful to every one of museum audiences. We are also Projects staff collaborated with Trust for their support of the Our events for individual acknowledge the less public but them and the whole team of grateful to an anonymous donor their CAS colleagues to display whole project. members throughout 2000 are all equally vital role played by Paula energetic and committed for the gift of two works of craft. 9/CAS 10/CAS/ DISTRIBUTION 2000 CONTEMPORARY WORKS PRESENTED TO MUSEUMS 2000

Donations from Nyda and Oliver buying works on our behalf. his Chairmanship of the Purchases have been made ULSTER MUSEUM, BELFAST ANNA GORDON Prenn, the Schneer Foundation Through their judgement, CAS Contemporary Art Society. possible through the support of: BEVERLY CLARKE Square Brooch, 1999, black and Catherine Curran allowed us has once again fulfilled its aim to Beside him in all these Crafts Council (CC) Soft Option, 1987, fabric and silver and yellow gold, 7.5 x 7 x to extend our purchasing power. benefit museums and artists alike achievements is always his wife The Esmee Fairbairn Charitable paint, 234 x 26 x 3 cm 1.7 cm, Long Brooch, 2000, through purchases made at a Nyda who, less formally, we Trust (EF) ZORA PALOVA black silver and yellow gold, 11 David and Maggi Gordon have crucial time in an artist’s career. cherish as our Chair Spouse. We The Henry Moore Foundation (HMF) The Leaf, 1998, cast ruby glass, x (diameter) 2.5 cm, Necklace, donated an important early work owe them both a great deal and The Henry Moore Foundation to polished, 73 x 24 x 65 cm 2000, black silver and yellow by Mark Wallinger in memory of Everyone involved in CAS can warmly congratulate Oliver on mark The Henry Moore Centenary (CC, JB) gold, 104 cm long (CC, JB) Max Gordon. Two works by Alan take pride in the way we have his doctorate. (HMC) Reynolds have been given in presented significant works of art, Nancy Balfour Memorial (NBM) JANE SIMPSON BOLTON MUSEUM & ART memory of Ernest and Mary sought funding and earned The achievements of 2000/1 Oliver Prenn Gift (OP) Still Life (Turquoise Blue), 2000, GALLERY Darby. These will all be presented income imaginatively but true to would have given the greatest porcelain, wooden shelf, 23 x 33 x CHRIS KEENAN to museums in 2004. our aims. I want to record my pleasure to Nancy Balfour who Buyers: 2 cm (HMF, SR) Bowls, 2000, ceramic, 35 x 44 x gratitude to all my colleagues for would have relished seeing Janice Blackburn, Private RICHARD WILSON 36 cm (CC, JB) A sculpture by Mark Dunhill, their energy and support. We are aspects of her private collection Collector and Curator (JB) Axel 150, 1998, two wardrobes, CAROL RHODES given by Sir Stephen Waley- indebted to the Chairman and presented to museum audiences Robert Hopper, Henry Moore metal, neoprene, 225 x 390 x Land and Sky, 1997/98, oil on Cohen, and a painting by Richard the Committee members, past in different displays up and down Institute (RH) 60 cm (HMC, RH) board, 45.5 x 43 cm (NBM, SR) Kidd, given in memory of Hyman and present, for their the country. Jenni Lomax, Director, Camden Kreitman, have been presented, encouragement and belief in Art Centre (JL) WILLIAMSON ART GALLERY & CARTWRIGHT HALL, respectively, to Bristol and every aspect of our work. It has been an honour for me to Sean Rainbird, Curator, MUSEUM, BIRKENHEAD BRADFORD Belfast. We gratefully acknowledge Nancy and the Contemporary Art, Tate (SR) NATASHA KERR CUBITT STREET STUDIOS acknowledge all these gifts. In January 2001, the University of continuing generosity of her A Marriage, 1998, photograph, Portfolio, 2000, 20 artists prints, Warwick awarded Oliver Prenn an family through the title with Grant and buyer indicated fabric, 38 x 38 x 16 cm (CC, JB) edition 29 of 100, yellow A4 size in brackets. Our invited buyers, the late Honorary D.Litt. in recognition of which I sign off at the end of an KEIKO MUKAIDE box portfolio (EF, SR) Robert Hopper and his fellow his role as the first sponsor of the exciting year. ABERDEEN ART GALLERY Seahorse Glass with Stand, 1998, EDMUND DE WAAL committee members Sean Turner Prize, patron of the arts glass, steel and acrylic, Cupboard Cargo, 1999, Rainbird and Janice Blackburn, and benefactor of the University Gill Hedley DAVID BATCHELOR Triple Decker, 1999, acrylic sheet, 50 x 10 x (diameter) 17 cm porcelain, dimensions variable as well as Jenni Lomax, gave of Warwick in particular through Director (CC, JB) (CC, JB) freely of their flair and the gift of a major sculpture by Nancy Balfour Fellow of enamel paint, found objects, 54 x 43 x 40 cm (EF, SR) RICHARD WOODS commitment to our ideals when Richard Deacon and, not least, Contemporary Art BIRMINGHAM MUSEUM & ART JO GORDON Untitled, 1997, Poster print, 73 x GALLERY 101 cm (gift of Paul Wilson) Kiss of Death, 1997, satin, spatre, CHAD MCCAIL feathers, edition 2 of 2, 75 x 62 x Missile Story, 1998, graphite on BRISTOL CITY MUSEUM & 27 cm (CC, JB) paper, 3 sections each 88.7 x ART GALLERY FREDDIE ROBINS 89.3 cm (EF, SR) RODERICK BUCHANAN Legroom, 1999, machine knitted MALCOLM MARTIN/GAYNOR Sodastream, 1995, video wool, 215 x 58 x 20 cm (CC, JB) DOWLING monitor installation (1 min 30 BRYNDIS SNAEBJORNSDOTTIR Folds, 1999, scorched oak, 75 x sec), edition 10 of 19 (HMF, SR) ... but not waiting, 1995, ceramic, 30 x 15 cm (CC, JB) PETER HARRIS 48 x 37 x 35 cm (HMF, RH) Save the World, by Margret GRUNDY ART GALLERY, Harris, 1967, 1998, mixed media VICTORIA ART GALLERY, BATH BLACKPOOL on board, 74.5 x 86.5 cm, Totally TREVOR SUTTON MARTIN CREED in the Dark, by Rolf Harris, Not one Thing II, 1999, oil on Things, 2000, red neon, 6 inch 1974, 1998, mixed media on board, 56 x 56 cm (EF, SR) high letters (EF, SR) board, 21 x 30 cm (EF, SR) 11/CAS

DANNY LANE BROADFIELD HOUSE GLASS MERCER ART GALLERY, Champagne Glass, 2000, glass, MUSEUM, DUDLEY HARROGATE 16 x 15 x 15 cm (CC, JB) BRUNO ROMANELLI TACITA DEAN Boxed V1, 2000, mould melted Gellert, 1998, set of 4 colour NATIONAL MUSEUM & GALLERY, and polished glass, 31 x 20 x photographs, edition of 8, 38 x CARDIFF 59 cm (NBM, SR) DONALD RODNEY 10 cm (CC, JB) In the House of My Father , 1996- TOWNER ART GALLERY, MARGARET HARVEY GALLERY, 97, photograph on aluminium, EASTBOURNE HERTFORDSHIRE UNIVERSITY, edition 1 of 3, 122 x 153 cm (EF, GRAHAM GUSSIN HATFIELD JL), My Mother My Father My Future City, 1996, pencil on paper CECILE JOHNSON SOLIZ Sister My Brother, 1996-7, human mounted on acrylic, 113 x 165 cm Five Pitchers, 1993-6, clay, wood, skin, pins, 2 x 2 x 2 cm, (on loan (NBM, SR) paint, 210 x 53 x 46 cm from the Estate of Donald (HMF, SR) Gladstone Rodney) SCOTTISH NATIONAL GALLERY TAKESHI YASUDA OF MODERN ART, EDINBURGH HOVE MUSEUM & ART Distorted Bowl, 1999, creamware, JULIAN OPIE GALLERY 13 (diameter) x 8 cm, Bowl with Imagine you are Driving.1, 1997, EMMA WOFFENDEN Handle, 1999, creamware, vinyl, aluminium, 240 x 336 cm Pupae, 1999, slumped glass, 36 x 34 x 80 cm (CC, JB) D40 x 15 cm (CC, JB) (HMC, RH)

CHELTENHAM ART GALLERY & SHIPLEY ART GALLERY, HUDDERSFIELD ART GALLERY MUSEUM GATESHEAD ALAN BROOKS REBECCA DE QUIN HEATHER BELCHER Untitled, 1997, oil on canvas, Sugar and Cream Set with Tongs , Overcoat, 2000, hand made felt 168 x 140cm (EF, SR) 1999, silver, 6 x 11 x 9 cm (CC, JB) wool, wooden baton support, GEORGINA FRANKEL 175 x 100 x 5 cm (CC, JB) Bowls, 2000, porcelain, HERBERT ART GALLERY & eight bowls, each D9 cm MUSEUM, COVENTRY MARIA VAN KESTEREN LES BICKNELL Object, 1999, elm, (CC, JB) Two Walks, 1998, wood, leather, 14 x 36 x 35 cm (CC, JB) IAN MCKEEVER handmade paper, stones and lead, Day Painting, Saturday 11.4.99, HUNTERIAN ART GALLERY, 19 x 24 x 17 cm (CC, JB) 1999, oil and acrylic on canvas, GLASGOW CORNELIA PARKER 106 x 149 cm (EF, SR) CHRISTINE BORLAND Embryo Firearms, 1995, colt 45 Family Conversation Piece, guns in earliest stage of pro d u c t i o n , CHRISTCHURCH MANSION, 1998, porcelain, wood, glass, 19 x 13 x 2.4 cm (HMF, JL) IPSWICH table, 109 x 101 x 56 cm DAVID RAYSON DONCASTER MUSEUM & ART (HMF, RH) Blackham Road, 1999, acrylic GALLERY on board, 90 x 122 cm BANKFIELD MUSEUM, ANGUS FAIRHURST (EF, SR) HALIFAX Tree With Arms, 1998, r-type SUSAN BOSCENCE print, edition 1 of 6, 60 x 40 cm, LEAMINGTON SPA ART GALLERY Fabric Length, 1992, Inflated/Deflated, 1997, graphite & MUSEUM on paper, diptych 25.5 x 28 cm wax resist and block printing, MICHELLE CHARLES and 29.5 x 21 cm (EF, SR) 250 cm Lydia Pinkham Photogram, SARAH LUCAS GILLIAN LITTLE #1 #2 #3 and #4, 2000, black SexBaby, 2000, c-print, edition Woven Scarf, 1995, wool, and white photograms, each 5 of 10, 80 x 60 cm (EF, SR) 84 x 300 cm 41 x 51 cm (EF, SR) TACITA DEAN, GELLERT, 1998 (DETAIL), PRESENTED TO MERCER ART GALLERY, HARROGATE JULIAN OPIE, IMAGINE YOU ARE DRIVING 1, 1997 (DETAIL) PETER HARRIS, SAVE THE WORLD, BY MARGRET HARRIS, 1967,1998 PRESENTED TO SCOTTISH NATIONAL GALLERY OF MODERN ART PRESENTED TO BRISTOL MUSEUM & ART GALLERY

LUCY GUNNING, CLIMBING ROUND MY ROOM, 1993, VIDEO STILL THOMAS SCHEIBITZ, LOW SWEETIE, 1999 (DETAIL) CHRISTINE BORLAND, FAMILY CONVERSATION PIECE, 1998 (DETAIL) PRESENTED TO HARRIS MUSEUM & ART GALLERY, PRESTON PRESENTED TO HARRIS MUSEUM & ART GALLERY, PRESTON PRESENTED TO HUNTERIAN ART GALLERY, GLASGOW 16/CAS

TONY CARTER STEPHANIE SMITH AND CASTLE MUSEUM, NORWICH Hallgarten Blues, 1991, MDF, EDWARD STEWART CORNELIA PARKER perspex, bottles, bronze, Dual, 1997, single colour video Grooves in a Record that Belonged wire, paraffin wax, silver monitor installation with sound to Hitler, 1996, back-lit (60 min loop), edition 1 of 3 tra n s p a r ency, edition 2 of 5, trumpet mouth piece, cork, 33.5 x 25 x 13/5 (HMF, JL) 114 x 314 x 123 cm (HMF, SR) CASTLE MUSEUM & ART SOUTH LONDON GALLERY, LEEDS CITY ART GALLERY GALLERY, NOTTINGHAM LUCIA NOGUEIRA LONDON DOROTHY HOGG Black, 1994, chandelier glass, EMMA KAY Bangle with 100 Rings, 2000, spotlight, dimensions variable The Bible from Memory, 1997, silver, D9.5 cm (CC, JB) (HMF, JL) offset print on paper, edition of 25, 43 x 31 cm, OLDHAM ART GALLERY THE NEW WALK MUSEUM & ART War and Peace, 1997, ink jet LAURA FORD GALLERY, LEICESTER print on paper in two parts, Elephant Boy, 1998, plaster and PHILIP AKKERMAN edition of 5, 243 x 170 cm wool, 122 cm high (EF, SR) Self portrait no 72, 1994, oil on (EF, SR) ALICE MAHER wood, 40 x 34 cm, Self portrait Thorn House, 1999, rose thorns no 92, 1992, oil on wood, MANCHESTER CITY ART and wood, 22 x 15 x 13 cm (CC, JB) 40 x 34 cm, Self portrait no 38, GALLERIES GLEN ONWIN 1996, oil on wood, 40 x 34 cm, KOICHIRO YAMAMOTO Carbon, Oxygen, Water, 1987, Self portrait no 31, 1995, Small Jug, 1998, glass, 21.5 x earth, carbon, wax on canvas, ALICE MAHER, THORN HOUSE, 1999 DOROTHY CROSS, TEACUP, 1998, VIDEO STILL PRESENTED TO OLDHAM ART GALLERY PRESENTED TO THE POTTERIES MUSEUM & ART GALLERY oil on wood, 50 x 43 cm 10 x 10 cm (CC, JB) mounted on board with acrylic (OP, SR) tub containing water, THE WHITWORTH ART GALLERY, dimensions variable USHER GALLERY, LINCOLN UNIVERSITY OF MANCHESTER ASHMOLEAN MUSEUM OF SIMONE TEN HOMPEL RUSHTON AUST ART & ARCHAEOLOGY, Silver Spoons, 1999, silver, Eight, 1993, painted and printed OXFORD dimensions variable cotton fabric, 368 x 27 cm RACHEL WHITEREAD (CC, JB) Demolished, 1996, portfolio of 12 MIDDLESBROUGH ART GALLERY duotone screen prints plus title UNIVERSITY OF LIVERPOOL ART MARTIN BODILSEN KALDAHL and colophon page, edition COLLECTION Slade, 1998, gesso acrylic, 10 of 35, 49 x 74.4 cm (HMC, RH) ANNA HUNT graphite inscribed paper on Eames House, 1998, thread linen, 31.6 x 41.8 cm (gift of PAISLEY ART GALLERY on canvas, 29 x 45 cm James Moyes) EMILY BATES (EF, SR) Depilator, 1994, human hair, spun and knitted, 260 x 75 x 20 cm CLEVELAND CRAFTS CENTRE, (CC, JB) WALKER ART GALLERY, MIDDLESBROUGH LIVERPOOL MARTIN BODILSEN KALDAHL PLYMOUTH CITY MUSEUM & ART DAIL BEHENNAH Shifting Planes, 1999, ceramic, GALLERY Stainless Steel Dish, 1999, 44 x 41 cm (CC, JB) MICHAEL LANDY stainless steel, edition 15 of 50, Car Disposal, 1998, pen and ink on 6 x 42.5 cm (CC, JB) LAING ART GALLERY, paper, 70 x 50 cm (EF, SR) AMANDA BRIGHT NEWCASTLE UPON TYNE VALERIE PRAGNELL Lemon Pod with Seeds, 1997, CHRIS OFILI Eucalyptus Bark No 3, 2000, hand-woven mild steel mesh, 6 x Untitled, 1998, water colour eucalyptus bark, beeswax and copper alloy, gold leaf, on paper, each 24 x 15.5 cm vegetable paper, 33 x 30.5 cm HEATHER BELCHER, OVERCOAT, 2000 EDMUND DE WAAL, CUPBOARDCARGO, 1999 58 x 27 x 4 cm (CC, JB) (OP, JL) (CC, JB) PRESENTED TO SHIPLEY ART GALLERY, GATESHEAD PRESENTED TO CARTWRIGHT HALL, BRADFORD 17/CAS 18/CAS

PORTSMOUTH CITY MUSEUM & 26 x 3.5 cm, Pickle Fork, 2000, stoneware plate, bowl, demi- NANCY BALFOUR BEQUEST STEPHEN BUCKLEY FRANK DOBSON RECORDS SERVICE silver, 18 x 2 cm (CC, JB) tasse, beaker, teapot, jug), ROGER ACKLING Small Painting no. 19, 1977, oil on Leisure, Study for London Pride, EMMANUEL COOPER CHRIS KNIGHT dimensions variable Holy Island, Wood from shoreline, board, 71/2 x 81/4 ins, Study for 1951, terracotta, 4 x 21/2 x 5 ins, Bowl with Gold, 1997, porcelain Vodka Shot, 1999, silver, 4.5 (CC, JB) August 1986, 1986, wood, 4 x Albion, 1979, oil and enamel on presented to Cecil Higgins Art body with slips, glazes and gold, (diameter) x 5.5 cm, Tequila Shot, 21/2 x 1 ins, presented to Castle canvas, 40 x 24 ins, Untitled #9 Gallery, Bedford 26 x 28 x 9 cm, Stoneware Jug, 1999, silver, 4 cm (diameter) SWINDON MUSEUM & ART Museum, Norwich 1977, oil, wax on board, 21 x 29.5 BARRY FLANAGAN 1999, 27 x 25 x 27 cm (CC, JB) (CC, JB) GALLERY CRAIGIE AITCHISON cm, gift of the artist in memory of Maquette for Night and Day, 1978, HOWARD RAYBOULD BRIDGET SMITH KATHY PRENDERGAST The Tree, 1968, oil on canvas, Nancy Balfour, Curemont 1989, sheet copper, 31/4 x 7 ins, ‘5 Feb Wooden Platter, wood, 38 x 33 x 3 cm Empire (Blue), 1995, c-type print Lost, 1999, digital print, edition I presented to Usher Gallery, oil, gold, wax, canvas, wood, 43 x 73’, 1973, painted canvas mounted on MDF, 183 x 183 cm of 25, 85 x 132 cm (EF, SR) Lincoln 20 cm, gift of the artist in memory sculpture (hanging), 501/2 x 18 HARRIS MUSEUM & ART GALLERY, KAREL APPEL of Nancy Balfour, presented to ins, presented to University of PRESTON SOUTHAMPTON CITY ART THE NEW ART GALLERY Tête Eclatée, 1958, gouache, Swindon Museum & Art Gallery Liverpool Art Collection LUCY GUNNING WALSALL GALLERY 30 x 211/2 ins, presented to Glynn REG BUTLER SAM FRANCIS Climbing Round My Room, 1993, RICHARD WENTWORTH BETHAN HUWS Vivian Art Gallery, Swansea Seated Girl, 1956, bronze, 121/4 x Painting, 1957, watercolour, video monitor installation (7 1/2 Essay, 1998, wood, Formica Sans Titre, (Linguistic), 1999, 101/2 x 111/2 ins, presented to 22 x 15 ins, presented to min), edition 3 of 8 (EF, SR) and nails, 4 x 110 x 30 cm FRANK AUERBACH water colour on paper, 72 x Drawing, coloured chalks on Middlesbrough Art Gallery Middlesbrough Art Gallery 53 cm, Sans Titre, (Merci (HMC, RH) CATHERINE HOUGH paper, 12 x 9 ins, Study for ELISABETH FRINK Thomas), 1999, water colour on SIR ANTHONY CARO Circular Vase and Horizontal Vase, Mornington Crescent, 1931, 39 x Bird Man V, bronze, 8 x 91/2 2000, glass, 25 x 20 x 8 cm (CC, JB) paper, 72 x 53 cm (HMF, RH) YORK CITY ART GALLERY Small bronze ‘A’, 1982, bronze JOANNA CONSTANTINIDIS 3 x 39 cm, gift of the artist in cast, 5 x 5 x 5 ins, presented to x 15 ins, presented to Wakefield NICHOLAS RENA memory of Nancy Balfour, Art Gallery ATKINSON ART GALLERY, Stoneware Vase, 1999, Cecil Higgins Art Gallery, Bedford Cube, 1999, clay, 23 x 23 x 23 cm, stoneware, height 25.5 cm presented to Castle Museum & TERRY FROST SOUTHPORT LYNN CHADWICK Asymmetric Bowl, 1999, clay, 27 x (CC, JB) Art Gallery, Nottingham Yellow Suspended Form, 1979, ANTHONY BRYANT Maquette for The Watchers, 1961, 47 x 31 cm (CC, JB) GILLIAN AYRES mixed media collage, 311/2 x Burr Oak Vessel, 1999, burr oak, ROSE WYLIE bronze cast, edition 5 of 6, 101/2 x THOMAS SCHEIBITZ Merlin, 1983, oil on canvas, 12 ins 173/4 ins, presented to Plymouth 34 x 80.5 x 42 cm (CC, JB) Early Memory Series No.2: 101/2 x 101/2 ins, Maquette I: Two Low Sweetie, 1999, oil on canvas, diameter, Untitled, 1964, pastel City Museum & Art Gallery Doodle-Bug, 1998, oil on canvas, Winged Figures, 1973, bronze 170 x 270 cm (gift of Tom on paper, 20 x 29 ins, No More, THE POTTERIES MUSEUM & ART 183 x 165 cm (OP, JL) cast, edition 2 of 6, 91/2 x 5 x 3 ANDY GOLDSWORTHY Bendhem) 1997/98, gouache, 35 X 8 X 35 cm, GALLERY, STOKE ON TRENT ins and 91/4 x 71/2 x 3 ins, Leaf sculpture, 1986, leaves, gift of the artist in memory of HANNAH STARKEY DOROTHY CROSS presented to Ferens Art perspex box, 6 x 6 x 6 ins, Torn October 1998, 1998, c-type print Teacup, 1998, video monitor Nancy Balfour, presented to John GIFTS AND BEQUESTS Gallery, Hull Stones, ceramic, edition 60 of 180, mounted on aluminium, edition installation (3 min loop), edition 3 Creasey Collection of PRESENTED TO MUSEUMS 2000 presented to Oldham Art Gallery of 5, 122 x 152 cm (NBM, SR) of 3 (HMF, JL) Contemporary Art, Salisbury PRUNELLA CLOUGH ANONYMOUS DONOR NIGEL HALL GLENYS BARTON Enclosed Area, 1980, oil on DAI REES PETER CHATWIN & PAMELA Drawing no 923, 1993, charcoal Little Madonna, 1986, ceramic, canvas, 14 x 14 ins, presented to ROCHDALE ART GALLERY Human Hair Covered Headcage, MARTIN and gouache on paper, 15 x 111/4 height 101/2 ins, Pebble Portrait, Birmingham Museum & Art MARIELE NEUDECKER 1998, turkey quills, human hair, Jagged Edge, 1991, wood veneer inches, presented to ceramic, edition 7 of 50, Gallery, Sweetpack, 1988, oil on Morning Fog in the Mountains, mild steel, 700 x 700 x 300 cm dish with colour inlays, Middlesbrough Art Gallery, 1998, c-type photograph, edition presented to Wakefield Art canvas, 54 x 583/4 ins, presented (CC, JB) 483 x 483 cm, presented to Untitled, 1978, charcoal on paper, of 4, 96.5 x 119.3 cm (EF, SR) Gallery to Christchurch Mansion, Ipswich Portsmouth City Museum and 25 x 351/2 inches, presented to SUNDERLAND MUSEUM & ART Records Service JOHN BELLANY PETER COLLINGWOOD Huddersfield Art Gallery RUGBY ART GALLERY & MUSEUM GALLERY Untitled, 1985, watercolour on Macroganze hanging, linen with HANS HARTUNG MARTIN MCGINN EDWARD HARPER SALLY GREAVES LORD paper, 30 x 22 ins, presented to steel rods, 40 x 241/2 ins, Composition in Black, Yellow and Well, 1999, acrylic and cellulose on Gun St, 2000, acrylic on canvas, Untitled, 1990, natural Rochdale Art Gallery, Caged presented to Bankfield Museum, Green, 1959, pastel and charcoal, canvas, 106.5 x 91.5 cm(EF, SR) 152 x 213 cm (SR) vegetable dyes hand-painted Cockenzie Man, 1985, etching, Halifax 171/2 x 22 ins, presented to on raw silk, 235 x 745 cm, artist’s proof, 91/2 x 61/2 ins, GRAVES ART GALLERY, GLYNN VIVIAN ART GALLERY, Untitled, 1990, natural presented to Cartwright Hall, ALAN DAVIE Middlesbrough Art Gallery SHEFFIELD SWANSEA vegetable dyes hand-painted Bradford, Flowers II, 1989, oil on Three Symbolic Characters, 1967, EWEN HENDERSON VANESSA JOHNSON JULIAN STAIR on raw silk, 235 x 745 cm, canvas, 48 x 36 ins, presented to oil on canvas, 20 x 24 ins, Small bowl and Ceramic, 38 x 21 Salad Tongs, 2000, silver, 26 x Commission of selection of presented to Bankfield Museum, John Creasey Collection of presented to Worcester City Art x 19 cm, presented to Swindon 3.5 cm, Tongs, 2000, silver, ceramics, 1999(porcelain and red Halifax Contemporary Art, Salisbury Gallery & Museum Museum & Art Gallery 19/CAS 20/CAS

PATRICK HERON KENNETH MARTIN HENRY MOORE BRIDGET RILEY JOE TILSON GIFT OF CONTEMPORARY ART London Mini in Red Light, 1970, Oscillation, 1962, phosphor Maquette for Reclining Figure Drawing R1001, 1971, gouache Reflector Column, Ziglical 2, SOCIETY gouache, 7 x 91/2 ins, Two bronze, 61/2 x 31/2 x 21/4 ins, (Two Piece), Version II, 1960, on paper, 34 x 32 ins, presented 1965, oil on wood, aluminium, GERARD WILLIAMS Ochres, Black and Lemon, 1964, presented to The Whitworth Art bronze, height 51/4 ins, presented to Leamington Spa Art Gallery & chromium plated copper, 27 x 12 Held, 1988, mixed media, gouache, 231/2 x 29, presented to Gallery, University of Manchester to The New Art Gallery Walsall Museum, Study October 25th, ins, presented to Herbert Art 48 x 8 x 48 cm, presented to Ferens Art Gallery, Hull MARY MARTIN DAIVD NASH 1986, gouache on paper, 261/4 x Gallery & Museum, Coventry Henry Moore Institute Collection, HOWARD HODGKIN Perspex Group on Red (C), Ladder, 1978, wood, 15 x 3 x 251/4 ins, presented to Rugby DAVID TREMLETT Leeds The Second Visit, 1963, panel, perspex on wood, 91/4 x 91/4 x 5 ins, presented to Glynn Vivian Art Gallery & Museum Tanzania Bus Stop, 1984, conte 16 x 20 ins, presented to 5 ins, presented to The Whitworth Art Gallery, Swansea NIKI DE SAINT PHALLE crayon, 171/2 x 232 ins, presented BEQUEATHED BY SIR MICHAEL Southampton City Art Gallery Art Gallery, University of EDUARDO PAOLOZZI Nana Acrobat, polyester fibre, to Glynn Vivian Art Galler y , CULME-SEYMOUR PETER HOWSON Manchester Hagim, 1967, chrome-plated steel, height 7 ins, presented to Sw a n s e a MAGGI HAMBLING Necropolis, oil on canvas, 191/2 x IAN MCKEEVER unique, 21/2 x 111/4 x 6 ins, Wolverhampton Art Gallery WILLIAM TUCKER Sunrise, Orwell, Suffolk, 191/2 ins, presented to Margaret Study for Painting, 1983, oil on MICHAEL SANDLE Four four-part Sculptures, 1967, Zutrubars, 1975, wood relief, 9 x watercolour on paper, 24 x 30 ins, Harvey Gallery, Hatfield canvas, 10 x 6 ins, Study after Old Maquette for The Drummer, bright steel bar, polished 33/4 x 3/4 ins, presented to presented to Doncaster Museum Trees, 1985, graphite, gouache on 1989, bronze, edition 3 of 8, and lacquered, 41/2 x 1 ins, JAMES HUGONIN Wolverhampton Art Gallery & Art Gallery photographic paper, 48 x 54 ins, 121/2 x 4 x 61/2 ins, presented presented to Towner Art Gallery, Study for Untitled (IV), 1990-91, CORNELIA PARKER oil and wax on wood, 8 x 71/2 ins, Study No.4A, 1997-8, from a to Bolton Museum & Art Gallery Eastbourne series of 5 woodcut monoprints, Falling Trophy, 1991, Jouissance (artist’s book), WILLIAM TURNBULL 98.2 x 72.2 cm, gift of the artist in silver plate, wire, 8 x 91/2 x 31/2 TIM SCOTT GIFTS OF DASHA SHENKMAN, presented to Towner Art Gallery, Arrowhead Torso, 1979, bronze, memory of Nancy Balfour, ins, presented to Rochdale Sistrum I, aluminium, 16 x 5 x IN MEMORY OF HER MOTHER Eastbourne edition of 9, 9 x 7 x 2 ins, presented to Mercer Art Gallery, Art Gallery 3 ins, presented to The New BELLE SHENKMAN presented to Towner Art Gallery, JOHN KEANE Harrogate Walk Museum & Art Gallery, STEPHEN BUCKLEY I’ll Have This One, 1988, acrylic VICTOR PASMORE Leicester Eastbourne BRUCE MCLEAN Maquette for Metamorphosis Untitled, 1978, waxed acrylic on and mixed media on paper, 22 x KEITH VAUGHAN Untitled(Pipe Smoker and Step Mural, 1966, oil on board, 91/4 x WILLIAM SCOTT canvas, 62 x 35 ins, presented 15 ins, presented to Bolton The Wold Farm, 1946, gouache, Ladder), 1984, acrylic on 343/4 ins, presented to Castle Blue on Blue, 1967, oil on to Swindon Museum & Museum & Art Gallery 15 x 11 ins, presented to Newport photographic paper, 273/4 x Museum & Art Gallery, Nottingham canvas, 24 x 24 ins, presented to Art Gallery PHILLIP KING Towner Art Gallery, Eastbourne Museum & Art Gallery 191/2 ins, presented to Margaret JOHN PIPER NIGEL HALL Brick Piece I, mixed media, 11 x SASHA WARDELL Drawing No 447, 1985, charcoal Harvey Gallery, Hatfield Portland Church and Radar Mast, SEAN SCULLY 17 x 16 ins, presented to The New Vase, ceramic, presented to and gouache on paper, F. E. MCWILLIAM gouache, 9 x 61/2 ins, presented Squares No. 7, drawing, Art Gallery Walsall Newport Museum & Art Gallery 75.7 x 56.6 cm, presented to Maquette for the Witch of Aquesi to South London Gallery gouache, 26 x 27 ins, presented JUSTIN KNOWLES II, 1959, bronze, edition of 5, 14 x to Glynn Vivian Art Gallery, ALISON WILDING Huddersfield Art Gallery NICHOLAS POPE Sculpture, perspex and chrome, 51/2 x 31/2 ins, presented to Swansea Venus, 1990, ebony and galen, MARGARET HUNTER Young Tree Column, 1973, prototype, 9 x 9 x 9 ins, Wakefield Art Gallery, Maquette RICHARD SMITH 31/2 x 21/2 x 21/2 ins, Three Dark Holding Together, 1994, wood, oakwood, height 84 ins, presented presented to Wolverhampton for Parents and Children, 1950, Drawing (Black with Blue), 1970, Objects (a), 1999, hemlock (pine), copper, lead, 82 x 33 x 21 cm, Art Gallery to Castle Museum, Norwich plastic wood, 4 x 7 x 61/2 ins, chalk on paper, 30 x 23 ins, lead, wax, 24 x 9 x 4 cms, gift of Passage, 1992, oil on wood, LANGLANDS & BELL Mosaic Sculpture, glass mosaic KENNETH PRICE Work on paper, 1997, gesso, the artist in memory of Nancy 122 x 91.5 cm, presented Bauhaus, 1996, screenprint, tiles, gilded, 8 x 3 x 3 ins, Untitled Cup no.4, 1973/74, acrylic and charcoal on paper, Balfour, presented to Graves Art to Paisley Museum & Art edition 19 of 50, presented to presented to Ulster Museum, ceramic, presented to Newport 30 x 22 ins, gift of the artist in Gallery, Sheffield Galleries Usher Gallery, Lincoln Belfast Museum & Art Gallery memory of Nancy Balfour, BILL WOODROW BILL JACKLIN BERNARD LEACH BERNARD MEADOWS WILLIAM PYE presented to The Whitworth Art Locket and Gold Bow, mixed Man with a Bib, 1980, Fluted porcelain bowl, presented Fallen Bird, 1958, bronze, 151/2 x Four Part Sculpture, 1967, steel, Gallery, University of media, 41/2 x 7 x 19 ins, watercolour, 77.5 x 55.9 cm, to Cecil Higgins Art Gallery, 8 x 7 ins, presented to Victoria Art polished and lacquered, 41/4 x Manchester presented to Mead Gallery, presented to Cecil Higgins Art Bedford Gallery, Bath 61/2 x 6 ins, presented to Herbert WILLIAM TILLYER University of Warwick Gallery, Bedford Art Gallery & Museum, Coventry CHRISTOPHER LE BRUN DENIS MITCHELL The Blue Vase at the Home of MARK ROTHKO MEMORIAL JOHN MONKS Painting, 1982, oil on canvas, Gwennap, 1968, bronze, LUCIE RIE Mrs Lumsden, acrylic on paper PORTFOLIO The Reflection, 1991, oil on 16 x 20 ins, presented to edition 3 of 3, 123/4 x 4 x 41/2 ins, White porcelain bowl with and wire, 221/2 x 181/2 ins, Portfolio of prints by British canvas, 66 x 50 ins , Laing Art Gallery, Newcastle presented to Wakefield pale blue spirals, presented presented to Victoria Art artists published in 1973, presented to York City Art Upon Tyne Art Gallery to Southampton City Art Gallery Gallery, Bath presented to The British Museum Gallery 21/CAS 22/CAS/ SPECIAL COLLECTION SCHEME

RICHARD SMITH presented to Leeds City Art Gallery LOANS TO EXHIBITIONS Cartouche Series V-4, 1979, paper, BERND AND HILLA BECHER EDWARD HARPER pulp and cloth, 60 x 60 ins, Nine framed photog r aphs from Gun St, 2000, lent to Out of Place, pre s e n t ed to John Crea s e y Un t i t l e d , pres e n t ed to Doncas ter Memory, Imagination and the Co l l ection of Contem p o r ary Art, Museum & Art Gallery, City, The Lowry, Salfor d, Year 2000 marked the half way Canada inspiring example of private point in the Special Collection A group of thirty-three curators collecting informed by an intuitive Sa l i s b u r y Hu d d e r sfield Art Gallery and Harris Sept 00-Jan 01 Scheme (SCS). Purchasing took part in our visit to Canada at curatorial approach, which VICTOR VASARELY Museum & Art Gallery, Pres ton DAVID RAYSON Permutation no 3, lithograph, gathered momentum and the end of September. Three days included major works by ANYA GALLACCIO Blackham Road, 1999, lent to Out edition 72 of 150, 67 x 67 cm, museums began to integrate were spent in turn in Montreal, Christian Boltanski, Ge r h a r d Dr awings for Two Sisters, pres e n te d of Place, Memory, Imagination presented to Cecil Higgins Art new acquisitions into their Ottawa, Toronto and Vancouver, Ri c h t er and Shirin Neshat’s now to Fer ens Art Gallery, Hull and the City, see above Gallery, Bedford gallery displays. As before, seeing, as one curator gleefully signature work Turbulent. ILYA AND EMILIA KABAKOV CAS organised two international announced, a total of sixty-five research trips for SCS curators. exhibition and collection venues On the last leg of our tour, Model for The Palace of Projects, GIFTS TO CAS 2001 over twelve days. The itinerary Vancouver, we visited Vancouver GIFTS OF WILLIAM AND DASHA presented to Manchester City BYAM SHAW PORTFOLIO Manifesta included national museums and Art Gallery’s stunning SHENKMAN, IN MEMORY OF Art Gallery Portfolio of ten prints on an In June, a group of thirty curators galleries, independent and contemporary collection based THEIR MOTHER BELLE insect theme: Fiona Banner, LANGLANDS AND BELL visited Manifesta3 a European commercial galleries, artist-led on the theme of modernity, SHENKMAN Tacita Dean, Peter Doig, Anya Technical drawings and scale Biennial of Contemporary Art initiatives and studio visits, with landscape and identity. An ANTHONY DONALDSON Gallaccio, Brad Lochore, Cornelia maquettes for Eclipse, 1998, hosted this year in Ljubljana, an aim to achieve an overview of interview with Jeff Wall was Startracker, presented to Paisley presented to Leeds City Parker, Kathy Prendergast, Yinka Slovenia. It coincided with the contemporary art and craft in arranged and a small group of Museum & Art Galleries Art Gallery/ Henry Moore Shonibare, Gavin Turk, Mark tenth anniversary of the country’s Canada. Our visit was organised curators from SCS and Midland Institute Collection Wallinger, edition of 90 with 15 JOHN HOYLAND independence from Yugoslavia. in collaboration with Michael Band were invited. A further Pact, 31.5.78, 1978, painting, 60 x REGINA MOLLER a/p, each 30.5 x 40.5 cm, gift of The curatorial approach for Regan, Curator at Canadian High highlight was a coach trip 50 ins, presented to York City Art Regina magazine limited edition Tom Bendhem Manifesta3 focussed on artists Commission in London who also up into the mountains north of Gallery special issue, presented to MARK DUNHILL from Eastern Europe whose work secured extra funding for the Vancouver to see the Canadian ANTONI TAPIES member museums within the Art Cocoon, wood, gift of Sir Stephen dealt with the changing social, Midland Band curators to join us landscape which put into context Forma Ombrejada, 1987, etching, Transpennine region Waley-Cohen, presented to political and economic boundaries for the full tour. the experiences of the visit. The aquatint and carborundum, 82 x Bristol City Museums & Art of Europe. Much of the work outcome of our visit has JORGE PARDO 76.5 cm, edition of 99, presented to Gallery presented was film and video. Our visit coincided with the opening established a number of plans to Thirty-five prints from Untitled, RICHARD KIDD of the Montreal Biennale and the exhibit Canadian artists and Graves Art Gallery, Sheffield each 28 x 21.8 cm, presented to Breathing Space, 1976, oil on As part of Manifesta3 events, pre s e n c e of such a large group of collaborations between SCS and WILLIAM TUCKER Leeds City Art Gallery/ Henry canvas, presented to Ulster the Moderna Galerija, Ljubljana, cu ra to r s from Britain attrac te d Midland Band venues. Orpheus I, 1965, painted wood, Moore Institute Collection Museum, Belfast, in memory of launched the ARTEAST2000 much pres s attention. We wer e edition 1 of 3, 54 x 48.5 cm, FRANCOISE QUARDON Hyman Kreitman collection in the former wel comed by Mrs Vivien Stewa r t , Birmingham City Council presented to Manchester City Drawings, written planning Yugoslavian Army barracks in founding member of the recognise the success of the Art Gallery ALAN REYNOLDS notes, graphic lettering, Ljubljana. The collection, Ma c donald Stewart Fou n d a t i o n Special Collection Scheme and as Study for Young September’s developed in the 1990s, which supports the acquisition of a direct result have secured the photocopy-montage, assemblage Cornfield, 1954, gouache and ink, addressed work by artists from de co ra t i v e art for the col l ection of adjacent Water Hall building on ARTRANSPENNINE98 of objects for The Day Before I Die, 9 x 6.5 ins, Modular Study (1), Eastern Europe alongside non- the Musée des Beaux Arts. Of behalf of the museum, as a an international contemporary presented to Leeds City Art 1981, pencil on paper, 13.5 x 11 European artists. The collection particular note in Ottawa was the dedicated space for the display of visual art exhibition recorded Gallery/ Henry Moore Institute ins, given in memory of Ernest of mainly conceptual works from National Gallery, the Department their modern and contemporary THE LEGACY: Collection and Mary Darby by their the 60s & 70s includes of Northern Indian Affai r s, giving collections. The local authority ATELIER VAN LIESHOUT JAMES TURRELL daughters Magadalena Abramovich’s key an insight into issues around the now see con te m p o r ary art and Working sketches and scale Lapsed Quaker Ware, black basalt, MARK WALLINGER film performance Rhythm O, 1974, fi r st-nation communities and the museum as central to the maquette for The Henry Moore white saltglaze, presented to Samizdat, 1984, from early photographic works by Jenny their artistic prac t i c e. cultural strategy and Institute, presented to Leeds Doncaster Museum & Art Gallery Common Grain series, wood Holzer and one of Anish Kapoor’s development of the city. City Art Gallery/ Henry Moore ALISON WILDING from packing case, oil paint, 94 x Void series. The collection has In Toronto, we were impressed by Institute Collection Drawings for Desmormais, 70.5 cm, gift of David and been developed with virtually no the Art Gallery of Ontario, the Mary Doyle, Collections Curator JOSEPH BARTSCHERER presented to Cartwright Hall, Maggi Gordon in memory of budget and has largely benefited Museum of Textiles and the Jessica Wallwork, Assistant 3 framed photographs from Canal, Bradford Max Gordon from artists’ donations. Ydessa Hendles Foundation, an Collections Curator 23/CAS

PURCHASES FOR SPECIAL GRANT MCCAIG MARK WALLINGER COLLECTION SCHEME Water Jug, 2000, silver, gold Threshold to the Kingdom, APRIL 2000 - MARCH 2001 detail, H10.4 mm x D9.6 cm 2000, projected video HIROSHI SUZUKI (commission) installation, 11 min 20 sec, BIRMINGHAM MUSEUM & ART Figure ∆ (Konoe - 1), 2000, silver edition 8 of 10 GALLERY vessel, H30 x D15.5 cm FINE ART MANCHESTER CITY ART SIMON CALLERY TOWNER ART GALLERY, GALLERY Six Pace Painting, 1999, oil on EASTBOURNE FINE ART canvas, 200 x 385 cm RUT BLEES LUXEMBURG RICHARD DEACON PRUNELLA CLOUGH Test of Courage, 2000, c-print on Dumb Bell, 1998, spun Vegetation, 1999, oil on canvas, aluminium, edition 1 of 5, 180 x aluminium, 126 x 110 x 110 cm 240 cm 152 x 184 cm TONY OURSLER JANE HARRIS Crystal Skull, 1998, CD, CD FERENS ART GALLERY, HULL Pine, 1998/99, oil on canvas, player, amplifier, speakers, PHILIP AKKERMAN 193 x 244 cm fibreglass, skull, lightbulb, Self Portrait 1991 No 10, 1991, 68.6 x 56 x 91.5 cm LUBAINA HIMID oil on wood, 40 x 34 cm, Self Plan B, 1999, acrylic on canvas, Portrait 1995 No 68, 1995, oil on 122 x 304 cm My Parents Their wood, 40 x 34 cm, Self Portrait MIDDLESBROUGH ART GALLERY Children, 1986, acrylic on canvas, 1997 No 43, 1997, oil on wood, ADAM DANT 151 x 184 cm, gift of the artist 40 x 34 cm, Self Portrait 1999. Drawing: Untitled 6, 1999, ink on CRAFT No 74, 1999, oil on wood, paper, 304.8 x 152.4 cm MALCOLM APPLEBY 27 x 25 cm, Self portrait 1986 Tidal Waters, 2000, engraved No 43, 1986, oil on wood, CASTLE MUSEUM & ART silver bowl, 28 x 31 cm 40 x 32 cm GALLERY NOTTINGHAM CRAFT ANGELA CORK LEEDS CITY ART GALLERY POLLY BINNS Cutlery Set, 1999, silver, MARK DEAN Serial Shimmers and Shades, stainless steel, 5 items between Ascension (Nothing/Something 1996 and Shallows and 20 and 23 cm in length, Rocking Good), 2000, DVD, black and Shadow, 1996, both linen Vessel, 2000, silver, D7.2 x H7.8 cm white/sound continuous loop, painted and stitched, each GRAHAM CRIMMINS edition 1 of 3, Goin’ Back (The 125 x 185 x 3 cm Set of 6 Spoons, 2000, Britannia Birds/ The Byrds x 32 + 1), 1997, silver, fine silver, gold, 24.5 x DVD colour/sound, 9 min 30 sec, SHELLY GOLDSMITH 5.5 cm, drawings and designs for edition 1 of 3 No Escape: reclaimed dresses Set of Sp o o n s , 2000, 13 var i o u s l y from the children’s home of TACITA DEAN sized sheets Cincinnati, 2000, stitching, heat Trying to Find the Spiral Jetty , transfer printing on three MARIA HANSON 1998, CD, 27 min, edition 2 of 6 Chalice and Communion Cups, dresses, variable sizes ANNELIES STRBA 2000, silver, gold leaf, black acetal, SHIZUKO KIMURA Shades of Times, 2001, video chalice 8 x 9 cm, twelve cups each Life Study I Caribbean 2000, (incorporating 240 images with a 7 x 8 cm, base 140 x 50 cm, unique 2000, cotton, wool thread and sound track by Baby Ford), muslin, 140 x 240 cm SIMONE TEN HOMPEL edition 1 of 5, Bronte Moor, 1996, 5 Silver Spoons, 2000, silver, Wuthering Heights, 1994, Linda LESLEY MITCHISON each 20 cm in length as Isabella, 1996, Sonja as Cathy, Making clothes for children I and WILLIAM KIRK 1996, Haworth, 1996, five II, 1999, cotton, silk, paper, Tumbler Cup, 2000, silver, photographs, edition 2 of 6, polyester yarns, felt, found H5.5 x D7.4 cm 100 x 150 cm materials, each 32 x 36 cm RUT BLEES LUXEMBURG, AFFLICTION, 2000, PURCHASED ON BEHALF OF WOLVERHAMPTON ART GALLERY' MARK WALLINGER, THRESHOLD TO THE KINGDOM, 2000, VIDEO STILL JANE HARRIS, PINE, 1998/99 (D E TA I L ) PURCHASED ON BEHALF OF LEEDS CITY ART GALLERY PURCHASED ON BEHALF OF BIRMINGHAM MUSEUM & ART GALLERY

HIROSHI SUZUKI, FIGUREDELTA, 2000 ANYA GALLACCIO, NOW THE LEAVES ARE FALLING FAST, 2000 MARK DEAN, GOIN’ BACK (THE BIRDS/THE BYRDS X 32 + 1), 1997, DVDSTILL PURCHASED ON BEHALF OF BIRMINGHAM MUSEUM & ART GALLERY PURCHASED ON BEHALF OF SOUTH LONDON GALLERY PURCHASED ON BEHALF OF LEEDS CITY ART GALLERY 28/CAS

SALLY MORFILL GRAHAM GUSSIN WORCESTER MUSEUM & ART enough, 2000, embroidery Spill, 1999, 16mm black/white GALLERY thread, video, monitor, VHS silent film, 12 min PAUL SEAWRIGHT player, continuous loop, unique HILARY LLOYD Tree, Underpass, 1999, c-print GRAYSON PERRY Dawn, 1999, video, unique, on aluminium, edition 2 of 6, Claire’s coming out dress, 2000, 30 min, One minute of water, 144 x 183cm, Fires Belfast silk satin, rayon, lace, life-size 1999, video, unique, Series, 1997, c-print on continuous loop aluminium, edition 2 of 6, SOUTH LONDON GALLERY STEPHEN WILLATS 150 x 150 cm KEITH COVENTRY Dangerous Pathway, 1999, Sceaux Gardens Estate, 1995, super 8 film and VHS video, 14 SPECIAL COLLECTION SCHEME oil on canvas, 97 x 72 cm photographic prints, ink, acrylic LOANS TO EXHIBITIONS ANGUS FAIRHURST paint, photographic dye on card, RICHARD BILLINGHAM A Couple of Differences 41 x 34 cm each Untitled (BW 1), 1990, Between Thinking and Feeling, Untitled (RAL 16), 1994, on 2000, bronze, edition 2 of 6, THE POTTERIES MUSEUM & loan to Richard Billingham, a 31 x 25.5 x 17.5 cm ART GALLERY, STOKE touring exhibition organised by ON TRENT Ikon Gallery, Birmingham, ANYA GALLACCIO CECILE JOHNSON SOLIZ from August 2000 to now the leaves are falling fast , Twenty-eight Pitchers, September 2001 2000, c-print on aluminium, 186 1994-6, clay, wood, paint, SHELLEY GOLDSMITH x 186 x 4 cm 214 x 150 x 23 cm, Fast and No Escape: reclaimed dresses STEPHEN WILLATS Slow Coffee Sets, 1993-6, clay, from the children's home of Creating My Own Journey Sixty Mug and Handle Types, Cincinnati, 2000, on loan to Art November 1998/ April 1999, Three Vases Two Times, Textiles, a touring exhibition 1998/99, six panels, Ten Mugs, Eight Cups and organised by Bury St. Edmunds photographic print and dye, Saucers, watercolours on Art Gallery, from September acrylic paint, laser print, panel paper, 33 x 48 cm 2000 to March 2002 1, 118.5 x 80 cm, panels 2-6, each 116 x 16.5 cm THE NEW ART GALLERY SHIZUKO KIMURA WALSALL Life Study 1 Caribbean 2000, SOUTHAMPTON CITY ART LAYLA CURTIS 2000, on loan to Art Textiles, GALLERY The Thames (North South see above Divide), 2000, collaged road RODERICK BUCHANAN LESLEY MITCHISON maps and perspex, 85 x 153 cm Chasing 1000, 1994, Making clothes for children DVD single screen or monitor, I and II, 1999, on loan to Art 90 min, Change Up, 1998, DVD WOLVERHAMPTON ART Textiles, see above GALLERY two screen video projection, SALLY MORFILL 8 min RICHARD BILLINGHAM Untitled (BW 1), 1990, Enough, 2000, on loan to Art JEREMY DELLER black/white print on aluminium, Textiles, see above I Love Melancholy, 2000, wall edition 1 of 5, 98 x 147 cm, GRAYSON PERRY painting matt emulsion & Untitled (RAL 16), 1994, Claire’s Coming Out Dress, gloss paint, edition 1 of 5, fuji long-life print on 2000, on loan to A Sense of dimensions variable aluminium, edition 4 of 5, Occasion, a touring exhibition LIAM GILLICK 105 x 158 cm organised by Craftspace Touring Continuum 001 Wall Diagrams, RUT BLEES LUXEMBURG in collaboration with mac, 2000, acrylic paint on wall, Affliction, 2000, c-print, edition Birmingham, from November dimensions variable 1 of 5, 180 x 150 cm 2000 to January 2002 RODERICK BUCHANAN, CHANGE UP, 1998, VIDEO STILL (DETAIL), PURCHASED ON BEHALF OF SOUTHAMPTON CITY ART GALLERY 29/CAS/ PROJECTS’ REPORT 30/CAS/ MEMBERS’ EVENTS

Continuing with the promotion 22 March - 30 April 2000 member museum of the CAS The CAS aims to promote the time members and friends of Members were given a tour of collecting contemporary art Mes Péripatéticiennes (My Special Collections Scheme collecting of contemporary art CAS, Richard Sykes and Penny of the collection, including through advice and purchasing, Streetwalkers) by Sharon Kivland operated by CAS. CAS Members and craft through its events. It Mason invited CAS members to approximately 500 works CAS Projects has concentrated Hardback by Nina Saunders shared their evening at ART2001 has a tremendous track record view the eclectic collection of curated by Contemporary Art on the development of employee with the Fair’s media sponsor, of arranging events in Britain modern and contemporary works Society Projects. Extending appreciation within its corporate 10 May - 2 July 2000 The Spectator. and abroad, and works hard to in their beautiful Islington home. throughout the building’s client base. K by Daro Montag continue establishing contacts Well-known for their generosity splendid faux Art Deco interior, The Allotment by Kate Malone Cat Newton-Groves, Projects within the art environment. in holding an annual party for the tour also included a ride in Unilever plc has worked with Director, was invited to The events inform, educate dealers at the end of January’s lifts designed by Eric Gill. Some CAS for more than twenty-one 6 July - 20 August 2000 participate in the Paris and provide an insight into a Art Fair in Islington, we were of the artists featured in the years and since the re-hanging Self-Portrait: Ghost by Steve conference Recontres wide-range of contemporary art very grateful to benefit from collection are: Ian Davenport, of its art collection last year has Bunn Give and Take a selection Professionelle L’Art et le Monde practices. It is important that more of the same and have the Mark Francis, Gilbert and George, hosted more than nine private \of craft presented to museums des Affaires (26 February - we programme a range of opportunity to talk to Richard and Albert Irvin and Bridget Riley. art tours with the assistance of by the Contemporary Art Society 1 March 2001) and chaired a day events, from visits to private Penny about how the collection CAS Projects. These private in 2000. covering issues on corporate art collections, bus tours and had come together. Annual General Meeting: tours are for interested groups, collecting and management. lectures to international graciously hosted by ING not only wishing to view the art 1 September - 15 October 2000 Collaborating with Eric Mézan, biennials and contemporary A day-trip to Paris, this tour Barings, a question and answer collection, but at the same time Cast by Jacqueline Pennell Director of Art Process an artists’ cultural excursions in order to hosted jointly by CAS and Eric session was followed by an experience the interior of Codex by Paul Ryan project agency based in the achieve not only geographical Mézan - one of our French illustrated talk given by Gill Unilever House. Drawing on the Bastille arrondissement of Paris, balance, but the broadest counterparts and a devotee of Hedley featuring highlights of success of these tours, CAS 25 October - 3 December 2000 the workshop day highlighted understanding possible. CASt - gave members the works presented to museums in Projects has successfully In Transit by Michael Pinsky issues such as: opportunity to catch up with some 2000. A guided tour of Baring’s launched an art club for the Guides to The Economist Plaza April 2000 of the most interesting and modern British collection, employees of Unilever offering by Cleo Broda • Art in the Retail Industry Sculpture in Holland Park: A innovative Parisian contemporary featuring works by Lucien them a changing exhibition • Private Art Funds year-long exhibition throughout art. We were able to see a Pissaro, Stanley Spencer, Ivon programme, artists’ talks, 13 December 2000 - • Company Mergers Holland Park, Bronze; A number of commercial and public Hitchens and Paul Nash amongst gallery visits and highlighting 21 January 2001 • Conservation, Presentation celebration of contemporary spaces in the city, including an others, ended the evening. selected works from the Portable Paradise by Zoë Walker and Storage British sculpture, organised artist’s graffiti covered collective, contemporary art collection. While We Sleep by Axel Antas by the Royal Borough of and a range of new galleries on October 2000 Development Securities Kensington & Chelsea in Rue Louise Weiss on the left- Tour of London Print Studio in The Economist continues with 31 January - 1 April 2001 (Projects) Limited commissioned partnership with Sculpture at bank, Par i s ’ equival ent of Hoxto n Westbourne Park. A regional its annual exhibition prog ra m m e . Trailer by Matt Mitchell Dialogue 1 by silversmith, Ane Goodwood. Armed with maps, Sq u a r e. The day ended with a printmaking and computer Assisted and presented by CAS Planisphere by Mike Marshall Christensen for a new office intrepid CAS members braved drinks party at the commercial graphics centre, the studio exists Projects, artists are given the development in Blackfriars bad weather in search of some Galerie Thierry Marlat and an to support artists and those opportunity to show work in the 11 April - 27 May 2001 Court London EC4. Ane fine works of art, following an excellent show of photographs. It interested in learning more about distinguished architectural Mini-Escort by Elizabeth Wright graduated from the Royal College introduction by Ann Elliott was a day full of surprises visual and graphic arts with the space designed by Alison and Sprawl 1:1 by Graham Seaton of Art in 2000. (Sculpture at Goodwood). Artists and contrasts. added aim of helping to make Peter Smithson. showing work included: Edward these arts accessible to all. As ART2001, the 13th London CAS Projects would like to thank Allington, Lynn Chadwick, Laura September 2000 well as organising public arts Juliet Bingham was the Contemporary Art Fair gave Lara Sampson (Project Manager), Ford, Nigel Hall, David Nash, Tour of Unilever House, projects, it also establishes programme co-ordinator on CAS Projects the opportunity Matthew Poole, Sandra Mahon Eduardo Paolozzi, Peter previously the De Keyser Hotel, special projects which support art behalf of CAS Projects from of highlighting advice offered and Andrea Bammuseher for Randall-Page and Bill Woodrow and the London headquarters of education in schools. Members July 1999 up until July 2000. on building a collection, or their support during the year. amongst many others. Unilever for over half a century. were given a fascinating tour of Matthew Poole has replaced commissioning works of art. Its imposing façade, now listed as the print studio, digital studio, Juliet and CAS Projects The supported charity was Cat Newton-Groves May 2000 being of historic interest, is a project studio and gallery space. welcomes him. South London Gallery, a Projects Director Visit to private collection: long- prominent London landmark. Prints were available for sale. 31/CAS 32/CAS/ MEMBER MUSEUMS

The Members’ international trip to donate artworks to public February 2001 FINE ART Newport Museum & Art Gallery Bristol City Museum & Art Gallery to Oporto, Portugal, had a galleries and museums Two photographers, Paul Smith Aberdeen Art Gallery Norwich Castle Museum Cardiff National Museum & Art number of highlights, not least throughout the UK.’ and Tom Hunter, each gave a Bath Victoria Art Gallery Nottingham Castle Museum & Gallery of which was a visit to the Evening Standard 24/11/00 fascinating illustrated talk on Bedford Cecil Higgins Art Gallery Art Gallery Cheltenham Art Gallery & Museum marvellous new national museum their work, how they started their Belfast Ulster Museum Oldham Art Gallery Coventry Herbert Art Gallery & of contemporary art at Serralves. December 2000 careers, commercial pressure, on Birmingham Museum & Art Oxford Ashmolean Museum of Museum Another was the commercial Exclusive tour of collection at being collected by Charles Gallery Art & Archaeology Dudley Broadfield House Glass gallery and private collection private members’ club in Soho: Saatchi; followed by an open Blackpool Grundy Art Gallery Plymouth City Museum & Art Museum of Mario and Paula Sequeira in an introduction by the curator discussion chaired by Gill Hedley. Bolton Museum & Art Gallery Gallery Dundee McManus Galleries Braga. These combined with was followed by a tour which Bradford Cartwright Hall Preston Harris Museum & Art Gateshead Shipley Art Gallery expert guidance through a included talks by three of the March 2001 Bristol City Museum & Art Gallery Gallery Glasgow Art Gallery & Museum number of contemporary art artists featured. A changing Constantine: a tour of a Fine Art Cardiff National Museum & Rochdale Art Gallery Halifax Bankfield Museum venues and the warmest display, artists whose works were shippers gave members the Gallery Rugby Art Gallery & Museum Hove Museum & Art Gallery hospitality, not to mention on show included: Gavin Turk, opportunity to see behind the Coventry Herbert Art Gallery & Salisbury John Creasey Huddersfield Art Gallery excellent food and wine. Damien Hirst, Chris Bucklow, scenes, and included Museum Collection of Contemporary Art Leicester New Walk Museum & Art Peter Newman, Glen Onwin, explanations of all the stages Doncaster Museum & Art Gallery Sheffield Graves Art Gallery Gallery November 2000 Sarah Lucas and Mark Quinn. involved in shipping works of Eastbourne Towner Art Gallery Southampton City Art Gallery Lincoln Usher Gallery A visit to the Freud Museum in art as well as practical Edinburgh Scottish National Stoke on Trent The Potteries Liverpool Walker Art Gallery North London which started with January 2001 demonstrations of handling and Gallery of Modern Art Museum & Art Gallery Manchester City Art Gallery a film show and talk by the CAS again hosted a members’ packing. Transport from central Glasgow Art Gallery & Museum Sunderland Museum & Art Manchester Whitworth Art Gallery, Director, was followed by a evening at ART2001, the London London was provided by Glasgow Hunterian Art Gallery Gallery University of Manchester tour of the house as well as a Contemporary Art Fair, at the Constantine, the experts. Harrogate Mercer Art Gallery Swansea Glynn Vivian Art Middlesbrough Cleveland Crafts talk by the artist Elaine Kowalsky Business Design Centre. Hatfield University of Gallery Centre on her exhibition of work Showcasing around 100 of Visit to private collection: CAS Hertfordshire, Margaret Harvey Swindon Museum & Art Gallery Newport Museum & Art Gallery Parallel Lives. Britain’s contemporary galleries, committee member and recent Gallery Wakefield Art Gallery Nottingham Castle Museum & Art 2000 was the fair’s thirteenth craft buyer for the Society, Janice Huddersfield Art Gallery Walsall The New Art Gallery Gallery ARTfutures, CAS’ annual art year. Members received a Blackburn invited us to her Hull Ferens Art Gallery Walsall Oldham Art Gallery market took place at the complimentary ticket for the beautiful home in West London to Ipswich Christchurch Mansion Warwick University of Warwick Paisley Museum & Art Gallery Barbican Exhibition Hall in the evening event view her remarkable private Leamington Spa Art Gallery & Mead Gallery Plymouth City Museum & Art collection. When explaining how last week of November and first Museum Wolverhampton Art Gallery Gallery An evening event in the company she made her selection of works week of December. 254 works, by Leeds City Art Gallery Worcester City Art Gallery & Portsmouth City Museum & of artist Linda Karshan at the as a buyer for CAS, Janice wrote: both established and new artists, Leicester New Walk Museum & Museum Records Service Redfern Gallery to celebrate the were sold for total of £182,130. Art Gallery, York City Art Gallery Preston Harris Museum & Art publication of her limited edition “I have a strong preference for Lincoln Usher Gallery Gallery ‘The Contemporary Art Society’s book Time Being/le Temps, Lui. work that is individual, with a Liverpool CRAFT Sheffield Graves Art Gallery free annual sale of 1,000 new The book features 10 etchings by creative and distinctive voice, University of Liverpool Aberdeen Art Gallery Southampton artworks not only provides the Karshan, who gave a detailed devoid of gimmickry, not Art Collection City Art Gallery Bedford Cecil Higgins Art Gallery opportunity to buy major names explanation of the ideas behind derivative as is so frequently and Liverpool Walker Art Gallery Southport Atkinson Art Gallery Belfast and up-and-coming artists, but it and the development of her depressingly the case, and London South London Gallery Ulster Museum Stoke on Trent The Potteries also helps to fund CAS’s initiative work up to this point. technically superb.” London Tate Birkenhead Williamson Art Museum & Art Gallery Manchester City Art Gallery Gallery & Museum Swansea Glynn Vivian Art Gallery Manchester The Whitworth Art Birmingham Museum & Art Swindon Museum & Art Gallery Ga l l ery, The Univer sity of Manchester Gallery Wakefield Art Gallery Middlesbrough Art Gallery Blackpool Grundy Art Gallery Warwick Mead Gallery, University Newcastle Upon Tyne Laing Bolton Museum & Art Gallery of Warwick Art Gallery Bradford Cartwright Hall York City Art Gallery 33/CAS/ STATEMENT OF FINANCIAL ACTIVITIES 34/CAS/ BALANCE SHEET CO N T E M P O R A R Y ART SOCIETY GROUP CO N T E M P O R A R Y ART SOCIETY GROUP IN C O R P O R A TING A CONSOLIDATED INCOME & EXPENDITURE ACCOUNT FOR THE YEAR ENDED 31.03.01 AT 31.03.01

Gro u p Ch a r i t y

In c oming Resources Un re st r i c t ed Funds Re st r i c t ed Fun d s Tot al 31.03.01 Year ended 31.03.00 Fi x ed asse t s 31 . 0 3 . 2 0 0 1 31 . 0 3 . 2 0 0 0 31 . 0 3 . 2 0 0 1 31 . 0 3 . 2 0 0 0 £ £ £ £ £ £ £ £

Fee s 13 6 , 5 6 9 - 13 6 , 5 6 9 13 0 , 7 2 4 Tan g i b l e asse t s 2, 2 7 0 2, 2 1 5 1, 3 7 8 2, 1 3 2 Subscriptions & donations 13 1 , 3 9 9 3, 0 0 0 13 4 , 3 9 9 78 , 5 4 4 In ve st m e n t s 18 , 8 7 5 18 , 5 9 4 33 , 8 7 5 33 , 5 9 4 Le g a c i e s - - - 50 , 0 0 0 Works of art 45 , 1 9 5 45 , 1 9 5 45 , 1 9 5 45 , 1 9 5 Arts Council Award 45 , 0 0 0 0 - 45 , 0 0 0 45 , 0 0 0 Arts Council Lottery funding - 28 7 , 1 9 1 28 7 , 1 9 1 26 6 , 4 4 5 66 , 3 4 0 66 , 0 0 4 80 , 4 4 8 80 , 9 2 1 Lo t t ery scheme con t r i b u t i o n s - 6, 2 5 0 6, 2 5 0 15 3 , 7 5 0 Other gran t s - 65 , 0 0 0 65,000 70 , 0 0 0 Cu r r ent asse t s Ti c k et sales for even t s 11 , 2 0 5 - 11 , 2 0 5 30 , 3 1 0 Sto c k s 21 0 , 7 6 4 25 4 , 5 1 5 20 7 , 8 1 0 25 1 , 5 6 1 In te re s t and dividends 16 , 2 7 2 - 16 , 2 7 2 18 , 1 8 5 De b to r s 44 0 , 0 4 3 40 9 , 8 9 0 43 9 , 7 9 4 40 7 , 6 5 7 Other incom e 43 , 2 3 4 - 43 , 2 3 4 53 , 6 0 5 Short term deposits 23 1 , 5 8 4 20 4 , 4 4 3 23 1 , 5 8 4 20 4 , 4 4 3 Cash at bank and in hand 75 , 0 3 8 22 , 7 3 0 18 , 3 7 3 15 , 4 3 7 Tot al income res o u r ces 38 3 , 6 7 9 36 1 , 4 4 1 74 5 , 1 2 0 85 6 , 5 6 3 95 7 , 4 2 9 89 1 , 5 7 8 89 7 , 5 6 1 87 9 , 0 9 8

Re s o u r ces Expended di r ect charitab l e Ad v i c e, training and col l ection support 96 , 0 7 3 10 6 , 8 9 3 20 2 , 9 6 6 19 9 , 9 7 4 Cre d i to r s : amounts falling due within 1 yea r 11 0 , 9 5 4 83 , 0 3 6 65 , 1 9 4 56 , 1 5 8 Art purch a s e s 86 0 30 4 , 9 8 3 30 5 , 8 4 3 39 8 , 3 1 2 Art market 63 , 6 2 6 - 63 , 6 2 6 55 , 3 9 2 Net current asse t s 84 6 , 4 7 5 80 8 , 5 4 2 83 2 , 3 6 7 82 2 , 9 4 0 Me m b e r s’ events and support activities 20 , 0 0 2 - 20 , 0 0 2 45 , 6 1 1 Net asse t s £9 1 2 , 8 1 5 £8 7 4 , 5 4 6 £9 1 2 , 8 1 5 £9 0 3 , 8 6 1 18 0 , 5 6 1 41 1 , 8 7 6 59 2 , 4 3 7 69 9 , 2 8 9 Other Expenditure Re p re s e n t ed by: Fun d r aising and publicity 11 , 9 5 0 - 11 , 9 5 0 9, 7 6 7 Re st r i c t ed income funds 28 6 , 9 9 7 33 7 , 4 3 2 28 6 , 9 9 7 33 7 , 4 3 2 Management and administra t i o n 10 2 , 7 4 5 - 10 2 , 7 4 5 85 , 5 6 0 Un re st r i c t ed funds 62 5 , 8 1 8 53 7 , 1 1 4 62 5 , 8 1 8 56 6 , 4 2 9 Tot al res o u r ces exp e n d e d 29 5 , 2 5 6 41 1 , 8 7 6 70 7 , 1 3 2 79 4 , 6 1 6 Tot al funds £9 1 2 , 8 1 5 £8 7 4 , 5 4 6 £9 1 2 , 8 1 5 £9 0 3 , 8 6 1 Net incoming/(outgoing) res o u r ces 88 , 4 2 3 (5 0 , 4 3 5 ) 37 , 9 8 8 61 , 9 4 7

Re valuation of invest m e n t 28 1 - 28 1 (1 , 7 7 4 )

Net movement of funds 88 , 7 0 4 (5 0 , 4 3 5 ) 38 , 2 6 9 60 , 1 7 3 The financial information set out Trustees’ and auditors’ Fund balances brought for w a r d as res tate d 53 7 , 1 1 4 33 7 , 4 3 2 87 4 , 5 4 6 81 4 , 3 7 3 on pages 30 and 31 is extracted reports giving an unqualified from the full accounts of the opinion can be obtained from Fund balances carried for w a r d as res tate d £6 2 5 , 8 1 8 £2 8 6 , 9 9 7 £9 1 2 , 8 1 5 £8 7 4 , 5 4 6 Society which were approved by the Contemporary Art Society, the Committee on 5 July 2001. 17 Bloomsbury Square, Oliver Prenn Full audited accounts, with the London WC1A 2NG. Chairman, 5 July 2001 The above figures all relate to continuing operations and include all recognised surpluses and deficits. Lottery revenue was overstated in previous year’s accounts. An adjustment was made this year to correct the error. 35/CAS/ ACKNOWLEDGEMENT TO CAS SPONSORS

CAS offers sincere thanks to all individuals and organisations who have helped us to extend our work, and in particular the following:

Arts Council of England for The Esmée Fairbairn Charitable The Paul Hamlyn Foundation their continued donation of Trust enabled CAS to produce for allowing CAS to build fixed term funding, which comprehensive interpretation substantially on initial plans to provides CAS with the vital packs for Distribution 2000, which involve a number of curators support needed to develop accompanied selected works as in a series of carefully our work with museums. resource material for museums’ designed visits. Participants education programmes. concentrated on the problems and possibilities of developing collections while benefiting from visits that looked at exhibition programming and presentation. The Henry Moore Foundation for their generous contribution The Arts Council Lottery Fund for towards annual purchases of having established the Special sculpture and video for the Collection Scheme, a unique CAS would particularly like Distribution Scheme. national project enabling fifteen to thank the Harris Museum, museums and galleries in England Preston for hosting the entire to develop challenging collections Give and Take Distribution of contemporary art and craft. exhibition and for the enthusiasm and generous support of their staff, we would also like to thank The Crafts Council for their the Jerwood Gallery and si g n i f i c ant contribution The Economist for hosting towa r ds the annual the London showing of pu r chase of craft for the The Elephant Trust for their selected purchases. Di s tribution Scheme and for generous grant which has enabled pa r t n e r ship funding to the fou r the Society not only to realise CASt: museums devel oping craf t Contemporary Art Society Tours, Copyright of all images col l ections in the Special but has allowed its growth into a remains with the artist and/or Co l l ection Scheme. highly successful and popular event. their estate.

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ANNUAL REPORT 2000/2001 REPORT ANNUAL

@ DESIGN GIANT ARC DESIGN / STUDIO / DESIGN ARC GIANT DESIGN GIANTARC.CO.UK

PATRON HER MAJESTY QUEEN ELIZABETH THE QUEEN MOTHER

ARTIST PATRONS SIR ANTHONY CARO, OM BRIDGET RILEY, CH

DIRECTOR GILL HEDLEY

PROJECTS DIRECTOR CAT NEWTON-GROVES

COLLECTIONS CURATOR MARY DOYLE

OFFICE MANAGER PAULA HOLLINGS

EVENTS/MEMBERSHIP MANAGER KATE STEEL

ASSISTANT COLLECTIONS CURATOR JESSICA WALLWORK

ARTfutures SELECTOR JENI WALWIN

ACCOUNTANT (PART TIME)

SUZANA BAKAR (FROM APRIL 2000)

192 OVERPRINT 192 192 PANTONE 432 PANTONE